2008 Texas Flute Festival Guest Artists
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Boston Symphony Orchestra
Tangtewqpd 19 3 7-1987 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Saturday, 29 August at 8:30 The Boston Symphony Orchestra is pleased to present WYNTON MARSALIS An evening ofjazz. Week 9 Wynton Marsalis at this year's awards to win in the last four consecutive years. An exclusive CBS Masterworks and Columbia Records recording artist, Wynton made musical history at the 1984 Grammy ceremonies when he became the first instrumentalist to win awards in the categories ofjazz ("Best Soloist," for "Think of One") and classical music ("Best Soloist With Orches- tra," for "Trumpet Concertos"). He won Grammys again in both categories in 1985, for "Hot House Flowers" and his Baroque classical album. In the past four years he has received a combined total of fifteen nominations in the jazz and classical fields. His latest album, During the 1986-87 season Wynton "Marsalis Standard Time, Volume I," Marsalis set the all-time record in the represents the second complete album down beat magazine Readers' Poll with of the Wynton Marsalis Quartet—Wynton his fifth consecutive "Jazz Musician of on trumpet, pianist Marcus Roberts, the Year" award, also winning "Best Trum- bassist Bob Hurst, and drummer Jeff pet" for the same years, 1982 through "Tain" Watts. 1986. This was underscored when his The second of six sons of New Orleans album "J Mood" earned him his seventh jazz pianist Ellis Marsalis, Wynton grew career Grammy, at the February 1987 up in a musical environment. He played ceremonies, making him the only artist first trumpet in the New -
Norman Bolter
Norman Bolter Born in Minneapolis, Minnesota, Norman Bolter was first inspired to play the trombone when, at age four, he saw the Captain Kangaroo television show character, "Mr. Greenjeans," play the same instrument. Mr. Bolter began his formal trombone studies at age nine with Ed VonHoff of the St. Paul Public School System. Later, he studied with Ronald Rickets and Steven Zellmer of the Minnesota Orchestra and with John Swallow at the New England Conservatory. Mr. Bolter is very thankful to these teachers and to former BSO principal bassoonist, Sherman Walt, not only for their technical and musical assistance but also for their encouragement and nurturance of his love of music and trombone playing. A Tanglewood Fellow and C. D. Jackson Award winner, Mr. Bolter joined the Boston Symphony Orchestra in 1975 at age 20, becoming the youngest member of the orchestra at that time. As well, he is principal trombonist of the Boston Pops Orchestra and was a founding member of the Empire Brass Quintet, which won the prestigious Walter H. Naumberg Award in Chamber Music, the first brass ensemble ever to win this award. Mr. Bolter has appeared, as a member of the Boston Pops Orchestra, on the televised PBS favorite "Evening at Pops" with Arthur Fiedler, John Williams and Keith Lockhart as conductors. He has toured extensively in the U.S., Europe, Asia and South America with the BSO, the Pops and the Empire Brass and has made many recordings with them. He also appears as principal trombonist on recordings with Orchestre National Bordeaux Aquitaine. Furthermore, Mr. -
New York Flute Club Newsletter Interview 2012
March 2012 Amy Porter and “The Anatomy of Sound” Interview by Wendy Stern hen I was a master’s student at Juilliard in the early ’80s I received a phone call from my former teacher, Deborah WCarter, who raved about a star student and asked if this student, Amy Porter, could please stay with me for her Juilliard audition. Upon meeting Amy and hearing her play (she practiced just about nonstop for the three days she was in my apartment), I knew she was a major talent. I have followed her career with interest and awe as she won both national and international competitions, became principal flute at the Atlanta Symphony, established herself as an international recitalist and concerto soloist, and, most recently, earned awards for teaching and scholarship as a professor of flute at the University of Michigan. Amy and I conversed via email during the first weeks of February 2012. WENDY STERN: The week of March 24, 2012 is certainly a busy one for you...not only are you the guest artist at the NY Flute Fair, you will also be the soloist in the NY premiere of Michael Daugherty’s Trail of Tears with the American Composers Orchestra at Zankel Hall. How did this concerto [whose title refers to a particularly brutal forced relocation of Native Americans in the late 1830s] come to be written for you? AMY PORTER: Michael Daugherty [a faculty colleague at the University of Michigan’s School of Music] had mentioned to me for many years that he would like to write a flute concerto for me. -
On Air, Online, on the Go Member Guide | August 2020
POV/Whose Streets? | 13 Masterpiece/Endeavour | 15 WGBH News Names New Head | 26 wgbh.org ON AIR, ONLINE, ON THE GO MEMBER GUIDE | AUGUST 2020 Legacy of Love SHARE YOUR SCREEN TIME Between work and online schooling, parents and kids have been anchored to a lot of screens lately. But with the PBS App, you and your child can untether yourselves from your everyday life and head on a new journey. You can share their PBS Kids favorites, take an underwater adventure on Nature, or visit the wonders of the galaxy on NOVA. So what are you waiting for? PBS VIDEO Get started at pbs.org/videoapp APP Where to Tune in From the President TV Coming Together s work is scheduled to begin on a Boston Common A memorial honoring the Rev. Dr. Martin Luther Digital broadcast FiOS RCN Cox Charter TV YouTube Comcast King, Jr. and his wife Coretta Scott King, we are reminded that they met in WGBH 2 2.3 2 2 2 2 2 * our city as students and became partners for life in the civil rights movement. WGBH 2 HD 2.1 802 502 602 1002 782 n/a In Legacy of Love (page 13), Boston-based filmmaker Roberto Mighty recounts the story of how the couple fell in love in the 1950s when he was WGBX 44 44.2 16 44 14 804 21 n/a studying at Boston University and she was at the New England Conservatory WGBX 44 HD 44.1 801 544 n/a n/a n/a n/a of Music. -
April 1, 2008. You Will Be Able to Sign up for Solos, Ensembles, and Auditing As Well As Order T-Shirts and Patches
Dear Flutists, I can’t believe how quickly time is passing. As I write this, only 97 days, 18 hours, 7 minutes and 46 seconds until the start of the 31st Annual Texas Flute Festival which begins with the semi-final round of the Myrna W. Brown Artist Competition, Thursday, May 15 at 2:00 PM Recital Hall of the College of Music – University of North Texas. Once again, you will be able to register online March 1 – April 1, 2008. What a stellar list of guest artists we have this year. Renee Siebert, distinguished member of the New York Philharmonic for over 25 years, is well known throughout the world, not only as an orchestra member, but also as a soloist, chamber musician, and teacher. Renee is a highly sought after interpreter and coach of orchestral repertoire and collaborated with Jean Baxtresser, former principal of New York Philharmonic, on the widely acclaimed, “Great Flute Duos from the Orchestral Repertoire.” She will present a masterclass Friday evening and perform throughout the day on Saturday. Although many of us had not heard of Greg Pattillo until recently, he is hugely popular with the junior high and high school students, largely because of his video clips on YouTube. He will present a workshop on how to beatbox, a masterclass on extended techniques, and will perform in recitals with PROJECT bass player, Peter Seymour, a Dallas native, and Erich Stephenson, cellist. Bringing a new sound to flute playing, Greg’s beat- boxing style is a mixture of genres stemming from his classical training at the Cleveland Institute of Music where he studied with Joshua Smith. -
Festival Newsletter
THE In This Issue newsletter. Letter from the President Festival Schedule 2019 Festival Edition Guest Artist Line-Up Karena Pezzullo, Editor Share Tweet Letter from the President Greetings all! Wow! It is hard to believe the year has flown right by as we are now just days away from the 2019 Texas Flute Festival. It is so easy to get tired and bogged down during this time of year with busy schedules, but I am looking forward to an inspiring and refreshing day of music making with you all! I could not think of a better way to end the academic year than by gathering together and celebrating the progress and hard work that everyone has put forth throughout the year. If you’re not already pumped, then get ready! This year’s guest artists are bringing a wide variety of talent to the Flute community, featuring Project Trio, Kara Kirkendoll Welch, and Martin Godoy. You do not want to miss these amazing artists in concert! They will each perform solo recitals as well as a performance on the Artists' Showcase Recital. During the festival, be sure to check out the clinics these artists are offering. – Want to learn how to beat box and jam out? Be sure to check out Greg Pattillo’s class on beat boxing and flute playing. – Trying to brush up on your orchestral excerpts? Then come and hear Kara Kirkendoll Welch’s masterclass discussing orchestral literature. – Join last year’s Myrna Brown winner, Martin Godoy, as he presents a masterclass to Junior High students from across the Dallas/Fort Worth area. -
Boston Symphony Orchestra Economic and Community Impacts Boston, the Berkshires, and Massachusetts
BOSTON SYMPHONY ORCHESTRA ECONOMIC AND COMMUNITY IMPACTS BOSTON, THE BERKSHIRES, AND MASSACHUSETTS JUNE 2008 Table of Contents EXECUTIVE SUMMARY . .i 1: INTRODUCTION . .1 1.1 Purpose of this report . .3 1.2 Overview of the Boston Symphony Orchestra . .3 1.3 Understanding the BSO’s Economic Impacts . .5 2: QUANTIFYING THE BSO’S ECONOMIC IMPACTS . .7 2.1 A Framework for Measuring Economic Impact . .9 2.2 The Economic Impacts of the BSO . .10 3: THE BSO AS AN EMPLOYER AND CORPORATION: PAYROLL AND SPENDING . .17 3.1 Direct Employment and Payroll at the BSO . .19 3.2 Purchase of Goods and Services from Outside Suppliers . .20 4: BSO’S ROLE IN MASSACHUSETTS’ TOURISM INDUSTRY . .23 4.1 Visitor Impacts in Boston . .25 4.2 Visitor Impacts in the Berkshires . .28 5: OTHER IMPACTS . .35 5.1 Building Human Capital . .37 5.2 Building Critical Components of the Creative Economy . .43 5.3 Enhancing Boston’s Image as a World-Class City . .48 5.4 Serving its Local Communities . .51 For For For the Mt. Auburn Associates: C3D: Boston Symphony Orchestra: Beth Siegel Stephen Shepard Ryan Losey Project Lead Project Lead Project Lead Peter Kwass Mark Volpe Michael Kane Peter Minichiello Devon Winey Kim Noltemy Judi Luciano Bart Reidy Joseph Heitz Laura Wexler Mt Auburn Associates and C3D wish to thank all of the staff members of the Boston Symphony Orchestra who took time out to meet with us and provide us with all of the information that we needed to understand the economic impact of the BSO. BSO staff provided us with the underlying data that was used to assess the economic impacts of the BSO. -
Keith Lockhart
symphony hall tel: (617) 266-1492 301 massachusetts avenue fax: (617) 638-9493 boston, ma 02115-4511 www.bso.org KEITH LOCKHART Keith Lockhart became the twentieth conductor of the Boston Pops in 1995, adding his artistic vision to the Pops tradition established by his predecessors John Williams and Arthur Fiedler. During his 15-year tenure, he has conducted the Boston Pops in more than 1,200 concerts and introduced the innovative JazzFest and EdgeFest series, which feature the Pops performing with some of today’s most prominent jazz and indie artists including Chick Corea, Dianne Reeves, Guster, My Morning Jacket, and Natalie Merchant. The 2009 New Year’s Eve concert featured special guest Amanda Palmer. Reflecting a passionate commitment to music of the Broadway stage, Mr. Lockhart has led the Boston Pops in collaboration with the Tanglewood Music Center in concert performances of Rodgers and Hammerstein’s Carousel and Stephen Sondheim’s A Little Night Music, as well as musical reviews of the works of Sondheim and Bernstein, performed both at Symphony Hall in Boston and at Tanglewood. He has also spearheaded collaborations with students from the Boston Conservatory and Berklee College of Music, and visits music programs in the Boston Public Schools whenever his schedule allows. Mr. Lockhart has been the driving force behind the success of PopSearch and the Boston Pops High School Sing-Off, performing competitions that have offered talented singers throughout Massachusetts and the United States an opportunity to perform with the Boston Pops at Symphony Hall and the July 4 concert on Boston’s Charles River Esplanade. -
PROJECT Trio -Study Guide
PROJECT Trio -Study Guide- Combining the virtuosity of world-class artists with the energy of rock stars, PROJECT Trio is breaking down traditional ideas of chamber music. Blending their classical training with an eclectic taste in musical styles, they make a big impact on audiences of all ages. The genre-defying Trio is acclaimed by the press as “packed with musicianship, joy and surprise” and “exciting a new generation of listeners about the joys of classical and jazz music.” Objective of the Performance: PROJECT Trio explores all the amazing genres and styles that music has to offer from the last 400 years. • ENGAGE the audience with world-class performance and story telling. • EXPLORE and teach the timeline of music using the great musicians/ composers of the history of Western Music. • INSPIRE creativity through witnessing virtuosic performance from incredible performers. • ENLIGHTEN the audience to the power of music and all that it has to offer. Table of Contents What to Expect..........................................................................3 About the Artists.......................................................................4 Pre Performance Preparation...................................................5 Instruments................................................................................6 Vocabulary..................................................................................7 Post Performance.......................................................................8 Resources....................................................................................9 -
Navy Pier Jazzes up Thursday Evenings with Big Sounds at Tiny Tavern
FOR IMMEDIATE RELEASE CONTACT: Payal Patel, Navy Pier (312) 595-5073 [email protected] Lydia Jordan-Parnell, Navy Pier (312) 595-5063 [email protected] Navy Pier Jazzes Up Thursday Evenings with Big Sounds at Tiny Tavern The Midwest’s top-attended leisure destination kicks off free six-week jazz ensemble concert series at new craft cocktail lounge, starting Thursday, February 23 CHICAGO (February 21, 2017) – Navy Pier is all about that jazz. The popular lakefront destination introduces a free jazz concert series, Big Sounds at Tiny Tavern. The Pier has teamed up with its new craft cocktail lounge, Tiny Tavern, and the Jazz Institute of Chicago to launch the six-week soirée, which offers a fun, sultry twist to Thursday evenings, while giving a nod to Chicago’s historic and influential jazz scene. Every Thursday from February 23 to April 6, guests are welcome to swing and sway to the smooth tunes of three different ensembles from the Jazz Institute of Chicago. Performances begin at 5:30 p.m. and end at 7 p.m. During the jazz sets, Tiny Tavern will offer guests complimentary appetizers with the purchase of a bottle of sparkling wine or champagne. Big Sounds at Tiny Tavern is set to feature three prominent local jazz ensembles throughout the series: Cole DeGenova Quartet—As a pianist, vocalist and composer, Cole DeGenova has spent most of his life crafting his eclectic artistic voice, beginning his career at age 16 as a jazz pianist around his native Chicago. As a bandleader, he started his funky alternative soul group Cole DeGenova & The Peoples Republic at the prestigious Berklee College of Music, where he released his first album JUST PEOPLE AGAIN in 2009. -
Project Trio Project Trio
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 9-13-2016 Guest Artist Recital: Robert G. Boehmler Community Foundation Series: Project Trio Project Trio Greg Pattillo Eric Stephenson Peter Seymour Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Project Trio; Pattillo, Greg; Stephenson, Eric; and Seymour, Peter, "Guest Artist Recital: Robert G. Boehmler Community Foundation Series: Project Trio" (2016). All Concert & Recital Programs. 1985. http://digitalcommons.ithaca.edu/music_programs/1985 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Robert G. Boehmler Community Foundation Series: PROJECT TRIO Greg Pattillo, flute Eric Stephenson, cello Peter Seymour, bass Ford Hall Tuesday, September 13th, 2016 8:15 pm Program Tonight's program will be announced from the stage. Project Trio Combining the virtuosity of world-class artists with the energy of rock stars, PROJECT Trio is breaking down traditional ideas of chamber music. The genre-defying Trio is acclaimed by the press as “packed with musicianship, joy and surprise” and “exciting a new generation of listeners about the joys of classical and jazz music.” Gramophone Magazine singled out the group as “an ensemble willing and able to touch on the gamut of musical bases ranging from Baroque to nu-Metal and taking in pretty much every stylism in between,” while The Wall Street Journal hailed the Trio for their “wide appeal, subversive humor and first-rate playing.” The New York Times has called beatboxing flutist Greg Pattillo “the best in the world at what he does.” The Trio was forged out of a collective desire to draw new and diverse audiences by performing high energy, top quality music. -
Beatboxing and the Flute: Its History, Repertoire, and Pedagogical Importance Christopher Kuhns
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 Beatboxing and the Flute: Its History, Repertoire, and Pedagogical Importance Christopher Kuhns Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC BEATBOXING AND THE FLUTE: ITS HISTORY, REPERTOIRE, AND PEDAGOGICAL IMPORTANCE By CHRISTOPHER KUHNS A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2014 Christopher Kuhns defended this treatise on April 2, 2014. The members of the supervisory committee were: Eva Amsler Professor Directing Treatise James Mathes University Representative Patrick Meighan Committee Member Deborah Bish Committee Member Valerie Trujillo Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS Many thanks to the members of my committee: Professor Patrick Meighan, Dr. Deborah Bish, Dr. James Mathes, Professor Valerie Trujillo, and Professor Eva Amsler for your generous support and advice during my time at FSU. Special thanks to Professor Amsler for her ideas, encouragement, direction and inspiration. I’m truly thankful to my friends and family for their unending support. Most importantly I’m thankful for my beautiful wife, Krystal, and for all of her motivating