A REALLY BIG SHOW the New York Philharmonic’S Fantasia in North Korea by Suki Kim

Total Page:16

File Type:pdf, Size:1020Kb

A REALLY BIG SHOW the New York Philharmonic’S Fantasia in North Korea by Suki Kim (61-70)Kim Final2 10/23/08 1:46 PM Page 61 LETTER FROM PYONGYANG A REALLY BIG SHOW The New York Philharmonic’s fantasia in North Korea By Suki Kim By noon on February 25, 2008, of carry-on bags, the musicians were juxtaposed with recent shots of the mae- seventy-five journalists were crowding joined by an entourage of twenty-five stro wielding a baton. the Asiana Airlines gate at Beijing wealthy patrons who had paid $50,000 “What is being offered to you is a Capital Interna- privilege,” I was tional Airport. told by the Phil- Many had their harmonic’s P.R. di- laptops open, since rector, Eric Latzky, this would be their before my depar- last chance to use ture from New the Internet for the York. Apparently, next forty-eight the privilege didn’t hours. Some were include the chance pacing the floor to speak freely to with cell phones any of the Philhar- pressed tightly to monic’s musicians, their ears, knowing including the eight they would soon who are of Korean have to part with origin, a point them, along with made clear when their passports. The Latzky insisted that correspondents had I speak to the musi- come from around cians only with his the world for the permission and as- chance to travel to sured me he would the forbidden des- arrange interviews. tination whose name was gleaming per person to accompany the Philhar- During the tour I got tired of waiting, from the flat-screen monitors: monic into North Korea. and I loitered in hotel lobbies in the PYONGYANG. Most of those gathered For almost a week, I had been fol- hope of chatting up a passing violinist had never been there, and some had lowing the orchestra on its Asian tour. or a cellist. Whatever was behind tried and failed repeatedly to gain ac- Beijing, the final stop before Pyongyang, Latzky’s stalling, he needn’t have wor- cess. Suddenly, cameras began clicking was a giant construction site. The ried; when I asked the musicians about furiously as the 110 members of the Olympics were less than six months the planned concert in Pyongyang, New York Philharmonic approached away, and China’s capital city was con- their answers were the same: the gate. Hauling instruments instead sumed by last-minute preparations. The “This is about music, not politics.” streets were plastered with BEIJING 2008 “We’re bringing music to people Suki Kim is the author of a novel, The In- posters, as well as black-and-white pho- who have no music.” terpreter, and is traveling to South Korea as tographs of Lorin Maazel, the Philhar- “It’s an historic moment, and we’re a Fulbright Research Scholar. monic’s music director, in his youth, happy to play a role in it.” Illustration by John Ritter LETTER FROM PYONGYANG 61 (rev 62)Kim Final2 Rev2 10/28/08 9:05 AM Page 62 Their firm belief in their roles as sets. And then there is the regime’s chestra, and the amount of good- cultural ambassadors echoed that of reputation for going back on its word. will and good food going around their maestro, who had made similar So why do it? He answered, his voice prompted Ambassador Randt to declarations in a Wall Street Journal betraying nothing but relaxed earnest- joke, “I hope you enjoy this dinner op-ed: “Artists . have a broader role ness, “World peace.” because it will be better than what to play in the public arena. But it must Latzky had offered me a more you’ll get in Pyongyang!” Paul be totally apolitical, nonpartisan and elaborate story during our interview Guenther, the Philharmonic’s chair- free of issue-specific agendas. It is a in his office at New York’s Avery man and the former president of the role of the highest possible order.” Jon Fisher Hall. “Zarin had flown to PaineWebber Group, quipped, “I’m Deak, a double bass player with the Stockholm to work with Alan bringing my protein bar.” The for- Philharmonic for thirty-nine years, ex- Gilbert”—the conductor scheduled mer U.S. ambassador to Hungary, plained it this way: “Lenny would’ve to succeed Lorin Maazel for the Donald Blinken, chimed in, “I’m done it”—“Lenny” being the late 2009 season—“and I flew to Venice ready for anything. I’ve got my long Leonard Bernstein, the music direc- to see the Biennale before heading underwear with me.” The party was tor who took the orchestra to the to the south of France, Switzerland, getting jolly. Soviet Union in 1959 and to Berlin and London. I was on a vaporetto In the middle of the room was when the wall came down surrounded by a boatful of German Benjamin M. Rosen, an elderly man in 1989. and American and British tourists, with a cheeky smile who introduced all these people with I LOVE VENICE himself as a blogger for the Huffing- “It’s a new frontier,” said Zarin T-shirts and cameras around their ton Post (though he is better known Mehta, the Philharmonic’s Bombay- necks, and my cell phone rings, and as the former chairman of Compaq born president (and brother of its it’s this man I had never spoken to, Computer), in a quandary over how longest-serving music director, Zubin and he introduces himself as an offi- many bottles of whiskey to purchase Mehta), when asked about staging a cial from the DPRK Permanent Mis- for his minders. Someone told him concert in Pyongyang, the city he sion to the United Nations.” Latzky two or three, after which he walked called “a nice Orwellian fantasy.” paused briefly to offer me a violet- around asking, “Which brand do you While we were in Beijing, Mehta, colored candy, which he said could think North Koreans would prefer?” whom Latzky had described as “the be found only at a particular confec- Pulling me aside, Sungeun Han- old world Anglo-Indian gentleman,” tionery in Vienna. “I kind of stood Andersen, the coifed young Korean told me that it all began in August up straight, and he’s calling to con- wife of an investment banker, whis- 2007, when an unnamed California- firm that we had received the invi- pered, “My parents are from North based mediator faxed an invitation tation. I had two friends with me, Korea, but I wouldn’t dare look for from the North Korean culture min- one of whom has a diplomatic back- my relatives. I’ve heard that they istry that Mehta then brought to the ground, and he’s in stitches laugh- blackmail you. You know that’s what attention of Christopher Hill, the as- ing. It was noisy on the boat, and I these people live on.” Accompany- sistant secretary of state for East Asian am having this really loud, formal, ing one of the concert’s producers and Pacific affairs. “Believe me,” Mehta diplomatic cell-phone conversation was a young man named Christopher said, “this was approved at the highest with the North Korean man. That who had once worked as an assistant levels in the White House.” (Accord- was the first contact.” Latzky con- to a celebrity photographer in Man- ing to reports in the South Korean tinued, shrugging once to add, “By hattan but was between jobs. He had press, the concert was first proposed virtue of who the New York Phil- come along to “experience a back- in July 2007, during bilateral talks in harmonic is, and the fact that we ward country.” “Beijing isn’t back- Berlin, when the North Korean travel around the world, we have ward enough,” he said. “Shanghai vice–foreign minister, Kim Kye Gwan, diplomatic contacts on a regular ba- was better because that was a bit presented Hill with the idea of invit- sis.” He pointed to a wall of pho- more backward, but everyone knows ing the orchestra for a cultural ex- tographs. “That picture right there, that the real backward spot these change.) I expressed some surprise that that’s in Tokyo, that’s the empress days is Pyongyang.” the North Koreans had been so oblig- of Japan attending one of our con- Holding court in a corner was a ing. “Is it the country or is it the people certs. We regularly have heads of seventy-five-year-old Japanese woman I was dealing with? I can’t answer that,” states attending our concerts. So the reputed to have a $190 million for- Mehta acknowledged. “If I had to re- realm is not so unusual to us. We are tune that was inherited from her late strict my view of the country based on a noted cultural ambassador of the husband, Count Ceschina of Venice. the people I dealt with, I would say United States.” The countess was greeting everyone that they were clever, engaging, and Latzky had invited me to a pri- with “Yoko—no, not that Yoko.” A cooperative, but you know that the vate reception in Beijing for the frequent contributor to Prince country isn’t like that from what you’ve Philharmonic’s patrons, which was Charles’s charities and a former read.” North Korea had promised that hosted by U.S. Ambassador Clark harpist, Yoko Nagae Ceschina was un- the concert would be broadcast live T. Randt Jr. at his residence. The derwriting most of the cost of the Py- on state-run radio and TV. But elec- event included a chamber concert ongyang concert and seemed elated tricity is scarce there, as are television featuring three stars from the or- about the next stop on the tour.
Recommended publications
  • SHERLOCK in PYONGYANG a Thesis Submitted to the Faculty Of
    SHERLOCK IN PYONGYANG A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Masters of Arts in Asian Studies By Charlotte F. Fitzek, B.A. Washington, DC April 20, 2017 Copyright 2017 by Charlotte F. Fitzek All Rights Reserved ii SHERLOCK IN PYONGYANG Charlotte F. Fitzek, B.A. Thesis Advisor: Victor D. Cha, Ph.D. ABSTRACT Since 2000, the British Council, under the auspices of the Foreign & Commonwealth Office has run an English Language Teacher Training Programme in Pyongyang, North Korea. Its primary aim is to train North Korean teachers on best practices for instructing the English language. The program’s longevity and absence of drama underlines several important characteristics necessary for successful NGO work in North Korea. It highlights that the long-term vision of the DPRK and providing NGO must be shared, and that sustained engagement can lead to continued programming. Embassy support also plays a crucial role in protecting the capabilities of NGOs to perform their functions. iii ACKNOWLEDGEMENTS A particular thanks to the interviewees for their time, and to Dr. Cha for his guidance and mentorship. iv TABLE OF CONTENTS INTRODUCTION ...............................................................................................................1 BACKGROUND .................................................................................................................3 THE PROGRAMME IN ACTION......................................................................................7
    [Show full text]
  • Necessary Absence: Familial Distance and the Adult Immigrant Child in Korean American Fiction
    NECESSARY ABSENCE: FAMILIAL DISTANCE AND THE ADULT IMMIGRANT CHILD IN KOREAN AMERICAN FICTION by Alexandria Faulkenbury March, 2016 Director of Thesis: Dr. Su-ching Huang Major Department: English In the novels Native Speaker by Chang-rae Lee, The Interpreter by Suki Kim, and Free Food for Millionaires by Min Jin Lee, adult immigrant children feature as protagonists and experience moments of life-defining difficulty and distance associated with their parental relationships. Having come to the U.S. as young children, the protagonists are members of the 1.5 generation and retain some memories of their home country while lacking the deep-seated connections of their parents. They also find themselves caught between first generation immigrants who feel strongly connected to their home country and their second generation peers who feel more connected to the U.S. The absences caused by this in-between status become catalysts for characters addressing the disconnect between their adult selves and their aging or deceased parents. The reconciliation of these disconnections often leads to further examination of competing cultures in these characters’ lives as they struggle to form distinct identities. These divides highlight the chasm between the American dream and the daily realities faced by immigrants in the U.S. and point to larger themes of loss, identity, and family that can be more broadly applied. NECESSARY ABSENCE: FAMILIAL DISTANCE AND THE ADULT IMMIGRANT CHILD IN KOREAN AMERICAN FICTION A Thesis Presented To the Faculty of the Department
    [Show full text]
  • 1- POS 394/H COOR HALL L1-18 Professor Peter L. Bergen Email
    FUTURE OF WAR POS 394/HON 394 SPRING 2019; WEDNESDAY 4:50 PM – 7:35 PM COOR HALL L1-18 Professor Peter L. Bergen Email: [email protected] Professor Daniel Rothenberg Email: [email protected] Office Hours: Coor 6692, Wednesdays 2:00-4:00 PM and by appointment COURSE OVERVIEW This course engages the social, political, economic, and cultural implications of the changing nature of war and conflict. The class provides an overview of some major philosophical and military-strategic theories and conceptions of war, an introduction to the laws of war and a consideration of broad trends in global politics. The class looks at some significant issues related to contemporary conflict including: drones and autonomous weapons; intelligence operations; refugees and internally displaced persons; the use of rape and sexual violence as tools of war; and the challenges of protecting civilians. It also engages issues of war and conflict in Afghanistan, Haiti, Iraq, North Korea and elsewhere. In general, the course contextualizes these issues and debates in relation to the post-9/11 wars, with a review of how the U.S. goes to war, the rise of ISIS, domestic terrorism and how recent conflicts have impacted American society. The class is taught by Prof. Peter L. Bergen and Prof. Daniel Rothenberg, co-directors of ASU’s Center on the Future of War (https://futureofwar.asu.edu/). Many class meetings feature guest lectures and presentations by nationally and internationally recognized experts including: journalists specializing in conflict reporting; scholars; former general officers; current military officers; former high ranking government officials; and key policy makers, the majority of whom are Center on the Future of War Faculty Affiliates or ASU Future of War Fellows at New America, a DC-based think tank.
    [Show full text]
  • Media 2070: an Invitation to Dream up Media Reparations
    An Invitation to Dream Up Media Reparations AN INVITATION TO DREAM UP MEDIA REPARATIONS Collaborators: Joseph Torres Alicia Bell Collette Watson Tauhid Chappell Diamond Hardiman Christina Pierce a project of Free Press 2 WWW.MEDIA2070.ORG CONTENTS INTRODUCTION 9 I. A Day at the Beach 13 II. Media 2070: An Invitation to Dream 18 III. Modern Calls for Reparations for Slavery 19 IV. The Case for Media Reparations 24 V. How the Media Profited from and Participated in Slavery 26 VI. The Power of Acknowledging and Apologizing 29 VII. Government Moves to Suppress Black Journalism 40 VIII. Black People Fight to Tell Our Stories in the Jim Crow Era 43 IX. Media Are the Instruments of a White Power Structure 50 X. The Struggle to Integrate Media 52 XI. How Public Policy Has Entrenched Anti-Blackness in the Media 56 XII. White Media Power and the Trump Feeding Frenzy 58 XIII. Media Racism from the Newsroom to the Boardroom 62 XIV. 2020: A Global Reckoning on Race 66 X V. Upending White Supremacy in Newsrooms 70 XVI. Are Newsrooms Ready to Make Things Right? 77 XVII. The Struggles of Black Media Resistance 80 XVIII. Black Activists Confront Online Gatekeepers 83 XIX. Media Reparations Are Necessary to Our Nation’s Future 90 XX. Making Media Reparations Real 95 Epilogue 97 About Team Media 2070 98 Definitions 99 #MEDIA2070 3 TRIGGER WARNING There are numerous stories in this essay that explore the harms the news media have inflicted on the Black community. While these stories may be difficult or painful to read, they are not widely known, and they need to be.
    [Show full text]
  • Living in a Translational World
    ³Transfer´9,,I: 1-2 (mayo 2013), pp. 70-90. ISSN: 1886-5542 LIVING IN A TRANSNATIONAL WORLD. TRANSLATION AS PART OF TRANSCULTURAL IDENTITY Dora Sales, Universitat Jaume I Unlike my parents, I translate not so much to survive in the world around me as to create and illuminate a nonexistent one. Fiction is the foreign land of my choosing, the place where I strive to convey and preserve the meaningful. And whether I write as an American or an Indian, about things American or Indian or otherwise, one thing remains constant: I translate, therefore I am.1 On the Road of Translatability As the Indian writer Jhumpa Lahiri puts forward in the above quotation, for a bilingual and transcultural writer such as herself, translation is a fertile starting point for fiction. Belonging to a contemporary cross-cultural society means that translation, understood as negotiation and mediation between the asymmetrical relations among languages and cultures, is a daily communicative need. The centrality of translation in plurilingual places where diverse cultures meet is a fact, and fiction writers who create both in (former) colonial tongues and in native languages are challenging and redefining many translation concepts. Literary production in recent decades has opened itself to the cross-cultural encounters that define the present context. In this paper, the anthro-pological concept of transculturation (Ortiz 1940) as applied to literary creation (Rama 1982) will be used (Sales 2001).2 In 1940, on the anthropological sphere, the Cuban 1 JHUMPA /DKLUL ³,QWLPDWH$OLHQDWLRQ,PPLJUDQW)LFWLRQDQG7UDQVODWLRQ´LQ Translation, Text, and Theory: The Paradigm of India, ed.
    [Show full text]
  • Undercover Journalism in North Korea
    Undercover Journalism in North Korea Suki Kim An Interview with Laila Rodenbeck Providence, RI, 02 February 2019 Suki Kim is author of the New York Times bestseller Without You, Tere Is No Us: Undercover Among the Sons of North Korean Elite. She is the only writer ever to have lived undercover in North Korea for immersive journalism. Her novel Te Interpreter was the winner of the PEN Open Book Award and a fnalist for the PEN/Hemingway Award, and her nonfction has appeared in Harper’s Magazine, the New York Times, the New York Review of Books, and the New Republic, where she is a contributing editor. She has been awarded Guggenheim, Fulbright, Open Society, and New America fellowships, the American Academy in Berlin Prize, 223 and was a Ferris Professor of journalism at Princeton University. Her TED Talk has drawn millions of viewers, and her essay on fear appears in Te Best American Essays 2018. Brown Journal of World Afairs: For those who have not read your book, could you describe how you found yourself in Pyongyang in 2011, and for what purpose? Suki Kim: I had been pursuing North Korea as a writer and as a topic for about a decade. I had gone there multiple times previously, but it was impossible to get any kind of real access because you could only see the place according to the prescribed agenda of the regime and under the regime’s permission. What that meant was that I had to fnd a way to be immersed undercover within the system, which was a nearly impossible thing to do because that had never before been done by a writer for an extensive time.
    [Show full text]
  • Association for Asian American Studies 2016 Conference Program Miami Hilton Downtown, Florida
    Association for Asian American Studies 2016 Conference Program Miami Hilton Downtown, Florida Wednesday, April 27th 8:30am - 4:30pm JUNIOR FACULTY PRE-CONFERENCE WORKSHOP VENUE: Picasso 2:00pm - 4:00pm NEW BOARD MEMBER ORIENTATION VENUE: Degas 5:00pm - 10:00pm EXECUTIVE BOARD MEMBER MEETING VENUE: Concierto A Thursday, April 28th 7:00am - 5:00pm REGISTRATION VENUE: Ballroom Level VENDORS / EXHIBITORS VENUE: Overture I Foyer 7:30am - 9:00am MORNING COFFEE BREAK (Sponsored by Johns Hopkins University Press) VENUE: Overture I Foyer 8:00am - 9:30am T1. Settler Colonialism, Theories of the Human, and Critique as a Structure of Feeling in Asian American Studies VENUE: Picasso Roundtable: Ma Vang, University of California, Merced Davorn Sisavath, University of California, Riverside Lee Ann Wang, University of California, Berkeley Kit Myers, University of California, Merced Brian Chung, University of Hawai’i at Manoa Chair: Nhu Le, University of South Florida T2. From Admissions to Campus Life to Activism: Dimensions of Asian American Student Experience VENUE: Tenor Presenters: Marc Johnson-Guerrero, Ohio State University Gaming the System or Embracing Fluidity? Asian Americans and Selective Racial Identification in College Admissions Reuben Deleon, University of California, Los Angeles Heuristic Legacies: Promises and Perils of Pilipino Culture Nights Chair: Rachel Endo, Hamline University T3. Philippine Trans/National Infrastructures: Movements to and from Asia and the Americas VENUE: Soprano Presenters: Paul Michael Leonardo Atienza, University of Illinois, Urbana-Champaign The Infrastructures of Headless Torsos: Gay Dating App Ecologies in Manila and Los Angeles Josen Masangkay Diaz, University of San Diego Cold War Balikbayans and the Ruses of Martial Law Infrastructure Jan Maghinay Padios, University of Maryland, College Park Imperial Infrastructure and Racial Investments: U.S.
    [Show full text]
  • Mad, Bad, and Dangerous to Know? the Strange Allure and Elusive Reality of North Korea
    REVIEW ESSAY Mad, Bad, and Dangerous to Know? The Strange Allure and Elusive Reality of North Korea John Lie, University of California, Berkeley Sandra Fahy. Marching Through Suffering: Loss and Survival in North Korea. New York: Columbia University Press, 2015. 272 pp. $40 (cloth/e-book). Hazel Smith. North Korea: Markets and Military Rule. Cambridge: Cambridge University Press, 2015. 394 pp. $90 (cloth), $33 (paper), $26 (e-book). Lady Caroline Lamb famously called Lord Byron “mad, bad, and dangerous to know.” In describing North Korea, Hazel Smith replaces “dangerous to know” with “sad,” but she, like Sandra Fahy, seeks to recuperate the ultimate humanity of North Koreans. Both Smith and Fahy have spent considerable time in North Korea or with North Koreans, and they convey the contemporary dynamics of North Korea without relying on the ready-made caricatures and stereotypes that dominate in the West (and the rest) (see Choi 2015; Ryang 2002). After all, in matters North Korea, knowledge and experience seem to have little cachet; instead, stentorian denunciations silence voices of information and insight. To be sure, there’s much that cannot be known about contemporary North Korea: it is secretive and hermetic like most authoritarian states, if not more so. Seemingly surmountable but surprisingly recalcitrant, too, is the general scholarly (and non-scholarly) penchant to regard North Korea as a singular, unique case: incomparable and inscrutable. In the West and elsewhere, what we do know is that North Korea is, inter alia, a totalitarian society and a rogue state to which the only rational and reasonable response of North Koreans should be to seek regime change or personal exit.
    [Show full text]
  • Reinterpreting the Hermit Kingdom in the Era of Kim Jong-Un Margaret Pence University of San Francisco, [email protected]
    The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Master's Projects and Capstones Theses, Dissertations, Capstones and Projects Spring 5-18-2019 Aggression, Information, and Economics: Reinterpreting the Hermit Kingdom in the Era of Kim Jong-un Margaret Pence University of San Francisco, [email protected] Follow this and additional works at: https://repository.usfca.edu/capstone Part of the Asian Studies Commons, Economics Commons, and the International Relations Commons Recommended Citation Pence, Margaret, "Aggression, Information, and Economics: Reinterpreting the Hermit Kingdom in the Era of Kim Jong-un" (2019). Master's Projects and Capstones. 917. https://repository.usfca.edu/capstone/917 This Project/Capstone is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Master's Projects and Capstones by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. AGGRESSION, INFORMATION, AND ECONOMICS: REINTERPRETING THE HERMIT KINGDOM IN THE ERA OF KIM JONG-UN Margaret Pence APS 650: MAPS Capstone Seminar Professor Brian Komei Dempster May 18, 2019 1 Abstract North Korea has been the most isolated country on the planet for the past sixty years. Due to its isolation, the Hermit Kingdom has naturally become mysterious, resulting in a common narrative that describes Pyongyang as aggressive and driven by nuclear weapons. Missing from this narrative is what motivates North Korea and its young leader, Kim Jong-un: survival.
    [Show full text]
  • Interview with Suki Kim, Author, Without You, There Is No Us For
    Interview with Suki Kim, author, Without You, There Is No Us For podcast release Monday, January 18, 2016 KENNEALLY: The 38th parallel dividing the Korean peninsula is not the only line Suki Kim has ever crossed. An award-winning novelist and a journalist, Kim emigrated with her family from Seoul to New York City when she was 13. Over a number of officially sanctioned visits to North Korea, she reported for the New York Review of Books and Harper's Magazine on that country's bewildering, even byzantine self- absorption and its obsessions with the Great Leader, Kim Jong-il, and the Great Enemy, the United States. Then in 2011, she crossed another line, returning to Pyongyang undercover. Welcome to Copyright Clearance Center's podcast series. I'm Christopher Kenneally for Beyond the Book. Without You, There Is No Us is Suki Kim's account of her six-month stint teaching English at the Pyongyang University of Science and Technology, a school privately funded and founded in 2002 by evangelical Christians with ties to South Korea and the US. Suki Kim was not a teacher, nor is she even Christian, yet these were not her deepest secrets. More covert still was her mission to record what she saw and heard so she might offer the world what it had never had before – an inside, unscripted, and unvarnished picture of life in the Democratic People's Republic of Korea. Suki Kim joins me now from New York, and welcome, anyong haseyo, Suki Kim. KIM: Hello, Chris. Thank you for having me on the show.
    [Show full text]
  • Post-Weinstein, These Are the Powerful Men Facing Sexual Harassment Allegations
    SUBSCRIBE NEWS & CULTURE Post-Weinstein, These Are the Powerful Men Facing Sexual Harassment Allegations 91 PHOTOS BY GLAMOUR SEPTEMBER 27, 2018 2:30 PM After The New York Times published an explosive report in October 2017 detailing decades of sexual harassment allegations against Harvey Weinstein, dozens of women came forward with their own accusations against the Hollywood mogul. Within a week Weinstein had been fired from his company and expelled from the Academy of Motion Picture Arts and Sciences. RELATED: The Problem with Privilege and Sexual Assault Now, in a post-Weinstein world, legions of women have felt empowered to speak out and share their own #MeToo stories—both on social media and in news outlets. The reports against the powerful producer sparked an avalanche of accusations against high-profile men in media, politics, Silicon Valley, and Hollywood, all with varying degrees of repercussions. Sexual harassment in the workplace is certainly nothing new, but it’s safe to say the issue is now, rightfully, taking center stage. Here, a list of the high-profile menRE whoCOM MhaveENDE beenD FOR accused YOU of sexual harassment, assault, and/or misconduct since the Weinstein story broke, which we’ll keep updating as new allegationsAn Explosive surface. Report Alleges Decades of Sexual Harassment by Hollywood Powerhouse Harvey W… PHOTO: WIN MCNAMEE/GETTY IMAGES Brett Kavanaugh In September 2018, Palo Alto University professor Christine Blasey Ford came forward with an allegation of sexual assault against Brett Kavanaugh, the conservative D.C. judge whom President Donald Trump had previously chosen to replace the retiring Supreme Court Justice Anthony Kennedy.
    [Show full text]
  • Future of War Conference 2018 Program
    04.09.18. / D.C. Washington, 1 Future of War Conference 2018 New America and Arizona State University welcome you to the Future of War Conference 2018. This conference features leaders from government, military, journalism, academia, and the private sector exploring questions of international security and defense, including future military innovation, the post-ISIS Middle East, U.S. relations with North Korea, cyber warfare, and more. This conference is one of the signature events of the Future of War project—a partnership between New America and Arizona State University—which brings together experts working to develop new paradigms for understanding and addressing the changing nature of armed conflict and systematic violence. The Future of War Conference 2018 thanks the Global SOF Foundation for their collaboration. facebook.com/newamerica @NewAmericaISP newamerica.org/futureofwar2018 #FutureOfWar About The Future of War project—a partnership between New America and Arizona State University—brings together a collection of experts across sectors to address key issues and challenges arising from the changing nature of war and conflict. Developments both in the technological drivers of warfare and the enemies we face have erased the boundaries between what we have traditionally regarded as “war” and “peace.” Today, we are at a major inflection point in which technology is reshaping the way wars are fought. The future of war will be influenced by the role of ever-smaller drones and robots on the battlefield, offensive cyber war capabilities, the massive expansion of surveillance, greater reliance on Special Operations Forces, and the militarization of space. The Future of War project addresses these issues by convening some of the most creative and influential thinkers, writers, and decision makers to develop bold conceptual frameworks, create legal and policy proposals, and write and talk about the changing character of war and conflict in a manner that attracts public interest and engagement.
    [Show full text]