July 5, 2019 | Volume XVII, Issue 5

Total Page:16

File Type:pdf, Size:1020Kb

July 5, 2019 | Volume XVII, Issue 5 July 5, 2019 | Volume XVII, Issue 5 A Place to Grow in Southwest decompress. Commu- nity coffeehouse hours are Thursday, 7:30 to the Hollins Celebrating a 10 pm; Friday, 9 am to Baltimore Market area noon; and Saturday 9 am BY RODNEY BURGER neighbor- neighborhood to noon. On Sunday, June 23rd during a reception hood, but is hangout that serves Clay Pots is a non- to show appreciation for a diverse group of welcoming to profit 501c3 and will be volunteers, center director Dwayne Hess anyone re- a cross-section of hosting its “White Napkin was kind enough to offer this writer a per- gardless of Affair” fundraiser on Sat- sonal guided tour of Clay Pots, a communi- age, income, Baltimore urday, September 28th ty center located at 1635 West Pratt Street or residence. from 6 to 10 pm. To learn in southwest Baltimore. Clay Pots offers GED classes, ESOL class- more about Clay Pots vis- Founded in 2002, Clay Pots fills what es (English for speakers of other languag- it Claypotsbaltimore.org, was once an old corner store and a neigh- es), wellness workshops, job coaching and find them on Facebook, boring rowhouse. There is a large gather- support, and recovery support groups. It’s or call 410-233-1133. With ing space, kitchen, classrooms, computer also just a nice place to relax. all that’s going on in the lab, and even an art gallery. The third floor, Three days a week Clay Pots becomes world today, everyone can which has not yet been rehabbed, will pro- a community coffeehouse, with free cof- benefit from a safe place vide even additional classroom and meet- fee, tea, free wi-fi, and a chance to meet to grow. Clay Pots is that ing space. Although it is a wonderful old people, read, use the computers, or just place. t Clay Pots in the hood building, the real magic of Clay Pots is in – Southwest Baltimore the energy and spirt of the organization’s many volunteers, who represent a real cross-section of Baltimore in age, race, BY FRANKIE KUJAWA Steve Preston and sexual orientation. Coretta Scott King once said, “The great- Clay Pots is a safe space that provides Miracle on ness of a community is most accurately a place to grow not just for residents of measured by the compassionate actions and Marvin ‘Doc’ of its members.” For Parks & Cheatham, Sr.’s McKean People’s Ste- ven Preston ean” – the Easterwood / Sandtown park live there, but I feel that every community I and communi- and playground and their enduring friend- touch becomes part of my community. We ty leader Mar- ship that has grown from the project. all have the same passion in moving green vin L. “Doc” For Steve Preston, parks construction spaces forward in all of our communities.” Cheatham, Sr., and design manager for the Parks & Peo- Born and raised in Harford County, compassion for ple Foundation, the word Preston’s back- the commu- “community” isn’t isolat- Made-in-Baltimore ground as a nity is rooted ed to a single group. “For licensed land- in their DNA. me, it’s a group of folks collaboration gives tough hood scape architect Preston and who have likeminded a place to play and picnic grew from his Making a park Cheatham re- views, goals, and heart. passion for the come true in cently chatted They have the passion outdoors, con- Easterwood with Baltimore and drive to move something forward.” necting people and improving physical en- / Sandtown – OUTloud re- Preston, who lives in the Patterson Park vironments and aesthetics through design. Steven Preston and community garding their community, doesn’t feel that where you live “This year marks ten years since I moved leader Marvin collaboration solely should determine which community to Baltimore. I was drawn to Baltimore L. ‘Doc’ on the “Mira- you should feel part of. “People say that since I grew up in the county and saw Bal- Cheatham, Sr. cle on McK- Patterson Park is my community because I —continued on page 24 Co-Publishers Jim Becker • Jim Williams [email protected] Executive Editor Jim Becker [email protected] [email protected] Associate Editor & Director of Marketing & Production Mary Taylor [email protected] Arts and Entertainment Editor Frankie Kujawa [email protected] Leather Editor Rodney Burger [email protected] Contributing Writers for Baltimore OUTloud Andre Shakti • Bill Redmond-Palmer Brynn Devereau • Charles Dudley, MPT Chuck Duncan • David Egan David Placher • Dr. Eva Hersh MD Elyse Buchbinder • Frankie Kujawa Gregg Shapiro • Jabari Lyles Janan Broadbent, Ph. D. • Jeffrey Clagett Josh Buchbinder • Lauren Lynch • Lee Carpenter Linda A. Dominguez, Esq. • Mark S. King Mark Segal • Michael Ritmiller Rabbi Jan Dodi • Richard Finger • Rodney Burger Sage Piper • Steve Charing • Woody Derrick Contributing Writers for OUT in the VALLEY Asher Kennedy • Brian George Hose Rev. Kelly Crenshaw • Rev. Robert Apgar-Taylor Zed Sykes Graphics Ramon Montiel Web Editor Adam Romanik Computer Solutions for Less Photographers Corey Brent Eric Randolph National Advertising Rep Rivendell Media 908-232-2021 Founders Jim Becker • Joe Berg • Mike Chase Lee Mooney (1959-2007) • Jim Williams Baltimore OUTloud PO Box 4887 Baltimore, MD 21211 410-802-1310 Baltimoreoutloud.com Additional Information Baltimore OUTloud is published every other Friday by Pride Media, Ltd. in Baltimore, Maryland. Readers comments and unsolicited materials are welcomed and may be sent to: [email protected]. All materials appearing in this newspaper are the property of Pride Media, Ltd. and may not be reproduced without the written permission of the editor. The opinions expressed in Baltimore OUTloud are solely those of the writers unless otherwise indicated and do not necessarily reflect the views of Pride Media, Ltd., and the staff. © 2019 – All rights reserved Chair of the Board of Trustees – Jim Becker President – Jim Williams Secretary and Treasurer – Mike Chase 2 t BALTIMORE OUTLOUD july 5, 2019 • BALTIMOREOUTLOUD.COM NEWS // local (left to right) Andree Powell, Jeffrey Clagett, Stonewall Jim Becker, and Joe Gutleber 50th in NYC prepare to march in the Stonewall 50th Anniversary World Pride Parade Baltimore Gay Alliance veterans make a showing at Worldpride in New York City on June 30th U of Maryland Grad Alphonso David Named as HRC President Washington, DC – On June 25th, the enacting policies and regulations to support Human Rights Campaign (HRC), announced people living with HIV and drive new diagno- that Alphonso David, an accomplished and ses to an all-time low statewide. Prior to his nationally-recognized LGBTQ civil rights work for New York State, David served as a lawyer and advocate, will lead the organiza- staff attorney at Lambda Legal Defense and tion beginning in August. David will be the Education Fund. first civil rights lawyer and the first person In a new HRC video released today, Da- of color to serve as president of the HRC in vid shares how his life story and career as the organization’s a civil rights attorney prepared him to lead nearly 40-year his- the HRC forward and said, “I believe that to- tory. gether, we can harness the strength that’s David most inherent in our differences, to stand together recently made in the face of fear and division. And that’s history as the first exactly what the Human Rights Campaign openly gay coun- was built for. If we want to win full equality, sel to the governor that’s going to require us to come together, New HRC head of the state of New to dig deep, to be resilient, to embrace our Alphonso David York and, before differences, to tenaciously defend the most that, served as the vulnerable among us, to fight with every first Deputy Secretary and Counsel for Civil ounce of determination we have. I promise Rights in New York. In these roles, he played you this: I will fight for each and every one an integral role in securing marriage equali- of us. All I ask is that you join me, that you ty in New York in 2011, banning the abusive join the Human Rights Campaign in our fight practice of so-called ‘conversion therapy’ on for true equality. In unity, we will fight back minors, establishing nondiscrimination pro- and we will win.” David is a graduate of the tections for transgender New Yorkers, ex- University of Maryland and Temple Univer- panding Medicaid coverage to cover transi- sity School of Law. t (SEATTLE GAY NEWS – tion-related care, making it easier to amend Human Rights Campaign Press Release at gender markers on birth certificates, and Sgn.org/sgnnews47_26/page9.cfm) BALTIMORE OUTLOUD july 5, 2019 • BALTIMOREOUTLOUD.COM t 3 Select Chase Brexton Health Care patients deemed most in need may be eligible for digital breast cancer screenings through a mobile mammography van to be located at the Chase Brexton Mount Vernon Center on September 28th. The screenings are provided in partnership with Lackawan- na Mobile X-Ray and the Susan G. Komen Foundation. Breast can- cer is the second most common cancer in women, and mammograms are capable of finding it up to three years before it can be felt. The Center for Disease Control recommends mammograms every two years for women age 50 and older who are at average risk for breast cancer. The staff of Chase Brexton encour- ages their patients to remember that ear- ly detection saves lives! Any patient who feels they may quality should contact their Chase Brexton provider or call 410-837- 2050 for more info. t NEWS // local La Garou Hosts know how. Please limit your projects to dry, non-messy kinds, as the meet-up is in a ‘Love Has public restaurant.
Recommended publications
  • With LOWELL's Real Cre a 'Blueberrybb Naatural And•N T Flavored ISSUES I I I I , I I · , I I· W*E N Ee*
    I I with LOWELL'S real cre a 'BlueberryBB NaAtural and•n t Flavored ISSUES I I I I , I I · , I I· _ W*e n ee* By Norman Solomon * This daily satellite-TV feed has a captive audi- * While they're about 25 percent of the U.S. pop- To celebrate the arrival of summer, here's an all- ence of more than 8 million kids in classrooms. ulation, a 1997 survey by the American Society of new episode of "Media Jeopardy!" While it's touted as "a tool to educate and engage Newspaper Editors found that they comprise You probably remember the rules: First, listen young adults in world happenings," the broad- only 11.35 percent of the journalists in the news- carefully to the answer. Then, try to come up with cast service sells commercials that go for nearly rooms of this country's daily papers. the correct question. $200,000 per half-minute -- pitched to advertisers What are racial minorities? as a way of gaining access to "the hardest to reach The first category is "Broadcast News." teen viewers." We're moving into Media Double Jeopardy with What is Channel One? our next category, "Fear and Favor." * On ABC, CBS and NBC, the amount of TV net- work time devoted to this coverage has fallen to * During the 1995-96 election cycle, these corpo- * While this California newspaper was co-spon- half of what it was during the late 1980s. rate parents of major networks gave a total of $3.2 soring a local amateur sporting event with Nike What is internationalnews? million in "soft money" to the national last spring, top editors at the paper killed a staff Democratic and Republican parties.
    [Show full text]
  • Dissertation
    DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….………….
    [Show full text]
  • A Mechanism of American Museum-Building Philanthropy
    A MECHANISM OF AMERICAN MUSEUM-BUILDING PHILANTHROPY, 1925-1970 Brittany L. Miller Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Departments of History and Philanthropic Studies, Indiana University August 2010 Accepted by the Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. ____________________________________ Elizabeth Brand Monroe, Ph.D., J.D., Chair ____________________________________ Dwight F. Burlingame, Ph.D. Master’s Thesis Committee ____________________________________ Philip V. Scarpino, Ph.D. ii ACKNOWLEDGEMENTS In the same way that the philanthropists discussed in my paper depended upon a community of experienced agents to help them create their museums, I would not have been able to produce this work without the assistance of many individuals and institutions. First, I would like to express my thanks to my thesis committee: Dr. Elizabeth Monroe (chair), Dr. Dwight Burlingame, and Dr. Philip Scarpino. After writing and editing for months, I no longer have the necessary words to describe my appreciation for their support and flexibility, which has been vital to the success of this project. To Historic Deerfield, Inc. of Deerfield, Massachusetts, and its Summer Fellowship Program in Early American History and Material Culture, under the direction of Joshua Lane. My Summer Fellowship during 2007 encapsulated many of my early encounters with the institutional histories and sources necessary to produce this thesis. I am grateful to the staff of Historic Deerfield and the thirty other museums included during the fellowship trips for their willingness to discuss their institutional histories and philanthropic challenges.
    [Show full text]
  • Ballard's Story of O: ‘The Voices of Time’ and the Quest for (Non)Identity
    Ballard's Story of O: ‘The Voices of Time’ and the Quest for (Non)Identity Item Type Book Chapter Authors Wymer, Rowland Publisher Palgrave Macmillan Download date 04/10/2021 07:04:47 Link to Item http://hdl.handle.net/2384/295021 Pre-print copy. For the final version, see: Wymer, R. , 2012. ‘Ballard’s Story of O: “The Voices of Time” and the Quest for (Non)Identity’. In Jeannette Baxter and Rowland Wymer, eds. 2012. J. G. Ballard: Visions and Revisions. Basingstoke: Palgrave Macmillan, ch. 1, pp. 19-34. Chapter One Ballard’s Story of O: ‘The Voices of Time’ and the Quest for (Non)Identity Rowland Wymer ‘The Voices of Time’ (1960) is the finest of Ballard’s early stories, an enigmatic but indisputable masterpiece which marks the first appearance of a number of favourite Ballard images (a drained swimming-pool, a mandala, a collection of ‘terminal documents’) and prefigures the ‘disaster’ novels in its depiction of a compulsively driven male protagonist searching for identity (or oblivion) within a disturbingly changed environment. Its importance to Ballard himself was confirmed by its appearance in the title of his first collection of short fiction, The Voices of Time and Other Stories (1962), and by his later remark that it was the story by which he would most like to be remembered.1 It was first published in the October 1960 issue of the science fiction magazine New Worlds alongside more conventional SF stories by James White, Colin Kapp, E. C. Tubb, and W. T. Webb. This was three-and-a-half years before Michael Moorcock took over the editorship of the magazine and inaugurated the ‘New Wave’ by aggressively promoting self- consciously experimental forms of speculative fiction.
    [Show full text]
  • Sfi Welcomes the Livingston/Planthold Team!
    SFI WELCOMES THE LIVINGSTON/PLANTHOLD TEAM! STARFLEET congratulates Mandi Livingston and her team for winning the 2004 Election for Commander, STARFLEET, and gives a warm welcome to our new Executive Committee and 126 staff members! DEC 2004/ Left: Sunnie Planthold, our new Vice JAN 2005 Commander, and our new Chief of Operations, Commodore Jack “Towaway” Eaton, at Vulkon in Orlando, Florida - where they receive the good news via cell phone! (In this photo, she knows, but he doesn’t - yet!) Photo submitted by Ralph Planthold Additional Vulkon photos on p. 28 TWO SETS OF NEWLYWEDS: JOAN & RICARDO BRUCKMAN... Last issue, we had one beautiful STARFLEET wedding... and this time, we have TWO to celebrate! Right: The happy couple, Joan and Ricardo Bruckman of the USS Hathor , pause for a group photo with too many STARFLEET members to name here (including members of the CQ team)! Photo submitted by Wade Olsen ...AND WENDY & JON LANE! Left: On September 5, Jon Lane and Wendy Stanford became married on a large green lawn situated along the edge of the beautiful and scenic bay at the Newport Dunes Resort. The audience included friends from the USS Angeles and STARFLEET members from both coasts. Photo submitted by Gary Sandridge Additional wedding photos on back cover USPS 017-671 112626 112626 STARFLEET Communiqué Jimmy Doohan’s Last Convention............3 Volume I, No. 126 Hollywood Entertainment Museum.........5 Inspired To Make A Difference..................6 Published by: Colorado SFI Member Goes Bald............6 STARFLEET, The International “Trekkies 2” Review.................................6 Star Trek Fan Association, Inc. Tuvok Does Astronomy............................7 3212 Mark Circle Jon Lane Gets Married............................7 Independence, MO 64055 From The Center Seat............................8 George “Sulu” Takei and USS Angeles CO Janice Willcocks.
    [Show full text]
  • From Vintage Collectors and Mixology Fans to Surf, Rockabilly and Punk Music Scenesters, the Escapist Vibes of the Tiki Scene Still Have a Strong Hold on Los Angeles
    THE BEST TIKI DRINKS REVISITING GORDON PARKS’ CONTROVERSIAL PHOTO ESSAY TV’S FUTURE IS FEMALE ® AUGUST 2-8, 2019 / VOL. 41 / NO.37 / LAWEEKLY.COM From vintage collectors and mixology fans to surf, rockabilly and punk music scenesters, the escapist vibes of the tiki scene still have a strong hold on Los Angeles. And at Tiki Oasis in San Diego, everyone comes out to play. BY LINA LECARO 2 WEEKLY WEEKLY LA | A - , | | A WWW.LAWEEKLY.COM Welcome to the New Normal Experience life in the New Normal today. Present this page at any MedMen store to redeem this special offer. 10% off your purchase CA CA License A10-17-0000068-TEMP For one-time use only, redeemable until 06/30/19. Limit 1 per customer. Cannot be combined with any other offers. PAID ADVERTISEMENT 3 LA WEEKLY WEEKLY | A - , | | A THANK YOU, SENATOR DURAZO, FOR PUTTING PEOPLE BEFORE DRUG COMPANY PROFITS. WWW.LAWEEKLY.COM AARP thanks the members of the Senate Judiciary Committee for standing up for Californians and passing AB 824. This legislation would prohibit brand-name drug companies from paying generic manufacturers to delay the release of lower priced drugs. AARP strongly supports this important fi rst step towards ending the anti-competitive practices of big drug companies and lowering prescription drug prices for everyone. Too many people are struggling to make ends meet while the big drug companies continue to rake in billions. AARP encourages the entire Senate to pass AB 824, and put a stop to drug company price gouging. facebook.com/AARPCalifornia @AARPCA AARP.org/CA Paid For by AARP 4 L August 2-8, 2019 // Vol.
    [Show full text]
  • Nasa and the Search for Technosignatures
    NASA AND THE SEARCH FOR TECHNOSIGNATURES A Report from the NASA Technosignatures Workshop NOVEMBER 28, 2018 NASA TECHNOSIGNATURES WORKSHOP REPORT CONTENTS 1 INTRODUCTION .................................................................................................................................................................... 1 What are Technosignatures? .................................................................................................................................... 2 What Are Good Technosignatures to Look For? ....................................................................................................... 2 Maturity of the Field ................................................................................................................................................... 5 Breadth of the Field ................................................................................................................................................... 5 Limitations of This Document .................................................................................................................................... 6 Authors of This Document ......................................................................................................................................... 6 2 EXISTING UPPER LIMITS ON TECHNOSIGNATURES ....................................................................................................... 9 Limits and the Limitations of Limits ...........................................................................................................................
    [Show full text]
  • Issue 349, April 2015
    Sigma The Newsletter of PARSEC - www.parsec-sff.org April, 2015 - No. 349 PM. I arrive at about 12:30PM and will in the future President’s Capsule be there by Noon. The hour or so before the meeting It seems that spring has sprung. begins is a great time when people trickle in and talk Turns my head metaphorically spontaneously about what movies they have seen, and practically to re-creation. what books they are reading, what conventions and I’m not sure what clod put the be- shows they will attend. It is a wonderful time. I urge ginning of the year at frigid and fal- you to become part. low January, but it would have been I have seen some email from people who are Par- better done in April. Oh, if I’m ever by Joe Coluccio sec members living out of city and state who have re- emperor… quested audio or video of the meetings. There are So, what of SF in this “new” beginning? some problems with the idea. I will be glad to ask any It is harder than ever to bring to light new SF works of the guest speakers and others if they are willing to and new talent, what with everyone publishing every- be recorded. BUT. Video and/or audio takes equip- thing everywhere. I read all the mags both pro and not ment. I don’t perceive that as a real problem. I have and am amazed at the sheer vision exhibited on the enough audio equipment and can scrape together digital and print pages.
    [Show full text]
  • Energy and Modernity in African American Literature Walter A
    “Oh, Awful Power”: Energy and Modernity in African American Literature Walter A. Gordon Submitted in partial fulfilment of the Requirements for the degree of Doctor of Philosophy Under the Executive Committee Of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2021 © 2021 Walter A. Gordon All Rights Reserved ABSTRACT “Oh, Awful Power”: Energy and Modernity in African American Literature Walter A. Gordon “‘Oh, Awful Power’: Energy and Modernity in African American Literature” analyzes the social and cultural meaning of energy through an examination of African American literature from the first half of the twentieth century—the era of both King Coal and Jim Crow. Situating African Americans as both makers and subjects of the history of modern energy, I argue that black writers from this period understood energy as a material substrate which moves continually across boundaries of body, space, machine, and state. Reconsidering the surface of metaphor which has masked the significant material presence of energy in African American literature— the ubiquity of the racialized descriptor of “coal-black” skin, to take one example—I show how black writers have theorized energy as a simultaneously material, social, and cultural web, at once a medium of control and a conduit for emancipation. African American literature emphasizes how intensely energy impacts not only those who come into contact with its material instantiation as fuel—convict miners, building superintendents—but also those at something of a physical remove, through the more ambient experiences of heat, landscape, and light. By attending to a variety of experiences of energy and the nuances of their literary depiction, “‘Oh, Awful Power’” shows how twentieth-century African American literature not only anticipates some of the later insights of the field now referred to as the Energy Humanities but also illustrates some ways of rethinking the limits of that discourse on interactions between energy, labor, and modernity, especially as they relate to problems of race.
    [Show full text]
  • We're a Proud Sponsor of the San Diego Asian Film Festival
    21ST ANNUAL SAN DIEGO SAN ASIAN SAN DIEGO FILM DIEGO ASIAN FILM FESTIVAL 2020 FESTIVAL ASIAN PRESENTED BY: / OCT FILM 23—31 WWW.PACARTS.ORG @PACARTSMOVEMENT 2020 FESTIVAL SDAFF.ORG 23—31 23—31 22020020 FESTIVAL OCTOBER OCTOBER FILM PRESENTED ASIAN DIEGO BY PACIFIC SAN ARTS 125 FILMS 50 Q&AS MOVEMENT 34 LANGUAGES 24 COUNTRIES About the design: 2020 is the year of eyes. That’s all we see of anybody, whether peering over masks. Or from the protests in HK and US, masses of people looking back hard at our leaders. Or staring at screens for school, work, and now, the worlds of The Boat People 42 Inches From Covid 45 Providence 42 film. This year’s kinetic graphics are inspired by the “dazzle [email protected] [email protected] [email protected] camouflage” used on boats in WWI to create visual confusion A Bright Summer Diary 42 Junipero Serra 45 Radical Care: The Auntie Sewing Squad 9 through hypervisibility, a strategy later adopted by modern [email protected] [email protected] [email protected] day activists to deter facial recognition. Lastly, on our print publications is ZXX, an anti-surveillance typeface designed Can't judge~Corona and the Japanese Kama'āina (Child of the Land) 41 Red Aninsri; Or, Tiptoeing on by Sang Mun as a call-to-action to raise questions about our government 20XX version~ 47 [email protected] The Still Trembling Berlin Wall 44 [email protected] [email protected] online privacy. This typeface purposefully misdirects information Kapaemahu 41 and confuses text scanning software.
    [Show full text]
  • “THREADS of CHANGE” March 18-21, 2020 | Atlanta, Georgia Annual Meeting of the National Council on Public History the WESTIN PEACHTREE PLAZA
    “THREADS OF CHANGE” March 18-21, 2020 | Atlanta, Georgia Annual Meeting of the National Council on Public History THE WESTIN PEACHTREE PLAZA Cover Images: Woman working on a quilt in her smokehouse near Hinesville, Georgia, Apr. 1941. Library of Congress, Prints & Photographs Division, FSA/OWI Collection, LC-DIG-fsa-8c05198. “I Am Not My Hair” Quilt by Aisha Lumumba of Atlanta, Georgia. Image used courtesy of the artist. www.obaquilts.com. Atlanta and vicinity, US Army Corps of Topographical Engineers, 1864. Library of Congress, Geography and Map Division, https:// lccn.loc.gov/2006458681. The painter Hale Woodruff at Atlanta University, Atlanta, Georgia, 1942. Library of Congress, Prints & Photographs Division, FSA/ OWI Collection, LC-USW3-000267-D. Contemporary images of rainbow crosswalks and the Atlanta Beltline courtesy of the Atlanta Convention and Visitors Bureau. ANNUAL MEETING OF THE NATIONAL COUNCIL ON PUBLIC HISTORY March 18-21, 2020 The Westin Peachtree Plaza, Atlanta, Georgia Tweet using #ncph2020 CONTENTS Schedule at a Glance .................................. 2 “A-T-L” Quilt by Aisha Lumumba of Atlanta Georgia. Image used courtesy of the artist. www.obaquilts.com/shop/a-t-l/ Conference Registration Information and Policies .................................................... 6 Conference Venue and Hotel Information and Social Media Guide ..............................7 Getting to (and Around) Atlanta ................ 8 Dining and Drinks ........................................10 Exhibitors and Sponsors ............................13
    [Show full text]
  • America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
    our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry).
    [Show full text]