Demeter and Persephone
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Demeter and Dionysos: Connections in Literature, Cult and Iconography Kathryn Cook April 2011
Demeter and Dionysos: Connections in Literature, Cult and Iconography Kathryn Cook April 2011 Demeter and Dionysos are two gods among the Greek pantheon who are not often paired up by modern scholars; however, evidence from a number of sources alluding to myth, cult and iconography shows that there are similarities and connections observable from our present point of view, that were commented upon by contemporary authors. This paper attempts to examine the similarities and connections between Demeter and Dionysos up through the Classical period. These two deities were not always entwined in myth. Early evidence of gods in the Linear B tablets mention Dionysos as the name of a deity, but Demeter’s name does not appear in the records until later. Over the centuries (up to approximately the 6th century as mentioned in this paper), Demeter and Dionysos seem to have been depicted together in cult and in literature more and more often. In particular, the figure of Iacchos in the Eleusinian cult seems to form a bridging element between the two which grew from being a personification of the procession for Demeter, into being a Dionysos figure who participated in her cult. Literature: Demeter and Dionysos have some interesting parallels in literature. To begin with, they are both rarely mentioned in the Homeric poems, compared to other gods like Hera or Athena. In the Iliad, neither Demeter nor Dionysos plays a role as a main character. Instead they are mentioned in passing, as an example or as an element of an epic simile.1 These two divine figures are present even less often in the Odyssey, though this is perhaps a reflection of the fewer appearances of the gods overall, they are 1 Demeter: 2.696. -
(Leviticus 10:6): on Mourning and Refraining from Mourning in the Bible
1 “Do not bare your heads and do not rend your clothes” (Leviticus 10:6): On Mourning and Refraining from Mourning in the Bible Yael Shemesh, Bar Ilan University Many agree today that objective research devoid of a personal dimension is a chimera. As noted by Fewell (1987:77), the very choice of a research topic is influenced by subjective factors. Until October 2008, mourning in the Bible and the ways in which people deal with bereavement had never been one of my particular fields of interest and my various plans for scholarly research did not include that topic. Then, on October 4, 2008, the Sabbath of Penitence (the Sabbath before the Day of Atonement), my beloved father succumbed to cancer. When we returned home after the funeral, close family friends brought us the first meal that we mourners ate in our new status, in accordance with Jewish custom, as my mother, my three brothers, my father’s sisters, and I began “sitting shivah”—observing the week of mourning and receiving the comforters who visited my parent’s house. The shivah for my father’s death was abbreviated to only three full days, rather than the customary week, also in keeping with custom, because Yom Kippur, which fell only four days after my father’s death, truncated the initial period of mourning. Before my bereavement I had always imagined that sitting shivah and conversing with those who came to console me, when I was so deep in my grief, would be more than I could bear emotionally and thought that I would prefer for people to leave me alone, alone with my pain. -
Agorapicbk-15.Pdf
Excavations of the Athenian Agora Picture Book No. 1s Prepared by Fred S. Kleiner Photographs by Eugene Vanderpool, Jr. Produced by The Meriden Gravure Company, Meriden, Connecticut Cover design: Coins of Gela, L. Farsuleius Mensor, and Probus Title page: Athena on a coin of Roman Athens Greek and Roman Coins in the Athenian Agora AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS PRINCETON, NEW JERSEY 1975 1. The Agora in the 5th century B.C. HAMMER - PUNCH ~ u= REVERSE DIE FLAN - - OBVERSE - DIE ANVIL - 2. Ancient method of minting coins. Designs were cut into two dies and hammered into a flan to produce a coin. THEATHENIAN AGORA has been more or less continuously inhabited from prehistoric times until the present day. During the American excava- tions over 75,000 coins have been found, dating from the 6th century B.c., when coins were first used in Attica, to the 20th century after Christ. These coins provide a record of the kind of money used in the Athenian market place throughout the ages. Much of this money is Athenian, but the far-flung commercial and political contacts of Athens brought all kinds of foreign currency into the area. Other Greek cities as well as the Romans, Byzantines, Franks, Venetians, and Turks have left their coins behind for the modern excavators to discover. Most of the coins found in the excavations were lost and never recovered-stamped into the earth floor of the Agora, or dropped in wells, drains, or cisterns. Consequently, almost all the Agora coins are small change bronze or copper pieces. -
Macedonian Kings, Egyptian Pharaohs the Ptolemaic Family In
Department of World Cultures University of Helsinki Helsinki Macedonian Kings, Egyptian Pharaohs The Ptolemaic Family in the Encomiastic Poems of Callimachus Iiro Laukola ACADEMIC DISSERTATION To be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XV, University Main Building, on the 23rd of September, 2016 at 12 o’clock. Helsinki 2016 © Iiro Laukola 2016 ISBN 978-951-51-2383-1 (paperback.) ISBN 978-951-51-2384-8 (PDF) Unigrafia Helsinki 2016 Abstract The interaction between Greek and Egyptian cultural concepts has been an intense yet controversial topic in studies about Ptolemaic Egypt. The present study partakes in this discussion with an analysis of the encomiastic poems of Callimachus of Cyrene (c. 305 – c. 240 BC). The success of the Ptolemaic Dynasty is crystallized in the juxtaposing of the different roles of a Greek ǴdzȅǻǽǷȏȄ and of an Egyptian Pharaoh, and this study gives a glimpse of this political and ideological endeavour through the poetry of Callimachus. The contribution of the present work is to situate Callimachus in the core of the Ptolemaic court. Callimachus was a proponent of the Ptolemaic rule. By reappraising the traditional Greek beliefs, he examined the bicultural rule of the Ptolemies in his encomiastic poems. This work critically examines six Callimachean hymns, namely to Zeus, to Apollo, to Artemis, to Delos, to Athena and to Demeter together with the Victory of Berenice, the Lock of Berenice and the Ektheosis of Arsinoe. Characterized by ambiguous imagery, the hymns inspect the ruptures in Greek thought during the Hellenistic age. -
Domitian's Arae Incendii Neroniani in New Flavian Rome
Rising from the Ashes: Domitian’s Arae Incendii Neroniani in New Flavian Rome Lea K. Cline In the August 1888 edition of the Notizie degli Scavi, profes- on a base of two steps; it is a long, solid rectangle, 6.25 m sors Guliermo Gatti and Rodolfo Lanciani announced the deep, 3.25 m wide, and 1.26 m high (lacking its crown). rediscovery of a Domitianic altar on the Quirinal hill during These dimensions make it the second largest public altar to the construction of the Casa Reale (Figures 1 and 2).1 This survive in the ancient capital. Built of travertine and revet- altar, found in situ on the southeast side of the Alta Semita ted in marble, this altar lacks sculptural decoration. Only its (an important northern thoroughfare) adjacent to the church inscription identifies it as an Ara Incendii Neroniani, an altar of San Andrea al Quirinale, was not unknown to scholars.2 erected in fulfillment of a vow made after the great fire of The site was discovered, but not excavated, in 1644 when Nero (A.D. 64).7 Pope Urban VIII (Maffeo Barberini) and Gianlorenzo Bernini Archaeological evidence attests to two other altars, laid the foundations of San Andrea al Quirinale; at that time, bearing identical inscriptions, excavated in the sixteenth the inscription was removed to the Vatican, and then the and seventeenth centuries; the Ara Incendii Neroniani found altar was essentially forgotten.3 Lanciani’s notes from May on the Quirinal was the last of the three to be discovered.8 22, 1889, describe a fairly intact structure—a travertine block Little is known of the two other altars; one, presumably altar with remnants of a marble base molding on two sides.4 found on the Vatican plain, was reportedly used as building Although the altar’s inscription was not in situ, Lanciani refers material for the basilica of St. -
General Index
GENERAL INDEX A.GILIM, and n. Aesopic tradition, , and abstractions, n. nn. –, Acarnania, Aetna, , Acastus, Aetna, n. Accius, and n. Agamemnon, n. , , , accusative, , n. , –, , –, , – Agdistis, Achelous, Agenor, Achilles, , , , , , , , ages, myth of, see races, myth of –, , , , , Agias of Troezen, , Acontius, , n. , , agriculture, , , , , , – and n. , , , , , –, Actaeon, n. , , , , n. , –, ; Actor, agriculture section in Works and Acusilaus of Argos, and n. , Days, , , –, and n. Agrius, Adad, aidos, n. , ; personified, , adamant, adjective(s), , , Aietes, Admonitions of Ipuwar,andn. Aigipan, Adodos, ainos, , –, Adrasteia, Aither, and n. Adriatic (sea), Aithon, , n. Aegean (sea), , , aitiology, , , nn. –, Aegimius, – and n. , , , and Aegle, , n. , , , , Aelian Ajax son of Oileus, Historical miscellany, , Ajax son of Telamon, , , – and n. Aeolic dialect, , –, , Akkadian, n. , n. , , , , –; East Al Mina, , or Asiatic Aeolic, –, Alalu, , n. , , Alcaeus, , , n. Aeolids, , , Alcidamas, , , , , , Aeolis, Eastern, , , –, , n. Aeolism, , , , Alcinous, , n. , n. , Aeolus, –, , , , Aeschines, Alcmaeonidae, Aeschylus, , , , and Alcmaeonis, n. , Alcman, n. , and n. , Prometheus Bound, n. , and n. n. Alcmaon, – general index Alcmene, –, –, Antoninus Liberalis, , , n. , , , Anu, –, , –, –, aoidos see singer Alcyone, , , , aorist, , –, Alexander Aetolus, , n. apate, ; personified, Alexander the Great, n. , Aphrodite, , , n. , and n. , n. , and n. , -
Greek Characters
Amphitrite - Wife to Poseidon and a water nymph. Poseidon - God of the sea and son to Cronos and Rhea. The Trident is his symbol. Arachne - Lost a weaving contest to Athene and was turned into a spider. Father was a dyer of wool. Athene - Goddess of wisdom. Daughter of Zeus who came out of Zeus’s head. Eros - Son of Aphrodite who’s Roman name is Cupid; Shoots arrows to make people fall in love. Demeter - Goddess of the harvest and fertility. Daughter of Cronos and Rhea. Hades - Ruler of the underworld, Tartaros. Son of Cronos and Rhea. Brother to Zeus and Poseidon. Hermes - God of commerce, patron of liars, thieves, gamblers, and travelers. The messenger god. Persephone - Daughter of Demeter. Painted the flowers of the field and was taken to the underworld by Hades. Daedalus - Greece’s greatest inventor and architect. Built the Labyrinth to house the Minotaur. Created wings to fly off the island of Crete. Icarus - Flew too high to the sun after being warned and died in the sea which was named after him. Son of Daedalus. Oranos - Titan of the Sky. Son of Gaia and father to Cronos. Aphrodite - Born from the foam of Oceanus and the blood of Oranos. She’s the goddess of Love and beauty. Prometheus - Known as mankind’s first friend. Was tied to a Mountain and liver eaten forever. Son of Oranos and Gaia. Gave fire and taught men how to hunt. Apollo - God of the sun and also medicine, gold, and music. Son of Zeus and Leto. Baucis - Old peasant woman entertained Zeus and Hermes. -
Aspects of the Demeter/Persephone Myth in Modern Fiction
Aspects of the Demeter/Persephone myth in modern fiction Janet Catherine Mary Kay Thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy (Ancient Cultures) at the University of Stellenbosch Supervisor: Dr Sjarlene Thom December 2006 I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Signature: ………………………… Date: ……………… 2 THE DEMETER/PERSEPHONE MYTH IN MODERN FICTION TABLE OF CONTENTS PAGE 1. Introduction: The Demeter/Persephone Myth in Modern Fiction 4 1.1 Theories for Interpreting the Myth 7 2. The Demeter/Persephone Myth 13 2.1 Synopsis of the Demeter/Persephone Myth 13 2.2 Commentary on the Demeter/Persephone Myth 16 2.3 Interpretations of the Demeter/Persephone Myth, Based on Various 27 Theories 3. A Fantasy Novel for Teenagers: Treasure at the Heart of the Tanglewood 38 by Meredith Ann Pierce 3.1 Brown Hannah – Winter 40 3.2 Green Hannah – Spring 54 3.3 Golden Hannah – Summer 60 3.4 Russet Hannah – Autumn 67 4. Two Modern Novels for Adults 72 4.1 The novel: Chocolat by Joanne Harris 73 4.2 The novel: House of Women by Lynn Freed 90 5. Conclusion 108 5.1 Comparative Analysis of Identified Motifs in the Myth 110 References 145 3 CHAPTER 1 INTRODUCTION The question that this thesis aims to examine is how the motifs of the myth of Demeter and Persephone have been perpetuated in three modern works of fiction, which are Treasure at the Heart of the Tanglewood by Meredith Ann Pierce, Chocolat by Joanne Harris and House of Women by Lynn Freed. -
IMPLEMENTATION of TRIDENT: a DISCOVERY-CLASS MISSION to TRITON. K. L. Mitchell1 , L. M. Prockter2, W. E. Frazier1, W. D. Smythe1, B
50th Lunar and Planetary Science Conference 2019 (LPI Contrib. No. 2132) 3200.pdf IMPLEMENTATION OF TRIDENT: A DISCOVERY-CLASS MISSION TO TRITON. K. L. Mitchell1 , L. M. Prockter2, W. E. Frazier1, W. D. Smythe1, B. M. Sutin1, D. A. Bearden1, and the Trident Team. 1Jet Propulsion Laboratory ([email protected]), Pasadena, CA 91109-8099, United States, 2Lunar and Planetary Insti- tute/USRA, Houston, TX, United States. Overview: Trident is an exciting mission concept to Why Now?: By launching during 2026, Trident investigate Neptune’s large moon Triton, an exotic can- takes advantage of a rare, efficient gravity-assist align- didate ocean world at 30 AU (Prockter et al., this meet- ment, to capitalize on a narrow – but closing – observa- ing). The concept is responsive to recommendations of tional window that enables assessment of changes in the recent NASA Roadmap to Ocean Worlds study Triton’s plume activity and surface characteristics since (Hendrix et al., 2019), and to the 2013 Planetary Deca- Voyager 2’s encounter one Neptune-Triton season ago. dal Survey’s habitability and workings themes (Squyres Conclusion: This mission design allows Trident to et al., 2011). A rare, low Δv trajectory (Fig. 1) enables accomplish a scientifically rich yet radically cost-effec- an MMRTG-powered spacecraft fitting under the Dis- tive investigation of an unusual icy world, dramatically covery cost cap. The spacecraft has a robust design and expanding the horizons of NASA’s Discovery Program. uses high heritage instruments (table 1) with minimal References: [1] Prockter L. M. et al. (2019) LPS L, development costs. -
ENGLISH HOME LANGUAGE GRADE 9 Reading a Myth: Persephone
ENGLISH HOME LANGUAGE GRADE 9 Reading a myth: Persephone MEMORANDUM 1. This myth explains the changing of the seasons. Which season is your favourite and why? Learners own response. Winter/Autumn/Spring/Summer✓ + reason.✓ 2. Myths are stories that explain natural occurrences and express beliefs about what is right and wrong. What natural occurrence does the bracketed paragraph explain? The paragraph relates to earthquakes and volcanos✓ that shake the earth’s core. It suggests that “fearful’ fire-breathing giants” presumably volcanos✓, heave and struggle to get free, which causes the earthquakes. ✓ 3. How do the Greeks explain how people fall in love? Eros (Cupid) the god of love✓, shoots people in the heart with a love-arrow✓ that makes them fall in love. 4. Who is Pluto? He is the “dark monarch” king of the underworld✓ otherwise known as hell. 5. A cause is an effect or action that produces a result. A result is called an effect. What effect does Eros’s arrow have on Pluto? Eros’s arrow fills Pluto’s heart with warm emotions. ✓He sees Persephone and immediately falls in love with her. ✓ 6. What is the result of Demeter’s anger at the land? The ground was no longer fertile. ✓ Nothing could grow anymore. Men and oxen worked to grow crops, but they could not. ✓ There was too much rain ✓ and too much sun✓, so the crops did not grow. The cattle died✓ due to starvation. All of mankind would die✓ of starvation. 7. How do the details that describe what happened to the earth explain natural occurrences? The paragraph suggests that drought✓ is caused by Demeter who is angry✓ with the land. -
2018: Aiaa-Space-Report
AIAA TEAM SPACE TRANSPORTATION DESIGN COMPETITION TEAM PERSEPHONE Submitted By: Chelsea Dalton Ashley Miller Ryan Decker Sahil Pathan Layne Droppers Joshua Prentice Zach Harmon Andrew Townsend Nicholas Malone Nicholas Wijaya Iowa State University Department of Aerospace Engineering May 10, 2018 TEAM PERSEPHONE Page I Iowa State University: Persephone Design Team Chelsea Dalton Ryan Decker Layne Droppers Zachary Harmon Trajectory & Propulsion Communications & Power Team Lead Thermal Systems AIAA ID #908154 AIAA ID #906791 AIAA ID #532184 AIAA ID #921129 Nicholas Malone Ashley Miller Sahil Pathan Joshua Prentice Orbit Design Science Science Science AIAA ID #921128 AIAA ID #922108 AIAA ID #761247 AIAA ID #922104 Andrew Townsend Nicholas Wijaya Structures & CAD Trajectory & Propulsion AIAA ID #820259 AIAA ID #644893 TEAM PERSEPHONE Page II Contents 1 Introduction & Problem Background2 1.1 Motivation & Background......................................2 1.2 Mission Definition..........................................3 2 Mission Overview 5 2.1 Trade Study Tools..........................................5 2.2 Mission Architecture.........................................6 2.3 Planetary Protection.........................................6 3 Science 8 3.1 Observations of Interest.......................................8 3.2 Goals.................................................9 3.3 Instrumentation............................................ 10 3.3.1 Visible and Infrared Imaging|Ralph............................ 11 3.3.2 Radio Science Subsystem................................. -
Persephone – Daughter & Goddess of the Underworld
Persephone – Daughter & Goddess of the Underworld These researches are based on Jean Bolen's book 'Goddesses in everywoman' I start this journey into the Feminine Archetypes with Persephone, the Maiden & Mother’s Daughter as she represents an image that most women have to deal with from very early childhood on and throughout life: to be a good girl and please others. Persephone’s positive qualities, such as being attentive, receptive, quiet, flexible, adaptable and innocent still determine the image in many cultures of how a “perfect woman´ should be. This pretty, yet incomplete image of a woman’s nature has caused immense suffering to numerous women who do not feel these attributes are natural to them. Persephone's image may also bring melancholic memories of the past days for women who repress their playfulness and girlish innocence in adulthood to avoid vulnerability and being manipulated by others, . Let’s have a closer look to this Goddess who has much more to offer than just innocence and passivity. Mythology Persephone is the only daughter of Zeus & Demeter. After years of a carefree childhood while gathering flowers and playing with her friends, she was kidnapped by Hades, God of the Underworld. Through the persistent efforts of her mother, she was released from the Underworld and came back to be joyfully reunited with her parents, where she continued to have a very close bond with her mother. However, she had eaten some Pomegranate seeds before being set free which tethered her to the Underworld. An important part of her soul stays deeply connected to the Underworld where she now becomes a guide for those who are looking for her.