NCJF JF2014.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cristian Bota 3Socf5x9eyz6
Cristian Bota https://www.facebook.com/index.php?lh=Ac- _3sOcf5X9eyz6 Das Imperium Talent Agency Berlin (D.I.T.A.) Georg Georgi Phone: +49 151 6195 7519 Email: [email protected] Website: www.dasimperium.com © b Information Acting age 25 - 35 years Nationality Romanian Year of birth 1992 (29 years) Languages English: fluent Height (cm) 180 Romanian: native-language Weight (in kg) 68 French: medium Eye color green Dialects Resita dialect: only when Hair color Brown required Hair length Medium English: only when required Stature athletic-muscular Accents Romanian: only when required Place of residence Bucharest Instruments Piano: professional Cities I could work in Europe, Asia, America Sport Acrobatics, Aerial yoga, Aerobics, Aikido, Alpine skiing, American football, Archery, Artistic cycling, Artistic gymnastics, Athletics, Backpacking, Badminton, Ballet, Baseball, Basketball, Beach volleyball, Biathlon, Billiards, BMX, Body building, Bodyboarding, Bouldering, Bowling, Boxing, Bujinkan, Bungee, Bycicle racing, Canoe/Kayak, Capoeira, Caster board, Cheerleading, Chinese martial arts, Climb, Cricket, Cross-country skiing, Crossbow shooting, CrossFit, Curling, Dancesport, Darts, Decathlon, Discus throw, Diving, Diving (apnea), Diving (bottle), Dressage, Eskrima/Kali, Fencing (sports), Fencing (stage), Figure skating, Finswimming, Fishing, Fistball, Fitness, Floor Exercise, Fly fishing, Free Climbing, Frisbee, Gliding, Golf, Gymnastics, Gymnastics, Hammer throw, Handball, Hang- Vita Cristian Bota by www.castupload.com — As of: 2021-05-10 -
New Romanian Cinema
NOVEMBer 29–DECEMBer 3, 2013 Romanian Film Initiative NEW ROMANIAN CINEMA EMA N I C MAKING WAVES: New Romanian Cinema is MAKING WAVES 2013 is made possible with the N IA N co-presented by the Film Society of Lincoln Center leading support of the Trust for Mutual Understand- and the Romanian Film Initiative, in partnership ing, Alexandre Almăjeanu and Gentica Foundation, OMA R with the Jacob Burns Film Center and Transilvania Adrian Porumboiu, HBO Romania, Adrian Giurgea, International Film Festival. Colgate University & Christian A. Johnson Founda- S: NEW Launched in 2006 at the initiative of Corina tion, Blue Heron Foundation, Mica Ertegun, Marie WAVE Șuteu, MAKING WAVES has become a fixture in France Ionesco, Lucian Pintilie, Dr. Daiana Voiculescu NG New York City’s cultural scene. The festival offers and Renzo Cianfanelli, and other generous sponsors I K every year the best selection of contemporary and donors, including visual artists Șerban Savu, Dan MA Romanian filmmaking, and introduces American Perjovschi, Adrian Ghenie, and Mircea Cantor. audiences to films and filmmakers who laid the Special support from ICON Production, Lark ground for the new Romanian cinema. Play Development Center, Șapte Seri, Dilema For the second consecutive year, MAKING veche, Radio Guerilla, and filmmaker Mona WAVES is now a fully independent festival of Nicoară, joined by more than 250 supporters. Romanian contemporary cinema and culture, made The “Creative Freedom through Cinema” spe- possible solely through the support of private funders cial program is presented in partnership with the and individual donations, including a large number of Romanian National Film Center, Czech Center New Romanian artists who believe that audiences at home York and the Slovak Film Institute. -
Hypothesis on Tararira, Benjamin Fondane's Lost Film
www.unatc.ro Academic Journal of National University of Theatre and Film “I.L. Caragiale” – Vol. 2, No. 1, 2018 UNATC PRESS UNATC The academic journal of the National University of Theatre and Film “I.L. Caragiale“ publishes original papers aimed to analyzing in-depth different aspects of cinema, film, television and new media, written in English. You can find information about the way to submit papers on cover no 3 and at the Internet address: www.unatc.ro Editor in chief: Dana Duma Deputy editor: Andrei Gorzo [email protected] [email protected] [email protected] Managing Editor: Anca Ioniţă [email protected] Copy Editor: Andrei Gorzo, Anca Ioniță Editorial Board: Laurenţiu Damian, Dana Duma, Andrei Gorzo, Ovidiu Georgescu, Marius Nedelcu, Radu Nicoară Advisory Board: Dominique Nasta (Université Libre de Bruxelles) Christina Stojanova (Regina University, Canada) Tereza Barta (York University, Toronto, Canada) UNATC PRESS ISSN: 2343 – 7286 ISSN-L: 2286 – 4466 Art Director: Alexandru Oriean Photo cover: Vlad Ivanov in Dogs by Bogdan Mirică Printing House: Net Print This issue is published with the support of The Romanian Filmmakers’ Union (UCIN) National University of Theatre and Film “I.L. Caragiale” Close Up: Film and Media Studies Vol. 2, No. 1, 2018 UNATC PRESS BUCUREȘTI CONTENTS Close Up: Film and Media Studies • Vol. 2, No. 1, 2018 Christina Stojanova Some Notes on the Phenomenology of Evil in New Romanian Cinema 7 Dana Duma Hypothesis on Tararira, Benjamin Fondane’s Lost Film 19 Andrei Gorzo Making Sense of the New Romanian Cinema: Three Perspectives 27 Ana Agopian For a New Novel. -
“Closer to the Moon”, the Big Winner of the Gopo Awards 2015
“Closer to the Moon”, the big winner of the Gopo Awards 2015 Tuesday, March 31, 2015 Gopo Awards Gala, organised on Monday 30 March at the National Theatre in Bucharest, was dominated by director Nae Caranfil's film, "Closer to the Moon", which left the ceremony with 9 prizes. The prize for film direction, received by Nae Caranfil personally, was awarded by the chief executive officer of Dacia, Nicolas Maure. Another remarkable film which won no less than 5 prizes was “Quod Erat Demonstrandum (QED)”, directed by Andrei Gruzsniczki. “I am honoured to be here and to see many personalities stepping down on the red carpet from Dacia cars. I said in an interview for Ziarul Financiar that Romania also needs other image vectors in addition to Dacia. Film is a very good ambassador of Romania abroad, particularly in Europe, and I encourage you to make many good films to get as many awards as possible”, said Nicolas Maure. The award winners of the evening included: Florin Piersic jr (best actor in the leading role), Ofelia Popii (best actress in a leading role), Virgil Ogăşanu (best actor in a supporting role), Alina Berzunţeanu (best actress in a supporting role), film director Alexander Nanău (the best documentary film “Toto and his sisters”), Radu Jude (best fiction short film). The organisers also awarded two prizes for the entire career to actresses Coca Bloos and Eugenia Bosânceanu. The event, presented by Paul Ipate and Diana Cavaliotti, was broadcast live on TVR2 and attracted many participants from the cinema, theatre, media, television and the business environment. -
Doru POP the “Trans National Turn”. New Urban Identities
The “Trans national Turn”. 9 New Urban Identities and theI. TransformationCreating of thethe Romanian Space Contemporary Cinema Doru POP The “Trans national Turn”. New Urban Identities and the Transformation of the Romanian Contemporary Cinema Abstract The pressure of globalization and the transformations of the international film markets are rapidly changing the recent Romanian cinema. In a period spanning from 2010 to 2014, the paper describes same of the most important transformations, visible early on in productions like Marţi după Crăciun (Tuesday after Christmas) and even more importantly in a film like Poziţia copilului (Child’s Pose). The process, called by the author “the transnational turn” of the Romanian film, is characterized by the fact that urban spaces become more and more neutral and generic and the stories are increasingly de-contextualized. Designed for international markets, these films are changing both the set- ting and the mise-en-scène, creating a non specific space which is more likely to be accepted by cinema goers around the world. The second argument is the present generation Romanian cinema makers are moving even further, they are choosing to abandon the national cinema. As Elisabeth Ezra and Terry Rowden noted in their introduction to the classical reader on “transnational cinema”, another major aspect is that the recent films are increasingly indicating a certain “Hollywoodization” of their storytelling, and, implicitly, of the respective urban contexts of their narratives. This impact goes beyond genrefication, and, as is the case with productions like Love building (2013), which are using both cosmopolitan behaviors and non-specific urban activities, are manifestations of deep transformations in the Romanian cinema. -
NETFLIX – CATALOGO USA 20 Dicembre 2015 1. 009-1: the End Of
NETFLIX – CATALOGO USA 20 dicembre 2015 1. 009-1: The End of the Beginning (2013) , 85 imdb 2. 1,000 Times Good Night (2013) , 117 imdb 3. 1000 to 1: The Cory Weissman Story (2014) , 98 imdbAvailable in HD on your TV 4. 1001 Grams (2014) , 90 imdb 5. 100 Bloody Acres (2012) , 1hr 30m imdbAvailable in HD on your TV 6. 10.0 Earthquake (2014) , 87 imdb 7. 100 Ghost Street: Richard Speck (2012) , 1hr 23m imdbAvailable in HD on your TV 8. 100, The - Season 1 (2014) 4.3, 1 Season imdbClosed Captions: [ Available in HD on your TV 9. 100, The - Season 2 (2014) , 41 imdbAvailable in HD on your TV 10. 101 Dalmatians (1996) 3.6, 1hr 42m imdbClosed Captions: [ 11. 10 Questions for the Dalai Lama (2006) 3.9, 1hr 27m imdbClosed Captions: [ 12. 10 Rules for Sleeping Around (2013) , 1hr 34m imdbAvailable in HD on your TV 13. 11 Blocks (2015) , 78 imdb 14. 12/12/12 (2012) 2.4, 1hr 25m imdbClosed Captions: [ Available in HD on your TV 15. 12 Dates of Christmas (2011) 3.8, 1hr 26m imdbClosed Captions: [ Available in HD on your TV 16. 12 Horas 2 Minutos (2012) , 70 imdb 17. 12 Segundos (2013) , 85 imdb 18. 13 Assassins (2010) , 2hr 5m imdbAvailable in HD on your TV 19. 13 Going on 30 (2004) 3.5, 1hr 37m imdbClosed Captions: [ Available in HD on your TV 20. 13 Sins (2014) 3.6, 1hr 32m imdbClosed Captions: [ Available in HD on your TV 21. 14 Blades (2010) , 113 imdbAvailable in HD on your TV 22. -
Director Nae Caranfil Will Receive the Excellence Award
Director Nae Caranfil will receive the Excellence Award Nae Caranfil, one of the most beloved Romanian directors and a dear guest of the Transilvania International Film Festival, will be awarded the Excellence Award at the 20th edition. The director has been part of the Transilvania IFF history since its first edition, and his latest film, 6.9 on the Richter scale, opened the festival in 2016. In his honor, his first feature film E pericoloso sporgersi will be screened in a newly restored 4K copy. Widely known by the Romanian audiences for his comedies, Nae Caranfil (b. 1960) explored different genres, from drama and romance to musical comedy. He made his debut with E pericoloso sporgersi/ Sundays on Leave (1993), a lively comedy about the mundane and moody lives of three characters whose paths cross: a high school girl, an actor and a soldier. It was followed by Asphalt Tango (1996) starring Charlotte Rampling and Dolce far niente (1998), with Giancarlo Giannini, François Cluzet and Marguerita Buy. His movie Filantropica (2002) was a huge box office hit in Romania, and The Rest is Silence (2008) won numerous awards and was Romania’s submission to the Oscars. His next film, inspired by real heist that took place during the communist regime, Closer to the Moon (2013) gathered an impressive cast lead by Vera Farmiga, Mark Strong and Harry Lloyd. For his latest film, the musical comedy 6,9 on the Richter scale, Nae Caranfil also composed the music. Transilvania IFF will celebrate 20 years of existence between July 23 and August 1, 2021, in Cluj-Napoca. -
German Newsreel Propaganda in France, 1940–1944
Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: https://www.tandfonline.com/loi/chjf20 German newsreel propaganda in France, 1940–1944 Brett Bowles To cite this article: Brett Bowles (2004) German newsreel propaganda in France, 1940–1944, Historical Journal of Film, Radio and Television, 24:1, 45-67, DOI: 10.1080/0143968032000184498 To link to this article: https://doi.org/10.1080/0143968032000184498 Published online: 22 Jan 2007. Submit your article to this journal Article views: 475 View related articles Citing articles: 3 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=chjf20 Historical Journal of Film, Radio and Television Vol. 24, No. 1, 2004 German Newsreel Propaganda in France, 1940–1944 BBowles BRETT BOWLES, Iowa State University Excerpts from newsreels released in France during the Second World War are generally familiar to scholars thanks to their widespread use in retrospective documentaries such as Marcel Ophuls’s The Sorrow and the Pity (1969) and Claude Chabrol’s The Eye of Vichy (1993). Though historians have often used newsreels to illustrate key aspects of German policy and French collaboration, until recently these films have not received widespread attention as an object of study in their own right [1]. Following the trail blazed by Marc Ferro and Jean-Pierre Bertin-Maghit [2], a new generation of scholars is now rediscovering newsreels and documentaries as long-standing archival restrictions are lifted and fragile nitrate films are catalogued and preserved [3]. Wartime newsreels are complex cultural products encompassing political, social, and economic dimensions. -
Hollywood and France, 1914-1945 Louise G
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2011 Vive la Différence: Hollywood and France, 1914-1945 Louise G. Hilton Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Hilton, Louise G., "Vive la Différence: Hollywood and France, 1914-1945" (2011). LSU Master's Theses. 1206. https://digitalcommons.lsu.edu/gradschool_theses/1206 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. VIVE LA DIFFÉRENCE: HOLLYWOOD AND FRANCE, 1914-1945 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by Louise G. Hilton B. A., Louisiana State University, 2004 May 2011 ACKNOWLEDGEMENTS I wish, first of all, to thank my thesis advisor, Dr. Charles Shindo, for his counsel and infinite patience during the time I spent working on this project. Dr. Karl Roider also deserves heartfelt thanks for his unflagging support throughout my studies at LSU and for his agreeing to be a member of my thesis committee. I extend my appreciation to Dr. William Clark for giving of his valuable time to be a part of my committee. -
Filmmakers in the Digital Era by Dana Duma Reviewed by Titus Vîjeu 79
www.unatc.ro Academic Journal of National University of Theatre and Film “I. L. Caragiale” – Vol. 4, No. 2, 2020 UNATC PRESS UNATC The academic journal of the National University of Theatre and Film “I.L. Caragiale” publishes original papers aimed to analysing in-depth different aspects of cinema, film, television and new media, written in English. You can find information about the way to submit papers on the third cover and at the Internet address: www.unatc.ro Editors: Dana Duma Anca Ioniţă [email protected] [email protected] Co-editor: Andrei Gorzo Copy Editors: Anca Ioniță, Marian Sorin Rădulescu [email protected] Editorial Board: Laurenţiu Damian, Dana Duma, Andrei Gorzo, Lucian Georgescu, Doru Niţescu, Alex Sterian, Marius Nedelcu Advisory Board: Dominique Nasta (Université Libre de Bruxelles) György Baron (National University of Theatre and Film, Budapest) Tereza Barta (York University, Toronto, Canada) Wang Yao (Beijing Film Academy) UNATC PRESS ISSN: 2286 – 4466 ISSN-L: 2286 – 4466 Art Director: Alexandru Oriean Photo cover: Still from Infinite Football by Corneliu Porumboiu Printing House: Net Print This issue is published with the support of The Romanian Filmmakers’ Union (UCIN) National University of Theatre and Film “I.L. Caragiale” Close Up: Film and Media Studies Vol. 4, No. 2, 2020 UNATC PRESS BUCUREȘTI CONTENTS Close Up: Film and Media Studies • Vol. 4, No. 2, 2020 Lucian Țion Sports, Politics, and the Treatment of the Past in Porumboiu’s Documentaries The Second Game and Infinite Football 7 Dana Duma The Animated Documentary as Narrative on Traumas 21 Călin Boto On people and waters and canons 29 Mihaela Grancea, Mihai Fulger Four Romanian Nonfiction Contributions to the Filmography of the Holocaust 33 Marian Ţuţui Romanian Jews and their International Recognition in the Cinema World 43 Andrei-Iulian Iancu How long does a film “live”? 57 BOOK REVIEWS The Mass Ornament: Weimar Essays by Siegfried Kracauer; Translated, Edited, and with an Introduction by Thomas Y. -
Journal of Film Preservationfilm of Journal
Journal of Film Preservation Contributors to this issue... Ont collaboré à ce numéro... Journal Han participado en este número... 69 05/ 2005 of Film MAGDALENA ACOSTA CHRISTINE HAKIM Director General of the Cineteca nacional (México) Indonesian Film Producer, Director and Actress (Jakarta) ANTTI ALANEN Preservation Head of Programming at the Finnish Film Archive NATACHA LAURENT (Helsinki) Déléguée Générale de la Cinémathèque de Toulouse (Toulouse) BRIGITTE BERG Président of Les Documents cinématographiques ERIC LE ROY (Paris) Chef du Service accès, valorisation et enrichissement des collections, Centre national de H. MISBACH YUSA BIRAN la cinématographie (Bois d’Arcy) Director of the Sinematek Indonesia (Jakarta) VITTORIO MARTINELLI CATHERINE BLOCH Historien et chercheur de cinéma (Rieti, Italia) Deputy Director of Research of the Cineteca de Revista la Internacional Federación de Fílmicos Archivos nacional (México) DONALD MCWILLIAMS Writer, filmmaker (The Fifth Province, 2002) and THOMAS C. CHRISTENSEN teacher (Montréal) Curator at the Cinematheque of the Danish Film Institute (København) MARIO MUSUMECI Preservation Officer at the Cineteca Nazionale – ROBERT DAUDELIN Fondazione Centro Sperimentale di Cinematografia Membre honoraire de la FIAF (Montréal) (Roma) Published by the International Federation of Film Archives MARCO DE BLOIS VLADO SKAFAR Conservateur du cinéma d’animation, Film director and critic (Ljubljana) Cinémathèque québécoise (Montréal) IVÁN TRUJILLO ALFONSO DEL AMO Director general de Actividades cinematográficas Jefe de la Comisión técnica de la FIAF,Titular de de la Filmoteca de la UNAM (México) restauraciones y servicios técnicos de la Filmoteca de Revue la Fédération Internationale des du Archives Film Española (Madrid) FUMIKO TSUNEISHI Assistant Curator at the National Film Center, The DOMINIQUE DUGAS National Museum of Modern Art (Tokyo) 69 • FIAF 05/2005 Conservateur de la télévision, Cinémathèque québécoise (Montréal) May / mai mayo 2005 69 Open Forum 2 Brief History of the Indonesian Film H. -
Romanianfilms
ROMANIAN FILMS 2012–2013 12 13ROMANIAN FILM PROMOTION ROMANIAN FILMS 2012 | 3 2013 | 31 IN DEVELOPMENT / ProdUCTion / PoST-ProdUCTion 2013 | 75 Romanian FILMS indEx | 101 2012 20 12 ROMANIAN FILMS INDEX 8 OF MARCH * 8 MARTIE „8th of March” is set to offer an image of „International Women’s Day”, that is celebrated every March in Romania and in the former socialist countries. During the celebration, all women receive special attention this day and the children are happy to show them how much they love and respect them. 2012, 73 min Contacts: Libra Film RELEASE DATE: 2012 52 Popa Soare Street et 2, ap 4, 2nd district PRODUCTION COMPANY: LIBRA FILM, SUPPORTED BY Bucharest, Romania THE MEDIA PROGRAMME OF THE EUROPEAN UNION Tel/Fax: +40 213 26 6480/0268 [email protected] Directed by: Alexandru Belc Screenplay: Alexandru Belc & Tudor Giurgiu Cinematography: Alexandru Belc Editing: Ioachim Stroe Producer: Tudor Giurgiu (*Documentary) 4 20 12 ROMANIAN FILMS INDEX ADALBERT’S DREAM VISUL LUI ADALBERT “Adalbert’s Dream” is a black comedy based on a real story that happened in a Romanian communist factory in the 80s. A work accident is reenacted, but it all turns into a new accident: the worker playing the role of the victim ends up with his hand cut off as well. 2011, 101 min Contacts: Green Film NATIONAL RELEASE DATE: MAy 4, 2012 11 Plantelor St, Apt 1 District 2 Bucharest PRODUCTION COMPANY: GREEN FILM AND 4 PROOF Tel:+ 400317123305 FILM, WITH THE SUPPORT OF THE ROMANIAN CNC, Fax:+400317123304 [email protected] THE ROMANIAN LOTTERY AND UNICREDit