DOCSLIB.ORG

Art of Rome, Florence & Paris

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Art of Rome, Florence & Paris 11 or 13 days ART OF ROME, FLORENCE & PARIS FACULTY-LED INTERNATIONAL PROGRAMS ABOUT THIS TOUR Europe’s renowned centers of Renaissance art and architecture come alive as you discover Italy and France. Admire amazing frescoes and craftwork at the Sistine Chapel in Vatican City and the Basilica of St. Francis in Assisi, and enjoy an art-themed walking tour in Florence. End in elegant Paris, where you’ll have the chance to explore the masterpieces that line the halls of the Louvre. Through it all, you’ll return home prepared for whatever path lies ahead of you. Beyond photos and stories, new perspectives and glowing confidence, you’ll have something to carry with you for the rest of your life. It could be an inscription you read on the walls of a famous monument, or perhaps a joke you shared with another student from around the world. The fact is, there’s just something transformative about an EF College Study Tour, and it’s different for every traveler. Once you’ve traveled with us, you’ll know exactly what it is for you. DAY 3: Colosseum DAY 4: St. Peter’s Basilica DAY 5: Basilica of St. Francis DAY 6: Florence DAY 3: Taking a break at the Pantheon ART OF ROME, FLORENCE & PARIS 11 or 13 days INCLUDED ON TOUR: OPTIONAL EXCURSIONS: Round-trip airfare Caravaggio Art Tour • Giverny or Auvers-sur-Oise Land transportation Optional excursions let you incorporate additional Hotel and night train accommodations sites and attractions into your itinerary and make the Breakfast daily and select meals most of your time abroad. Full-time Tour Director Sightseeing tours and visits to special attractions Free time to study and explore EXTENSION: Amsterdam (2 days) FOR MORE INFORMATION: Extend your tour and enjoy extra time exploring your efcollegestudytours.com/PROA destination or seeing a new place at a great value. DAY 8: Arc de Triomphe DAY 8: Notre Dame DAY 9: Louvre DAY 11: Amsterdam DAY 1 FLY TO ITALY featuring the Italian artist’s work. At Santa DAY 8 PARIS draw is the building itself. Built for the 1900 Meet your group and travel on an overnight Maria del Popolo you will see Conversion of Sightseeing tour of Paris • Get a taste of Universal Exposition, the Gare d’Orsay fl ight to Rome. St. Paul and The Crucifi xion of St. Peter. San Parisian style as you ride down the famous functioned as a train station until 1939 and Luigi dei Francesi is home to the Matthew Champs-Élysées. You’ll pass by grand was converted into a museum in 1986. DAY 2 ROME trilogy: The Calling of Saint Matthew, St. monuments, including the obelisk in the The museum is noted for its collection of Arrive in Rome • Welcome to Rome! Matthew and the Angels and The Martyrdom Place de la Concorde and the Arc de Impressionist paintings—a walk through the Depending on your arrival time, you may have of Saint Matthew. At Chiesa di Sant’Agostino, Triomphe. Next, strike a pose in front of upper gallery will reveal works by Monet, free time to settle in and explore the city on behold the Madonna di Loreto and learn the Eiffel Tower. When you see the lush Renoir, Degas, Sisley and Pissarro. your own. This evening, get to know your tour about the artist. and beautiful gardens of Les Tuileries, it’s Optional: Giverny or Auvers-sur-Oise group over a welcome pizza dinner. easy to forget the turbulent history of this (seasonal) • Join an optional half-day DAY 5 ASSISI • FLORENCE sophisticated city. excursion to the village of Giverny, where DAY 3 ROME Travel to Assisi • Travel to Assisi, whose Notre Dame Cathedral • Admire Notre impressionist painter Claude Monet lived for Sightseeing tour of Rome • Walk through religious signifi cance and outstanding Dame’s sculptured façade, stained-glass rose more than 40 years. Or head for Auvers-sur- the Colosseum, the world’s most famous Renaissance art draw visitors from every windows and seemingly weightless vaulted Oise, where Vincent Van Gogh worked and arena. Here, you can almost hear the corner of the globe. You’ll see the Basilica of ceilings. This evening, return to Paris and resided until his death. stamping feet of the crowds gathered for St. Francis, where Giotto’s painted frescoes enjoy dinner in the Latin Quarter. gladiatorial combat. Nearby, the ruins of the illustrate the life of one of Italy’s most beloved DAY 11 DEPART FOR HOME Roman Forum mark the former heart of the saints. Then, continue on to Florence. DAY 9 PARIS Roman Empire. Julius Caesar gave many of Sightseeing tour of the Louvre • An expert 2-DAY TOUR EXTENSION his political speeches on this site. DAY 6 FLORENCE guide will share insights about the artwork DAY 11 AMSTERDAM Rome on foot • On your self-guided walking Art tour of Florence • Take a tour of and artists represented at the incomparable Travel to Amsterdam • Travel by high-speed tour, view the Pantheon, built to honor all the Florence today with an expert local guide. Louvre during a guided tour for your group. train to Amsterdam. gods of Rome. Continue to the grand Piazza As the birthplace of the Italian Renaissance, Built to defend the city in the 13th century, Rijksmuseum • Spend the afternoon Navona and the Spanish Steps, Europe’s Florence is home to some of the world’s the Louvre today safeguards one of the admiring works, including Rembrandt’s The widest staircase. Before you say “arrivederci,” most exquisite art and architecture. Explore world’s greatest art collections. Enter the Night Watch, at the Dutch national museum. toss a coin into the Trevi Fountain to ensure the ideas of power and patronage during the museum through world-renowned architect a return trip to the Eternal City. Renaissance, and discuss the social, political I. M. Pei’s glass pyramid, constructed in DAY 12 AMSTERDAM and artistic implications of the era. 1989. Inside, discover priceless antiquities Sightseeing tour of Amsterdam • A local DAY 4 ROME Accademia • Admire Michelangelo’s original from Asia, Greece and Rome. You’ll also see guide will show you the Westerkerk (West Sightseeing tour of Vatican City • On statue of David inside Florence’s acclaimed precious objects from the Middle Ages and Church), where Rembrandt is buried. Pass by your sightseeing tour, look for the papal Accademia Gallery. The museum also the Renaissance, as well as iconic European the fl ower markets—Amsterdam is known protectors who fl ank the entrance to St. houses the artist’s four famous unfi nished paintings such as the Mona Lisa. for its colorful tulips. See the Koninklijk Peter’s Basilica—they’re the highly trained statues, the Prisoners. Atelier visit* • See where working Parisian Paleis (Royal Palace), once the home of soldiers of the Vatican City’s Pontifi cal Swiss artists draw their inspiration on your visit to an the Dutch Royal Family, before continuing Guard. Inside, pass under gilded archways DAY 7 FLORENCE • NIGHT TRAIN atelier. You can fi nd everything from potters’ to Rembrandtplein, a bustling square that before visiting the saint’s tomb. Experience Uffi zi Gallery • See Boticelli’s famous Birth wheels to fashion mannequins to canvasses comes alive at night. Michelangelo’s breathtaking frescos at the of Venus painting up close. Study the details that stretch to the ceiling inside. Anne Frank House • Then, visit the Anne Sistine Chapel. of Leonardo da Vinci’s Annunciation in front of Frank House, where the young girl hid with Optional: Caravaggio Art Tour • the masterpiece. The Uffi zi is one of the oldest DAY 10 PARIS her family from 1942 to 1944. Michelangelo Merisi da Caravaggio had a and most renowned museums in the world. Sightseeing tour of the Musée d’Orsay • formative infl uence on the Baroque school of Night train to Paris • Board an overnight Today, an expert guide will introduce you to DAY 13 DEPART FOR HOME painting, and this tour visits three churches train for your transfer to Paris. the Museé d’Orsay. Part of this museum’s *Subject to availability WEB EFCOLLEGESTUDYTOURS.COM/PROA PHONE 877.485.4184 WHAT OUR TRAVELERS SAY BARBARA L. ERIN H. CHELSEA S. VIRGINA M. Concordia University Itasca Community College Northern Oklahoma College Palo Alto College Portland, OR Grand Rapids, MN Stillwater, OK San Antonio, TX “The overall experience of the trip was “I had such an amazing time, and I “I can’t believe we had the opportunity “Every student should go. I enjoyed amazing, unforgettable. I went on the learned so much. We saw so many to see and do so many things for what flying to a foreign country, getting tour not knowing many of the students different sights. My experiences we paid. I traveled on my own soon completely out of my comfort zone and in my group, and came back with really enriched my understanding of another after my trip, and the flight alone cost truly seeing what this world has to of- good friends and amazing memories. culture, and created a realistic concept more than the entire tour—which fer. We tried new food, spoke different With the guidance of the Tour Director, of an entirely foreign culture I would included meals, shows, tourist sites. languages, and saw so many of the I got to experience new culture without never have been exposed to I will never ever forget this experience. best sights on our walking tours. I love feeling completely lost. I now know that otherwise.” You’d be crazy not to take a tour with history, and being able to experience I can succeed and survive in a foreign EF—they take great care of you.” what I’ve studied for years was so mov- country.” ing it left me speechless.
Load more

Recommended publications
  • Thesis the Artist and His Model in an Interior Space
    THESIS THE ARTIST AND HIS MODEL IN AN INTERIOR SPACE Submitted by Jorge Luis Varona Art Department In partial fulfillment of the requirements for the Degree of Master of Fine Arts Colorado State University Fort Collins, Colorado Spring 1984 COLORADO STATE UNIVERSITY Spring, 1984 WE HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER OUR SUPERVISION BY JORGE LUIS VARONA ENTITLED THE ARTIST AND HIS MODEL IN AN INTERIOR SPACE BE ACCEPTED AS FULFILLING IN PART REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS. Committee on Graduate Wo1i·k ) ·'/l ;;. .r.· ttwL,., .. I ii ABSTRACT OF THESIS THE ARTIST AND HIS MODEL IN AN INTERIOR SPACE An exploration of visual, psychological, and atmospheric qualities of the figure in an interior space relative to other objects and figures. There is also consideration of the space in relationship to the canvas which the viewer occupies in observing the paintings. Jorge Luis Varona Art Department Colorado State University Fort Collins, Colorado 80523 Spring, 1984 iii DEDICATION To my wife, Iliana, who posed for so many hours in sickness and in heal th, because she loves me and believes in me. She is my inspiration. iv TABLE OF CONTENTS Page THESIS STATEMENT •. 1 DOCUMENTATION • • 6 v LIST OF FIGURES Figure 1 Ballerina - oil on canvas - 14" x 24" 6 2 The Model Sleeps - oil on masonite - 12" x 18" 7 3 Self-portrait - oil on canvas - 20" x 27" 8 4 Another World - oil on masonite - 12" x 16" . 9 5 Without Hands, Without Feet - oil on masonite - 15" x 24" . • • . • . • . • . 10 6 2 Paintings - 2 Realities - oil on canvas - 16" x 20" .
    [Show full text]
  • GREAT SAINTS and SACRED SITES December 26, 2021 - January 6, 2022
    Join Fr. Ray Schmidt and St. John ’ s Summer Program pilgrimage to CHRISTMAS PILGRIMAGE TO ITALY'S GREAT SAINTS AND SACRED SITES December 26, 2021 - January 6, 2022 $3,169 per person from Washington D.C. (IAD) (based on double occupancy) With Spiritual Director: Fr. Ray Schmidt For more information or to register visit: www.pilgrimages.com/francisregis Basilica of Our Lady Help of Christians St. Peter’s Square SAMPLE DAY BY DAY ITINERARY Day 1 | Sat, Dec 26: Depart Dulles Chaplet before heading to the NAC for a Holy Hour, International Airport Confessions and fireworks. Late morning pilgrim Mass at St. John's, then travel to Dulles by charter bus. Fly overnight with meals Day 7 | Fri, Jan 01: Rome - Nettuno - Monte served on board. Cassino - Mugnano del Cardinale - Pompei Depart Rome by 7:30am. Bus to Maria Goretti in Day 2 | Sun, Dec 27: Milan - Turin - Milan Nettuno and then bus to Monte Cassino to visit Ben- Arrive in Milan. Visit the grave of St. Gianna Barret- edict and Scolastica, then to Mugnano del Cardinale ta Mola at the Cemetery of Mesero (based upon ear- to see St. Philomena, then to Pompei to the Madon- ly morning arrival) and then bus to Turin and see na del Rosario Sanctuary and Bl. Bartolo Longo. Frassati, Bosco, Savio. Mass at the Basilica of Our Lady Help of Christians in Turin. Bus back to Milan Day 8 | Sat, Jan 02: Pompei - Pagnani - Saler- for dinner. no - Materdomini - San Giovanni Rotondo Begin the day with St. Alphonsus Liguori in Pagnani Day 3 | Mon, Dec 28: Milan - Pavia - Bologna and then travel to see St.
    [Show full text]
  • PICASSO Les Livres D’Artiste E T Tis R a D’ S Vre Li S Le PICASSO
    PICASSO LES LIVRES d’ARTISTE The collection of Mr. A*** collection ofThe Mr. d’artiste livres Les PICASSO PICASSO Les livres d’artiste The collection of Mr. A*** Author’s note Years ago, at the University of Washington, I had the opportunity to teach a class on the ”Late Picasso.” For a specialist in nineteenth-century art, this was a particularly exciting and daunting opportunity, and one that would prove formative to my thinking about art’s history. Picasso does not allow for temporalization the way many other artists do: his late works harken back to old masterpieces just as his early works are themselves masterpieces before their time, and the many years of his long career comprise a host of “periods” overlapping and quoting one another in a form of historico-cubist play that is particularly Picassian itself. Picasso’s ability to engage the art-historical canon in new and complex ways was in no small part influenced by his collaborative projects. It is thus with great joy that I return to the varied treasures that constitute the artist’s immense creative output, this time from the perspective of his livres d’artiste, works singularly able to point up his transcendence across time, media, and culture. It is a joy and a privilege to be able to work with such an incredible collection, and I am very grateful to Mr. A***, and to Umberto Pregliasco and Filippo Rotundo for the opportunity to contribute to this fascinating project. The writing of this catalogue is indebted to the work of Sebastian Goeppert, Herma Goeppert-Frank, and Patrick Cramer, whose Pablo Picasso.
    [Show full text]
  • Holding the Museum in the Palm of Your Hand Susan Hazan
    Holding the Museum in the Palm of your Hand Susan Hazan Introduction: the quintessence of the museum Google Art Project and Europeana: background Transmitting tangibility; the essence of the embodied gallery and the physical object Disseminating intangibility; the descriptive qualities of textural metadata Web 1.0 versus Web 2.0 scenarios Conclusion: the loss and the gain Introduction: the quintessence of the museum When we visit a library or archive, we typically expect to find printed material, books, publications and documents. However, when we go to a museum – either in person or online – we expect a very different kind of experience. The physical museum invites us to discover exceptional and often extraordinary kinds of objects, and accordingly, when these very same objects are delivered online, they are managed very differently from the way books are managed by libraries, or the way that archives manage hierarchal documents. As the footprint of the physical museum, an online museum is therefore orchestrated to convey the singular and often spectacular nature of the objects, as well as the very quintessence of the physical museum. This means that as objects, and works of art make their screen debut, the website needs to communicate not only the physicality of the objects but also to signify - in some way - the embodied space of the gallery. As if we have just passed through the physical front door of the museum, the electronic portal signifies entrance to the online museum, setting up the collections accordingly. Objects are not simply displayed as clutches of atomized objects, but are arranged in thematic order – as a collection or exhibition – according to a chronological logic, historical narrative, provenance, or according to artists or schools of art, just in the same way that they are presented in the physical museum1.
    [Show full text]
  • Press Information
    PRESS INFORMATION PICASSO IN ISTANBUL SAKIP SABANCI MUSEUM, ISTANBUL 24 November 2005 to 26 March 2006 Press enquiries: Erica Bolton and Jane Quinn 10 Pottery Lane London W11 4LZ Tel: 020 7221 5000 Fax: 020 7221 8100 [email protected] Contents Press Release Chronology Complete list of works Biographies 1 Press Release Issue: 22 November 2005 FIRST PICASSO EXHIBITION IN TURKEY IS SELECTED BY THE ARTIST’S GRANDSON Picasso in Istanbul, the first major exhibition of works by Pablo Picasso to be staged in Turkey, as well as the first Turkish show to be devoted to a single western artist, will go on show at the Sakip Sabanci Museum in Istanbul from 24 November 2005 to 26 March 2006. Picasso in Istanbul has been selected by the artist‟s grandson Bernard Ruiz-Picasso and Marta-Volga Guezala. Picasso expert Marilyn McCully and author Michael Raeburn are joint curators of the exhibition and the catalogue, working together with Nazan Olçer, Director of the Sakip Sabanci Museum, and Selmin Kangal, the museum‟s Exhibitions Manager. The exhibition will include 135 works spanning the whole of the artist‟s career, including paintings, sculptures, ceramics, textiles and photographs. The works have been loaned from private collections and major museums, including the Picasso museums in Barcelona and Paris. The exhibition also includes significant loans from the Fundaciñn Almine y Bernard Ruiz-Picasso para el Arte. A number of rarely seen works from private collections will be a special highlight of the exhibition, including tapestries of “Les Demoiselles d‟Avignon” and “Les femmes à leur toilette” and the unique bronze cast, “Head of a Warrior, 1933”.
    [Show full text]
  • The Soundscape of the Trevi Fountain in Covid-19 Silence Received Jul 15, 2020; Accepted Sep 28, 2020 1 Introduction
    Noise Mapp. 2020; 7:212–222 Research Article Enza De Lauro*, Mariarosaria Falanga, and Laura Tedeschini Lalli The soundscape of the Trevi fountain in Covid-19 silence https://doi.org/10.1515/noise-2020-0018 Received Jul 15, 2020; accepted Sep 28, 2020 1 Introduction Abstract: This paper is devoted to the analyses of sound- This paper is about the soundscape of the famous Piazza scape at fontana di Trevi in Rome (Italy) with the aim to Fontana di Trevi in Rome. The piazza itself is a culturally compare its characteristics during the Italian lockdown important place, so that a study of the "sound signature" due to the (Sars-COV2) Covid-19 sanitary emergency and its of the fountain is important for heritage studies. In this pa- characteristics before and after such time. The lockdown per we address the differences that can be objectively mea- has represented an exceptional environment due to the sured in very different situations regarding background silence everywhere, never occurred in centuries, offering noise. the opportunity to recognize the "signature" of the sound At the end of December 2019, in a market of Wuhan in the emitted by the famous Fontana di Trevi and recognize Hubei Province (China), there was a first documented case how it interacts with other features. The signature is im- of anomalous pneumonia, thereafter denominated Covid- portant for preservation issues and cultural heritage. The 19 disease. On January 9, 2020, the Chinese CDC reported soundscape was documented in a field survey by means of that this anomalous pneumonia was due to a new coro- hand held microphones, which acquired simultaneously navirus that was responsible of a Severe Acute Respira- the acoustic wavefield all around the fountain.
    [Show full text]
  • 3"T *T CONVERSATIONS with the MASTER: PICASSO's DIALOGUES
    3"t *t #8t CONVERSATIONS WITH THE MASTER: PICASSO'S DIALOGUES WITH VELAZQUEZ THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Joan C. McKinzey, B.F.A., M.F.A. Denton, Texas August 1997 N VM*B McKinzey, Joan C., Conversations with the master: Picasso's dialogues with Velazquez. Master of Arts (Art History), August 1997,177 pp., 112 illustrations, 63 titles. This thesis investigates the significance of Pablo Picasso's lifelong appropriation of formal elements from paintings by Diego Velazquez. Selected paintings and drawings by Picasso are examined and shown to refer to works by the seventeenth-century Spanish master. Throughout his career Picasso was influenced by Velazquez, as is demonstrated by analysis of works from the Blue and Rose periods, portraits of his children, wives and mistresses, and the musketeers of his last years. Picasso's masterwork of High Analytical Cubism, Man with a Pipe (Fort Worth, Texas, Kimbell Art Museum), is shown to contain references to Velazquez's masterpiece Las Meninas (Madrid, Prado). 3"t *t #8t CONVERSATIONS WITH THE MASTER: PICASSO'S DIALOGUES WITH VELAZQUEZ THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Joan C. McKinzey, B.F.A., M.F.A. Denton, Texas August 1997 ACKNOWLEDGMENTS The author would like to acknowledge Kurt Bakken for his artist's eye and for his kind permission to develop his original insight into a thesis.
    [Show full text]
  • Trevi Fountain Rome, Italy Trevi Fountain: Rome, Italy the Architects
    Trevi Fountain Rome, Italy Trevi Fountain: Rome, Italy The Architects The Trevi Fountain (Fontana di Trevi) is the most famous and arguably Little of Nicola Salvi’s (1697–1751) work beyond the Trevi Fountain remains the most beautiful fountain in Rome. This impressive Baroque-styled today and relatively little is known of the architect himself. He was monument was completed in 1762 and still dominates the small Trevi admitted to the Roman Academy of Arcadia in 1717 and only became square located in the city’s Quirinale district. an architect after studying mathematics and philosophy. His friend and colleague, the sculptor Pietro Bracci (1700–1773), would eventually go on to complete the fountain. Bracci’s most famous piece of work, the statue of Oceanus, forms the centerpiece of the fountain. 2 History The imposing fountain sits at the junction of three roads, or tre vie, which many believe gave the fountain its name, and marks the terminal point of one of the original aqueducts that supplied water to ancient Rome. Built by Marcu Vipsanius Agrippa in 19 BC, the Aqua Virgo aqueduct was over 13 miles (21 km) long and even then had a fountain at its terminus. The aqueduct and fountain served Rome for over 400 years, but after the invasion of the Goths in AD 537, the aqueduct was cut off and the final portion abandoned, forcing the medieval Romans to draw water from wells and the River Tiber. It would be over 1,000 years, and the advent of the Early Renaissance period, before a fountain would again stand in the location we know today.
    [Show full text]
  • Rembrandt Remembers – 80 Years of Small Town Life
    Rembrandt School Song Purple and white, we’re fighting for you, We’ll fight for all things that you can do, Basketball, baseball, any old game, We’ll stand beside you just the same, And when our colors go by We’ll shout for you, Rembrandt High And we'll stand and cheer and shout We’re loyal to Rembrandt High, Rah! Rah! Rah! School colors: Purple and White Nickname: Raiders and Raiderettes Rembrandt Remembers: 80 Years of Small-Town Life Compiled and Edited by Helene Ducas Viall and Betty Foval Hoskins Des Moines, Iowa and Harrisonburg, Virginia Copyright © 2002 by Helene Ducas Viall and Betty Foval Hoskins All rights reserved. iii Table of Contents I. Introduction . v Notes on Editing . vi Acknowledgements . vi II. Graduates 1920s: Clifford Green (p. 1), Hilda Hegna Odor (p. 2), Catherine Grigsby Kestel (p. 4), Genevieve Rystad Boese (p. 5), Waldo Pingel (p. 6) 1930s: Orva Kaasa Goodman (p. 8), Alvin Mosbo (p. 9), Marjorie Whitaker Pritchard (p. 11), Nancy Bork Lind (p. 12), Rosella Kidman Avansino (p. 13), Clayton Olson (p. 14), Agnes Rystad Enderson (p. 16), Alice Haroldson Halverson (p. 16), Evelyn Junkermeier Benna (p. 18), Edith Grodahl Bates (p. 24), Agnes Lerud Peteler (p. 26), Arlene Burwell Cannoy (p. 28 ), Catherine Pingel Sokol (p. 29), Loren Green (p. 30), Phyllis Johnson Gring (p. 34), Ken Hadenfeldt (p. 35), Lloyd Pressel (p. 38), Harry Edwall (p. 40), Lois Ann Johnson Mathison (p. 42), Marv Erichsen (p. 43), Ruth Hill Shankel (p. 45), Wes Wallace (p. 46) 1940s: Clement Kevane (p. 48), Delores Lady Risvold (p.
    [Show full text]
  • The Meanings of Rembrandt
    Gary Schwartz The Meanings of Rembrandt On Friday, 27 October 1797 the National Council of the Batavian Republic (1795–1801), the successor to the Republic of the Seven United Provinces (1581– 1795), voted to accept a present offered to it by the Brabant printmaker Lambertus Antonius Claessens (1763–1834). “The first proof of a labor of three years, being an engraving depicting The Night Watch, un- dertaken in order to make the masterpiece of Rem- brandt, that outstanding painter of the fatherland, better and better known to the Batavian people and other art-loving nations” (figs. 1–2).1 The Council Opposite side: accepted the gift and ordered the maintenance com- Rembrandt Harmensz. mittee to find an appropriate place to hang the work. van Rijn This event had multiple meanings for Rem- Portrait of the Artist brandt’s posterity. Until now his civic guard portrait as Saint Paul (detail), of the company of Frans Banning Cocq had been one 1661 of the six paintings commissioned in the late 1630s for Rijksmuseum, the new hall of the Kloveniers (the musketeers and cepting and acknowledging Claessens’s compliment Amsterdam pikesmen), which since 1715 had hung together in the to the artist as a potent if undervalued representative town hall on Dam Square. Now it was singled out on of Dutch artistic culture in the world at large. Fig. 1 (to the right) its own as an immortal masterpiece, with the nick- The apotheosis had been in the making for thir- From the resolutions name by which it was here called for the first time, the ty years in select circles since the publication in 1767 of the National Council Night Watch.
    [Show full text]
  • Download The
    FREE MAP 7 9 8 VISITOR CENTER 7 1 6 ARTE RELIGIOSA CAPRIOTTI SIGHTSEEING CENTER VIA G. AMENDOLA 32 2 5 PanamicOPEN TOUR Hop-on Hop-off TERMINI SANTA MARIA MAGGIORE COLOSSEO 3 BOCCA DELLA VERITÀ/CIRCO MASSIMO PIAZZA VENEZIA/CAMPIDOGLIO VATICANO/MUSEI VATICANI PIAZZA NAVONA/PANTHEON/CASTEL SANT'ANGELO FONTANA DI TREVI/PIAZZA DI SPAGNA VILLA BORGHESE/VIA VENETO PIAZZA BARBERINI 4 bus evy 10 minutes Since 1978 more than 28.000.000 satisfied customers Bk yr tr he! TOUR 9 TOUR 6 Ancient Castelli Ostia Romani AFTERNOON r FRASCATI, CASTELGANDOLFO, GROTTAFERRATA AND t BEAUTY MEDIEVAL VILLAGES OUTSIDE ROME THE PORT OF ANCIENT ROME. PORTA ROMANA, TERME DI NETTUNO, THERMOPOLIUM. ded € 52,00 p.p. Gui € 60,00 p.p. TOUR 1 Excsis Classical Excsis TOUR 7 TOUR 13 TOUR 17 Rome Tivoli Assisi Florence Orvieto MORNING TREVI FOUNTAIN, PANTHEON, PIAZZA NAVONA, CASTEL SANT'ANGELO (no visit), ST. PETER’S BASILICA (WITH PAPAL BLESSING ON SUNDAYS) ST FRANCIS’ BASILICA, SANTA MARIA DEGLI ANGELI, THE CRADLE OF THE RENAISSANCE PERIOD. DAVID BY MICHELANGELO, VILLA ADRIANA, VILLA D’ESTE AND ITS FOUNTAINS € 41,00 p.p. CHAPEL OF PORZIUNCOLA CATHEDRAL OF SANTA MARIA DEL FIORE, GIOTTO’S BELL TOWER AND € 106,00 p.p. PIAZZA DELLA SIGNORIA € 66,00 p.p. CityCity TrTr € 156,00 p.p. TOUR 3 TOUR 10 TOUR 2 Vatican TOUR 15 Illuminated TOUR 12 TOUR 14 Imperial Museums Naples Rome Rome Rome by Capri Pompeii SKIP THE LINE night Blue Grotto* SKIP THE LINE MORNING/ with dinner AFTERNOON AFTERNOON VATICAN MUSEUMS, SISTINE CHAPEL, ST. PETER’S BASILICA COLOSSEUM, ST.
    [Show full text]
  • Qt7hq5t8mm.Pdf
    UC Berkeley Room One Thousand Title Water's Pilgrimage in Rome Permalink https://escholarship.org/uc/item/7hq5t8mm Journal Room One Thousand, 3(3) ISSN 2328-4161 Author Rinne, Katherine Publication Date 2015 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Katherine Rinne Illustration by Rebecca Sunter Water’s Pilgrimage in Rome “If I were called in To construct a religion I should make use of water.” From Philip Larkin, “Water,” 1964 Rome is one of the world’s most hallowed pilgrimage destinations. Each year, the Eternal City’s numinous qualities draw millions of devout Christians to undertake a pilgrimage there just as they have for nearly two millennia. Visiting the most venerable sites, culminating with St. Peter’s, the Mother Church of Catholicism, the processional journey often reinvigorates faith among believers. It is a cleansing experience for them, a reflective pause in their daily lives and yearly routines. Millions more arrive in Rome with more secular agendas. With equal zeal they set out on touristic, educational, gastronomic, and retail pilgrimages. Indeed, when in Rome, I dedicate at least a full and fervent day to “La Sacra Giornata di Acquistare le Scarpe,” the holy day of shoe shopping, when I visit each of my favorite stores like so many shrines along a sacred way. Although shoes are crucial to our narrative and to the completion of any pilgrimage conducted on Opposite: The Trevi Fountain, 2007. Photo by David Iliff; License: CC-BY-SA 3.0. 27 Katherine Rinne foot, our interest in this essay lies elsewhere, in rededicating Rome’s vital role as a city of reflective pilgrimage by divining water’s hidden course beneath our feet (in shoes, old or new) as it flows out to public fountains in an otherwise parched city.
    [Show full text]