Review of Operations
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2016 Annual Report
FINANCIAL HIGHLIGHTS Revenue and Prot Attributable to 2016 2015 Change Equity Holders of the Company Revenue (Continuing operations) Prot Attributable to Equity Holders of the Company Performance 6,000 Earnings per share HK$1.14 HK$3.04 -62% Dividends per share 5,000 - Interim HK$0.60 HK$0.60 – - Final – HK$2.00 -100% 4,000 HK$0.60 HK$2.60 -77% 3,000 HK$’mil HK$’mil HK$’ million HK$’ Revenue 2,000 - Hong Kong TV broadcasting 2,707 3,105 -13% - Hong Kong digital new media 1,000 business 230 170 35% - Programme licensing and 0 distribution 1,019 951 7% 2012 2013 2014 2015 2016 - Overseas pay TV operations 169 186 -9% YEAR - Channel operations 90 105 -14% Earnings & Dividends# Per Share - Other activities 191 129 48% - Inter-segment elimination (196) (191) 2% Earnings per Share Dividends# per Share 4,210 4,455 -5% 4.5 HK$’mil HK$’mil 4 Segment (loss)/profit* 3.5 - Hong Kong TV broadcasting (71) 551 N/A 3 - Hong Kong digital new media business (29) 41 N/A 2.5 - Programme licensing and HK$ 2 distribution 444 410 8% - Overseas pay TV operations (40) (30) 31% 1.5 - Channel operations 2 18 -87% 1 - Other activities 27 11 151% 0.5 - Corporate support (33) – N/A - Inter-segment elimination 1 (1) N/A 0 2012 2013 2014 2015 2016 301 1,000 -70% YEAR # excluding special dividend Total expenses∆ 3,888 3,439 13% 2016 Revenue by Operating Segment Profit attributable to equity holders 500 1,331 -62% % relating to 2015 are shown in brackets 31 December 31 December Hong Kong TV 2016 2015 broadcasting HK$’mil HK$’mil 63% (69%) Total assets 12,357 9,113 36% -
A Different Brilliance—The D & B Story
1. Yes, Madam (1985): Michelle Yeoh 2. Love Unto Wastes (1986): (left) Elaine Jin; (right) Tony Leung Chiu-wai 3. An Autumn’s Tale (1987): (left) Chow Yun-fat; (right) Cherie Chung 4. Where’s Officer Tuba? (1986): Sammo Hung 5. Hong Kong 1941 (1984): (from left) Alex Man, Cecilia Yip, Chow Yun-fat 6. It’s a Mad, Mad, Mad World (1987): (front row from left) Loletta Lee, Elsie Chan, Pauline Kwan, Lydia Sum, Bill Tung; (back row) John Chiang 7. The Return of Pom Pom (1984): (left) John Sham; (right) Richard Ng 8. Heart to Hearts (1988): (from left) Dodo Cheng, George Lam, Vivian Chow Pic. 1-8 © 2010 Fortune Star Media Limited All Rights Reserved Contents 4 Foreword Kwok Ching-ling, Wong Ha-pak 〈Chapter I〉 Production • Cinema Circuits 10 D & B’s Development: From Production Company to Theatrical Distribution Po Fung Circuit 19 Retrospective on the Big Three: Dickson Poon and the Rise-and-Fall Story of the Wong Ha-pak D & B Cinema Circuit 29 An Unconventional Filmmaker—John Sham Eric Tsang Siu-wang 36 My Days at D & B Shu Kei In-Depth Portraits 46 John Sham Diversification Strategies of a Resolute Producer 54 Stephen Shin Targeting the Middle-Class Audience Demographic 61 Linda Kuk An Administrative Producer Who Embodies Both Strength and Gentleness 67 Norman Chan A Production Controller Who Changes the Game 73 Terence Chang Bringing Hong Kong Films to the International Stage 78 Otto Leong Cinema Circuit Management: Flexibility Is the Way to Go 〈Chapter II〉 Creative Minds 86 D & B: The Creative Trajectory of a Trailblazer Thomas Shin 92 From -
Global Cities, Local Knowledge
Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics Lim, Wei Ling Tania Patricia BSocSc (Hons), MSc (Media & Comms) Creative Industries Research and Applications Centre Queensland University of Technology Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy 2005 Keywords Circuit of cultural production, East Asian popular culture, Television industries, Field of broadcasting, Formatting, Local knowledge, Media capitals, Neo-networks, Regional dynamics, TV Formats, martial arts dramas, teenage idol soap operas, game-shows. ii Abstract Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children’s animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres have become the focus for indigenous cultural entrepreneurs located in the East Asian cities of Hong Kong, Singapore and Taipei to turn their local TV programmes into tradable culture. This thesis is a re-consideration of the impact of media globalisation on Asian television that re-imagines a new global media order. It suggests that there is a growing shift in perception and trade among once-peripheral television industries that they may be slowly de-centring Hollywood’s dominance by inserting East Asian popular entertainment into familiar formats or cultural spaces through embracing global yet local cultures of production. -
2019 Annual Report
FINANCIAL HIGHLIGHTS 2019 2018 Change Earnings & Dividends# Per Share Earnings per Share # Performance nd Dividends per Share Celebrating its 52 3.5 Loss per share HK$(0.67 ) HK$(0.45 ) 48% 3 Dividends per share year of operation, Television 2.5 - Interim HK$0.30 HK$0.30 2 - Final HK$0.20 HK$0.70 HK$0.50 HK$1.00 Broadcasts Limited is the 1.5 HK$ 1 HK$’mil HK$’mil leading terrestrial TV broadcaster 0.5 Revenue from external customers - Hong Kong TV broadcasting 2,190 2,923 -25% Since0 2016, TVB has headquartered in Hong Kong. TVB - myTV SUPER 442 402 10% -0.5 - Big Big Channel business 129 87 47% been-1 transformed from - Programme a licensing and 2015 2016 2017 2018 2019 is also one of the largest distribution 740 870 -15% YEAR # excluding special dividend - Overseas pay TV and traditional media to a TVB Anywhere 144 140 3% commercial Chinese programme - Other activities 4 55 -92% major digital player, 3,649 4,477 2019 Revenue from External Customers by producers in the world with an Operating Segment Segment profit/(loss)* % relating to 2018 are shown in brackets operating over-the-top - Hong Kong TV broadcasting (304 ) 194 N/A annual production output of over - myTV SUPER 40 16 154% Hong Kong TV broadcastingservices - Big Big Channel business 44 (19 ) N/A 60% (65%) myTV SUPER - Programme licensing and 22,000 hours of dramas and distribution 412 414 -1% Programmeand TVB Anywhere - Overseas, pay TV and licensing and TVB Anywhere (10 ) (16 ) -37% variety programmes, in addition distribution - Other activities (4 ) (17 ) -74% 20%social (19%) media platform - CorporateBig support# (152 ) (150 ) 1% to documentaries and news Other activities 26 422 -94% 1% (2%) Big Channel and e-commerceTotal expensesΔ 3,698 4,062 -9% reports, and an archive library of Overseas pay TV myTV SUPER Big Big andplatform TVB Anywhere 12% (9%) Big ChannelBig Shop Loss attributable. -
Annual Returns to the Communications Authority Annual Report On
Annual Returns to the Communications Authority Annual report on programming commitments of Year 2016 INDEX Independent local productions Annex 1 Independent local productions {1 page) I Total hours: 21.25 I local productions Annex 2 Jade Channel (17 pages) Total hours: 3514.9 Annex 3 J2 Channel {3 pages) Total hours: 671.2 Annex4 HD Jade and J5 Channel (5 pages) Total hours: 2828.78 Annex 5 iNews Channel {2 pages) Total hours: 8680.4 Annex 6 Pearl Channel (3 pages) Total hours: 2501.2 I Total hours of local productions: 18196.48] Independent Local Productions ( All Channels ) Annex 1 - - -- - · - - I Channel Title Airdate Duration - - - - -- -·· ·- --·· - Total episodes Total Houri - . - . Jade Let's Go! 2016/06/04 2 hrs 1 2 1�i*ji���2lli!1JO*� ! �!3� ! J5 Sakura Blooming in Japan, Korea and Taiwan 2016/06/18 - 2016/07/16 30 mins 5 2.5 - ��� b.. fir3 E3*:b. ��=� �"i;t;J!1+ c= 7�� Under Germanic Sky 2016/11/12-2016/11/19 30 mins 2 1 E3:&���5g The Hiddens 2016/12/26- 2016/12/31 1 hr 6 6 �lttttf1r� J2 Coolest Cafes in Asia 2016/02/10-2016/12/10 30 mins 4 2 ���rS"JDhDD3F8�71C 15 mins 3 0.75 20 mins 15 5 Rigor Mortis 2016/10/31 2 hrs 1 2 9;W5 Total Hours: 21.25 1 Jade ( Local Productions ) Annex 2 - - - .- -· -. - · Titie - - - - Airdate?. Duration Total episodes Total Hour Kids, Think Big 2016 Full Year 30 mins 260 130 Think Big�±th Kids, Thnk Big 2016 Full Year 30 mins 53 26.5 Think BigW�[I Gorilla Study Group 2016 Full Year 30 mins 1�1��ffi�I)I 52 26 Y Angle 2016 2016 Full Year 30 mins 53 26.5 Y Angle Happy Old Buddies ��:R��F�A 2016 Full -
The Hippocratic Crush II” Ready in Malaysia Lawrence Ng, Tavia Yeung, Mandy Wong and Benjamin Yuen Arrived at Malaysia to Meet and Greet Fans
Press Release TVB Anniversary Drama “The Hippocratic Crush II” ready in Malaysia Lawrence Ng, Tavia Yeung, Mandy Wong and Benjamin Yuen arrived at Malaysia to meet and greet fans (Hong Kong – 22 October 2013) With its surging popularity, The Hippocratic Crush had been awarded “My Favourite Drama Series” in the Astro On Demand Awards 2012 in Malaysia. The main roles by Kenneth Ma and Tavia Yeung were even crowned “My Favourite Actor in A Leading Role” and “My Favourite Actress in A Leading Role” respectively. Being TVB 46th anniversary drama, The Hippocratic Crush II, will broadcast in November. Its main casts, namely Lawrence Ng, Tavia Yeung, Mandy Wong and Benjamin Yuen, arrived at Malaysia to promote the upcoming grand production! Four TVB red-hot artistes Lawrence Ng, Tavia Yeung, Mandy Wong and Benjamin Yuen attended a series of promotional activities at Malaysia during 18 – 20 October. They were interviewed by a number of Malaysian media and shared bits and pieces of shooting. Besides drama promotion, TVB happily announced the TVB Star Awards Malaysia 2013 would be going to hold on 1 December. TVB Entertainment News would unprecedentedly organise this greatest TV award ceremony in Malaysia. The award presentation this year will open participations to all Malaysians. Nomination list would be announced on 1 November and voting campaign will start from 1 November until 22 November. Audiences could be able to vote and support their favourite characters, drama and variety programmes. Global audiences should not miss the award competition this year! The four artistes arrived at the Paradigm Mall at Kuala Lumpur, AEON Station 18 at Ipoh and Gurney Plaza at Penang for the three on-ground events. -
2015 Annual Report
FINANCIAL HIGHLIGHTS Revenue & Prot Attributable to 2015 2014 Change Equity Holders of the Company (Restated) Revenue (Continuing operations) Performance Prot Attributable to Equity Holders of the Company Earnings per share HK$3.04 HK$3.22 -5.6% 6,000 Dividends per share - Interim HK$0.60 HK$0.60 – 5,000 - Final HK$2.00 HK$2.00 – HK$2.60 HK$2.60 – 4,000 Special dividend per share – HK$2.30 3,000 HK$’mil HK$’mil HK$’ million HK$’ Revenue 2,000 - Hong Kong TV broadcasting 3,105 3,420 -9% - Hong Kong digital new media 1,000 business 170 196 -13% - Programme licensing and 0 distribution 951 1,085 -12% 2011 2012 2013 2014 2015 YEAR - Overseas pay TV operations 186 243 -24% - Channel operations 105 125 -16% Earnings & Dividends# Per Share - Other activities 129 75 72% Earnings per Share - Inter-segment elimination (191) (232) -18% Dividends# per Share 4,455 4,912 -9% 4.5 Total expenses* 3,439 3,335 3% 4 Profit attributable to equity holders 1,331 1,410 -6% 3.5 31 December 31 December 3 2015 2014 HK$’mil HK$’mil 2.5 HK$ Total assets 9,113 10,557 -14% 2 Total liabilities 1,277 1,853 -31% 1.5 Total equity 7,836 8,704 -10% 1 Number of issued shares 438,000,000 438,000,000 – 0.5 Ratios 0 Current ratio 8.8 5.0 2011 2012 2013 2014 2015 Gearing 3.0% 4.5% YEAR # excluding special dividend * excluding non-recurring expenses 2015 Revenue by Operating Segment 2015 Reportable Segment Prot* by Operating Segment % relating to 2014 are shown in brackets % relating to 2014 are shown in brackets Hong Kong TV Programme Hong Kong TV Programme broadcasting licensing -
REVIEW of OPERATIONS HONG KONG TV BROADCASTING Image, Targets the Adultescent Group
REVIEW OF OPERATIONS HONG KONG TV BROADCASTING image, targets the adultescent group. iNews continues to position itself as the only 24-hour free-to-air news The broadcasting business in Hong Kong continues channel in Hong Kong. Pearl, our English channel, to be our core business, accounting for approximately is uniquely positioned to carry major blockbuster 69% of the Group’s revenue. movies, dramas and documentaries, as well as news and news related information. In February 2016, we TV ADVERTISING revamped HD Jade into J5, with a new channel position to target a new audience group seeking up-to-date Hong Kong’s overall advertising market was seriously information on the markets, with particular focuses affected by dwindling retail sales. In 2015, aggregate on the financial and the property markets, which is an sales of retail outlets reported a 3.7% decline from important audience segment. As a result, the simulcast 2014. High-value luxury goods, including jewellery, arrangement of prime time drama between Jade watches, clocks and valuable gifts, a sector which is and HD Jade has ceased. These distinctive channel an important contributor to the advertising market strategies help us to market our airtime to advertisers. experienced a significant year-on-year decline in sales of 15.6%. Other important revenue-generating 2015 marked a critical year for TVB, as we witnessed an categories, such as medicines and cosmetics, electrical increasing trend in media fragmentation. OTT service goods and photographic equipment also faced a provider (LeEco) and online operator (Netflix) have downturn in sales. Slower growth in Mainland China, commenced services in Hong Kong, offering more a stronger US dollar, the stock market fluctuations and programme choices for viewers, along with the many slackening Mainland tourist arrivals contributed to a portals and apps carrying video and news content. -
Review of Operations North America Canada Usa International Operations
REVIEW OF OPERATIONS NORTH AMERICA CANADA USA INTERNATIONAL OPERATIONS EUROPE AUSTRIA LUXEMBOURG BELGIUM NORWAY CZECH REPUBLIC POLAND DENMARK PORTUGAL FINLAND REPUBLIC OF IRELAND FRANCE SPAIN GERMANY SWEDEN GREECE SWITZERLAND HUNGARY THE NETHERLANDS ITALY TURKEY KAZAKHSTAN UK HONG KONG AFRICA SOUTH AFRICA ASIA BRUNEI SINGAPORE CAMBODIA SOUTH KOREA CHINA TAIWAN INDONESIA THAILAND LAOS VIETNAM MACAU MALAYSIA MYANMAR TVB8 Xing He OCEANIA TVB Jade TVB Pearl Jade Channel TVB - V Australia, China, HK, Australia, China, TVBJ TVBJ Australia, China, China, HK, USA USA Australia, USA Indonesia, Macau, Malaysia, Indonesia, Macau, Australia Indonesia, Singapore AUSTRALIA NEW ZEALAND Europe, HK New Zealand, Singapore, Malaysia, New Zealand, Taiwan, USA Singapore, Thailand 26 Television Broadcasts Limited Annual Report 2015 NORTH AMERICA CANADA USA EUROPE AUSTRIA LUXEMBOURG BELGIUM NORWAY CZECH REPUBLIC POLAND DENMARK PORTUGAL FINLAND REPUBLIC OF IRELAND FRANCE SPAIN GERMANY SWEDEN GREECE SWITZERLAND HUNGARY THE NETHERLANDS ITALY TURKEY KAZAKHSTAN UK HONG KONG AFRICA SOUTH AFRICA ASIA BRUNEI SINGAPORE CAMBODIA SOUTH KOREA CHINA TAIWAN INDONESIA THAILAND LAOS VIETNAM MACAU MALAYSIA MYANMAR TVB8 Xing He OCEANIA TVB Jade TVB Pearl Jade Channel TVB - V Australia, China, HK, Australia, China, TVBJ TVBJ Australia, China, China, HK, USA USA Australia, USA Indonesia, Macau, Malaysia, Indonesia, Macau, Australia Indonesia, Singapore AUSTRALIA NEW ZEALAND Europe, HK New Zealand, Singapore, Malaysia, New Zealand, Taiwan, USA Singapore, Thailand Television Broadcasts Limited Annual Report 2015 27 TVB Star Awards Malaysia 2015 Neighborhood Gourmet 3 All Things Girl In Malaysia 28 Television Broadcasts Limited Annual Report 2015 REVIEW OF OPERATIONS INTERNATIONAL OPERATIONS Well With Madam Wong In Singapore, All Things Girl in Malaysia, StarHub TVB Awards 2015 and TVB Star Awards PROGRAMME LICENSING AND Malaysia 2015, were produced to further strengthen DISTRIBUTION our market position for Chinese programmes there. -
Review of Operations
REVIEW OF OPERATIONS HONG KONG TV BROADCASTING The milk powder category remained at the top position in the ad spend table, even though there Hong Kong TV broadcasting business continued to be was a 14% year-on-year drop on sales. This is a key our core business, accounting for approximately 65% of advertising category as visiting Mainland China’s the Group’s revenue in 2017. tourists continue to spend on consumer products. The loan and mortgage category, largely due to more TV ADVERTISING aggressive activities by finance companies, recorded strong growth of more than 30% and secured the After a prolonged cyclical downturn, the Hong Kong second position. Other performing categories included economy experienced a mild recovery in 2017 as retail banking and local properties, both of which reported sales index which suffered from year-on-year declines encouraging increases of 36% and 64% respectively. in the last 24 months finally exhibited a 3.0% growth in Revenue from government/quasi government category March 2017. The retail sales index reported an overall recorded a more than 60% growth which was boosted growth of 2.2% in 2017. by income related to events celebrating the 20th The advertising market, however, has yet to recover, as anniversary of the establishment of the Hong Kong total advertising spending in Hong Kong was estimated SAR on 1 July 2017. However, revenue from skin care to have fallen by 4% year-on-year in 2017. Throughout continued to drop in 2017 recording a fall of 9% year- the year, most of the advertisers were very cautious in on-year, and similarly, the spending from dental care spending the budgeted dollars, as the choice of media dropped 35%, compared with last year. -
PROGRAMME LICENSING and DISTRIBUTION with Leading Operators in Vietnam, Cambodia, and Myanmar
Review OF Operations Scan to discover TVB Anywhere international operations 28 Television Broadcasts Limited Annual Report 2016 Scan to discover TVB Anywhere Television Broadcasts Limited Annual Report 2016 29 TVB Star Awards Malaysia 2016 Hong Kong International Film & TV Market 2016 TVB Anywhere Promotion in Canada StarHub TVB Awards 2016 30 Television Broadcasts Limited Annual Report 2016 REVIEW OF OPERATIONS INTERNATIONAL OPERATIONS economic growth of many Indochina countries, we have been proactively developing new businesses PROGRAMME LICENSING AND DISTRIBUTION with leading operators in Vietnam, Cambodia, and Myanmar. In Vietnam, we significantly enhanced TVB’s Programme licensing and distribution business, comprising exposure and advertising revenue in the fast-growing the distribution of TVB’s programmes outside of Hong video-on-demand (“VOD”) market through a Kong through telecast, video and new media licensing, partnership with Saigontourist Cable Television accounted for 21% of the Group’s revenue. Company Limited. We have also been in discussion with other local new media operators, including Uncertain economic prospects and online piracy seriously Vietnam’s largest local telecom company, to carry affected the business environment in our core markets our programmes on their platforms. In Cambodia, we including Malaysia and Singapore. Our licensees MEASAT have a fixed timeslot on PNN, a local terrestrial free Broadcast Network Systems Sdn Bhd (“MEASAT”) and TV broadcaster, and plan to partner with another new StarHub Cable Vision Ltd. (“StarHub”) both recorded media operator; this will further increase the exposure a drop in subscription revenue; as a result, they have of TVB programmes in the market. become more cautious in content acquisition spending. -
Review of Operations
REVIEW OF OPERATIONS MUSIC ENTERTAINMENT in a 50:50 joint venture named Imagine Tiger Television (“ITT”). ITT is an investment platform for development The Voice Entertainment Group Limited (“Voice and production of a slate of TV drama serials on a co- Entertainment”), a subsidiary of the Company, engages production basis with networks in the US targeting in artistes’ sound recordings, music productions, music domestic and international markets. copyrights management, music publishing, concerts and artistes’ management. This music production Since inception in July 2017, ITT has been filling its is primarily developed for TVB drama serials and development pipeline with a number of TV projects programmes. to take to co-production partners, including CBS To further strengthen our singer base, Chau Pakho Corporation which has been granted the right of first- and Hana Kuk have joined Voice Entertainment in look of all outputs from ITT. Imagine Entertainment will 2017. After appearing in TVB’s co-production drama continue to build upon the momentum of its strong Line Walker: The Prelude, Chau’s popularity has grown, connections with top-tier scriptwriters and producers, which helped Voice Entertainment to organise more and to assemble quality TV projects in the first half of than 10 Pakho concerts in Mainland China and Hong 2018, further adding more titles to ITT’s production Kong. Another new rising star of Voice Entertainment, slate. Hana Kuk produced her debut album which became one of the fastest selling albums in 2017, and topped SHAW BROTHERS HOLDINGS all of the female singers in terms of local CD sales and hits streaming.