DOCSLIB.ORG

Death in Midsummer, and Other Stories, Yukio Mishima, 0811201171, 9780811201179, 181 Pages, 1966

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Death in Midsummer, and Other Stories, Yukio Mishima, 0811201171, 9780811201179, 181 Pages, 1966 Death in Midsummer, and Other Stories, Yukio Mishima, 0811201171, 9780811201179, 181 pages, 1966 DOWNLOAD http://bit.ly/1TJSwXl http://goo.gl/Rsrmf http://www.powells.com/s?kw=Death+in+Midsummer%2C+and+Other+Stories Recognized throughout the world for his brilliance as a novelist and playwright, Yukio Mishima is also noted as a master of the short story in his native Japan. Here nine of his finest stories, selected by Mishima himself, represent his extraordinary ability to depict a wide variety of human beings in moments of significance. Often his characters are modern Japanese who turn out to be not so liberated from the past as they had thought. DOWNLOAD http://tiny.cc/pK9CVL http://bit.ly/1Dg4PrI Home in His Arms , Suzanne Simms, Suzanne Simmons Guntrum, Nov 1, 1991, Fiction, 251 pages. Modern Japanese short stories , , 1970, Short stories, Japanese, 227 pages. The end of summer , Harumi, Setouchi, May 1, 1993, Fiction, 151 pages. Mishima on stage the Black lizard and other plays, Yukio Mishima, 2007, Literary Criticism, 328 pages. My Friend Hitler and Other Plays of Yukio Mishima , Yukio Mishima, 2002, Drama, 316 pages. Acclaimed Japanese novelist Yukio Mishima (1925--1970) was also a prolific playwright, penning more than sixty plays, nearly all of which were produced in his lifetime. Hiroaki. Tumultul valurilor , Yukio Mishima , Mar 13, 2014, , 192 pages. Poveste de dragoste arhetipalДѓ ce surprinde Г®n acelaЕџi timp esenЕЈa sufletului nipon, romanul Tumultul valurilor (Shiosai) a fost ecranizat Г®n Japonia de cinci ori. Marea ce. Norwegian Wood , Haruki Murakami, Feb 1, 2011, Fiction, 389 pages. When he hears her favourite Beatles song, Toru Watanabe recalls his first love Naoko, the girlfriend of his best friend Kizuki. Immediately he is transported back almost twenty. Runaway Horses , Yukio Mishima, 2000, Japan, 421 pages. The second book in Mishima's landmark The Sea of Fertility sequence, this is the chronicle of a conspiracy, a novel about the roots and nature of Japanese fanaticism in the. Madame de Sade A Play, Yukio Mishima, 1968, , 108 pages. Asian PEN anthology , PEN (Organization), 1967, Literary Collections, 358 pages. The Homecoming , Robyn Carr, , , . The lone swan , Manshu Su, 1929, Religion, 147 pages. Reiko, A Japanese Ghost Story , James Avonleigh, , , . Behind the waterfall , Chinatsu Nakayama, Jun 12, 1990, Fiction, 213 pages. From the Japanese writer comes a trio of novellas studying a child actress struggling to fathom adult motives, a young wife caught in a romantic triangle, and the effects of an. Sun & Steel , Yukio Mishima, 2003, Fiction, 107 pages. This is the personal testament of Japan's greatest novelist, written shorty before his public suicide in 1970. Through Mishima's finely wrought and emphatic prose, the mind and. Neuroendocrinology An Integrated Approach, David A. Lovejoy, Nov 1, 2005, Medical, 416 pages. There has been an explosion of interest in the field of neuroendocrinology over the last twenty years with the discovery of neurohormones regulating virtually everything fromBeyond domestication in prehistoric Europe investigations in subsistence archaeology and social complexity, Graeme Barker, Clive Gamble, 1985, History, 282 pages The economy of cities , Jane Jacobs, 1969, Political Science, 268 pagesButterfly's Child A Novel, Angela Davis-Gardner, 2012, Fiction, 363 pages. The author of Plum Wine imagines the story of Benji after the events in Puccini's Madame Butterfly and follows his upbringing by his father and stepmother in rural Illinois Death in Midsummer, and Other Stories The Hostile Shore , Douglas Reeman, Jan 16, 2014, Fiction, 256 pages. Moving away from WWll, this is a compelling yarn from the master storyteller of the sea, Douglas Reeman who also writes under the pen name Alexander Kent; bestselling author of A European-bred baroness and her artist brother receive an uncertain welcome from their staid and proper relatives in 19th-century New England. Examine the ideas and traditions of Western and Eastern thought 'Packed with all the information, advice and tips you'll need to get on your way.' Good times July/Aug. http://www.filestube.to/s2/Death-in-Midsummer-and-Other-Stories https://nubotai.files.wordpress.com/2014/10/space-jam-film-storybook.pdf Contracting problems at EPA hearing before Committee on Governmental Affairs, United States Senate, One Hundred Second Congress, second session, March 2, 1992, United States. Congress. Senate. Committee on Governmental Affairs, 1993, Law, 391 pagesCognitive Therapy of Anxiety Disorders Science and Practice, David A. Clark, Aaron T. Beck, Oct 30, 2009, Psychology, 628 pages. Updating and reformulating Aaron T. Beck's pioneering cognitive model of anxiety disorders, this book is both authoritative and highly practical. The authors synthesize the Navajo- Hopi Relocation Housing Program Hearing Before the Committee on Indian Affairs, United States Senate, One Hundred Fourth Congress, First Session, on S. 349. March 15, 1995, Washington, DC., United States. Congress. Senate. Committee on Indian Affairs (1993- ), 1995, Social Science, 119 pages Pros know that the real secret of surveillance lies in the skill of the operators, not in high- tech gadgets. This book is for the true practitioners of the craft. It focuses on. https://itunes.apple.com/us/book/Death-in-Midsummer-and-Other-Stories/id471621428 Cerebrovascular Disease in Clinical Practice , David O. Wiebers, Valery L. Feigin, Robert Duane Brown, 1997, Medical, 526 pages. Approach to the comatose patient vascular disease of the spinal cord management & rehabilitation after strokeBunny Fun , Sarah Weeks, 2008, Juvenile Fiction, 40 pages. A lively young rabbit finds many ways to have fun--and cause havoc--on a rainy day Typology, relationship and time a collection of papers on language change and relationship, VitaliД- Viktorovich Shevoroshkin, 1986, Language Arts & Disciplines, 120 pages https://nubotai.files.wordpress.com/2014/10/science-grade-k-interactive-worktext-houghton-mifflin-harcourt-science-florida.pdf What Do Mothers Want? Developmental Perspectives, Clinical Challenges, Sheila Feig Brown, 2005, Psychology, 261 pages. [Publisher-supplied data] The talented contributors to What Do Mothers Want? address questions from perspectives that encompass differences in marital status, parental statusThe Literary Ghost Great Contemporary Ghost Stories, Larry Dark, Sep 1, 1992, Fiction, 384 pages. A collection of non-traditional ghost stories, mostly from the past decade, by such authors as Fay Weldon, Nadine Gordimer, and Paul Bowles download Death in Midsummer, and Other Stories 1966 https://nubotai.files.wordpress.com/2014/10/tribal-sovereign-immunity-hearing-before-the-committee-on-indian-affairs-united-states-sena.pdf Investment Management , Frank J. Fabozzi, 1999, Business & Economics, 837 pages. The job of planning, implementing, and overseeing the funds of an individual investor or an institution is referred to as investment management. The purpose of this book is toHandbook of Optical Systems, Physical Image Formation , Wolfgang Singer, Michael Totzeck, Herbert Gross, May 12, 2006, Science, 714 pages Death in Midsummer, and Other Stories 181 pages https://nubotai.files.wordpress.com/2014/10/sounds-of-words.pdf The Awkward Age , Henry James, Jan 1, 2004, Fiction, . Nanda Brookenham is 'coming out' in London society. Thrust suddenly into the vicious, immoral circle that has gathered round her mother, she even finds herself in competitionMedical Orthopedics Conservative Management of Musculoskeletal Impairments, Rene Cailliet, 2004, Medical, 217 pages. This text uses a systematic approach to the management of orthopaedics. It covers impairments for all joints as well as the spine, and addresses the activities of daily living Proceedings of the. Annual Convention of the Investment Bankers Association of America , Investment Bankers Association of America, 1915, Investments Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - It was a. Based on the results of a survey of children and adults, the author argues that increasing divorce rates and single-mother families are welcome signs of a democratization of. http://ow.ly/uiUHm https://nubotai.files.wordpress.com/2014/10/an-independent-assessment-of-the-state-governments-financial-position.pdf Men of respect a social history of the Sicilian Mafia, Raimondo Catanzaro, 1992, History, 246 pages. Using records of the Italian government's recent inquiry into the Mafia, this history shows the crime organization's beginnings as a group of cattle rustlers in nineteenthReincarnation ancient beliefs and modern evidence, David Christie-Murray, Jan 1, 1981, Body, Mind & Spirit, 287 pages Environmental impact of mining , Christopher Gordon Down, John Stocks, 1977, Technology & Engineering, 371 pages The ideal book for time-strapped cooks or busy households, 'Slow Cookers' shows you how to transform many foods, particularly meat, into morsels of melting tenderness, with not. Armed–Disarmed Effects in Carbohydrate Chemistry: History, Synthetic and Mechanistic Studies, by Bert Fraser-Reid and J. CristГіbal LГіpez * A Survey of Ley’s Reactivity Tuning. No text has its meaning alone; all texts have their meaning in relation to other texts. Since Julia Kristeva coined the term in the 1960s, intertextuality has been a dominant. http://avaxsearch.com/?q=Death+in+Midsummer%2C+and+Other+Stories Not-For-Profit Organization Audits
Load more

Recommended publications
  • Study Guide for DE Madameby Yukio Mishima SADE Translated from the Japanese by Donald Keene
    Study Guide for DE MADAMEBy Yukio Mishima SADE Translated from the Japanese by Donald Keene Written by Sophie Watkiss Edited by Rosie Dalling Rehearsal photography by Marc Brenner Production photography by Johan Persson Supported by The Bay Foundation, Noel Coward Foundation, 1 John Lyon’s Charity and Universal Consolidated Group Contents Section 1: Cast and Creative Team Section 2: An introduction to Yukio Mishima and Japanese theatre The work and life of Yukio Mishima Mishima and Shingeki theatre A chronology of Yukio Mishima’s key stage plays Section 3: MADAME DE SADE – history inspiring art The influence for Mishima’s play The historical figures of Madame de Sade and Madame de Montreuil. Renée’s marriage to the Marquis de Sade Renee’s life as Madame de Sade Easter day, 1768 The path to the destruction of the aristocracy and the French Revolution La Coste Women, power and sexuality in 18th Century France Section 4: MADAME DE SADE in production De Sade through women’s eyes The historical context of the play in performance Renée’s ‘volte-face’ The presence of the Marquis de Sade The duality of human nature Elements of design An interview with Fiona Button (Anne) Section 5: Primary sources, bibliography and endnotes 2 section 1 Cast and Creative Team Cast Frances Barber: Comtesse de Saint-Fond For the Donmar: Insignificance. Theatre includes: King Lear & The Seagull (RSC), Anthony and Cleopatra (Shakespeare’s Globe), Aladdin (Old Vic), One Flew Over the Cuckoo’s Nest (Edinburgh Festival & Gielgud). Film includes: Goal, Photographing Fairies, Prick Up Your Ears. Television includes: Hotel Babylon, Beautiful People, Hustle, The I.T.
    [Show full text]
  • Between Boys: Fantasy of Male Homosexuality in Boys' Love, Mary Renault, and Marguerite Yourcenar by Jui-An Chou Graduate Pr
    Between Boys: Fantasy of Male Homosexuality in Boys’ Love, Mary Renault, and Marguerite Yourcenar by Jui-an Chou Graduate Program in Literature Duke University Date:_______________________ Approved: ___________________________ Anne F. Garréta, Supervisor, Chair ___________________________ Robyn Wiegman, Co-Chair ___________________________ Rey Chow ___________________________ Anne Allison Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Literature in the Graduate School of Duke University 2018 ABSTRACT Between Boys: Fantasy of Male Homosexuality in Boys’ Love, Mary Renault, and Marguerite Yourcenar by Jui-an Chou Graduate Program in Literature Duke University Date:_______________________ Approved: ___________________________ Anne F. Garréta, Supervisor, Chair ___________________________ Robyn Wiegman, Co-Chair ___________________________ Rey Chow ___________________________ Anne Allison An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Literature in the Graduate School of Duke University 2018 Copyright by Jui-an Chou 2018 Abstract “Between Boys: Fantasy of Male Homosexuality in Boys’ Love, Mary Renault, and Marguerite Yourcenar” examines an unexpected kinship between Boys’ Love, a Japanese male-on-male romance genre, and literary works by Mary Renault and Marguerite Yourcenar, two mid-twentieth century authors who wrote about male homosexuality. Following Eve Sedgwick, who proposed that a “rich tradition of cross- gender inventions of homosexuality” should be studied separately from gay and lesbian literature, this dissertation examines male homoerotic fictions authored by women. These fictions foreground a disjunction between authorial and textual identities in gender and sexuality, and they have often been accused of inauthenticity, appropriation, and exploitation.
    [Show full text]
  • Decay of Mishima's Japan: His Final Word Alice H. Hutton, Hillsborough Community College
    Decay of Mishima's Japan: His Final Word Alice H. Hutton, Hillsborough Community College Japan's Yukio Mishima gave a clue as to his reasons for his seppuku (samurai ritual suicide) five years before his death, when in 1965 he announced his plan for a tetralogy of novels tracing Japan's history in the twentieth century, after which he would have nothing left to say. That series of novels, The Sea of Fertility, in­ dicts the West with its democratizing, commercializing influence for the erosion of traditional Japanese culture and morality. Mishima alerted Japan to his intent in his stage play Madame de Sade, appearing the year he started his tetralogy. Just as the democratizing French Revolution, the background of the stage play, hastens the erosion of traditional society and culture in the European West, so too the democ­ ratizing revolution in Japan, starting with the Meiji Restoration in 1868, erodes traditional society and culture in Japan, with what were, for Mishima, unaccept­ able results. His tetralogy covers four crucial periods in twentieth-century Japan, during each of which there is a declension of social leadership. In the first novel, the leaders of society are still the Emperor, his court nobility, and the newly made aristocrats, who were promoted for fighting to establish the authority of the Em­ peror over the feudal shogun dictators, their daimyo, and their samurai. But the feudal aristocrats suffer from displacement, while the newly made aristocrats cor­ rupt court morality. The second novel shows Japan's social leaders to have be­ come the commercially successful, whether as aristocrats or crass provincials.
    [Show full text]
  • Samuel Filipe Gomes Pascoal
    Samuel Filipe Gomes Pascoal A Espada e o Crisântemo: para uma aproximação ao Nō Moderno em Yukio Mishima Dissertação realizada no âmbito do Mestrado em Estudos de Teatro, orientada pela Professora Doutora Isabel Morujão Faculdade de Letras da Universidade do Porto Setembro de 2015 A Espada e o Crisântemo: para uma aproximação ao Nō Moderno em Yukio Mishima Samuel Filipe Gomes Pascoal Dissertação realizada no âmbito do Mestrado em Estudos de Teatro, orientada pela Professora Doutora Isabel Morujão Membros do Júri Professor Doutor Jorge Deserto Faculdade de Letras - Universidade do Porto Professora Doutora Alexandra Moreira da Silva Université Sorbonne Nouvelle – Paris III Dra. Reiko Kikuchi (na qualidade de especialista em língua japonesa) Faculdade de Letras - Universidade do Porto Professora Doutora Isabel Morujão Faculdade de Letras – Universidade do Porto Classificação obtida: 19 (dezanove) valores À minha avó materna, Maria da Glória de Jesus, que, à semelhança da própria avó materna de Mishima, me legou a sua paixão e inclinação para o teatro, bem como outros tantos valores humanos. E, ainda, à memória de Manuela Guerra, um crisântemo de espada em riste. Índice Agradecimentos…………………………………………………………………….........9 Resumo………………………………………………………………………………....12 Abstract………………………………………………….…………………………..… 13 Introdução: razões para uma abordagem a Yukio Mishima e ao seu Nō Moderno I. A origem do fascínio………………………………………………………….14 II. Renovar repertórios dramatúrgicos: o Oriente………………………………. 15 III. Aproximação a Mishima: do texto à cena……………………………………16 A ESPADA 1. Yukio Mishima: uma vida em mise-en-scène .............................................................. 19 2. Shingeki: um novo e complexo capítulo na história do teatro japonês ........................ 28 3. Um teatro que se escreve ao ser vivido 3.1 O teatro vivido: a personificação da máscara……………………………….34 3.2 O teatro escrito: o eremita e o antídoto da imortalidade…………………….40 4.
    [Show full text]
  • Queer Potentiality in Postwar Japan and the Post-Method American Theatre
    UNIVERSITY OF CALIFORNIA SAN DIEGO UNIVERSITY OF CALIFORNIA IRVINE Proximal and Reminiscent Nostalgias: Queer Potentiality in Postwar Japan and the Post-Method American Theatre A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Drama and Theatre by Jonathan Charles Reimer Committee in charge: University of California San Diego Professor Emily Roxworthy, Chair Professor Julie Burelle Professor Marianne McDonald Professor Daisuke Miyao University of California Irvine Professor Anthony Kubiak 2020 Copyright Jonathan Charles Reimer, 2020 All rights reserved. The Dissertation of Jonathan Charles Reimer is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California San Diego University of California Irvine 2020 iii DEDICATION This dissertation is dedicated to my grandmothers, Dorothy Reimer and Betty Creyer, both of whom crossed over into the beyond during my time in this program. You are forever loved. iv TABLE OF CONTENTS Signature Page .......................................................................................................................... iii Dedication .................................................................................................................................. iv Table of Contents ...................................................................................................................... v List of Figures ...........................................................................................................................
    [Show full text]
  • Transatlantica, 1 | 2021 the Samurai and the Artist: Henry Miller’S Reflections on the Death of Mishima 2
    Transatlantica Revue d’études américaines. American Studies Journal 1 | 2021 Line Breaks in America: the Odds and Ends of Poetry The Samurai and the Artist: Henry Miller’s Reflections on the Death of Mishima Wayne E. Arnold Electronic version URL: https://journals.openedition.org/transatlantica/16813 DOI: 10.4000/transatlantica.16813 ISSN: 1765-2766 Publisher Association française d'Etudes Américaines (AFEA) Electronic reference Wayne E. Arnold, “The Samurai and the Artist: Henry Miller’s Reflections on the Death of Mishima”, Transatlantica [Online], 1 | 2021, Online since 07 July 2021, connection on 19 July 2021. URL: http:// journals.openedition.org/transatlantica/16813 ; DOI: https://doi.org/10.4000/transatlantica.16813 This text was automatically generated on 19 July 2021. Transatlantica – Revue d'études américaines est mise à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. The Samurai and the Artist: Henry Miller’s Reflections on the Death of Mishima 1 The Samurai and the Artist: Henry Miller’s Reflections on the Death of Mishima Wayne E. Arnold Introduction 1 The year 2020 marks the 50th anniversary of Mishima Yukio’s dramatic ritual suicide on 25 November 1970, an event that stunned Japan and the rest of the world.1 When the news reached American author Henry Miller (1891-1980), he immediately felt a reverberating shock. Moved to write about the incident, in March 1971 he began composing the short epistle Reflections on the Death of Mishima. Translated into Japanese by Tobita Shigeo, the article was serialized in one of Japan’s most popular gossip magazines, the Shuukan Post ( Weekly Post) in October and November of 1971.
    [Show full text]
  • Japan” As a Theme in the Works of Yukio Mishima : with a 論文題目 Particular Focus on “Japan” and “Emperor”
    論 文 の 英 文 要 旨 “Return to Japan” as a Theme in the Works of Yukio Mishima : With a 論文題目 Particular Focus on “Japan” and “Emperor” 氏 名 Ko HoGin The purpose of this thesis is to consider the process by which the theme of “returning to Japan” in the works of Yukio Mishima has crystallized into Mishima’s peculiar vision of the Japanese emperor and to clarify the theme’s characteristics. The main characteristic of Mishima’s “return to Japan” is that the representation of contemporary Japan is intertwined with a postwar criticism of Japan. Moreover, the alternative of postwar Japan is still envisioned in Japan. The “emperor” is a typical representation of this. The 1960 Anpo Protests are often considered to be the origin of Mishima’s idea of the “return to Japan”, but in fact the research on his thoughts on the topic in his late 20s and to the 30s is insufficient. This thesis reconsiders the starting point of Mishima's “return to Japan” to be in the 1950s and clarifies his motives. In order to do so, this thesis approaches the research question in three parts, divided into ten chapters, outlined as follows: Part 1 focuses on the changes in Mishima’s literary subjects after his world trip (1951・12・25～52・5・ 8) with regard to the representation of Japan. Chapter 1 analyzes the method of classicism in Shiosai (The Sound of Waves,1954) and treats Mishima's perception of Japan following his travels abroad. The story of Shinji and Hatsue overcoming various trials reflects the author’s expectations for Japan.
    [Show full text]
  • Servant Characters in Twentieth Century Japanese Literature
    Serving Stories: Servant Characters in Twentieth Century Japanese Literature by Kristin Leigh Sivak A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of East Asian Studies University of Toronto © Copyright by Kristin Leigh Sivak 2020 Serving Stories: Servant Characters in Twentieth Century Japanese Literature Kristin Leigh Sivak Doctor of Philosophy Department of East Asian Studies University of Toronto 2020 Abstract While the servants who appear in twentieth-century Japanese literature are often minor characters, they are far from insignificant. Rather, these servant characters in fact play a vital role in the narrative discourse seemingly out of proportion with the attention that their class, gender, and employment status—as well as a surface reading of the story—might lead us to expect. By exploring some of the different kinds of structural ‘work’ they do, then, as well as the ways in which their very literary nature grants them a degree of authority beyond that of their real-life corollaries, this dissertation aims to construct a narrative about a type of character whose impact on literary fiction well exceeds the bounds of the textual space they occupy. With this in mind, I take up an examination of servant characters in the works of three canonical authors who themselves experienced life with servants, Natsume Sōseki (1867-1916), Tanizaki Jun’ichirō (1886-1965), and Mishima Yukio (1925-1970). An analysis of servant characters offers an opportunity to explore issues of representation, power, and authority in modern Japanese fiction. From the ethical question of how to acknowledge those we cannot speak for, to examining the connections between domestic spaces and literary spaces, to uncovering the latent power of traditionally undervalued forms of labor, ii this dissertation proposes a narratological examination of the role of servants in twentieth- century Japanese fiction as a means for rethinking questions of representation and the plurality of perspectives in literature.
    [Show full text]
  • Directing a Kabuki-Inspired Madame De Sade
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2014 Toward a Cross-Cultural Aesthetic: Directing a Kabuki-Inspired Madame de Sade Kathryn Ruth LeTrent Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3519 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Kathryn Milliken LeTrent 2014 All Rights Reserved TOWARD A CROSS-CULTURAL AESTHETIC: DIRECTING A KABUKI INSPIRED MADAME DE SADE A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre Pedagogy at Virginia Commonwealth University. by KATHRYN RUTH LETRENT Bachelor of Fine Arts, New York University, 2007 Master of Fine Arts, Virginia Commonwealth University, 2014 Director: NOREEN C BARNES, PHD Director of Graduate Studies, TheatreVCU Virginia Commonwealth University Richmond, Virginia August, 2014 Acknowledgement I deeply appreciate the support and patience of my husband Stephen and daughter Margaret Evangeline. I would like to thank my parents Margaret and Stuart Milliken and my grandparents Janet and Warner White for their material and emotional support. I am grateful to Dr. Noreen C. Barnes for her help and direction of this project. Thanks also to Wesley Broulik and Susan Schuld for their support and feedback. I would also like to thank the Guild of Graduate Students for its grant to pay for the performance rights of Madame de Sade.
    [Show full text]
  • Modern and Contemporary Adaptations of Classical Japanese Nō Drama Robert Neblett Washington University in St
    Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) January 2011 Dramaturgical Crossroads and Aesthetic Transformations: Modern and Contemporary Adaptations of Classical Japanese Nō Drama Robert Neblett Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Neblett, Robert, "Dramaturgical Crossroads and Aesthetic Transformations: Modern and Contemporary Adaptations of Classical Japanese Nō Drama" (2011). All Theses and Dissertations (ETDs). 258. https://openscholarship.wustl.edu/etd/258 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Committee on Comparative Literature Dissertation Examination Committee: Robert E. Hegel, Chair Rebecca L. Copeland Robert Henke Marvin H. Marcus Lynne Tatlock Julie A. Walker DRAMATURGICAL CROSSROADS AND AESTHETIC TRANSFORMATIONS: MODERN AND CONTEMPORARY ADAPTATIONS OF CLASSICAL JAPANESE NŌ DRAMA by Robert Lloyd Neblett A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2011 Saint Louis, Missouri copyright by Robert Lloyd Neblett 2011 ABSTRACT OF THE DISSERTATION Dramaturgical Crossroads and Aesthetic Transformations: Modern and Contemporary Adaptations of Classical Japanese Nō Drama by Robert Lloyd Neblett Doctor of Philosophy in Comparative Literature with an Emphasis in Drama Washington University in St. Louis, August 2011 Professor Robert E. Hegel, Chair This study explores the various dramaturgical strategies at work within the twentieth and twenty-first-century theatrical adaptation of the Japanese Nō drama.
    [Show full text]
  • Leon Levy BAM Digital Archive
    ' ...,, ...,, :ft: :ft: J - -- For i mmedi a t e release Contact: BAMPublicity (71 8) 636 -4129 Dated: 3/27/91 PRESS UPDATEDPROGRAM INFORMATION DISREGARDPREVIOUS RELEASE DATED 2/28/91 BROOKLYNACADEMY OF MUSIC TO PRESENT "BERGMANON STAGE" THREE CLASSIC DRAMASDIRECTED BY INGMARBERGMAN JUNE 10 - 20, 1991 IN BAMMAJESTIC THEATER BIBI ANDERSSON, ERlAND JOSEPHSON, LENA OLIN AND PETER STORMARELEAD THE ROYALDRAMATIC THEATRE OF SWEDENIN PRODUCTIONSOF IBSEN'S A DOLL'S HOUSE, STRINDBERG'S MISS JULIE, AND O'NEILL'S LONG DAY'S JOURNEYINTO NIGHT BAM ENGAGEMENTPRESENTED AS PART OF THE NEWYORK INTERNATIONALFESTIVAL OF THE ARTS Following their highly acclaimed New York appearance at BAM in June 1988 with Ingmar Bergman's production of Hamlet, The Royal Dramatic Theatre of Sweden (DRAMATEN), artistic director, Lars Lofgran, returns with Bergman On Stage, a series of three dramatic works directed by Ingmar Bergman. DRAMATENwill present the United States premieres of three Ingmar Bergman productions: August Strindberg's Miss Julie (June 10, 11, 12), Eugene O'Neill's A Long Day's Journey Into Night (June 14, 15, 16) and Henrik Ibsen's A Doll's House (June 18, 19, 20). These productions unite two generation s of Bergman actors. Swedish film stars Bibi Andersson and Erland Josephson will join Bergman's new generation of actors represented by Lena Olin, Peter Stormare and Pernilla Ostergren in the most concentrated display of theater work ever presented outside of Sweden by the legendary film director. Bergman on Stage is presented by BAMas part of The New York International Festival of the Arts. All three productions will be performed in Swedish (simultaneous English translation will be available).
    [Show full text]