On Air, Online, on the Go Member Guide | August 2020
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Boston Symphony Orchestra
Tangtewqpd 19 3 7-1987 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Saturday, 29 August at 8:30 The Boston Symphony Orchestra is pleased to present WYNTON MARSALIS An evening ofjazz. Week 9 Wynton Marsalis at this year's awards to win in the last four consecutive years. An exclusive CBS Masterworks and Columbia Records recording artist, Wynton made musical history at the 1984 Grammy ceremonies when he became the first instrumentalist to win awards in the categories ofjazz ("Best Soloist," for "Think of One") and classical music ("Best Soloist With Orches- tra," for "Trumpet Concertos"). He won Grammys again in both categories in 1985, for "Hot House Flowers" and his Baroque classical album. In the past four years he has received a combined total of fifteen nominations in the jazz and classical fields. His latest album, During the 1986-87 season Wynton "Marsalis Standard Time, Volume I," Marsalis set the all-time record in the represents the second complete album down beat magazine Readers' Poll with of the Wynton Marsalis Quartet—Wynton his fifth consecutive "Jazz Musician of on trumpet, pianist Marcus Roberts, the Year" award, also winning "Best Trum- bassist Bob Hurst, and drummer Jeff pet" for the same years, 1982 through "Tain" Watts. 1986. This was underscored when his The second of six sons of New Orleans album "J Mood" earned him his seventh jazz pianist Ellis Marsalis, Wynton grew career Grammy, at the February 1987 up in a musical environment. He played ceremonies, making him the only artist first trumpet in the New -
Of the Commemorative Ceremony-A Description
.DOCUMENT RESUME . SO00947 9 : Commemoration,Ceremony in konor, of the Two Hundredth Anniversary of the First ContinentalCongress in the United States House' of Representatives,September Twenty-Fifth, Nineteen Hundred andSeventy-Four. INSTITUTION Congress of the U.-$., Washington, D.C. House. 'REPORT NO 93-413 PUB:DATE 75 i NOTE 151p. Superintendent of Documents, U.S. GovernmentPrinting Office, Washington,.D.C. 20402 (stockno. -052-071-00432-7, $1.80) EDRS PRICE MF-$0.83 HC-$8.69 Plus Postage. -DESCRIPTORS American Culture; American Studies; Civics;*Colonial History (United States); ConstitutiOnal History; . Educational Resources; *FederalGovernment; Federal 'Programs; Government Publications; GovqrnmentRole; History Instruction; Political Influences;Political .Science; Politics; *Primary Sources;Roference Materials; Resource Materials;. RevolutionaryWar (United States); Social History; *supplcmentary Reading Materials; *United StatesHistelry IDENTIFIERS *Eicdntenniai; *Continental CongressOst) ABSTRACT This documen+ provides a report ofactivities undertaken at the first official bicentennialcelehrntion by the U.S. Congress in January 1974..The projectwas initiated .to provide commemoration of the First ContinentalCongress which met in Philadelphia in September 1774. The booldetpresents the proceedings of the commemorative ceremony-a descriptionof tiazo Old Guard Fife Drum Corps, and the Camerata Chorus Of Washington.In the major portion of the booklet, a documentaryhistory of the First Continental Congress is presented. Thethree sections -
Mennonite Church USA 36 31 Opinion 56 Editorial on the COVER: Photo by Emily Ralph
INSIDE: • Entertaining angels • Who needs reporters? • Worth getting your heart broken • Essentials for a good retirement • Digital dieting Doing better together “I can’t wait to get up every “I trust my Everence repre- morning to see what’s going sentative and think the to happen that day, who I world of him.” get to serve.” – Donna of Illinois, who – Steve, a longtime Everence wanted an advisor with a advisor faith connection “The help that Everence and “It’s nice to know the people members provide to us is and the values that surround very valuable and supports the nancial tools I use are our work with families.” similar to me and my beliefs.” – Ruth Ann and Louella, – Chris of Minnesota, food pantry volunteers member of Everence Federal Credit Union “Before we even met a “It’s been an excellent representative, we planned journey with Everence. I to do business with Everence. feel I am in good hands.” We like the stewardship – Mark of Pennsylvania, foundation that Everence has.” retired accountant who relies – Ted and Sue of Indiana, on Everence for a range of who purchased a senior nancial services health plan Join a community that helps people locally and around the world. Learn how today. (800) 348-7468 Everence.com Banking | Insurance | Investing | Retirement | Charitable Giving Everence offers credit union services that are federally insured by NCUA. Investments and other products are not NCUA or otherwise federally insured, may involve loss of principal and have no credit union guarantee. All products are not available in all states. July 2013 | Volume 16, Number 7 CONTENTS 12 A new journey —Emily Ralph 16 Questions to women leaders —Laura Glass-Hess 17 Entertaining angels —Don Clymer 20 Apprenticed to Christ —C. -
Norman Bolter
Norman Bolter Born in Minneapolis, Minnesota, Norman Bolter was first inspired to play the trombone when, at age four, he saw the Captain Kangaroo television show character, "Mr. Greenjeans," play the same instrument. Mr. Bolter began his formal trombone studies at age nine with Ed VonHoff of the St. Paul Public School System. Later, he studied with Ronald Rickets and Steven Zellmer of the Minnesota Orchestra and with John Swallow at the New England Conservatory. Mr. Bolter is very thankful to these teachers and to former BSO principal bassoonist, Sherman Walt, not only for their technical and musical assistance but also for their encouragement and nurturance of his love of music and trombone playing. A Tanglewood Fellow and C. D. Jackson Award winner, Mr. Bolter joined the Boston Symphony Orchestra in 1975 at age 20, becoming the youngest member of the orchestra at that time. As well, he is principal trombonist of the Boston Pops Orchestra and was a founding member of the Empire Brass Quintet, which won the prestigious Walter H. Naumberg Award in Chamber Music, the first brass ensemble ever to win this award. Mr. Bolter has appeared, as a member of the Boston Pops Orchestra, on the televised PBS favorite "Evening at Pops" with Arthur Fiedler, John Williams and Keith Lockhart as conductors. He has toured extensively in the U.S., Europe, Asia and South America with the BSO, the Pops and the Empire Brass and has made many recordings with them. He also appears as principal trombonist on recordings with Orchestre National Bordeaux Aquitaine. Furthermore, Mr. -
HFS Annualreport 2010.Pdf
FROM OUR EXECUTIVE DIRECTOR DESIREÉ PEPPER-VENZANT Dear HFS Supporters, Friends, and Family: In April, I spoke of a little hummingbird who took on what seemed to be an impossible task. But the little bird never gave up, because he was doing what he could to make a difference. This is what we are doing at HFS Chicago Schol- ars, making a difference by doing what we can for scholars and families. HFS is pursuing a new journey this year; one filled with excitement as we continue to develop new leaders. HFS provides high school scholars with not only financial assistance, but one-on-one mentoring with successful profes- sionals. HFS has over 100 volunteers that assist our scholars through mentoring and support. We are committed to aca- demic excellence. We provide educational enrichment group activities and college admission support. We have dedi- cated and qualified academic directors that meet monthly with scholars tracking their success. Our mission is to assist economically disadvantaged Chicago inner-city high school students, who show academic and leadership promise, achieve their educational goals. Our objective is clear – providing long term life skills which lead to success for our scholars. HFS is in its 17th year of in preparing scholars to take on the world. 100% of our graduates have matriculated to attend top colleges and universities, including Big Ten, Ivy League and Historically Black Col- leges. Our scholars are National Honor Society students, officers of student government, musicians in school bands, performers in school plays, and leaders in team sports. While our scholars set out to achieve the best, they realize the importance of giving back to their communities. -
Shakespeare Quotations Each Answer Is the Title of a Film, Novel Or TV Series Which Features Part of a Quotation from a Shakespeare Play Or Poem
Quiz 21/11/2016 set by Boot & Shoe B Hopefully the questions are balanced and will titillate the little grey cells. Required elements are in bold and underlined. Round 1: Shakespeare quotations Each answer is the title of a film, novel or TV series which features part of a quotation from a Shakespeare play or poem. From the description and the name of the Shakespeare play or poem, give the title of the work described eg A 1954 musical by Julian Slade and Dorothy Reynolds (quotation from Antony and Cleopatra) - Salad Days 1a) A 1930 novel by Somerset Maugham, narrated by Ashenden, and featuring the character Rosie Driffield (quotation from "Twelfth Night") CAKES AND ALE 1b) A 1966 film directed by and starring Orson Welles, which is based largely on Henry IV Parts 1 and 2, but incorporating dialogue quotation from other plays (quotation from "Henry IV Part 2") CHIMES AT MIDNIGHT 2a) A 1959 film directed by Alfred Hitchcock and starring Cary Grant and Eve Marie Saint (quotation from "Hamlet") NORTH BY NORTHWEST 2b) A 1967 film starring Richard Burton and Clint Eastwood (quotation from "Richard III") WHERE EAGLES DARE 3a) A 1974 novel by Frederick Forsyth about mercenaries in Africa (quotation from "Julius Caesar") THE DOGS OF WAR 3b) A 1932 novel set in the year 2540 (or 632AF) (quotation from "The Tempest") BRAVE NEW WORLD 4a) A novel by HE Bates and a TV series of 1991-93 starring David Jason (quotation from "Sonnet 18") THE DARLING BUDS OF MAY 4b) 2001 TV series produced by Steven Spielberg and Tom Hanks and based on the experiences -
2008 Texas Flute Festival Guest Artists
Texas Flute Society Membership Application January 1, 2009 - December 31, 2009 Name _________________________ Please select from the following: ______ $ 10.00 Student/Undergraduate Address _______________________ ______ $ 25.00 Adult/Graduate Student/ City ___________________________ Teacher/Professional State ______ Zip Code___________ ______ $ 35.00 Sustaining Member Home Phone ___________________ ______ $500.00 Life Member Alt. Phone _____________________ $ ______ Total Enclosed E-Mail ________________________ If you are a teacher, please check all the Choose One: categories you instruct: _____ New member ____ Elementary ____ Grades 7-9 _____ Renewing Member ____ Grades 10-12 ____ College/University _____ Information Change/Update ____ Adult Mail with appropriate payment to: Teaching Locale _______________________ Larry Bailey Texas Flute Society, Membership 2553 Primrose Drive Richardson, TX 75082 2 President - Tara Richter 817-605-0871, [email protected] Vice President – Mary Reyes 972-956-8553, [email protected] Spring 2009 Editor - Dolores August 682-553-0979, [email protected] Letter from the President Dear flutists, Happy March and I hope this finds you well. Solo contest season is upon us, the 32nd Annual Texas Flute Festival approaches, and busy days are ahead. Greg Patillo and Project have released a new CD this month! If your copy of Winter in June is as worn as mine, I am sure you will want to purchase their new album. The Texas Flute Society has advance copies of the CD, so look for the order form in this newsletter. It is an opportunity you do not want to miss. On April 4th Judy Dines, flutist with the Houston Symphony, will be giving an Orchestral Excerpts masterclass. -
Boston Symphony Orchestra Economic and Community Impacts Boston, the Berkshires, and Massachusetts
BOSTON SYMPHONY ORCHESTRA ECONOMIC AND COMMUNITY IMPACTS BOSTON, THE BERKSHIRES, AND MASSACHUSETTS JUNE 2008 Table of Contents EXECUTIVE SUMMARY . .i 1: INTRODUCTION . .1 1.1 Purpose of this report . .3 1.2 Overview of the Boston Symphony Orchestra . .3 1.3 Understanding the BSO’s Economic Impacts . .5 2: QUANTIFYING THE BSO’S ECONOMIC IMPACTS . .7 2.1 A Framework for Measuring Economic Impact . .9 2.2 The Economic Impacts of the BSO . .10 3: THE BSO AS AN EMPLOYER AND CORPORATION: PAYROLL AND SPENDING . .17 3.1 Direct Employment and Payroll at the BSO . .19 3.2 Purchase of Goods and Services from Outside Suppliers . .20 4: BSO’S ROLE IN MASSACHUSETTS’ TOURISM INDUSTRY . .23 4.1 Visitor Impacts in Boston . .25 4.2 Visitor Impacts in the Berkshires . .28 5: OTHER IMPACTS . .35 5.1 Building Human Capital . .37 5.2 Building Critical Components of the Creative Economy . .43 5.3 Enhancing Boston’s Image as a World-Class City . .48 5.4 Serving its Local Communities . .51 For For For the Mt. Auburn Associates: C3D: Boston Symphony Orchestra: Beth Siegel Stephen Shepard Ryan Losey Project Lead Project Lead Project Lead Peter Kwass Mark Volpe Michael Kane Peter Minichiello Devon Winey Kim Noltemy Judi Luciano Bart Reidy Joseph Heitz Laura Wexler Mt Auburn Associates and C3D wish to thank all of the staff members of the Boston Symphony Orchestra who took time out to meet with us and provide us with all of the information that we needed to understand the economic impact of the BSO. BSO staff provided us with the underlying data that was used to assess the economic impacts of the BSO. -
Ambassador Without Portfolio' Alistair Cooke's America on the British Airwaves
University of New Hampshire University of New Hampshire Scholars' Repository Master's Theses and Capstones Student Scholarship Spring 2010 Ambassador without portfolio' Alistair Cooke's America on the British airwaves Tessa Catherine Croker University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/thesis Recommended Citation Croker, Tessa Catherine, "Ambassador without portfolio' Alistair Cooke's America on the British airwaves" (2010). Master's Theses and Capstones. 130. https://scholars.unh.edu/thesis/130 This Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Master's Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. 'AMBASSADOR WITHOUT PORTFOLIO' ALISTAIR COOKE'S AMERICA ON THE BRITISH AIRWAVES BY TESSA CATHERINE CROKER American Studies and History (BA), University of Sussex, 2007 THESIS Submitted to the University of New Hampshire In Partial Fulfillment of The Requirements for the Degree of Master of Arts In History May, 2010 UMI Number: 1485421 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 1485421 Copyright 2010 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. -
Keith Lockhart
symphony hall tel: (617) 266-1492 301 massachusetts avenue fax: (617) 638-9493 boston, ma 02115-4511 www.bso.org KEITH LOCKHART Keith Lockhart became the twentieth conductor of the Boston Pops in 1995, adding his artistic vision to the Pops tradition established by his predecessors John Williams and Arthur Fiedler. During his 15-year tenure, he has conducted the Boston Pops in more than 1,200 concerts and introduced the innovative JazzFest and EdgeFest series, which feature the Pops performing with some of today’s most prominent jazz and indie artists including Chick Corea, Dianne Reeves, Guster, My Morning Jacket, and Natalie Merchant. The 2009 New Year’s Eve concert featured special guest Amanda Palmer. Reflecting a passionate commitment to music of the Broadway stage, Mr. Lockhart has led the Boston Pops in collaboration with the Tanglewood Music Center in concert performances of Rodgers and Hammerstein’s Carousel and Stephen Sondheim’s A Little Night Music, as well as musical reviews of the works of Sondheim and Bernstein, performed both at Symphony Hall in Boston and at Tanglewood. He has also spearheaded collaborations with students from the Boston Conservatory and Berklee College of Music, and visits music programs in the Boston Public Schools whenever his schedule allows. Mr. Lockhart has been the driving force behind the success of PopSearch and the Boston Pops High School Sing-Off, performing competitions that have offered talented singers throughout Massachusetts and the United States an opportunity to perform with the Boston Pops at Symphony Hall and the July 4 concert on Boston’s Charles River Esplanade. -
I Built My Sample of Music Albums by Taking All the Albums Listed for a US
1 I Heard It Through the Grapevine: The Effects of Online Word of Mouth on Music Sales By Elaine Chang An honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science Undergraduate College Leonard N. Stern School of Business New York University May 2007 Professor Marti G. Subrahmanyam Professor Vasant Dhar Faculty Advisor Thesis Advisor 2 Abstract: Word of mouth (WOM) has always been one of the most credible and influential sources of information for a consumer. With the advent of the Internet, new mediums of communication, such as blogs and social networking sites, have opened up, allowing more consumers to gather WOM information more easily than ever before. In this study, I examine the usefulness of online WOM, particularly from blogs and social networking sites, in predicting sales in the music industry. I track the changes in online WOM for a sample of 108 albums for four weeks before and after their release dates, and use a linear regression and regression tree to examine the relative significance of online WOM variables on their observation date in predicting album unit sales two weeks after that date. I find that the volume of blog posts about an album is the most consistently significant measure, with each additional blog post corresponding to higher album sales. In addition, I found that greater increases in an artist’s Myspace friends week over week and higher average consumer ratings also corresponded to higher sales. Although evidence supports my hypothesis that online word of mouth can be an important predictor of sales, my study also found that traditional factors are still relevant – albums released by major labels and albums with a number of reviews from mainstream sources like Rolling Stone also tended to have higher sales. -
Precursor of Modern Television
Syracuse University SURFACE The Courier Libraries Fall 1991 Omnibus: Precursor of Modern Television Mary Beth Hinton Syracuse University Follow this and additional works at: https://surface.syr.edu/libassoc Part of the American Film Studies Commons, American Popular Culture Commons, and the Broadcast and Video Studies Commons Recommended Citation Hinton, Mary Beth. "Omnibus: Precursor of Modern Television." The Courier 26.2 (1991): 41-51. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER r--.~ ~T~ ~T::Jff ,~T T ~ ~ ~~~.~-c~.-_dl---+------------! - -i 1ffil'q'T ;rT ;rT ~- ~ ~ ~ VOLUME XXVI, NUMBER 2, FALL 1991 SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXVI NUMBER TWO FALL 199 I Foreword By Alexander Charters, Professor Emeritus ofAdult 3 Education, Syracuse University Preface By Mary Beth Hinton, Guest Editor, 5 Syracuse University Library Associates Courier Laubach in India: 1935 to 1970 By S. Y. Shah, Assistant Director, Adult Continuing 9 Education and Extension Unit, Jawaharlal Nehru University, New Delhi The Portfolio Club: A Refuge ofFriendship and Learning By Constance Carroll, Assistant for Continuing 25 Education, The New York State Education Department Omnibus: Precursor ofModern Television By Mary Beth Hinton, Guest Editor, 41 Syracuse University Library Associates Courier The Adult and Continuing