DOCSLIB.ORG

My Winnipeg Introduced by Guy Maddin Selected Bibliography 1 the Higher Learning Staff Curate Digital Resource Packages to Compl

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
My Winnipeg Introduced by Guy Maddin Selected Bibliography 1 the Higher Learning Staff Curate Digital Resource Packages to Compl My Winnipeg introduced by Guy Maddin Selected Bibliography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Written Works Mentioned or Discussed During the Event Cassady, Neal. The First Third & Other Writings. San Francisco: City Lights, 1971. Lewis, Sinclair. Main Street. New York: Harcourt & Brace, 1920. Wershler, Darren. Guy Maddin’s My Winnipeg. Toronto: University of Toronto Press, 2010. Books by Guy Maddin ---. From the Atelier Tovar: Selected Writings . Toronto: Coach House Books, 2003. ---. My Winnipeg . Toronto: Coach House Books, 2009. ---, Robert Enright, and Philip Monk. Cowards Bend the Knee . Toronto: Power Plant Contemporary, 2003. Written Works by Guy Maddin Maddin, Guy. “L’âge d’or .” in The Film That Changed My Life: 30 Directors on their Epiphanies in the Dark . Robert K. Elder (ed). Chicago: Chicago Review Press, 2011. ---. “The Beardo: José Mojica Marins.” Exile Cinema: Filmmakers at Work Beyond Hollywood . Michael Atkinson (ed). Albany: State University of New York Press, 2008. ---. “ The Chase .” in The Best Film You’ve Never Seen: 35 Directors Champion the Forgotten or Critically Savaged Movies They Love . Robert K. Elder (ed). Chicago: Chicago Review Press, 2013. ---. “Death in Winnipeg.” The Village Voice (February 6, 2001). ---. “Forward.” Diva: Defiance and Passion in Early Italian Cinema . By Vacche A. Dalle. Austin: University of Texas Press, 2008. 1 My Winnipeg introduced by Guy Maddin Selected Bibliography ---. “Forward.” Savage Detours: The Life and Work of Ann Savage . Lisa Morton and Kent Adamson. Jefferson, NC: McFarland & Co, 2010. ---. “Happily Ever After.” The Village Voice (January 23, 2002). ---. “Hold Me, Thrill Me, Kiss Me, Kill Me.” The Village Voice (June 4, 2001). ---. “The Invention: A Cinematic Tale.” in Glass! Love!! Perpetual Motion!!!: A Paul Scheerbart Reader . Josiah McElheny and Christine Burgin (eds). New York: Christine Burgin Gallery; Chicago: University of Chicago Press, 2014. ---. “Very Lush and Full of Ostriches.” The Village Voice (August 1, 2001). Interviews with Guy Maddin Edwards, Matthew. “The Winnipeg Wonder: An Interview with Guy Maddin.” Film Out of Bounds: Essays and Interviews on Non-Mainstream Cinema Worldwide . Edwards (ed). Jefferson, NC: McFarland & Company, 2007. Flaig, Paul, and Katherine Groo. “‘The Biggest Kuleshov Experiment Ever’: A Conversation with Guy Maddin about Séances . in New Silent Cinema . Flaig and Groo (eds). New York: Routledge, 2016. Holm, D.K. Guy Maddin: Interviews . Jackson: University Press of Mississippi, 2010. McKenna, Kristine. “Guy Maddin.” in Talk to Her: Interviews . Seattle: Fantagraphics, 2004. Melnyk, George. “Your secrets shouldn't be so secret.” in The Young, the Restless, and the Dead: Interviews with Canadian Filmmakers . Waterloo, ON: Wilfrid Laurier University Press, 2008. Critical Interpretations of Guy Maddin Beard, William. Into the Past: The Cinema of Guy Maddin . Toronto: University of Toronto Press, 2010. Bloomfield, John. “At the Heart of the Heart of the World: Guy Maddin in the 21st Century.” in Cinema Inferno: Celluloid Explosions from the Cultural Margins . Robert G. Weiner and John Cline (eds). Lanham, MD: Scarecrow Press, 2010. Church, David. “Contaminated Histories Canadian Postcolonialism in Guy Maddin's Tales from the Gimli Hospital .” Cineaction Toronto 90 (2013): 67-72. 2 My Winnipeg introduced by Guy Maddin Selected Bibliography --- (ed). Playing with Memories: Essays on Guy Maddin . Winnipeg: University of Manitoba Press, 2009. Keller, Wolfram R., and Christian Uffmann. “Canadians: Guy Maddin’s Allegory of Canadian Identity.” in Screening Canadians: Cross-cultural Perspectives on Canadian Film . Keller and Eugene P. Walz (eds). Marburg, Germany: Universitätsbibliothek Marburg, 2008. Lester, Peter. “A Gimli We No Longer Know: Dislocated History in Guy Maddin's Tales from the Gimli Hospital .” Quarterly Review of Film and Video 31.6 (2014): 586-596. Markotić, Nicole. “Razzle-Dazzle Heartbreak: Disability Promotion and Glorious Abjection in Guy Maddin’s The Saddest Music in the World.” in Different Bodies: Essays on Disability in Film and Television . Jefferson, NC: McFarland & Company, 2013. Melnyk, George. “The City of Transgressive Desires: Melodramatic Absurdity in Maddin's The Saddest Music in the World (2003) and My Winnipeg (2007).” in Film and the City: The Urban Imaginary in Canadian Cinema . Edmonton, AB: Athabasca University Press, 2014. Peranson, Mark. “Guy Maddin.” in Exile Cinema: Filmmakers at Work Beyond Hollywood . Michael Atkinson (ed). Albany: State University of New York Press, 2008. Pike, David L. “Film-Making at the Heart of the World: Guy Maddin.” in Canadian Cinema Since the 1980s: At the Heart of the World . Toronto: University of Toronto Press, 2013. Schuller, Dorothea. “Nineteenth Century (Up-To-Date) with a Vengeance: Vampirism, Victorianism and Collage in Guy Maddin’s Dracula: Pages from a Virgin’s Diary .” in Monstrous Media/Spectral Subjects: Imaging Gothic from the Nineteenth Century to the Present . Fred Botting and Catherine Spooner (eds). Manchester: Manchester University Press, 2015. Semley, John. “From Big Snow to Big Sadness: The Repatriation of Canadian Cultural Identity in the Films of Guy Maddin.” Cineaction Toronto 73/74 (2008): 32-37. Shaviro, Steven. “Fire and Ice: The Films of Guy Maddin.” in North of Everything: English-Canadian Cinema Since 1980 . William Beard and Jerry White (eds). Edmonton, AB: University of Alberta Press, 2002. Sprio, Margherita. “ Sombra Dolorosa (Guy Maddin, 2004): A Queer Archival Performance.” in Performing Archives/Archives of Performance. Gunhild Borggreen and Rune Gade (eds). Copenhagen: Museum Tusculanum Press, 2013. Straw, Will. “Reinhabiting Lost Languages: Guy Maddin’s Careful .” in Canada's Best Features: Critical Essays on 15 Canadian Films . Eugene P. Walz (ed). Amsterdam: Rodopi, 2002. 3 My Winnipeg introduced by Guy Maddin Selected Bibliography Sugars, Cynthia. “Déjà Vu All Over Again: Guy Maddin's My Winnipeg (2007).” in Postcolonial Film: History, Empire, Resistance . New York and London: Routledge, 2014. Toles, George E. “From Archangel to Mandragora in Your Own Backyard: Collaborating with Guy Maddin.” in A House Made of Light: Essays on the Art of Film . Detroit: Wayne State University Press, 2001. Vatnsdal, Caelum. Kino Delirium: The Films of Guy Maddin . Winnipeg: Arbeiter Ring Pub, 2000. Verrone, William. “Dracula, Pages from a Virgin’s Diary .” in Adaptation and the Avant-Garde: Alternative Perspectives on Adaptation Theory and Practice . New York: Continuum, 2011. Wershler, Darren. “Guy Maddin's the Night Mayor, Imaginary Media, and Contemporary Melodrama.” Criticism 55.4 (2013): 677-694. Winnipeg (Cultural History) Arnason, David, and Mhari Mackintosh. The Imagined City: A Literary History of Winnipeg . Winnipeg: Turnstone Press, 2005. Blanchard, Jim. Winnipeg 1912 . Winnipeg: University of Manitoba Press, 2005. Jones, Esyllt W. Influenza 1918: Disease, Death and Struggle in Winnipeg . Toronto: University of Toronto Press, 2007. ---, and Gerald Friesen. Prairie Metropolis: New Essays on Winnipeg Social History . Winnipeg: University of Manitoba Press, 2009. ---, and L. B. Foote. Imagining Winnipeg: History through the Photographs of L. B. Foote . Winnipeg: University of Manitoba Press, 2012. Keshavjee, Serena. Winnipeg Modern: Architecture, 1945-1975 . Winnipeg: University of Manitoba Press, 2006. Korneski, Kurt. Race, Nation, and Reform Ideology in Winnipeg, 1880s-1920s . Lanham, MD: Fairleigh Dickinson University Press, 2015. Kramer, Reinhold, and Tom Mitchell. When the State Trembled: How A. J. Andrews and the Citizens' Committee Broke the Winnipeg General Strike . Toronto: University of Toronto Press, 2010. Perrun, Jody. The Patriotic Consensus: Unity, Morale, and the Second World War in Winnipeg . Winnipeg: University of Winnipeg, 2014. 4 My Winnipeg introduced by Guy Maddin Selected Bibliography Canadian Cinema Alemany-Galway, Mary. A Postmodern Cinema: The Voice of the Other in Canadian Film . Lanham, MD: Scarecrow Press, 2002. Beard, William, and Jerry White. North of Everything: English-Canadian Cinema Since 1980 . Edmonton, AB: University of Alberta Press, 2002. Pike, David L. Canadian Cinema Since the 1980s: At the Heart of the World. Toronto: University of Toronto Press, 2012. Leach, Jim. Film in Canada . Don Mills, ON: Oxford University Press, 2011. Loiselle, André and Tom McSorley. Self Portraits: The Cinemas of Canada Since Téléfilm . Ottawa, ON: Canadian Film Institute/Institut canadien du film, 2006. Melnyk, George. One Hundred Years of Canadian Cinema . Toronto: University of Toronto Press, 2004. ---. The Young, the Restless, and the Dead: Interviews with Canadian Filmmakers . Waterloo, ON: Wilfrid Laurier University Press, 2008. Monk, Katherine. Weird Sex & Snowshoes: And Other Canadian Film Phenomena . Vancouver: Raincoast Books, 2001. Rist, Peter. Guide to the Cinema(s) of Canada . Wesport, CT: Greenwood Publishing Group, 2001. Walz, Eugene P. Canada's Best Features:
Load more

Recommended publications
  • Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
    Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans
    [Show full text]
  • PACKING, UNPACKING, and REPACKING the CINEMA of GUY MADDIN George Melnyk University of Calgary
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Spring 2011 REVIEW ESSAY: PACKING, UNPACKING, AND REPACKING THE CINEMA OF GUY MADDIN George Melnyk University of Calgary Follow this and additional works at: http://digitalcommons.unl.edu/greatplainsquarterly Part of the American Studies Commons, Cultural History Commons, and the United States History Commons Melnyk, George, "REVIEW ESSAY: PACKING, UNPACKING, AND REPACKING THE CINEMA OF GUY MADDIN" (2011). Great Plains Quarterly. 2683. http://digitalcommons.unl.edu/greatplainsquarterly/2683 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. REVIEW ESSAY Playing with Memories: Essays on Guy Maddin. Edited by David Church. Winnipeg: University of Manitoba Press, 2009. xiii + 280 pp. Grayscale photography section, notes, filmography, bibliography, index. $29.95 paper. Into the Past: The Cinema of Guy Maddin. By William Beard. Toronto: University of Toronto Press, 2010. xii + 471 pp. Photographs, appendix, notes, bibliography, index. $85.00 cloth, $37.95 paper. Guy Maddin's "My Winnipeg." By Darren Wershler. Toronto: University of Toronto Press, 2010. 145 pp. Photographs, production credits, notes, bibliography. $45.00 cloth, $17.95 paper. My WinniPeg. By Guy Maddin. Toronto: Coach House Press, 2009. 191 pp. Photographs, film script, essays, interview, filmography, miscellanea. $27.95 paper. PACKING, UNPACKING, AND REPACKING THE CINEMA OF GUY MADDIN Guy Maddin is Canada's most unusual film­ director, allowed him to create a genuinely maker.
    [Show full text]
  • Guy Maddin Y El Fin Del Cine: Donde Habitan Los Monstruos Raúl Hernández Garrido [email protected]
    fre Guy Maddin y el fin del cine: donde habitan los monstruos RAúl HeRnández GARRido [email protected] Guy Maddin and the end of cinema: where the monsters dwell Abstract From 1985 Guy Maddin has created an exemplary filmography composed of thirteen films and almost forty shortfilms. By crisscrossing particular techniques of the silent cinema and primitive cinematographies with a very personal theme, he has disrupted the modes of narration and representation, as well as proposing a singular rewriting of the history of cinema. Key words : Silent cinema. Postclassical cinema. Avant-garde. Deconstruction. Simulacrum. Incest Resumen Desde 1985 Guy Maddin ha creado, a través de trece largometrajes y casi cuarenta cortometrajes, una filmogra - fía ejemplar en la que, cruzando técnicas propias de los filmes silentes y de cinematografías primitivas con una temática muy personal, convulsiona los modos de la narración y representación y propone una singular reescri - tura de la historia del cine. Palabras clave: Cine silente. Cine postclásico. Vanguardia. Deconstrucción. Simulacro. Incesto. ISSN. 1137-4802. pp. 107-121 Anclándose en un ya moribundo siglo XX, es en 1985 cuando la muy par - ticular filmografía del canadiense Guy Maddin, tan desigual como fascinan - te, arranca. Para comprender mejor su obra deberíamos volver la mirada a algunos años antes, cuando Maddin, a través de las series documentales de Kevin Brownlow ( Hollywood, 1980 ) descubre y empieza a ver películas silen - tes y a sentirse fascinado por su variedad de formas de expresión. Su primera película, de forma ejemplar, se llama The Dead Father , el padre muerto. The Dead Father (Guy Maddin, 1985) Raúl Hernández Garrido t& 10f8 Junto a la figura del Padre, muerto y sin embargo presente, molesto y penoso, autoritario pero no sujeto a una ley, muchas veces competidor o estúpido adversario del protagonista, otras convertido en un zombi sin voluntad, la personalidad fuerte de la Madre dominará su filmografía.
    [Show full text]
  • Full List of Book Discussion Kits – September 2016
    Full List of Book Discussion Kits – September 2016 1776 by David McCullough -(Large Print) Esteemed historian David McCullough details the 12 months of 1776 and shows how outnumbered and supposedly inferior men managed to fight off the world's greatest army. Abraham: A Journey to the Heart of Three Faiths by Bruce Feiler - In this timely and uplifting journey, the bestselling author of Walking the Bible searches for the man at the heart of the world's three monotheistic religions -- and today's deadliest conflicts. Abundance: a novel of Marie Antoinette by Sena Jeter Naslund - Marie Antoinette lived a brief--but astounding--life. She rebelled against the formality and rigid protocol of the court; an outsider who became the target of a revolution that ultimately decided her fate. After This by Alice McDermott - This novel of a middle-class American family, in the middle decades of the twentieth century, captures the social, political, and spiritual upheavals of their changing world. Ahab's Wife, or the Star-Gazer by Sena Jeter Naslund - Inspired by a brief passage in Melville's Moby-Dick, this tale of 19th century America explores the strong-willed woman who loved Captain Ahab. Aindreas the Messenger: Louisville, Ky, 1855 by Gerald McDaniel - Aindreas is a young Irish-Catholic boy living in gaudy, grubby Louisville in 1855, a city where being Irish, Catholic, German or black usually means trouble. The Alchemist by Paulo Coelho - A fable about undauntingly following one's dreams, listening to one's heart, and reading life's omens features dialogue between a boy and an unnamed being.
    [Show full text]
  • Roger Ebert's
    The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked.
    [Show full text]
  • Fourth Plenary Meeting Quatrième Séance Plénière
    A62/VR/4 page 75 FOURTH PLENARY MEETING Tuesday, 19 May 2009, at 14:35 President: Mr N.S. DE SILVA (Sri Lanka) later: Mr A.M. FOUDA (Cameroon) QUATRIÈME SÉANCE PLÉNIÈRE Mardi 19 mai 2009, 14 h 35 Président : M. N.S. DE SILVA (Sri Lanka) puis : M. A.M. FOUDA (Cameroun) 1. INVITED SPEAKERS INTERVENANTS INVITÉS The PRESIDENT: Good afternoon, ladies and gentlemen. The Health Assembly will now take up consideration of item 4 of the Agenda; Invited speakers. It is an honour for me to welcome, on behalf of this Health Assembly, our first invited speaker, the Eighth Secretary-General of the United Nations, Mr Ban Ki-moon. I think he needs no introduction but it is my duty to introduce him. From his earliest days in office, the Secretary-General has identified global health as one of his top priorities. He has been working to strengthen the United Nations system and he has reached out to foundations, research centres, civil society and the private sector to help build partnerships to advance the cause of global public health. The Secretary-General has been a consistent voice for the health needs of the poorest and the most vulnerable – especially at a time of economic crisis. He has been a leading advocate for women’s health. In the face of the outbreak of influenza A (H1N1) 2009, he has been a strong voice of support for WHO’s leadership and coordination efforts. His presence here is another demonstration of his commitment to the cause that brings us together – the advancement of global public health for all.
    [Show full text]
  • Film Reference Guide
    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.
    [Show full text]
  • 2011 Fargo Film Festival Program
    1 AROUND THE WORLD IN 11 YEARS... COMING FULL CIRCLE... Dear Fargo Film Festival Audiences, On March 1, 2001 an intrepid band of film lovers held our collective breaths as we waited for the press to show up for the opening press conference of our very first Fargo Film Festival. The press arrived as did award winning filmmakers Rob Nilson and John Hanson to celebrate the screening of their North Dakota-produced and Cannes Film Festival award winner, Northern Lights. On opening night, March 1, 2011, the Fargo Film Festival again celebrates North Dakota culture, history, and film making with The Lutefisk Wars and Roll Out, Cowboy. Over the years, our festival journey has circled the globe from Fargo to Leningradsky to Rwanda to Antarctica, all without leaving the cushy seats of our very own hometown Fargo Theatre. Some of you have been my traveling companions from the very Margie Bailly Emily Beck FARGO THEATRE FARGO THEATRE beginning of this 11 year cinematic tour. Including Fargo Film Festival 2011 Volunteer Spirit Award Winner, Marty Jonason. Executive Director Film Programmer My heartfelt thanks! Whether you are a long-time film traveler or just beginning your festival journey, “welcome aboard”. In 2012, Fargo Theatre Film Programmer Emily Beck will take over as your festival tour guide. You will be in very good hands. You’ll find me in the front row of the balcony “tripping out” on massive amounts of popcorn and movies, movies, movies. Margie Bailly EXECUTIVE DIRECTOR • HISTORIC FARGO THEATRE DAN FRANCIS PHOTOGRAPHY FARGO THEATRE STAFF:
    [Show full text]
  • Index to Volume 26 January to December 2016 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background
    [Show full text]
  • From Weimar to Winnipeg: German Expressionism and Guy Maddin Andrew Burke University of Winnipeg (Canada) E-Mail: [email protected]
    ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 16 (2019) 59–79 DOI: 10.2478/ausfm-2019-0004 From Weimar to Winnipeg: German Expressionism and Guy Maddin Andrew Burke University of Winnipeg (Canada) E-mail: [email protected] Abstract. The films of Guy Maddin, from his debut feature Tales from the Gimli Hospital (1988) to his most recent one, The Forbidden Room (2015), draw extensively on the visual vocabulary and narrative conventions of 1920s and 1930s German cinema. These cinematic revisitations, however, are no mere exercise in sentimental cinephilia or empty pastiche. What distinguishes Maddin’s compulsive returns to the era of German Expressionism is the desire to both archive and awaken the past. Careful (1992), Maddin’s mountain film, reanimates an anachronistic genre in order to craft an elegant allegory about the apprehensions and anxieties of everyday social and political life. My Winnipeg (2006) rescores the city symphony to reveal how personal history and cultural memory combine to structure the experience of the modern metropolis, whether it is Weimar Berlin or wintry Winnipeg. In this paper, I explore the influence of German Expressionism on Maddin’s work as well as argue that Maddin’s films preserve and perpetuate the energies and idiosyncrasies of Weimar cinema. Keywords: Guy Maddin, Canadian film, German Expressionism, Weimar cinema, cinephilia. Any effort to catalogue completely the references to, and reanimations of, German Expressionist cinema in the films of Guy Maddin would be a difficult, if not impossible, task. From his earliest work to his most recent, Maddin’s films are suffused with images and iconography drawn from the German films of the 1920s.
    [Show full text]
  • A Foundation for Implementation
    Grade 12 Cinema as a Witness to Modern History A Foundation for Implementation G RADE 1 2 C INEMA AS A W ITNESS TO M ODERN H ISTORY A Foundation for Implementation 2015 Manitoba Education and Advanced Learning Manitoba Education and Advanced Learning Cataloguing in Publication Data Grade 12 cinema as a witness to modern history : a foundation for implementation Includes bibliographical references. ISBN: 978-0-7711-6245-9 (pdf) 1. History in motion pictures—Study and teaching (Secondary). 2. History, Modern—20th century—Study and teaching (Secondary). 3. Media literacy—Study and teaching (Secondary). 4. Motion pictures—History and criticism—Study and teaching (Secondary). 5. History in motion pictures—Study and teaching (Secondary)—Manitoba. 6. History in motion pictures—Curricula. I. Manitoba. Manitoba Education and Advanced Learning. 791.4365807 Copyright © 2015, the Government of Manitoba, represented by the Minister of Education and Advanced Learning. Manitoba Education and Advanced Learning School Programs Division Winnipeg, Manitoba, Canada Every effort has been made to acknowledge original sources and to comply with copyright law. If cases are identified where this has not been done, please notify Manitoba Education and Advanced Learning. Errors or omissions will be corrected in a future edition. Sincere thanks to the authors, artists, and publishers who allowed their original material to be used. All images found in this resource are copyright protected and should not be extracted, accessed, or reproduced for any purpose other than for their intended educational use in this resource. Any websites referenced in this resource are subject to change without notice. Educators are advised to preview and evaluate websites and online resources before recommending them for student use.
    [Show full text]
  • The Forbidden Room
    © Galen Johnson The Forbidden Room Guy Maddin, Evan Johnson Producer David Christensen, Phoebe Greenberg, Penny Mancuso, A submarine in distress, a lumberjack who mysteriously appears to the Phyllis Laing. Production companies Phi Films (Montreal, crew – wasn’t he just in the dark forests of Holstein-Schleswig rescuing Canada); Buffalo Gal Pictures (Winnipeg, Canada); National the beautiful Margot from the claws of the Red Wolves? A neurosurgeon Film Board of Canada (Montreal, Quebec, Canada). Director who digs deeply into the brain of a manic patient; a murderer who pretends Guy Maddin, Evan Johnson. Screenplay Guy Maddin, Evan to be the victim of his own killings; a traumatised young woman „on the Johnson, Robert Kotyk. Director of photography Stephanie Deutsch-Kolumbianisch Express somewhere between Berlin and Bogota“; Weber-Biron, Ben Kasulke. Production design Galen Johnson. seductive skeletons, zeppelins colliding, and a hot bath that seems to have Set design Brigitte Henry, Chris Lavis, Maciek Szczerbowski. triggered the whole thing. Guy Maddin’s rampant, anarchic film, co-directed Costume Elodie Mard, Yso South, Julie Charland. Sound Simon by Evan Johnson, resembles an apparently chaotic, yet always significant Plouffe, David Rose, John Gurdebeke, Vincent Riendeau, Gavin eroto-claustrophobic nightmare that never seems to want to end, in which Fernandes. Editor John Gurdebeke. the plot, characters and locations constantly flow into one another in truly With Roy Dupuis, Clara Furey, Louis Negin, Céline Bonnier, enigmatic style. The countless fantastic plotlines are structured like the Karine Vanasse, Caroline Dhavernas, Paul Ahmarani, Mathieu intertwined arms of a spiral nebula – all of them inspired by real, imagi- Amalric, Udo Kier, Maria de Medeiros, Charlotte Rampling, nary and photographic memories of films from the silent era now lost, to Geraldine Chaplin.
    [Show full text]