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Textile Society of America Newsletter 29:2 — Fall 2017 Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Fall 2017 Textile Society of America Newsletter 29:2 — Fall 2017 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Materials Conservation Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Industrial and Product Design Commons, Interdisciplinary Arts and Media Commons, and the Metal and Jewelry Arts Commons Textile Society of America, "Textile Society of America Newsletter 29:2 — Fall 2017" (2017). Textile Society of America Newsletters. 80. https://digitalcommons.unl.edu/tsanews/80 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 29. NUMBER 2. FALL 2017 Photo Credit: Tourism Vancouver See story on page 6 Newsletter Team BOARD OF DIRECTORS Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of Communications) Designer: Meredith Affleck Vita Plume Member News Editor: Caroline Charuk (TSA General Manager) President [email protected] Editorial Assistance: Natasha Thoreson and Sarah Molina Lisa Kriner Vice President/President Elect Our Mission [email protected] Roxane Shaughnessy The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for Past President the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, [email protected] political, social, and technical perspectives. Established in 1987, TSA is governed by a Board of Directors from museums and universities in North America. -
Java : Arts and Representations
Archipel Études interdisciplinaires sur le monde insulindien 97 | 2019 Varia JAVA : ARTS AND REPRESENTATIONS. Art historical and Archaeometric Analyses of Ancient Jewellery (7–16th C.) : The Prillwitz Collection of Javanese Gold Analyses stylistiques et archéométriques de bijoux anciens (VIIe-XVIe siècle) : la collection Prillwitz d’or javanais Mai Lin Tjoa-Bonatz and Nicole Lockhoff Electronic version URL: https://journals.openedition.org/archipel/1018 DOI: 10.4000/archipel.1018 ISSN: 2104-3655 Publisher Association Archipel Printed version Date of publication: 11 June 2019 Number of pages: 19-68 ISBN: 978-2-910513-81-8 ISSN: 0044-8613 Electronic reference Mai Lin Tjoa-Bonatz and Nicole Lockhoff, “JAVA : ARTS AND REPRESENTATIONS. Art historical and Archaeometric Analyses of Ancient Jewellery (7–16th C.) : The Prillwitz Collection of Javanese Gold”, Archipel [Online], 97 | 2019, Online since 11 June 2019, connection on 15 September 2021. URL: http:// journals.openedition.org/archipel/1018 ; DOI: https://doi.org/10.4000/archipel.1018 Association Archipel JAVA: ARTS AND REPRESENTATIONS MAI LIN TJOA-BONATZ AND NICOLE LOCKHOFF 1 Art historical and Archaeometric Analyses of Ancient Jewellery (7–16th C.): The Prillwitz Collection of Javanese Gold Introduction 1 Jewellery has been the most common form of gold ware found in Southeast Asia since the late 1st millennium BCE. Those items included are ear ornaments and rings – worn on the fingers, ears, toes or as pendants. During the 7th to early 16th centuries,2 conventionally referred to as the Classical Period, Java produced mostly unique rings in a copious variety and intricate 1. Dr. Mai Lin Tjoa-Bonatz is an art historian and archaeologist, [email protected]. -
E. Heritage Health Index Participants
The Heritage Health Index Report E1 Appendix E—Heritage Health Index Participants* Alabama Morgan County Alabama Archives Air University Library National Voting Rights Museum Alabama Department of Archives and History Natural History Collections, University of South Alabama Supreme Court and State Law Library Alabama Alabama’s Constitution Village North Alabama Railroad Museum Aliceville Museum Inc. Palisades Park American Truck Historical Society Pelham Public Library Archaeological Resource Laboratory, Jacksonville Pond Spring–General Joseph Wheeler House State University Ruffner Mountain Nature Center Archaeology Laboratory, Auburn University Mont- South University Library gomery State Black Archives Research Center and Athens State University Library Museum Autauga-Prattville Public Library Troy State University Library Bay Minette Public Library Birmingham Botanical Society, Inc. Alaska Birmingham Public Library Alaska Division of Archives Bridgeport Public Library Alaska Historical Society Carrollton Public Library Alaska Native Language Center Center for Archaeological Studies, University of Alaska State Council on the Arts South Alabama Alaska State Museums Dauphin Island Sea Lab Estuarium Alutiiq Museum and Archaeological Repository Depot Museum, Inc. Anchorage Museum of History and Art Dismals Canyon Bethel Broadcasting, Inc. Earle A. Rainwater Memorial Library Copper Valley Historical Society Elton B. Stephens Library Elmendorf Air Force Base Museum Fendall Hall Herbarium, U.S. Department of Agriculture For- Freeman Cabin/Blountsville Historical Society est Service, Alaska Region Gaineswood Mansion Herbarium, University of Alaska Fairbanks Hale County Public Library Herbarium, University of Alaska Juneau Herbarium, Troy State University Historical Collections, Alaska State Library Herbarium, University of Alabama, Tuscaloosa Hoonah Cultural Center Historical Collections, Lister Hill Library of Katmai National Park and Preserve Health Sciences Kenai Peninsula College Library Huntington Botanical Garden Klondike Gold Rush National Historical Park J. -
Joan Schulze Artist — Lecturer — Poet 808 Piper Avenue — Sunnyvale, CA 94087 — USA Tel 408.221.4309 [email protected]
Joan Schulze Artist — Lecturer — Poet 808 Piper Avenue — Sunnyvale, CA 94087 — USA tel 408.221.4309 [email protected] www.joan-of-arts.com Birthdate 1936 Chicago, Illinois BS Ed University of Illinois 1958 SELECTED HONORS and AWARDS Fresno Art Museum, Council of 100, Awarded Distinguished Woman Artist for 2017 Tokyo International Forum,World Quilt '98. Gold Award. Rochester Institute of Tech, The Art Quilt. Best of Show Award Quilt National ‘95, The New Quilt, 3. Innovation Award BAACG Annual. Gold Award State Fair of California Fine Art Exhibitions, Silver Award Southampton, New York, Silk Institute Purchase Prize Discovery Magazine Award. California Departures Magazine, Award City Of Palo Alto, Purchase Award Skylark Prize, 2009, Publishing and Exhibition Visiting Artist Fine Art Museum of San Francisco Visiting Artist Nederlands Textile Museum Purchase Award, San Jose Museum of Quilts and Textiles Writer's Digest 2002 Honorable Mention Award for Reference Books SOLO & TWO PERSON EXHIBITIONS Beijing, China Tsinghua University Art Museum 2018 Beijing, China In a Different Voice: Fiber Art in a Care Narrative, Tsinghua University 2018 California Visions 2018 New Zealand Word Art 2018 Fresno, California Celebrating 80, Fresno Art Museum 2017 - 2018 Shenzhen, China Joan Schulze: Poetic License, Shenzhen University Art Gallery & Museum 2016 San Francisco, California Disappearing Conversations, Goodman 2 Art Building 2015 Lisbon, Portugal Colorida Art Gallery 2012 San Jose, California San Jose Museum of Quilts & Textiles, Retrospective 2010 Melbourne, Australia Ararat Regional Art Museum 2007 Mountain View, CA CSMA Finn Center, Mohr Gallery 2007 Birmingham, England National Exhibition Centre, Festival of Quilts 2005 Mittagong, Australia Sturt Gallery 2003 Mt. -
Reading Objects
Bijdragen tot de Taal-, Land- en Volkenkunde 171 (2015) 364–367 bki brill.com/bki Reading Objects Dick van der Meij Syarif Hidayatullah State Islamic University, Jakarta [email protected] Achim Sibeth (ed.), Being Object Being Art. Masterpieces from the Collections of the Museum of World Cultures, Frankfurt/Main. Photographs by Stephan Beckers. Frankfurt am Main: Museum der Weltkulturen; Berlin—Tübingen: Ernst Wasmuth Verlag, 2009, 323 pp. isbn 9785803033383. Price: usd 75.00 (hardcover). James T. Siegel, Objects and Objections of Ethnography. New York: Fordham University Press, 2011, 188 pp. isbn 9780823232741. Price: usd 80.00 (hardcover). The first book presents 130 masterpieces of the Museum of World Cultures in Frankfurt am Main, Germany. The pieces were presented in an exhibition like- wise entitled ‘Being Object Being Art’ which lasted from 31 October 2009 to 31 October 2010. The objects come from a large part of the world ranging from the Americas, Southeast Asia, Oceania, and East Asia. The objects are beauti- fully photographed, some with extra photographs with details, and described and they show the astonishing variety of forms and objects people are capable of devising in the non-Western world. The photographic section is preceded by a short essay by Eva Ch. Raabe, Mona B. Suhrbier, Christine Stelzig, and Achim Sibeth. It describes the new tendencies of Ethnographic museums to consider the artefacts in their collections as more than ethnographic tools but also as expressions of art, albeit not as art in the purest sense as in the case of art exhibited in art museums, which has no other purpose than being art in itself. -
Jahresbericht
Johann Wolfgang Goethe-Universität Frankfurt am Main INSTITUT FÜR HISTORISCHE ETHNOLOGIE JAHRESBERICHT FÜR DAS AKADEMISCHE JAHR 2001/2002 INHALT 1. Das akademische Jahr im Überblick ...........................................................................3 2. Die Institutsmitglieder (Oktober 2002) .....................................................................4 3. E-Mail-Adressen..........................................................................................................5 4. Regionale und thematische Schwerpunkte der Institutsmitglieder...........................6 5. Lehrveranstaltungen ...................................................................................................7 6. Kooperationen und Partnerschaften ..........................................................................7 7. Ausländische Gäste..................................................................................................... 8 8. Institutskolloquien und Gastvorträge ....................................................................... 8 9. Tagungen, Exkursionen, Ausstellungen, Lehrforschungen .......................................9 10. Abgeschlossene Magisterarbeiten........................................................................... 11 11. Promotionen............................................................................................................. 11 12. Habilitationen.......................................................................................................... 13 13. Veröffentlichungen ..................................................................................................14 -
The Textile Museum Thesaurus
The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy .................................................................................. -
Nottingham City Council Museums & Galleries Service Strategic Plan 2014
Nottingham City Council Museums & Galleries Service Strategic Plan 2014 – 2018 141022plan Page 1 of 96 141022plan Page 2 of 96 PREAMBLE PREAMBLE [i] Preface by Councillor Dave Trimble [ii] Contents [iii] Executive Summary [i] Preface by Councillor Dave Trimble Portfolio Holder for Leisure and Culture It gives me great pleasure to present this Strategic Plan for the Museums and Galleries Service to 2018. This is the first major Strategic Plan developed for our Museums and Galleries Service and the first such comprehensive Plan that I have received as Portfolio Holder for Leisure and Culture. This is a very important time for our Museums and Galleries Service, as we embark on a huge redevelopment of Nottingham Castle until 2020 – a development that is vital not only to secure the future of this world-renowned site, but as a keystone in the future economic prosperity of the City through the creation and support of new employment. However, the Plan encompasses the future of all of our major heritage sites, including Nottingham Castle Museum, Wollaton Hall and Park, Newstead Abbey with its beautiful gardens and grounds and Greens Mill. It includes an ambitious programme for the development of our outstanding collections, with detailed proposals for associated learning, engagement, digital developments, research and scholarship. Partnership working is vital to this enterprise and the role of partners for service delivery, research or as funders is clearly identified. In particular, the developing role of volunteer engagement, which will be vital to the sector as a whole, is a priority for development. The Service already has considerable expertise in this area and this will serve the wider community well as we aim to develop over the next few years. -
October 1997 the UNIVERSITY of HULL BATIK CLOTHS FROM
THE UNIVERSITY OF HULL BATIK CLOTHS FROM JAMBI, SUMATRA being a Thesis submitted for the Degree of PhD in South-East Asian Studies in the University of Hull by Fiona Gordon Kerlogue, B.A., M.A. October 1997 Table of Contents Acknow ledgements I Introduction 1 ,II Iambi History 26 III The fieldwork setting (Olak Kemang village & Seberang) 48 IV Textiles in Use 65 V The Blue batiks 87 VI Characteristics of the blue cloths 102 VII Motifs in the blue cloths 118 VIII The Red Batiks 141 IX The red cloths: use, designs and motifs 169 X The calligraphy batik of Jambi 183 XI [ambi batik in context 205 Glossary References Acknowledgements I would like to thank the following people for their help, inspiration, and support: At the Centre for South East Asia Studies at the University of Hull, I would like to thank my supervisor, Lewis Hill for his guidance, good cheer, and unfailing support. Thanks are also due to Professor Michael Hitchcock for his encouragement throughout this endeavour and to Daniel Patty for his good company and his help with all things Indonesian. I extend special thanks to Judith Doyle for her patient help. In Olak Kemang, I would like to thank the family of the late Ibu Asmah, especially her daughter Ibu Azmiah who allowed me to stay in her house, as well .as Ibu Asiah, Pak Edy and Upik. Their patience in answering my constant questions is much appreciated. Special thanks are due to Supik Hassan who treated me like a daughter and helped me in my search to find examples of Jambi batik. -
Textile Technologies in Concrete Environments."
TEXTILE TECHNOLOGIES IN CONCRETE ENVIRONMENTS." Morrow, R., & Belford, P. (2007). TEXTILE TECHNOLOGIES IN CONCRETE ENVIRONMENTS.". 103. Paper presented at ARS TEXTRINA INTERNATIONAL TEXTILES CONFERENCE., Belfast, United Kingdom. http://s3.amazonaws.com/academia.edu.documents/30833689/ars_textrina_papers_2007.pdf?AWSAccessKeyId =AKIAJ56TQJRTWSMTNPEA&Expires=1383751962&Signature=cUKiVJy8rebvAzW0lxHOiun2trY%3D&respon se-content-disposition=inline#page=103 Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:29. Sep. 2021 UNIVERSITY OF LEEDS ARS TEXTRINA INTERNATIONAL TEXTILES CONFERENCE 10th & 12th September 2007 Textile Territories: Past, Present and Future A Selection of Papers Edited by K. Wells (University of Ulster) & J. Winder (University of Leeds) University of Ulster, Belfast, Northern Ireland, UK Copyright remains with the authors Contents Page Avila, S.T. Promoting Sustainability: A Silk Company’s Longevity and 4 Environmental Awareness. -
Reading Objects
Bijdragen tot de Taal-, Land- en Volkenkunde 171 (2015) 364–367 bki brill.com/bki Reading Objects Dick van der Meij Syarif Hidayatullah State Islamic University, Jakarta [email protected] Achim Sibeth (ed.), Being Object Being Art. Masterpieces from the Collections of the Museum of World Cultures, Frankfurt/Main. Photographs by Stephan Beckers. Frankfurt am Main: Museum der Weltkulturen; Berlin—Tübingen: Ernst Wasmuth Verlag, 2009, 323 pp. isbn 9785803033383. Price: usd 75.00 (hardcover). James T. Siegel, Objects and Objections of Ethnography. New York: Fordham University Press, 2011, 188 pp. isbn 9780823232741. Price: usd 80.00 (hardcover). The first book presents 130 masterpieces of the Museum of World Cultures in Frankfurt am Main, Germany. The pieces were presented in an exhibition like- wise entitled ‘Being Object Being Art’ which lasted from 31 October 2009 to 31 October 2010. The objects come from a large part of the world ranging from the Americas, Southeast Asia, Oceania, and East Asia. The objects are beauti- fully photographed, some with extra photographs with details, and described and they show the astonishing variety of forms and objects people are capable of devising in the non-Western world. The photographic section is preceded by a short essay by Eva Ch. Raabe, Mona B. Suhrbier, Christine Stelzig, and Achim Sibeth. It describes the new tendencies of Ethnographic museums to consider the artefacts in their collections as more than ethnographic tools but also as expressions of art, albeit not as art in the purest sense as in the case of art exhibited in art museums, which has no other purpose than being art in itself. -
Seeing Art in Objects from the Pacific Around 1900: How Field Collecting and German Armchair Anthropology Met Between 1873 and 19101
Seeing art in objects from the Pacific around 1900: how field collecting and German armchair anthropology met between 1873 and 19101 Christian Kaufmann When reviewing the historical records of how aesthetically remarkable objects of non-European origin came to be considered as art, one is immediately confronted with at least two common myths. Both paint the picture of the ugly anthropologist and, more specifically, of an ethnologist so deprived of aesthetic sensibilities and unable to recognize the artistic quality in these objects from foreign cultures. The argument dates back to the initial period of Primitivism in the first two decades of the 20th century; it was at least partly subscribed to by William Rubin and was at the heart of Jacques Kerchache’s famous 1990 manifesto ‘Pour que les chef-d’oeuvres du monde entier naissent libres et égaux’, which demanded the opening of the Musée du Louvre to the ‘Arts premiers’.2 Accordingly, so the first myth, European artists were the first to immediately see and recognize the artistic value of such works when encountered either in an ethnographic museum, on the wall of a bar, or in a curio-shop. The second myth blames anthropologists of subscribing to vulgar Social-Darwinist views that understood primitive as meaning under-developed, or lower and savage, pending replacement based on the logic of natural selection, that is, evolution, by the ‘true thing’ at least one notch above. In the following I will show that quite the contrary was the case and that early anthropologists, often having been trained as medical doctors or as natural scientists, and visiting local groups in situ, contributed decisively to the recognition and appreciation of the latter’s artistic activities and achievements.