2011 Fargo Film Festival Program
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Northwestern University Feinberg School of Medicine Office of Diversity Presents
Northwestern University Feinberg School of Medicine Office of Diversity presents Friday Film Series 2012-2013: Exploring Social Justice Through Film All films begin at 12:00 pm on the Chicago campus. Due to the length of most features, we begin promptly at noon! All films screened in Daniel Hale Williams Auditorium, McGaw Pavilion. Lunch provided for attendees. September 14 – Reel Injun by Neil Diamond (Cree) http://www.reelinjunthemovie.com/site/ Reel Injun is an entertaining and insightful look at the Hollywood Indian, exploring the portrayal of North American Natives through a century of cinema. Travelling through the heartland of America and into the Canadian North, Cree filmmaker Neil Diamond looks at how the myth of “the Injun” has influenced the world’s understanding – and misunderstanding – of Natives. With clips from hundreds of classic and recent films, and candid interviews with celebrated Native and non-Native directors, writers, actors, and activists including Clint Eastwood, Robbie Robertson, Graham Greene, Adam Beach, and Zacharias Kunuk, Reel Injun traces the evolution of cinema’s depiction of Native people from the silent film era to present day. October 19 – Becoming Chaz by Fenton Bailey & Randy Barbato http://www.chazbono.net/becomingchaz.html Growing up with famous parents, constantly in the public eye would be hard for anyone. Now imagine that all those images people have seen of you are lies about how you actually felt. Chaz Bono grew up as Sonny and Cher’s adorable golden-haired daughter and felt trapped in a female shell. Becoming Chaz is a bracingly intimate portrait of a person in transition and the relationships that must evolve with him. -
PBS Series Independent Lens Unveils Reel Injun at Summer 2010 Television Critics Association Press Tour
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] Visit the PBS pressroom for more information and/or downloadable images: http://www.pbs.org/pressroom/ PBS Series Independent Lens Unveils Reel Injun at Summer 2010 Television Critics Association Press Tour A Provocative and Entertaining Look at the Portrayal of Native Americans in Cinema to Air November 2010 During Native American Heritage Month (San Francisco, CA)—Cree filmmaker Neil Diamond takes an entertaining, insightful, and often humorous look at the Hollywood Indian, exploring the portrayal of North American Natives through a century of cinema and examining the ways that the myth of “the Injun” has influenced the world’s understanding—and misunderstanding—of Natives. Narrated by Diamond with infectious enthusiasm and good humor, Reel Injun: On the Trail of the Hollywood Indian is a loving look at cinema through the eyes of the people who appeared in its very first flickering images and have survived to tell their stories their own way. Reel Injun: On the Trail of the Hollywood Indian will air nationally on the upcoming season of the Emmy® Award-winning PBS series Independent Lens in November 2010. Tracing the evolution of cinema’s depiction of Native people from the silent film era to today, Diamond takes the audience on a journey across America to some of cinema’s most iconic landscapes, including Monument Valley, the setting for Hollywood’s greatest Westerns, and the Black Hills of South Dakota, home to Crazy Horse and countless movie legends. -
PACKING, UNPACKING, and REPACKING the CINEMA of GUY MADDIN George Melnyk University of Calgary
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Spring 2011 REVIEW ESSAY: PACKING, UNPACKING, AND REPACKING THE CINEMA OF GUY MADDIN George Melnyk University of Calgary Follow this and additional works at: http://digitalcommons.unl.edu/greatplainsquarterly Part of the American Studies Commons, Cultural History Commons, and the United States History Commons Melnyk, George, "REVIEW ESSAY: PACKING, UNPACKING, AND REPACKING THE CINEMA OF GUY MADDIN" (2011). Great Plains Quarterly. 2683. http://digitalcommons.unl.edu/greatplainsquarterly/2683 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. REVIEW ESSAY Playing with Memories: Essays on Guy Maddin. Edited by David Church. Winnipeg: University of Manitoba Press, 2009. xiii + 280 pp. Grayscale photography section, notes, filmography, bibliography, index. $29.95 paper. Into the Past: The Cinema of Guy Maddin. By William Beard. Toronto: University of Toronto Press, 2010. xii + 471 pp. Photographs, appendix, notes, bibliography, index. $85.00 cloth, $37.95 paper. Guy Maddin's "My Winnipeg." By Darren Wershler. Toronto: University of Toronto Press, 2010. 145 pp. Photographs, production credits, notes, bibliography. $45.00 cloth, $17.95 paper. My WinniPeg. By Guy Maddin. Toronto: Coach House Press, 2009. 191 pp. Photographs, film script, essays, interview, filmography, miscellanea. $27.95 paper. PACKING, UNPACKING, AND REPACKING THE CINEMA OF GUY MADDIN Guy Maddin is Canada's most unusual film director, allowed him to create a genuinely maker. -
Guy Maddin Y El Fin Del Cine: Donde Habitan Los Monstruos Raúl Hernández Garrido [email protected]
fre Guy Maddin y el fin del cine: donde habitan los monstruos RAúl HeRnández GARRido [email protected] Guy Maddin and the end of cinema: where the monsters dwell Abstract From 1985 Guy Maddin has created an exemplary filmography composed of thirteen films and almost forty shortfilms. By crisscrossing particular techniques of the silent cinema and primitive cinematographies with a very personal theme, he has disrupted the modes of narration and representation, as well as proposing a singular rewriting of the history of cinema. Key words : Silent cinema. Postclassical cinema. Avant-garde. Deconstruction. Simulacrum. Incest Resumen Desde 1985 Guy Maddin ha creado, a través de trece largometrajes y casi cuarenta cortometrajes, una filmogra - fía ejemplar en la que, cruzando técnicas propias de los filmes silentes y de cinematografías primitivas con una temática muy personal, convulsiona los modos de la narración y representación y propone una singular reescri - tura de la historia del cine. Palabras clave: Cine silente. Cine postclásico. Vanguardia. Deconstrucción. Simulacro. Incesto. ISSN. 1137-4802. pp. 107-121 Anclándose en un ya moribundo siglo XX, es en 1985 cuando la muy par - ticular filmografía del canadiense Guy Maddin, tan desigual como fascinan - te, arranca. Para comprender mejor su obra deberíamos volver la mirada a algunos años antes, cuando Maddin, a través de las series documentales de Kevin Brownlow ( Hollywood, 1980 ) descubre y empieza a ver películas silen - tes y a sentirse fascinado por su variedad de formas de expresión. Su primera película, de forma ejemplar, se llama The Dead Father , el padre muerto. The Dead Father (Guy Maddin, 1985) Raúl Hernández Garrido t& 10f8 Junto a la figura del Padre, muerto y sin embargo presente, molesto y penoso, autoritario pero no sujeto a una ley, muchas veces competidor o estúpido adversario del protagonista, otras convertido en un zombi sin voluntad, la personalidad fuerte de la Madre dominará su filmografía. -
Full List of Book Discussion Kits – September 2016
Full List of Book Discussion Kits – September 2016 1776 by David McCullough -(Large Print) Esteemed historian David McCullough details the 12 months of 1776 and shows how outnumbered and supposedly inferior men managed to fight off the world's greatest army. Abraham: A Journey to the Heart of Three Faiths by Bruce Feiler - In this timely and uplifting journey, the bestselling author of Walking the Bible searches for the man at the heart of the world's three monotheistic religions -- and today's deadliest conflicts. Abundance: a novel of Marie Antoinette by Sena Jeter Naslund - Marie Antoinette lived a brief--but astounding--life. She rebelled against the formality and rigid protocol of the court; an outsider who became the target of a revolution that ultimately decided her fate. After This by Alice McDermott - This novel of a middle-class American family, in the middle decades of the twentieth century, captures the social, political, and spiritual upheavals of their changing world. Ahab's Wife, or the Star-Gazer by Sena Jeter Naslund - Inspired by a brief passage in Melville's Moby-Dick, this tale of 19th century America explores the strong-willed woman who loved Captain Ahab. Aindreas the Messenger: Louisville, Ky, 1855 by Gerald McDaniel - Aindreas is a young Irish-Catholic boy living in gaudy, grubby Louisville in 1855, a city where being Irish, Catholic, German or black usually means trouble. The Alchemist by Paulo Coelho - A fable about undauntingly following one's dreams, listening to one's heart, and reading life's omens features dialogue between a boy and an unnamed being. -
Fourth Plenary Meeting Quatrième Séance Plénière
A62/VR/4 page 75 FOURTH PLENARY MEETING Tuesday, 19 May 2009, at 14:35 President: Mr N.S. DE SILVA (Sri Lanka) later: Mr A.M. FOUDA (Cameroon) QUATRIÈME SÉANCE PLÉNIÈRE Mardi 19 mai 2009, 14 h 35 Président : M. N.S. DE SILVA (Sri Lanka) puis : M. A.M. FOUDA (Cameroun) 1. INVITED SPEAKERS INTERVENANTS INVITÉS The PRESIDENT: Good afternoon, ladies and gentlemen. The Health Assembly will now take up consideration of item 4 of the Agenda; Invited speakers. It is an honour for me to welcome, on behalf of this Health Assembly, our first invited speaker, the Eighth Secretary-General of the United Nations, Mr Ban Ki-moon. I think he needs no introduction but it is my duty to introduce him. From his earliest days in office, the Secretary-General has identified global health as one of his top priorities. He has been working to strengthen the United Nations system and he has reached out to foundations, research centres, civil society and the private sector to help build partnerships to advance the cause of global public health. The Secretary-General has been a consistent voice for the health needs of the poorest and the most vulnerable – especially at a time of economic crisis. He has been a leading advocate for women’s health. In the face of the outbreak of influenza A (H1N1) 2009, he has been a strong voice of support for WHO’s leadership and coordination efforts. His presence here is another demonstration of his commitment to the cause that brings us together – the advancement of global public health for all. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
Reel-Injun-Viewing-Guide.Pdf
Reel Injun While we watch the documentary “Reel Injun” produced by Cree film maker Neil Diamond, we want to think about how the media has shaped the images of First Nations people. We also want to think about who benefits from the construction of these images. Remember, media images are CONSTRUCTED; that is to say that they have been created by people for a purpose. Your task as a learner and as a citizen is to develop skills that allow you to DECONSTRUCT the images by analyzing them and putting them in their historical and social context. The documentary “Reel Injun” attempts to do this by studying the Hollywood portrayal of “Indians” in the movies. We are going to watch the documentary and record the most important ideas that come out of the Neil Diamond’s work. The documentary has a structure that is important to understand. The film maker interviews experts and eyewitnesses while superimposing images from movies over the years. He is attempting to connect pictures with ideas. This technique is used constantly in film making. This technique is powerful in that human memory is stronger when ideas are connected to images or stories. Your task is to view the film and make those connections. In order to do this you have to engage in the film in a more active way. You have to watch with focus and record what you see and the commentary made by the experts and eyewitnesses. At the end of the documentary you are going to answer some important guiding questions: 1) Describe the images of First Nations people in film. -
From Weimar to Winnipeg: German Expressionism and Guy Maddin Andrew Burke University of Winnipeg (Canada) E-Mail: [email protected]
ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 16 (2019) 59–79 DOI: 10.2478/ausfm-2019-0004 From Weimar to Winnipeg: German Expressionism and Guy Maddin Andrew Burke University of Winnipeg (Canada) E-mail: [email protected] Abstract. The films of Guy Maddin, from his debut feature Tales from the Gimli Hospital (1988) to his most recent one, The Forbidden Room (2015), draw extensively on the visual vocabulary and narrative conventions of 1920s and 1930s German cinema. These cinematic revisitations, however, are no mere exercise in sentimental cinephilia or empty pastiche. What distinguishes Maddin’s compulsive returns to the era of German Expressionism is the desire to both archive and awaken the past. Careful (1992), Maddin’s mountain film, reanimates an anachronistic genre in order to craft an elegant allegory about the apprehensions and anxieties of everyday social and political life. My Winnipeg (2006) rescores the city symphony to reveal how personal history and cultural memory combine to structure the experience of the modern metropolis, whether it is Weimar Berlin or wintry Winnipeg. In this paper, I explore the influence of German Expressionism on Maddin’s work as well as argue that Maddin’s films preserve and perpetuate the energies and idiosyncrasies of Weimar cinema. Keywords: Guy Maddin, Canadian film, German Expressionism, Weimar cinema, cinephilia. Any effort to catalogue completely the references to, and reanimations of, German Expressionist cinema in the films of Guy Maddin would be a difficult, if not impossible, task. From his earliest work to his most recent, Maddin’s films are suffused with images and iconography drawn from the German films of the 1920s. -
The Forbidden Room
© Galen Johnson The Forbidden Room Guy Maddin, Evan Johnson Producer David Christensen, Phoebe Greenberg, Penny Mancuso, A submarine in distress, a lumberjack who mysteriously appears to the Phyllis Laing. Production companies Phi Films (Montreal, crew – wasn’t he just in the dark forests of Holstein-Schleswig rescuing Canada); Buffalo Gal Pictures (Winnipeg, Canada); National the beautiful Margot from the claws of the Red Wolves? A neurosurgeon Film Board of Canada (Montreal, Quebec, Canada). Director who digs deeply into the brain of a manic patient; a murderer who pretends Guy Maddin, Evan Johnson. Screenplay Guy Maddin, Evan to be the victim of his own killings; a traumatised young woman „on the Johnson, Robert Kotyk. Director of photography Stephanie Deutsch-Kolumbianisch Express somewhere between Berlin and Bogota“; Weber-Biron, Ben Kasulke. Production design Galen Johnson. seductive skeletons, zeppelins colliding, and a hot bath that seems to have Set design Brigitte Henry, Chris Lavis, Maciek Szczerbowski. triggered the whole thing. Guy Maddin’s rampant, anarchic film, co-directed Costume Elodie Mard, Yso South, Julie Charland. Sound Simon by Evan Johnson, resembles an apparently chaotic, yet always significant Plouffe, David Rose, John Gurdebeke, Vincent Riendeau, Gavin eroto-claustrophobic nightmare that never seems to want to end, in which Fernandes. Editor John Gurdebeke. the plot, characters and locations constantly flow into one another in truly With Roy Dupuis, Clara Furey, Louis Negin, Céline Bonnier, enigmatic style. The countless fantastic plotlines are structured like the Karine Vanasse, Caroline Dhavernas, Paul Ahmarani, Mathieu intertwined arms of a spiral nebula – all of them inspired by real, imagi- Amalric, Udo Kier, Maria de Medeiros, Charlotte Rampling, nary and photographic memories of films from the silent era now lost, to Geraldine Chaplin. -
It All Begins with Glass
film festival guide IT ALL BEGINS WITH GLASS The selection of a lens is the moment that can defi ne a shoot. From Hollywood studios to exotic locations around the globe, amazing big screen content is dramatized every day through the selection of Canon cinema lenses. The technologies behind our PL and EF mount cinema lenses ensure clear, crisp motion capture to the most demanding shoots. Canon optics empower fi lmmakers to bring visions to life. Throughout the more than 75 years of Canon history, it’s why we’ve always placed Glass First. glassfi rst.com GLASS FIRST © 2015 Canon U.S.A., Inc. All rights reserved. Canon is a registered trademark of Canon Inc. in the United States and may also be a registered trademark or trademark in other countries. Canon_Glass First Ad_CINEQUEST 2016.indd 1 1/7/16 3:03 PM WELCOME unite at Film Festival! Join forces with eye in the sky artists, film lovers, and innova- pg 7 tors—from across the globe, from all walks of life. Experience the com- pelling power of ONE, through films, media innovations, events, and celebrations. Embrace old friend- james franco ships, create new pg 17 connections, band together. Radiate outward, forging original pathways into the future. Emerge as a close-knit community, bound by fresh and fortified fellowship, collaboration, inspiration, vision, rita moreno and creativity. Come together…Unite! pg 25 CINEQUEST FILM FESTIVAL 2016 MARCH 1 - 13 CINEQUEST FILM FESTIVAL PICTURE THE POSSIBILITIES CINEQUEST MAVERICKS STUDIO showcases premiere films, empowers global youth with the creates innovative and renowned and emerging artists, tools, confidence, and inspiration motion pictures, television, and and breakthrough technology— to form and create their dreams distribution paradigms. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films,