…To the Dolce Vita in Italy
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Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Art of Rome, Florence & Paris
11 or 13 days ART OF ROME, FLORENCE & PARIS FACULTY-LED INTERNATIONAL PROGRAMS ABOUT THIS TOUR Europe’s renowned centers of Renaissance art and architecture come alive as you discover Italy and France. Admire amazing frescoes and craftwork at the Sistine Chapel in Vatican City and the Basilica of St. Francis in Assisi, and enjoy an art-themed walking tour in Florence. End in elegant Paris, where you’ll have the chance to explore the masterpieces that line the halls of the Louvre. Through it all, you’ll return home prepared for whatever path lies ahead of you. Beyond photos and stories, new perspectives and glowing confidence, you’ll have something to carry with you for the rest of your life. It could be an inscription you read on the walls of a famous monument, or perhaps a joke you shared with another student from around the world. The fact is, there’s just something transformative about an EF College Study Tour, and it’s different for every traveler. Once you’ve traveled with us, you’ll know exactly what it is for you. DAY 3: Colosseum DAY 4: St. Peter’s Basilica DAY 5: Basilica of St. Francis DAY 6: Florence DAY 3: Taking a break at the Pantheon ART OF ROME, FLORENCE & PARIS 11 or 13 days INCLUDED ON TOUR: OPTIONAL EXCURSIONS: Round-trip airfare Caravaggio Art Tour • Giverny or Auvers-sur-Oise Land transportation Optional excursions let you incorporate additional Hotel and night train accommodations sites and attractions into your itinerary and make the Breakfast daily and select meals most of your time abroad. -
GREAT SAINTS and SACRED SITES December 26, 2021 - January 6, 2022
Join Fr. Ray Schmidt and St. John ’ s Summer Program pilgrimage to CHRISTMAS PILGRIMAGE TO ITALY'S GREAT SAINTS AND SACRED SITES December 26, 2021 - January 6, 2022 $3,169 per person from Washington D.C. (IAD) (based on double occupancy) With Spiritual Director: Fr. Ray Schmidt For more information or to register visit: www.pilgrimages.com/francisregis Basilica of Our Lady Help of Christians St. Peter’s Square SAMPLE DAY BY DAY ITINERARY Day 1 | Sat, Dec 26: Depart Dulles Chaplet before heading to the NAC for a Holy Hour, International Airport Confessions and fireworks. Late morning pilgrim Mass at St. John's, then travel to Dulles by charter bus. Fly overnight with meals Day 7 | Fri, Jan 01: Rome - Nettuno - Monte served on board. Cassino - Mugnano del Cardinale - Pompei Depart Rome by 7:30am. Bus to Maria Goretti in Day 2 | Sun, Dec 27: Milan - Turin - Milan Nettuno and then bus to Monte Cassino to visit Ben- Arrive in Milan. Visit the grave of St. Gianna Barret- edict and Scolastica, then to Mugnano del Cardinale ta Mola at the Cemetery of Mesero (based upon ear- to see St. Philomena, then to Pompei to the Madon- ly morning arrival) and then bus to Turin and see na del Rosario Sanctuary and Bl. Bartolo Longo. Frassati, Bosco, Savio. Mass at the Basilica of Our Lady Help of Christians in Turin. Bus back to Milan Day 8 | Sat, Jan 02: Pompei - Pagnani - Saler- for dinner. no - Materdomini - San Giovanni Rotondo Begin the day with St. Alphonsus Liguori in Pagnani Day 3 | Mon, Dec 28: Milan - Pavia - Bologna and then travel to see St. -
Grazia International @ MILAN FASHION WEEK February 2012
Grazia International @ MILAN FASHION WEEK February 2012 Celebrating Grazia SOUTH AFRICA and SLOVENIA Walking down the street WHITE fashion exhibition 1-Eureka Zandberg (Grazia South Africa ADV Sales Director), Danielle Weakley (Grazia SA Editor-in-chief), Erika Fantauzzi (Grazia SA Brand Manager), Liezl De Swardt (Grazia SA Publisher), Sandra Gotelli (International Publisher). 2-Liezl De Swardt and Carla Vanni (Grazia International Editor-in-chief) 1 2 Im fuga. Nequis dias dignam que WELCOME NEW EDITIONS sust quia sunt ut ...we’are 20! iumendant faciet Grazia International Network inaugurated the MFW with the launch party for its 2 future editions: Grazia South Africa and Grazia Slovenia reaching the goal of 20 editions worldwide. For the occasion Grazia International Network organized a cocktail party at the exclusive Armani Bamboo bar. The event had an overwhelming response from major advertising clients as well as from Grazia Family in town for fashion week. Easy chic, in Grazia style! 6 1-Jackie Ji (Grazia China Mktg Manager). 2-Lara Milanovic and Svetlana Preradovic (Grazia Serbia). 3-Mario Boselli(President 7 of Camera della Moda Italiana). 8 4-Aeffe team with 5 Mattia Mondani 1 (ADV International 2 Manager). 5-Tamu 3 McPherson (Head of Grazia.it). 4 6-Mattia Mondani, Patrizia Migliorini and Riccardo Sciutto (Tod’s Group).7- Vera MOntanari (Grazia Italy Editor-in- chief), Patrizia Migliorini and Ugo Tizzani (Who‘s Who). 8-Julia Chayko (Grazia Russia Fashion Editor), Dragana Andjic (Grazia Brand Manager), Amalia Mariotti (Sales Manager), Aliona Peneva (Grazia Russia Editor-in-chief). Conquering the streets at MFW STREET MARKETING DAY ONE Grazia International Network kick started the fashion week with a colourful “attack”! The lenses of the numerous photographers were all for our seven models who made their street runaway in front of the main Milanese catwalks, holding each a pink fluorescent letter composing Grazia International Network logo. -
Italian Fashion & Innovation
Italian Fashion & Innovation Derek Pante Azmina Karimi Morgan Taylor Russell Taylor Introduction In Spring 2008, the Italia Design team researched the fashion industry in Italy, and discussed briefly how it fits into Italy’s overall innovation. The global public’s perception of Italy and Italian Design rests to some degree on the visibility and success of Fashion Design. The fashion and design industries account for a large percentage of Milan’s total economic output— as Milan goes economically, so goes Italy (Foot, 2001). Fashion Design clearly contributes to “brand Italia,” as well as to Italian culture generally. Yet, fashion is not our focus in this study: innovation and design is. Fashion’s goals are not the same as design. For one, fashion operates on “style,” design works on “language,” and style to a serious designer is usually the opposite of good design. Yet to ignore the area possibly creates a blind spot. With the resource this year of some students with great interest in this area it was decided that we should begin to investigate how fashion in Italy contributes to innovation, and how fashion in Milan and other centers in the North of Italy sustain “Creative Centers” where measurable agglomeration (a sign of innovation) occurs. Delving into Italian Fashion allowed us to rethink certain paradigms. For one, how we look at Florence as a design center. Florence has very little Industrial Design and, because of the city’s UNESCO World Heritage designation, has very little contemporary architectural culture. This reality became clear after four years of returning to the Renaissance city. -
Strumenti Per La Didattica E La Ricerca
strumenti per la didattica e la ricerca – 94 – Brand-building: the creative city a critical look at current concepts and practices edited by serena Vicari Haddock Firenze university press 2010 Brand-building : the creative city : a critical look at current concepts and practices / a cura di serena Vicari Haddock. – Firenze : Firenze university press, 2010. (strumenti per la didattica e la ricerca ; 94) http://digital.casalini.it/9788884535405 isBn 978-88-8453-524-5 (print) isBn 978-88-8453-540-5 (online) cover illustration @ phil Haddock, city of Words, detail. the publication of this book was made possible by a financial contribution coming from the eu research training network: Urban Europe between Identity and Change (UrbEurope); contract nr: HPRN-CT-2002-00227 (01-09-2002 - 31-08-06), and from the EU coordina- tion action: Growing Inequality and Social Innovation: Alternative Knowledge and Practice in Overcoming Social Exclusion in Europe (Katarsis); contract nr: cit5-ct-2006-029044 (05-01- 2006 – 30-11-2009). progetto grafico di alberto pizarro Fernández © 2010 Firenze university press università degli studi di Firenze Firenze university press Borgo albizi, 28, 50122 Firenze, italy http://www.fupress.com/ Printed in Italy ContentsCapitolo Foreword 7 introduction 13 M. d’Ovidio, S. Vicari Haddock chapter 1 Branding the creative city 17 S. Vicari Haddock chapter 2 the creative city imaginary 39 A. Vanolo chapter 3 site-specificity and urban icons in the light of the creative city marketing 61 B. Springer chapter 4 creating a creative city: discussing the discourse that is transforming the city 83 J. Kulonpalo chapter 5 the city that Was creative and did not Know: manchester and popular music 1976-1997 95 G. -
The Soundscape of the Trevi Fountain in Covid-19 Silence Received Jul 15, 2020; Accepted Sep 28, 2020 1 Introduction
Noise Mapp. 2020; 7:212–222 Research Article Enza De Lauro*, Mariarosaria Falanga, and Laura Tedeschini Lalli The soundscape of the Trevi fountain in Covid-19 silence https://doi.org/10.1515/noise-2020-0018 Received Jul 15, 2020; accepted Sep 28, 2020 1 Introduction Abstract: This paper is devoted to the analyses of sound- This paper is about the soundscape of the famous Piazza scape at fontana di Trevi in Rome (Italy) with the aim to Fontana di Trevi in Rome. The piazza itself is a culturally compare its characteristics during the Italian lockdown important place, so that a study of the "sound signature" due to the (Sars-COV2) Covid-19 sanitary emergency and its of the fountain is important for heritage studies. In this pa- characteristics before and after such time. The lockdown per we address the differences that can be objectively mea- has represented an exceptional environment due to the sured in very different situations regarding background silence everywhere, never occurred in centuries, offering noise. the opportunity to recognize the "signature" of the sound At the end of December 2019, in a market of Wuhan in the emitted by the famous Fontana di Trevi and recognize Hubei Province (China), there was a first documented case how it interacts with other features. The signature is im- of anomalous pneumonia, thereafter denominated Covid- portant for preservation issues and cultural heritage. The 19 disease. On January 9, 2020, the Chinese CDC reported soundscape was documented in a field survey by means of that this anomalous pneumonia was due to a new coro- hand held microphones, which acquired simultaneously navirus that was responsible of a Severe Acute Respira- the acoustic wavefield all around the fountain. -
Trevi Fountain Rome, Italy Trevi Fountain: Rome, Italy the Architects
Trevi Fountain Rome, Italy Trevi Fountain: Rome, Italy The Architects The Trevi Fountain (Fontana di Trevi) is the most famous and arguably Little of Nicola Salvi’s (1697–1751) work beyond the Trevi Fountain remains the most beautiful fountain in Rome. This impressive Baroque-styled today and relatively little is known of the architect himself. He was monument was completed in 1762 and still dominates the small Trevi admitted to the Roman Academy of Arcadia in 1717 and only became square located in the city’s Quirinale district. an architect after studying mathematics and philosophy. His friend and colleague, the sculptor Pietro Bracci (1700–1773), would eventually go on to complete the fountain. Bracci’s most famous piece of work, the statue of Oceanus, forms the centerpiece of the fountain. 2 History The imposing fountain sits at the junction of three roads, or tre vie, which many believe gave the fountain its name, and marks the terminal point of one of the original aqueducts that supplied water to ancient Rome. Built by Marcu Vipsanius Agrippa in 19 BC, the Aqua Virgo aqueduct was over 13 miles (21 km) long and even then had a fountain at its terminus. The aqueduct and fountain served Rome for over 400 years, but after the invasion of the Goths in AD 537, the aqueduct was cut off and the final portion abandoned, forcing the medieval Romans to draw water from wells and the River Tiber. It would be over 1,000 years, and the advent of the Early Renaissance period, before a fountain would again stand in the location we know today. -
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FREE MAP 7 9 8 VISITOR CENTER 7 1 6 ARTE RELIGIOSA CAPRIOTTI SIGHTSEEING CENTER VIA G. AMENDOLA 32 2 5 PanamicOPEN TOUR Hop-on Hop-off TERMINI SANTA MARIA MAGGIORE COLOSSEO 3 BOCCA DELLA VERITÀ/CIRCO MASSIMO PIAZZA VENEZIA/CAMPIDOGLIO VATICANO/MUSEI VATICANI PIAZZA NAVONA/PANTHEON/CASTEL SANT'ANGELO FONTANA DI TREVI/PIAZZA DI SPAGNA VILLA BORGHESE/VIA VENETO PIAZZA BARBERINI 4 bus evy 10 minutes Since 1978 more than 28.000.000 satisfied customers Bk yr tr he! TOUR 9 TOUR 6 Ancient Castelli Ostia Romani AFTERNOON r FRASCATI, CASTELGANDOLFO, GROTTAFERRATA AND t BEAUTY MEDIEVAL VILLAGES OUTSIDE ROME THE PORT OF ANCIENT ROME. PORTA ROMANA, TERME DI NETTUNO, THERMOPOLIUM. ded € 52,00 p.p. Gui € 60,00 p.p. TOUR 1 Excsis Classical Excsis TOUR 7 TOUR 13 TOUR 17 Rome Tivoli Assisi Florence Orvieto MORNING TREVI FOUNTAIN, PANTHEON, PIAZZA NAVONA, CASTEL SANT'ANGELO (no visit), ST. PETER’S BASILICA (WITH PAPAL BLESSING ON SUNDAYS) ST FRANCIS’ BASILICA, SANTA MARIA DEGLI ANGELI, THE CRADLE OF THE RENAISSANCE PERIOD. DAVID BY MICHELANGELO, VILLA ADRIANA, VILLA D’ESTE AND ITS FOUNTAINS € 41,00 p.p. CHAPEL OF PORZIUNCOLA CATHEDRAL OF SANTA MARIA DEL FIORE, GIOTTO’S BELL TOWER AND € 106,00 p.p. PIAZZA DELLA SIGNORIA € 66,00 p.p. CityCity TrTr € 156,00 p.p. TOUR 3 TOUR 10 TOUR 2 Vatican TOUR 15 Illuminated TOUR 12 TOUR 14 Imperial Museums Naples Rome Rome Rome by Capri Pompeii SKIP THE LINE night Blue Grotto* SKIP THE LINE MORNING/ with dinner AFTERNOON AFTERNOON VATICAN MUSEUMS, SISTINE CHAPEL, ST. PETER’S BASILICA COLOSSEUM, ST. -
Qt7hq5t8mm.Pdf
UC Berkeley Room One Thousand Title Water's Pilgrimage in Rome Permalink https://escholarship.org/uc/item/7hq5t8mm Journal Room One Thousand, 3(3) ISSN 2328-4161 Author Rinne, Katherine Publication Date 2015 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Katherine Rinne Illustration by Rebecca Sunter Water’s Pilgrimage in Rome “If I were called in To construct a religion I should make use of water.” From Philip Larkin, “Water,” 1964 Rome is one of the world’s most hallowed pilgrimage destinations. Each year, the Eternal City’s numinous qualities draw millions of devout Christians to undertake a pilgrimage there just as they have for nearly two millennia. Visiting the most venerable sites, culminating with St. Peter’s, the Mother Church of Catholicism, the processional journey often reinvigorates faith among believers. It is a cleansing experience for them, a reflective pause in their daily lives and yearly routines. Millions more arrive in Rome with more secular agendas. With equal zeal they set out on touristic, educational, gastronomic, and retail pilgrimages. Indeed, when in Rome, I dedicate at least a full and fervent day to “La Sacra Giornata di Acquistare le Scarpe,” the holy day of shoe shopping, when I visit each of my favorite stores like so many shrines along a sacred way. Although shoes are crucial to our narrative and to the completion of any pilgrimage conducted on Opposite: The Trevi Fountain, 2007. Photo by David Iliff; License: CC-BY-SA 3.0. 27 Katherine Rinne foot, our interest in this essay lies elsewhere, in rededicating Rome’s vital role as a city of reflective pilgrimage by divining water’s hidden course beneath our feet (in shoes, old or new) as it flows out to public fountains in an otherwise parched city. -
RFH Hotel De Russie CI Factsheet July 15
The fascination of Rome is MEETINGS & EVENTS endless – from the grandeur of the classical age to the beauty • 4 meeting rooms for up to 90 of the Renaissance through to delegates the modern elegance of today. • All rooms with natural daylight Located between the Spanish and Wi-Fi access A ROCCO FORTE HOTEL Steps and Piazza del Popolo, • Alfresco private events in Hotel de Russie is considered by the Secret Garden many as one of the city’s greatest • In-house florist treasures – a tranquil retreat amid a vibrant city. Guests are ideally • External parking available positioned to explore the many OTHER FACILITIES wonders of the Eternal City, including the Vatican, Piazza ACCOMMODATION Navona, the Trevi Fountain and • 88 bedrooms the designer boutiques of Via del • 33 suites Babuino and Via Condotti. RESTAURANT & BAR The hotel has an extraordinary • Le Jardin de Russie with terrace Secret Garden where guests • Stravinskij Bar with terrace can dine alfresco, or enjoy a Piazza del Popolo quiet stroll. Le Jardin de Russie DE RUSSIE SPA Villa Viale Borghese de lla • Tr Salt water hydropool Santa Maria in serves an Italian menu created it del Miracoli à dei M V on ia ti Marg by internationally renowned a • Gym tt V utta e ia d el Rip All Saints Church i B chef Fulvio Pierangelini and the d a bu a • i Sauna and Turkish steam room ino V Vi a a ttori de i Via V Trinità dei Monti Stravinskij Bar is a popular place l C • o 6 treatment rooms (including a rs o Piazza di for an aperitif or a light lunch. -
101 CC1 Concepts of Fashion
CONCEPT OF FASHION BFA(F)- 101 CC1 Directorate of Distance Education SWAMI VIVEKANAND SUBHARTI UNIVERSITY MEERUT 250005 UTTAR PRADESH SIM MOUDLE DEVELOPED BY: Reviewed by the study Material Assessment Committed Comprising: 1. Dr. N.K.Ahuja, Vice Chancellor Copyright © Publishers Grid No part of this publication which is material protected by this copyright notice may be reproduce or transmitted or utilized or store in any form or by any means now know or here in after invented, electronic, digital or mechanical. Including, photocopying, scanning, recording or by any informa- tion storage or retrieval system, without prior permission from the publisher. Information contained in this book has been published by Publishers Grid and Publishers. and has been obtained by its author from sources believed to be reliable and are correct to the best of their knowledge. However, the publisher and author shall in no event be liable for any errors, omission or damages arising out of this information and specially disclaim and implied warranties or merchantability or fitness for any particular use. Published by: Publishers Grid 4857/24, Ansari Road, Darya ganj, New Delhi-110002. Tel: 9899459633, 7982859204 E-mail: [email protected], [email protected] Printed by: A3 Digital Press Edition : 2021 CONTENTS 1. Introduction to Fashion 5-47 2. Fashion Forecasting 48-69 3. Theories of Fashion, Factors Affecting Fashion 70-96 4. Components of Fashion 97-112 5. Principle of Fashion and Fashion Cycle 113-128 6. Fashion Centres in the World 129-154 7. Study of the Renowned Fashion Designers 155-191 8. Careers in Fashion and Apparel Industry 192-217 9.