Biography Nuspirit Helsinki Is a Multi Talented Finnish Collective of DJ's
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
High Concept Music for Low Concept Minds
High concept music for low concept minds Music | Bittles’ Magazine: The music column from the end of the world: August/September New albums reviewed Part 1 Music doesn’t challenge anymore! It doesn’t ask questions, or stimulate. Institutions like the X-Factor, Spotify, EDM and landfill pop chameleons are dominating an important area of culture by churning out identikit pop clones with nothing of substance to say. Opinion is not only frowned upon, it is taboo! By JOHN BITTLES This is why we need musicians like The Black Dog, people who make angry, bitter compositions, highlighting inequality and how fucked we really are. Their new album Neither/Neither is a sonically dense and thrilling listen, capturing the brutal erosion of individuality in an increasingly technological and state-controlled world. In doing so they have somehow created one of the most mesmerising and important albums of the year. Music isn’t just about challenging the system though. Great music comes in a wide variety of formats. Something proven all too well in the rest of the albums reviewed this month. For instance, we also have the experimental pop of Georgia, the hazy chill-out of Nils Frahm, the Vangelis-style urban futurism of Auscultation, the dense electronica of Mueller Roedelius, the deep house grooves of Seb Wildblood and lots, lots more. Somehow though, it seems only fitting to start with the chilling reflection on the modern day systems of state control that is the latest work by UK electronic veterans The Black Dog. Their new album has, seemingly, been created in an attempt to give the dispossessed and repressed the knowledge of who and what the enemy is so they may arm themselves and fight back. -
France at Reeperbahn Festival
LE BUREAU EXPOrt presents FRANCE AT REEPERBAHN FESTIVAL 18-21 SEPTEMBER 2019 HAMBURG BONJOUR! Over the past 13 years, the partnership between Le Bureau Export and Reeperbahn Festival has made numerous showcases, networking events and conferences possible in this key territory, where the artistic variety of music made in France has had the chance to shine through. Once again in 2019, Le Bureau Export will be aiming to promote the rich diversity of French productions and talent of artists from the French music scene. These artists will be playing around 30 concerts and showcases during the festival. Our recommendation brand WHAT THE FRANCE will be your guide to the line up with dedicated playlists. Check out our dedicated playlists and other branded events on whatthefrance.org! More than 60 French professionals will have the chance to meet their colleagues from around the world during industry-specific speed meeting sessions and artist pitches organized by Le Bureau Export. Numerous key players and representatives from institutions, organizations and companies that make up the French music industry will take part in conference panels and will participate in the IMJA jury. _ WHO ARE WE ? Created in 1993, LE BUREAU EXPORT is a non-profit professional organisation with the aim of developing music made in France all around the world. For over 25 years, Le Bureau Export has worked hand-in-hand with French music industry professionals to develop the international careers of their artists, supporting hundreds of Made in France artists every year. Le Bureau Export’s team (central office located in Paris; music experts based in Berlin, London and N.Y.C.; regional attachés for music located in Abidjan, Bogota and Singapore) is in constant interaction with both French and international professionals, offering their expertise to help take Made in France music worldwide. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
BIO (EN) Nicole Willis
From New York to Helsinki. On one side, Nicole Willis, a warm soul voice from cold Finland. On the other side, The Soul Investigators, a multi-instrumentalist Finnish band as talented as fascinating. But before settling down in Helsinki, the American singer has traveled around the world, from Brooklyn where she grew up among soul music and Motown influences, to Spain and England. Rotary Connection and Dionne Warwick were some of her influences although they are not limit to only Soul. As a matter of fact, Gary Numan’s synth driven “Cars” is the song, which changed her life. Cat Stevens and The Make- Up have also influenced her. “I listen to many different music genres and I enjoy all of them. Belonging to my generation means to listen to Motown music, new wave, disco, soul-jazz, afro & post-funk, house, rock, experimental…” She thus played in many groups during the acid-jazz period in the mid-90’s in New York like Repercussions & with British groups, The The & Leftfield. She was also sang a duet with Curtis Mayfield and was in Deee-Lite. An avant-garde of Soul music is back to basics. Nicole Willis released two solo albums - Soul Makeover in 2000 and Be It in 2004. But it’s her collaboration with The Soul Investigators, met in 2005 in a Korean restaurant in Barcelona with Tommi Gronlund from Sähkö Recordings that established Nicole Willis’ success and recognition. Released in 2005, the album Keep Reachin’ Up was a pure 60’s soul-funk gem, full of dancefloor killing songs reminiscent of the era’s pioneers. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Pressure Radio Soulful House Music Radio Presentation
Pressure Radio Deep Soulful House Music • Pressure Radio is one of longest running internet radio stations from our humble beginnings as a small UK only line up of DJs to a mass network of global DJ’s. • We are an independent, not-for-profit organisation, we only do this because we love the music we play, however because of the running costs we will gracefully accept any offers of support or donations. • We play HOUSE MUSIC mainly DEEP HOUSE, SOULFUL HOUSE plus BROKEN BEAT, NU JAZZ and the occasional specialist shows (soul, funk, disco, rare-groove). Keep it soulful, keep it Pressure, keep it forever Community • We rely on word of mouth and in recent years spreading via social networking our website has Facebook, Twitter & Myspace share and like links for the whole site and for individual content posts. • We have rss feeds for news and our weekly Soulful house chart. Our internet radio stream is running 24/7 every day of the year with much of that being live shows from real DJ presenters and its this live content that sets us apart from other stations. • We are a global family and we regard our listeners as extended family and welcome everyone to our global community. Keep it soulful, keep it Pressure, keep it forever Website Keep it soulful, keep it Pressure, keep it forever Website Keep it soulful, keep it Pressure, keep it forever Schedule Multi time-zone Schedule page Keep it soulful, keep it Pressure, keep it forever Playlists As well as links to Individual DJ’s podcasts we also have a unique combined podcast rss link which show the latest podcast from each DJ. -
2011 Programação Schedule
Índice Index Apresentação Introduction ......................................................................................................... 4 4 - 13 NOV. 2011 Programação Schedule .............................................................................................................. 8 WWW.JANELADECINEMA.COM.BR Mostra Competitiva Brasileira Brazilian competition ........................................................................... 11 BRA 1 Gritos Primais Primal Screams ...................................................................................................... 12 BRA 2 O Meu Espaço My Space .............................................................................................................. 14 BRA 3 Salvar Arquivo Vol. 3 Save File Vol. 3 ............................................................................................... 16 BRA 4 Filmados em Locação Shot On Locations .......................................................................................... 18 BRA 5 Eu Sinto Falta I Miss Something .................................................................................................... 20 LOCAIS DE EXIBIÇÃO BRA 6 Puxando e Soltando Pulling In and Letting Go .................................................................................... 22 Mostra Competitiva Internacional International competition ................................................................ 25 CINEMA SÃO LUIZ INT 1 Sinfonias Industriais de Cinema Industrial Film Symphonies ................................................................... -
BEAUTIFUL NOISE Directions in Electronic Music
BEAUTIFUL NOISE Directions in Electronic Music www.ele-mental.org/beautifulnoise/ A WORK IN PROGRESS (3rd rev., Oct 2003) Comments to [email protected] 1 A Few Antecedents The Age of Inventions The 1800s produce a whole series of inventions that set the stage for the creation of electronic music, including the telegraph (1839), the telephone (1876), the phonograph (1877), and many others. Many of the early electronic instruments come about by accident: Elisha Gray’s ‘musical telegraph’ (1876) is an extension of his research into telephone technology; William Du Bois Duddell’s ‘singing arc’ (1899) is an accidental discovery made from the sounds of electric street lights. “The musical telegraph” Elisha Gray’s interesting instrument, 1876 The Telharmonium Thaddeus Cahill's telharmonium (aka the dynamophone) is the most important of the early electronic instruments. Its first public performance is given in Massachusetts in 1906. It is later moved to NYC in the hopes of providing soothing electronic music to area homes, restaurants, and theatres. However, the enormous size, cost, and weight of the instrument (it weighed 200 tons and occupied an entire warehouse), not to mention its interference of local phone service, ensure the telharmonium’s swift demise. Telharmonic Hall No recordings of the instrument survive, but some of Cahill’s 200-ton experiment in canned music, ca. 1910 its principles are later incorporated into the Hammond organ. More importantly, Cahill’s idea of ‘canned music,’ later taken up by Muzak in the 1960s and more recent cable-style systems, is now an inescapable feature of the contemporary landscape. -
Levy-Yhtiön Ensimmäinen Julkaisu Vinyyliformaatissa & Elektronisen
LEVY-YHTIÖN ENSIMMÄINEN JULKAISU VINYYLIFORMAATISSA & ELEKTRONISEN MUSIIKIN TOIMINTAYMPÄRISTÖ MARGINAALIMUSIIKKIA JULKAISTAESSA Äänitteiden tehokas julkaiseminen, jakelu, myynti sekä julkaisujen vaikutus artistin uraan Niko Pettersen Opinnäytetyö Toukokuu 2017 Viestinnän koulutusohjelma Digitaalinen ääni ja kaupallinen musiikki 2 TIIVISTELMÄ Tampereen ammattikorkeakoulu Viestinnän koulutusohjelma Digitaalinen ääni ja kaupallinen musiikki NIKO PETTERSEN: Levy-yhtiön ensimmäinen julkaisu vinyyliformaatissa & elektronisen musiikin toimintaympäristö marginaalimusiikkia julkaistaessa Äänitteiden tehokas julkaiseminen, jakelu, myynti sekä julkaisujen vaikutus artistin uraan Opinnäytetyö 79 sivua, joista liitteitä 19 sivua Toukokuu 2017 Opinnäytetyön aihe oli itsenäisen levy-yhtiön ensimmäisen vinyylilevyjulkaisun toteutus sekä tutkimuksen myötä ilmenneiden ongelmien dokumentointi sekä julkaisuprosessin ja liiketoiminnan kehitys nykyisessä vinyylilevyjen ja äänitteiden julkaisutoimintaympäristössä, pienen itsenäisen levy-yhtiön näkökulmasta. Menetelminä olivat levy-yhtiön julkaisun itsenäinen toteutus ja tiedonkeruu. Vinyylilevyistä ja niitä tuottavista painotaloista tehtyjä kirjoja, lehtiä ja internetsivustojen haastatteluita ja artikkeleita koostettiin ja analysoitiin, ja levy-yhtiön toimitusjohtajan haastattelu antoi jakelun merkityksestä tärkeää tietoa. Itsenäisen levy-yhtiön julkaisuaikataulun analysoinnin jälkeen luotiin optimaalinen aikataulu, jossa tuloksena selvisi merkittävästi aikataulua hidastavat tekijät: Vinyylilevyjä painavat -
Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles -
How Do Mainstream Cultural Market Categories Emerge: a Multi
HOW DO MAINSTREAM CULTURAL MARKET CATEGORIES EMERGE: A MULTI- LEVEL ANALYSIS OF THE CREATION OF ELECTRONIC DANCE MUSIC PIERRE-YANN DOLBEC A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ADMINISTRATION SCHULICH SCHOOL OF BUSINESS YORK UNIVERSITY TORONTO, ONTARIO NOVEMBER 2015 © Pierre-Yann Dolbec 2015 ii Abstract In my research I explore how a new market category is created in an existing market. I contribute to existing research in marketing by developing a novel framework that conceptualizes markets as constituted of three levels, and by explaining the contribution of each level to the creation of a new market category. My findings emerge from a qualitative inquiry of the creation of the category of Electronic Dance Music (EDM). I find that each level contributes differently to the creation of a mainstream cultural category. Local innovation networks (or LINs) unite consumers and producers and provide unique elements that facilitate the creation of new cultural products by consumers. Niches serve as a bridge between these local networks and a mainstream market. Niche actors contribute to the creation of a boundary infrastructure that supports the transfer, translation, and transformation of the knowledge associated with an innovative cultural product. This, in turn, facilitates the movement of an innovative cultural product from a local network to a mainstream market. Mainstream actors diffuse elements of the innovative cultural product and open what Bourdieu calls “a space of possibles”. Niche entrepreneurs and peripheral mainstream actors seize the opportunity to engineer a new cultural category. -
394 GLOSSARY Acid Jazz Late 1980S and 1990S
GLOSSARY Acid Jazz Late 1980s and 1990s trend where “London fashion victims created their own early seventies-infatuated bohemia by copying jazz-funk records of the era note by note.”1 Associated with DJ Giles Peterson, acid jazz combined jazz and funk influence with electronica to produce a “danceable” version of jazz. Some of the most prominent British artists associated with acid jazz include are the band 4Hero, producer Ronny Jordan, and the James Taylor Quartet (the last of which at one point included Nitin Sawhney.) Ambient Music intended to create a particular atmosphere. Brian Eno, considered a pioneer of the genre, notes, “One of the most important differences between ambient music and nearly any other kind of pop music is that it doesn’t have a narrative structure at all, there are no words, and there isn’t an attempt to make a story of some kind.”2 Ambient music often substitutes distinct melodies and rhythmic patterns for a wash of sound. Some prominent British artists during the 1990s include The Orb, KLF, Mixmaster Morris and Aphex Twin. Bhangra Bhangra originated as a male folk dance in Punjab to accompany the harvest festival, Baisakhi. It is still performed as a folk dance and may be identified by its characteristic swinging rhythm played on the dhol and dholki, double-sided barrel drums. From the late 1970s onwards, Punjabi immigrants in Britain began to fuse with electronic dance styles including house music and later hip-hop.3 These styles produced a distinct genre of music that was recognized as one of the first prominent examples of British Asian youth culture.