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CINEMA RÁDIO MÚSICA VARIEDADES I;- V| A ** ÜS____________ ;|* bT"1111 Iwà I awWBL N* 38 • 19-9-50 CR$ 3,00 f\ ^M\ ¦ ^__„______B_________ ^B' EM TODO O BRASIL V-'- x ..... x - ?*^S£*j3 \ \ ¦¦¦ ¦ -. iüü m-.m. , x :'_.;¦, H 7 ••""'. .¦"-'-.'-. ¦ ¦•;¦-' -•.-•-1 ¦¦:'¦ fSsiim¦Hwa Í8 §»• ' ' ' ; ; • :V;i . '.-£•' '¦;,'' '; mmm -.^i^n_@S___H______nBS959lil^__________._i^lM%c|^^ *>a*1____B_ij. Ü' ^SÈiX^^PPü^^PCYOõrÕQúSf^ ' '¦"¦X'?~ ^5s% \f--, x.x ' * :VVV^^S^ ¦'¦¦.'¦•:- x-x.-, x ,:--"'-'••¦'¦ •'.,.¦¦-.•. m-,?£* i;- V| - "' A*?\7':"'"' _ È&à # ^s-^^^Mx^Êm^^m™^^^^^^^ ">.'_*-u; i .v _*¦. wmm CINEMA RÁDIO MÚSICA *. VARIEDADES "¦ -¦•¦¦¦ '.•!¦:.¦ - " -v': . \ V .",,,. .. ..-. "S* . fSPT-T 1 IT^ ^^" ¦"*"WW^5W,,,''BBJI "XÉ^__5Í:!/ yíA tó^' '~^F '-: '#a# _rX'::íy-'f-yyy y' ¦ X^A. :\'yy?'-y**r' A" •• ' ^--~—'--^A - '^•iiI__3_I_H_.—n—— __l___Íi^A^'" >V AA«iTr___l BSiTO1* 1^-^^yyyy^^: < ? Ir;/ '¦¦¦¦¦r^^..^i-sll^^.AÉr [j ^7"_i____'^_i______|_p__Í^| © {_____! IlIglR, a v ;'r' _Éí ?WmW^^^^FÊyS; _\ CARACTERÍSTICO INCONFUN k\ DIVEL DA SAPATARIA MAIS I I <§ÊÊÊii^&yF&'w&MvMyi'i QUERIDA DA CIDADE i I WÊÈÊÊmÊÊÈÊÊÊy ^g f /&*fi^~*__ "J^5__7__-_<^-_r____-E<_K' ?._*<S3S55__. ' .* ^^Í^/Jie__^____^ÍSS^í^_>^1 t, ^F/y'?>,y? ^'v-"à__ _.\__^___________E____55_Gi________*__-____>*^ ._r___K________M__K8___r>Vlw_9il_---3_R_^&?f^^^**>_ .__!__3__ __r___S_§fe^5_Q^H5%?,ik _r jPJmwfámw___K%__^«VnJ_R________m__£_w__r >:__^_^_^_^______________^_^ü^-*^**v '• > ;_^_______E53_____ B_SÍ_>__^^í3r:':__K___F______;- -T< __[___^_r<>^â_^_l1_J88HB-. -w_^BpfeÃft:^ æ^V fcHfjW^^%L^^^irlBC»^p^j?Xs^ffpa»*^^r**'' * ^-v æ____P_S________^_*]£___^©»|eK.¦ I^íí&^^^w3^víy-W>^Jí-¦*>'¦'""' y » 'AAy. yyyyMFÊM yyyyyyyyíiy'; *^jff!'y". '' • ___8SE_________5_f ; ¦ A . B^^^^^B^^G^^^^^^^V^^Vnin_ .f*<^_^-^_^'^'S^»^Í_lA' ' * ' >2>>_.*IIÍÉa83fllBÍM3fifflf*a Hh^^^^^íS^*^^1*^-^ f- . »' ^^^^JSlSg - ^_^^^^l__________e^ ^^ ~v Ia.^¦_________H_|''^1^,"^-mSf^^^ áfiAAAF^yyyyy?AAiFQFyyAÀ. 9i______B__B__l_------P^ÍBl_r2---__E ____—_B___Sv__r_F_______j__! __5_!_flP'^^SÉ^w^yíí.^ví.^.-^A.v-'.. ¦ : ^^Sr^^_^^w7' ^%l_____a_wM___-W^8_9____r_Ql______s ^^ ': ^Af:HB^roK^Sty__j_a_- V ¦"'' ^_S_—¦_N_K_B___ A~~'.:''.- 5-___K _JpM^5|BB ¦ ^,a;;, 8-H___-_^ÍF1'"™* A ^-'" A ____rv ^ .58 — CBS 130,00 cMccasin» superior bezerro, bei- je, vinho ou marron. Salto de borracha, nu- 5PA7< meracão de 36 a 44. 059— CRf 150,00 Magnífico _2.pato, solado de bor- racha de puro látex, nas cores: preto, vi- nho ou marron, nu- meracâo de 36 a 44. 060— CB* _50,00 Ótimo sa- pato, solado de bor- racha tipo eAirline», em bezerro, vi—ho, nomerae-o de 86 a 44. Remetem-» para todo • Brasil, porte por per. I enueiroe. VEo trabalha- moi eom reembolse. «_ PREÇO ^Ãó^ OíÚGINALIpÂDE ¦ " ¦ . .;,A-:íCARIÍ>;CA1.^_6:34,aí %, ènóárifós aa WãíMANTB ... - v ¦¦A":v£ENA .- ¦.- A: SEMANÁRIO DE ARTE CONSIDERAÇÕES EM TORNO DE COQUETÉIS Ano 29 • N» 38^ * 19 SETEMBRO, 950 Fundada em 1921 — Propriedade da COMPANHIA EDITORA AMERICANA. Diretor-presidente: Gratuliano Brito. Di- retor-secretário: R. Peixoto de Alencar. Endereço: Rua Visconde de Maran- — guape, 15 Rio de Janeiro — Brasil. Telefones: Secretaria, 22-4447;. Adminís- tração c Publicidade, 22-2550. Portaria, 22-5602. Endereço telegráfico: "Revista". / Numero avulso pára todo o território cálice Bli S_ fl*3$S mao brasileiro, Cr? 3,00. Assinatura: Anual (52 números), Cr$ 140,00; Semestral (26 números), Cr$ 70,00. Registrada: Anual, Cr$ 170,00; Semestral, Cr$ 85,00. Es.tran- geiro: Anual, Cr$ 270,00; Semestral, Cr$ 140,00. Número atrasado, Cr$ 3,50. Agen- tes em todas as capitais e principais ei- ¦-:, dades do Brasil. Representantes: — Es- tados Unidos da América do Norte: Aguiar Mendonça, 19 West 44th Street, New York critico cinematográfico se encontra, muita vez, em situação delicada City, N.Y. Em Portugal: Helena A. Lima, Avenida Fontes Pereira de Melo, junto ao diretor, ator, fotógrafo, ou qualquer outro elemento de fun- 34, 2« Distrito, Lisboa. África Oriental ção ativa na participação de um filme nacional, quando se senta Portuguesa: D. Spanos, Caixa Postal 434, O à máquina para comentar a última película de casa. E, se delicada Lourenço Marques. Uruguai: Moratório & Cia., Constitnyente, 1746, Montevidéu. é a situação, tudo se deve justamente aos próprios elaboradores dos "Inter-Prensa", Sucursal na Argentina: filmes, de uma parte, e à própria crítica, de outra, que se misturam Florida, 229, Buenos Aires. Toda corres- em coquetéis oferecidos justamente para aproximar e unir as duas classes: a pondência deve" ser enviada ao diretor. "situação" • dós que fazem os filmes e a dos que os criticam. Verdade, a é A Redação não se responsabiliza pelos criada erroneamente e, na maioria das vezes, não passa de mal entendido, de trabalhos assinados vez, que, dentro de suas funções, cada qual está exercendo a sua. Porque, ao uma o realizador se preocupa com a crítica e jamais Representante - em São Paulo: A Zam- elaborar película, jãmáis bardino — Rua Capitão Salomão, 69, aceita seus conselhos; por qué então a crítica se preocupar em melindrar os Telefone: 4-1569 responsáveis pelo resultado de sèu trabalho? Tudo faz crer, portanto, que os co- de "intermediário" travar amizades, CORRESPONDENTES EM HOLLYWOOD quetéis, afastando-se de sua condição para não passam de um veiculo indireto, de provocadores de antagonismos e antipatias. VIOLET KINNEY Ou, o é servem de tapete para os hipócritas que sorriem amáveis diante THOMAS KEENE que pior, de um martini, trocam opiniões sem fundo de sinceridade, para, dias depois, CORRESPONDENTE EM PARIS desmentirem tudo —sob a alegação de que o álcool lhes anuviara a mente adormecida diante de tanta amabilidade. Não são raros os casos de críticos JEAN DELMAR A' que mostram os dentes através de bebida, como se a alvura daquele sorriso Redator-Chefe da Publicidade: Sevcrino fosse uma promessa de esperança para confortar o realizador, num contraste Lopes Guimarães chocante com as idéias que lhes burilam o cérebro e que, pouco depois, passarão • para a linotipo em diapasão diametralmente oposto. E não menos raros são yós realizadores respeitam e elogiam as figuras destacadas de nossa SUMÁRIO:" casos de que critica, quase que se reverenciando diante de sua passagem, com gestos amáveis Com o cálice na mão (Leon Elia- e palavras de estímulo, para tecerem comentários malévolos, clandestinamente char).3 ocultos trás das câmeras, sem que a luz dos refletores possa iluminar essa Flasbes Mundiais4 por em terreno Felizmente, esses casos formam pequenas ex- A violência tem vinte anoa (Salvya- covardia público. no Cavalcanti de Paiva)5 ceções, pois a maior parte dos elementos que integram a nossa crônica espe- Joseph Buloff pediu para traduzir...8 ciãlizada, registra em suas colunas o reflexo sincero de seu pensamento, sem o Oliviu, merece a gólria (Antônio Rocha)10 nocivo do falso elogio e com a devida dose de elegância e delicadeza Novos empreendimentos12 pudor \ Telas da cidade14 nos prováveis ataques. A Cena em Hollywood (Violet Kinney)15 Apesar de tudo, o coquetel oferecido à imprensa, continua fazendo carreira. Rh onda Fleming "astro" (Charles Saints)16 E' sempre um para a apresentação de um que nos visita; a Richard Widmark....18 pretexto inauguração de um cinema; a despedida de um diretor de alguma empresa ei- NSo tem apenas beleza19 "exibição Mulher perversa (resumo)20 nematográfica — ou, o que é mais comum, a especial" de uma pelí- Silvana Mangano21 cuia nacional. De uma ou de outra forma, sempre existe a oportunidade de O inspetor Geral (sinopse ilustrada).22 uma "notinha" no jornal e sempre há as apresentações dos magnatas do celu- Uma nova promessa .... = 23 do Visa-se criar, portanto, aquela atmosfera de em- Ava Gardner ... 24 lóide aos magnatas papel. (close-up) "double-face" da delicadeza, refreiará da Zero Hora (René Nunes)25 baraço, sob a capa que a sinceridade —o Melodias para você26 opinião da critica. Mas — convenhamos resultado às vezes é bem m1- Rádio (A.C.)28 gadinho. FicMrio radiofônico31 Arquivo (Brooklyn Jack) 32 Cinema Poi*tuguês33 Pausa para meditação 34 Mexericos 34 * leon e li achar NA CAPA: Françoise Arnoul ,,.... «Branded Waman» é o novo e fl- ffiste filmo foi adicionado à ta- 6 uma película da Cagney Pro- William Laya e Howard Jack- HBPE^r, nal título, para o filme «Lightning bela do produtor Henry Blanke, ductlon, Inc. que será distribuída son, começaram os ensaios musi- ¦fl"' Strikes Twice», estrelado por perfazendo assim o 10» filme na pela Warner. Gordon Douglas é cais da grande produçfi» cinema- mmmí Ruth Rorhan, Richard Todd, Mer- sua lista de produção. o diretor e William Cagney o tográfica sôbre os fntos históricos H^^^**: ¦'•¦ WsÊrA'" cedes McCambrldge e Zaehary • produtor. importantes dos EE.UT7., da me- Scott. E' uma película Warner Devido ao seu grande desempe- tade do século passado. Hk Bros, dirigida por King Vidor e nho nas películas «A Margem da Bárbara Payton foi pedida em- O par gravará mais de uma ho- produzida por Henry Blanke. Vida» (Caged) e «The Sedrets», prestada pela Warner a Cagney ra de música especial de «back- flfó!' Wmm&r-y • Eleanor Parker foi designada pa- Productiòns, para a qual traba- ground» para o filme. WkA ¦¦ «Call Me A Doctor», película da ra fazer o principal pap >1 femini- lha sob contrato, para, fazer par- Grande pnrte dos acontecimen- " BH*" Warner Bros., tendo M!.lton Ber- no de «Room For One More». te do elenco de «Dallas», de tos foram filmados antes do ei- Stuart Heisler, um drama de WBÈz&A le como principal ator, foi trans- • nema falado ter sido inventado. mmW&-Y ' ferida indefinidamente. Este será James Cagney, depois de ter so- aventuras em tecnicolor, tendo "•. WAWÈÊÀá'l-H&- * o segundo filme de Milton Berle frido um acidente com uma arma Gary Cooper, Ruth Roman e Ste- ^HBsiB1" ¦'** Robert Herron, que trabalhava para a Warner; o primeiro foi como ator em pequenos teatros, mW «O Mundo de um Palbuço», com fez sua estréia no cinema no fil- Virgínia Mayo e Ruth Roman.
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