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Diamond Textiles Lookbook 2020
E stablished over 25 years ago, We pride ourselves on being a fair trade Diamond Textiles has become an distributor—providing jobs and internationally acclaimed wholesale support for countless rural villages in textile company. Our company is India and Indonesia. based on a dream of creating fabrics Diamond Textiles holds dearly its that intertwine traditional organic tenets of personable customer service elements with a modern relevance. and exceptional quality of fabric. What’s Inside We currently distribute fabrics across Whether you are a large international the United States, in Europe, Africa, distributor, a small storefront, or a Tweed Thicket Canada, South America, Australia, cottage industry, you are served equally Pluses & Crosses and Asia. and professionally. Topstitch Confetti Faded Memories Nikko™, Nikko II, Nikko III Cotton Embossed Primitive Stars Sandcastle Nikko Geo Moon Cloth Diamond Textiles Wholesale Fabric Supplier 13731 Desmond Street Pacoima CA 91331 Spring [email protected] PHONE: 818-899-9144 2020 FAX: 818-899-9145 Tweed Thicket We’ve added new colors to our popular Tweed Thicket collection to include lush blue greens: blue suede, French grey and dragonfly. To complement these we are Tweed introducing earthtones of butter rum, pink ginger and natural twine. Tweed Thicket is a yarn-dyed cotton now Thicket available in 36 colors. Shipping to shops in July 2020. Avobe right and below: Quilt blocks from the Kinship: 100 Block Fusion Sampler from the #100Days100Blocks sew-along by gnomeangel.com Bianca Dress. Pattern by Violette Field www.diamondtextilesusa.com (818) 899-9144 [email protected] www.diamondtextilesusa.com (818) 899-9144 [email protected] Tweed Thicket Pluses & Crosses Pluses & Crosses Inspired by hand stitching and visible mending, Diamond Textiles is combining an array of saturated hues with a special weaving process to create the look of hand stitching. -
Newsletter #34C:Newsletter
Edition #34 Store Hours: ® Tuesday to Friday, 11 to 7 Saturday, 10 to 6 Sunday, 11 to 5 www.cityquilter.com 133 West 25th Street, NY NY 10001 • 212-807-0390 WINTER/SPRING SCHEDULE 2008 The holidays are quickly approaching and, like everyone else, you've got tons to do. But take a breath, sit down, put your feet up and look at all the great things we’ve got in store for you once the craziness is over. By then, you will have definitely earned some time for yourself. To begin with, if you have a finished quilt that you started in a City Quilter class over the last 10 years, please consider entering it in our exhibition of student quilts which will be hung at The Williams Club, 24 W. 39th St., from Jan. 15 to March 2. The deadline for submissions has been extended to Dec. 14 so you have time to fin- ish that binding. A submission form with details is available at the shop and on our web site. We really would like to have a huge variety to show the scope of the quilt- ing world today. Then make sure to put the dates of the exhibition in your calendar! We have some great teachers scheduled: Sharon Pederson, author of Reversible Quilts and Color for the Terrified Quilter will be here teaching from her about-to- be-published book, Machine Applique for the Terrified Quilter. Noted pattern designer Cathy Corcella's will be teaching her “Holds It All Trio” project which was featured in the latest issue of “Quilts and More.” Take a class with Leni Wiener, author of Threadpainting, and add some new techniques to your next quilt. -
Making Their Mark 17
Making Their Mark 17 A CELEBRATION OF GREAT WOMEN ARTISTS Susan Mary "Lily" Yeats, in a 1901 portrait by Photograph of Susan Mary "Lily" Yeats (left) and Elizabeth Corbet "Lolly" Yeats (right). Elizabeth Corbet "Lolly" Yeats, in an 1887 Jack Butler Yeats. National Gallery of Ireland. portrait by Jack Butler Yeats. Sisters Susan Mary "Lily" Yeats (1866-1949, above, left) and Elizabeth Corbet "Lolly" Yeats (1868-1940, above, right) were pivotal figures in the advancement of the Arts and Crafts style in Ireland. Founded in England by the British designer William Morris, the Arts and Crafts Movement advocated traditional, handcrafted objects as a rebellion against soulless factory-made furnishings. The Yeats sisters were from a preeminent Irish family--their father John and brother Jack were noted painters, and their other brother was the renowned poet William Butler Yeats. Born in Enniscrone, County Sligo, Ireland, Lily Yeats was a frequent visitor to William Morris when her family moved to London in the 1870s; she would learn embroidery from his daughter, May Morris. Younger sister Lolly Yeats, also in the Morris circle, was more interested in painting and printing; by the end of the century she had written and illustrated four instructional books on sketching directly with a brush. Upon returning to Ireland, both sisters would co-found the Dun Emer Guild, a Arts and Crafts group in Dublin managed and staffed entirely by women, with the textile designer Evelyn Gleeson (1855-1944). Guilds, as opposed to factories, were a return to the Medieval and Renaissance guilds that once served as the primary centers of art production. -
Textileartscouncil William Morrisbibliography V2
TAC Virtual Travels: The Arts and Crafts Heritage of William and May Morris, August 2020 Bibliography Compiled by Ellin Klor, Textile Arts Council Board. ([email protected]) William Morris and Morris & Co. 1. Sites A. Standen House East Grinstead, (National Trust) https://www.nationaltrust.org.uk/standen-house-and-garden/features/discover-the- house-and-collections-at-standen Arts and Crafts family home with Morris & Co. interiors, set in a beautiful hillside garden. Designed by Philip Webb, taking inspiration from the local Sussex vernacular, and furnished by Morris & Co., Standen was the Beales’ country retreat from 1894. 1. Heni Talks- “William Morris: Useful Beauty in the Home” https://henitalks.com/talks/william-morris-useful-beauty/ A combination exploration of William Morris and the origins of the Arts & Crafts movement and tour of Standen House as the focus by art historian Abigail Harrison Moore. a. Bio of Dr. Harrison Moore- https://theconversation.com/profiles/abigail- harrison-moore-121445 B. Kelmscott Manor, Lechlade - Managed by the London Society of Antiquaries. https://www.sal.org.uk/kelmscott-manor/ Closed through 2020 for restoration. C. Red House, Bexleyheath - (National Trust) https://www.nationaltrust.org.uk/red-house/history-at-red-house When Morris and Webb designed Red House and eschewed all unnecessary decoration, instead choosing to champion utility of design, they gave expression to what would become known as the Arts and Crafts Movement. Morris’ work as both a designer and a socialist were intrinsically linked, as the creation of the Arts and Crafts Movement attests. D. William Morris Gallery - Lloyd Park, Forest Road, Walthamstow, London, E17 https://www.wmgallery.org.uk/ From 1848 to 1856, the house was the family home of William Morris (1834-1896), the designer, craftsman, writer, conservationist and socialist. -
Embroidery Tools & Equipment. Categories of Basic Stitch~S of Hand
Annexure – I Details of Theory Syllabus Sl. No. DETAILS 1 Embroidery tools & equipment. Categories of basic stitch~s of hand embroidery-their techniques anc applications. 2 Embroidery threads and their classification. Selection of threads & needles according to the texture and fibre of the material. 3 Tracing technique. 4 Tracing methods. 5 Ironing & finishing of the embroidered articles. 6 Identification of fiber and their characteristics. 7 Shade work, its kinas, techniques & characteristics 8 Applique work. 9 Smocking -its kinds and uses. 10 Cut work- its kinds and uses. 11 Line Types of lines -Straight, curved, dotted, zigzag,etc. Pasition of forms - Vertical, horizontal; diagonal & oblique 12 Types of forms -Geometrical, natural, decorative & free hand. 13 Sketching & Monogram - Free hand-Naturaf (Flowers, Leaves etc.) Garments - Ladies, Gents, Children Stitches, hems, etc. 14 Lettering & Monogram-Use of stencils (English &Devnagiri) Sizes. 15 cm & 2.5 cm Monogram with help of stencils 15 Enlargement & Reduction of form/design-Grid Method (Squarelscale method) 16 Types of Colour & Tones of Colour-- Primary, Secondary, Neutral, Cool <& warm Tint, Tone & Shade. 17 Colour wheel & colour schemes- 1. Colour-colour wheel 2. Monochrome 3. Contrast 4. Related 5. Neutral (Black & White &Gray) 6. Complementary 7. Multicolour Detail of Practical Syllabus SL NO DETAILS 1 MODULE-I HAND EMBRODIARY A. BASIC STITCHES (a) Flat Stitch 1. Running Stitch 2. Back Stitch 3. Stem Stitch 4. Satin Stitch 5. Kashmiri Stitch 6. Couching Stitch 7. Cross Stitch 8. Herringbone Stitch (b) Loop Stitches 1. Chain Stitch 2. Lazy-daisy Stitch 3. Button hole Stitch 4. Blanket Stitch 5. Fishbone Stitch 6. -
Research Article
Available Online at http://www.journalajst.com ASIAN JOURNAL OF SCIENCE AND TECHNOLOGY Asian Journal of Science and Technology ISSN: 0976-3376 Vol. 08, Issue, 10, pp.60 84-6089, October, 2017 RESEARCH ARTICLE KANTHA EMBROIDERY-A WOMAN-CENTRIC PATH TOWARDS EMPOWERMENT FOR ARTISANS IN WEST BENGAL 1Dr. Debaleena Debnath and 2Sreenanda Palit 1Assistant Professor, Folklore Dept., Kalyani University, Nadia, West Bengal 2Associate Professor and Centre Coordinator-Fashion Communication, National Institute of Fashion Technology, Kolkata, Ministry of Textiles, Govt. of India ARTICLE INFO ABSTRACT Article History: Niaz Zaman describes the needlecraft of Kantha as "women's art”. Traditionally the Kantha embroidery Received 04th July, 2017 of Bengal has been the forte of women, unlike Zardosi and Ari work which is predominated by men Received in revised form folk. The craft has a history of being a revered recycled product. A Kantha is considered to be layers of 21st August, 2017 old sarees or dhotis quilted together to form a blanket, used by the poor as a protection against cold. Accepted 06thSeptember, 2017 Later the ‘nakshi’ form of it was born in the household of undivided Bengal as a portrait of women’s th Published online 17 October, 2017 aspiration and dream. The paper discusses how Kantha has been dominated by women and has eventually helped to empower hundreds of them. The various factors that made it woman-centric have Key words: been explored through primary research conducted among 50 artisans from Nanoor, Birbhum District, Kantha, Needlecraft, Quilting, and Kadambagachi, Barashat District of West Bengal. The study presents a comparative study of both Women empowerment, the clusters. -
Downloaded from Old from Clothingbrill.Com09/25/2021 Are 10:04:08PM Via Free Access 30
* 29 Heidi F. Jie HREADS STORIES IN THE THREADS: INTERVENTION AND T REINTERPRETATION IN KANTHA-MAKING The art of mending is an ancient craft. From clothing to pottery, what was worn and damaged was repaired to be used again. The repurposing of textiles has long been appreciated as an art form. Quilting, or the sewing together of layers of fabric by stitching through those layers to produce a thicker fabric, has been practiced in many regions around the world, from Europe and Asia to the Americas and Africa, and has taken on many forms and techniques. Quilting refers to the activity as well as the stitching technique used to work through the layers, and there are similarities and variances in both of these across traditions and cultures. For the purposes of this essay, the term ‘craft’ will refer to the mastery, skill and effort involved in making a thing by hand, in this case, a textile work such as a kantha. Because these works are an expression of that skill, requiring the use of imagination and creativity, they are a form of art.1 TORIES IN THE S The word ‘kantha’ speaks not only of a textile used for bedding and the name of the stitch; it has come to refer to any object using the stitch as part of its design. It can be found on a variety objects from saris to home furnishings today. Very simple and versatile, it lends itself easily to many design possibilities and materials. The only criterion for the perfect kantha stitch is that it is even in size and spacing, an exacting task. -
LIBRARY BOOKS.Xlsx
Cat No. Title Author Type 476 2,286 traditional stencil designs Roessing, H APPLIQUE 13 Afternoon Tea with May Morris Hill, Michele APPLIQUE 1094 Applique 12 Borders & Medallions Sienkiewicz, Elly APPLIQUE 1444 Applique 12 Easy Ways Sienkiewicz, Elly APPLIQUE Rodale's Successful Quilting 455 Applique made easy Library APPLIQUE 4 Applique Mastery Naylor, Philippa APPLIQUE 382 Applique outside the lines with Piece O' Cake Designs Goldsmith, Becky & Jenkins, Linda APPLIQUE 774 Applique, Applique, Applique Sinema, Laurene APPLIQUE 657 Artful applique II Townswick, Jane APPLIQUE 656 Artful applique the easy way Townswick, Jane APPLIQUE 251 At Play with Applique Fronks, Dilys A APPLIQUE Back to Front & New Approach to Machine Applique 1369 (2nd copy) Scouler, Larraine APPLIQUE 585 Baltimore Beauties & Beyond Vol 2 Sienkiewicz, Ely APPLIQUE 702 Baltimore blocks for beginners; a step-by-step guide Dietrich, Mimi APPLIQUE 404 Barbara Brackman's encyclopedia of applique Brackman, Barbara APPLIQUE Beautiful botanicals: 45 applique flowers & 14 quilt 520 projects Kemball, Deborah APPLIQUE 1751 Best of BaLtimore Beauties Sienkiewicz, Elly APPLIQUE 1783 Best of Jacobean Applique Campbell, Patricia B & Ayars, Mimi APPLIQUE Best-ever applique sampler from Piece O' Cake 684 Designs Goldsmith, Becky & Jenkins, Linda APPLIQUE 1842 Blossoms in Winter Eaton, Patti & Mostek, Pamela APPLIQUE 1795 Bouquet of Quilts Rounds & Rymer APPLIQUE 1594 Celtic Style Floral Applique Rose, Scarlett APPLIQUE 1998 Classic Four-Block Applique Quilts Marston, Gwen APPLIQUE 235 -
Reference (Ref)
The Quilters’ Guild of the British Isles LIBRARY CATALOGUE – REFERENCE (REF) Shelf Author Title ISBN Copy Mark Number REF/142 (Japanese Publication) QUILTS IN BRITAIN 142 REF/163 A NEEDLECRAFT PRODUCTION QUILTING BY PENELOPE 000N53 REF/81 A NEEDLECRAFT PRODUCTION QUILTING BY PENELOPE book 2 000N52 REF/61 ADLER & BARNARD ASAFO! AFRICAN FLAGS OF THE FANTE 0-500-27684-6 968 REF/42 AGUTTER MARGARET MODERN PATCHWORK PITMANS CRAFT FOR ALL SERIES 1439 REF/140 ALLAN ROSEMARY E QUILTS & COVERLETS: The Beamish Collections 905054113 R140 REF/116 ALLEN ROSEMARY E NORTH COUNTRY QUILTS & COVERLETS FROM BEAMISH MUSEUM 0 905054 03 2 26297 REF/93 ARCHER DR BERNICE PATCHWORK OF INTERNMENT 0953-0174-5-1 000N77 REF/69 BALLARD LINDA ULSTER NEEDLEWORK 0 902588 435 99 REF/101 BALLEY JOY & BRIGHT MEMENTO FOR BRIDGET 26293 CATHERINE REF/109 BASSETT LYNNE Z & LARKIN NORTHERN COMFORT: NEW ENGLAND'S EARLY QUILTS 1780-1850 1-55853-655-8 00N1056 JACK REF/173 BERENSON KATHRYN MARSEILLE - THE CRADLE OF WHITE CORDED QUILTING 9.78E+12 262742 REF/41 BETTERTON SHIELA QUILTS & COVERLETS 950497142 1438 REF/17 BEYER ALICE QUILTING 710 REF/102 BISHOP ROBERT NEW DISCOVERIES IN AMERICAN QUILTS 0-525-16552-5 00N1055 REF/52 BLACKETT-ORD ROSEMARY THE HELBECK COLLECTION . AN EXHIBITION OF ENGLISH PATCHWORK 1629 QUILTS & COVERLET DE TOILES DE JOUE & PATTERN BOOKS REF/95 BOSTON DIANA PATCHWORKS OF LUCY BOSTON 0-905899-21-0 00N629 REF BQSG QUILT STUDIES ISSUE 1 1999 1467-2723 00N154 REF BQSG QUILT STUDIES ISSUE 3 2001 1467-2723 00N158 REF 153 BQSG QUILT STUDIES ISSUE 10 2009 REF 153 -
May Morris: Art & Life 28 November 2019 – 14 March 2020 Press Preview: Monday 25 November 10Am-12Pm
PRESS RELEASE For release 13 September 2019 May Morris: Art & Life 28 November 2019 – 14 March 2020 Press Preview: Monday 25 November 10am-12pm Honeysuckle wallpaper (c)William Morris Gallery London Borough of Waltham Forest May Morris c.1890s (c) William Morris Gallery, London Borough of Waltham Forest ‘I’m a remarkable woman – always was, though none of you seemed to think so.’ May Morris in a letter to George Bernard Shaw, 1936 Dovecot Studios brings the first-ever exhibition about the work of May Morris to Scotland Art & Life tells the overlooked story of May Morris (1862–1938), the youngest daughter of William Morris, and her extraordinary work and contribution to the British Arts and Crafts Movement The exhibition repositions May Morris as a key female force in securing the legacy and international influence of the Arts and Crafts Movement Exhibition organised by the William Morris Gallery London in association with Dovecot Studios Dovecot Studios stage a landmark exhibition exploring the life and work of May Morris (1862–1938), the youngest daughter of William Morris (1834–96) and one the most significant artists of the British Arts and Crafts movement in the early 20th century. Bringing together over 80 original textiles and Exhibition organised by the William Morris Gallery London in association with Dovecot Studios May Morris Art and Life press release www.dovecotstudios.com 1 drawings from collections around the UK, May Morris Art & Life will explore May’s extraordinary body of work, and why she deserves recognition outside her familial namesake. For more than 100 years May’s contribution to the decorative arts, in particular to embroidery, has languished behind her father’s illustrious career. -
AUTHOR TITLE KEYWORDS ABC Quilts Kids Making Quilts for Kids
AUTHOR TITLE KEYWORDS ABC Quilts Kids making quilts for kids : a young person's guide for having fun while helping others and learning about AIDS and substance abuse Adams, Barb Quilting the Garden applique, flowers, gardening, ppierre, quilting Akana, Elizabeth A. The Hawaiian Quilt and Sew Much More Piecing Alabama Public Television Quiltmakers of Gee's Bend Video Albacete, M. J. Ohio quilts, a living tradition History Albers, Josef Interaction of Color : Revised Edition Color Theory Alderman, Betty Favorite Applique & Embroidery Quilts Applique, Embroidery Alderman, Betty Favorite Redwork Designs Redwork Aldrich, Margret This Old Quilt: A Heartwarming Celebration of Quilts and Quilting Memories Applique, Piecing Allen, Gloria A Maryland Album : Quiltmaking Traditions Applique, Piecing Allen, Leslie Two-Hour Applique: Over 200 Original Designs Applique Aller, Allison Ann Allie Aller's Crazy Quilting: Modern Piecing & Embellishing Techniques crazy quilting American Quilt Study Group Uncoverings 1981 History American Quilt Study Group Uncoverings 1982 History American Quilt Study Group Uncoverings 1983 History American Quilt Study Group Uncoverings 1984 History American Quilt Study Group Uncoverings 1985 History American Quilt Study Group Uncoverings 1986 History American Quilt Study Group Uncoverings 2002 History American Quilt Study Group Uncoverings 2005 History American Quilt Study Group Uncoverings 2006 History American Quilt Study Group Uncoverings 2007 History American Quilt Study Group Uncoverings 2009 Reference American Quilt -
VQF Modern Broderie Perse Supply List
Modern Broderie Perse Maria Shell www.mariashell.com www.talesofastitcher.com [email protected] Supply List • Assortment of 10-12 pieces of fabric that measure about 18” by 8”. Smaller or larger is fine, but I like the 18” by 8” because it is the size of a fat eight and because it works well with the size of the Wonder-Under fusible. Please read the below comments about selecting fabric. • A quality pair of small scissors. I like the five inch size for this kind of work. • 3-4 pastel or light print fat quarters for your background choices. • 3-4 darker prints for the “table cloth” fabric. • 3 yards of Wonder-Under or your favorite heat activated fusible. • Pressing sheet • Sewing Machine with 1/4” foot, walking foot, and quilting (hopping/darning) foot • Generous fat quarter for quilt back (at least 18” by 22”) • Generous fat quarter of batting (at least 18” by 22”) Fabric When making a Modern Broderie Perse floral bouquet, I have found that there are several types of prints that work really well. Here are some suggestions- • Bold Geometrics, for example, circles, stripes, plaids, zigzags in HIGH contrast col- ors. You should be able to read the print from far away. • Fabrics that read as solids • Fabrics that have prints you can easily use as guidelines for cutting • Two color prints preferably without black and white. For example, a pink and black fabric is good, but a pink and blue fabric would be more interesting. • Black and White prints of all sorts. Sharing Fabric If we all bring in 10 scraps of fabric that are approximately 5” by 18” or smaller to share we will have plenty of fabric to share with each other.