DOCSLIB.ORG

Summer 2014 Boston Symphony Orchestra

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Summer 2014 Boston Symphony Orchestra boston symphony orchestra summer 2014 Andris Nelsons, Ray and Maria Stata Music Director Designate Bernard Haitink, LaCroix Family Fund Conductor Emeritus, Endowed in Perpetuity Seiji Ozawa, Music Director Laureate 133rd season, 2013–2014 Trustees of the Boston Symphony Orchestra, Inc. Edmund Kelly, Chair • William F. Achtmeyer, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Stephen R. Weber, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • George D. Behrakis • Jan Brett • Paul Buttenwieser • Ronald G. Casty • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Diddy Cullinane • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Stephen B. Kay • Joyce Linde • John M. Loder • Nancy K. Lubin • Robert J. Mayer, M.D. • Robert P. O’Block • Susan W. Paine • Peter Palandjian, ex-officio • John Reed • Carol Reich • Arthur I. Segel • Roger T. Servison • Wendy Shattuck • Caroline Taylor • Roberta S. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Gabriella Beranek • Leo L. Beranek • Deborah Davis Berman • Peter A. Brooke • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick† • Nancy J. Fitzpatrick • Thelma E. Goldberg • Charles H. Jenkins, Jr. • Mrs. Béla T. Kalman • George Krupp • Mrs. Henrietta N. Meyer • Richard P. Morse • David Mugar • Mary S. Newman • Vincent M. O’Reilly • William J. Poorvu • Peter C. Read • Edward I. Rudman • Richard A. Smith • Ray Stata • Thomas G. Stemberg • John Hoyt Stookey • Wilmer J. Thomas, Jr. • John L. Thorndike • Stephen R. Weiner • Dr. Nicholas T. Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D. May, Chief Financial Officer • Bart Reidy, Clerk of the Board Board of Overseers of the Boston Symphony Orchestra, Inc. Susan Bredhoff Cohen, Co-Chair • Peter Palandjian, Co-Chair Noubar Afeyan • Peter C. Andersen • Diane M. Austin • Lloyd Axelrod, M.D. • Judith W. Barr • Lucille M. Batal • Linda J.L. Becker • Paul Berz • James L. Bildner • Mark G. Borden • Partha Bose • Karen Bressler • Anne F. Brooke • Stephen H. Brown • Gregory E. Bulger • Joanne M. Burke • Richard E. Cavanagh • Dr. Lawrence H. Cohn • Charles L. Cooney • Ronald A. Crutcher • William Curry, M.D. • James C. Curvey • Gene D. Dahmen • Michelle A. Dipp, M.D., Ph.D. • Dr. Ronald F. Dixon • Ronald M. Druker • Alan Dynner • Philip J. Edmundson • Ursula Ehret-Dichter • Joseph F. Fallon • Peter Fiedler • Steven S. Fischman • John F. Fish • Sanford Fisher • Jennifer Mugar Flaherty • Alexandra J. Fuchs • Robert Gallery • Levi A. Garraway • Cora H. Ginsberg • Robert R. Glauber • Stuart Hirshfield • Susan Hockfield • Lawrence S. Horn • Jill Hornor • Valerie Hyman • Everett L. Jassy • Stephen J. Jerome • Darlene Luccio Jordan, Esq. • Paul L. Joskow • Stephen R. Karp • John L. Klinck, Jr. • Peter E. Lacaillade • Charles Larkin • Joshua A. Lutzker • Jay Marks • Jeffrey E. Marshall • Robert D. Matthews, Jr. • Maureen Miskovic • Robert Mnookin • Paul M. Montrone • Sandra O. Moose • Robert J. Morrissey • Cecile Higginson Murphy • Joseph J. O’Donnell • Joseph Patton • Programs copyright ©2014 Boston Symphony Orchestra, Inc. Cover photo by John Ferrillo Donald R. Peck • Steven R. Perles • Ann M. Philbin • Wendy Philbrick • Claudio Pincus • Lina S. Plantilla, M.D. • Irene Pollin • Jonathan Poorvu • Dr. John Thomas Potts, Jr. • William F. Pounds • Claire Pryor • James M. Rabb, M.D. • Robert L. Reynolds • Robin S. Richman, M.D. • Dr. Carmichael Roberts • Graham Robinson • Susan Rothenberg • Joseph D. Roxe • Kenan Sahin • Malcolm S. Salter • Kurt W. Saraceno • Diana Scott • Donald L. Shapiro • Phillip A. Sharp, Ph.D. • Christopher Smallhorn • Michael B. Sporn, M.D. • Nicole Stata • Margery Steinberg • Patricia L. Tambone • Jean Tempel • Douglas Thomas • Mark D. Thompson • Albert Togut • Joseph M. Tucci • Robert A. Vogt • David C. Weinstein • Dr. Christoph Westphal • June K. Wu, M.D. • Patricia Plum Wylde • Dr. Michael Zinner • D. Brooks Zug Overseers Emeriti Helaine B. Allen • Marjorie Arons-Barron • Caroline Dwight Bain • Sandra Bakalar • George W. Berry • William T. Burgin • Mrs. Levin H. Campbell • Earle M. Chiles • Carol Feinberg Cohen • Mrs. James C. Collias • Ranny Cooper • Joan P. Curhan • Phyllis Curtin • Tamara P. Davis • Mrs. Miguel de Bragança • Paul F. Deninger • JoAnneWalton Dickinson • Phyllis Dohanian • Harriett Eckstein • George Elvin • John P. Eustis II • Pamela D. Everhart • Judy Moss Feingold • Richard Fennell • Myrna H. Freedman • Mrs. James Garivaltis • Dr. Arthur Gelb • Robert P. Gittens • Jordan Golding • Mark R. Goldweitz • Michael Halperson • John Hamill • Deborah M. Hauser • Carol Henderson • Mrs. Richard D. Hill • Roger Hunt • Lola Jaffe • Martin S. Kaplan • Mrs. Gordon F. Kingsley • Robert I. Kleinberg • David I. Kosowsky • Robert K. Kraft • Farla H. Krentzman • Benjamin H. Lacy • Mrs. William D. Larkin • Robert J. Lepofsky • Edwin N. London • Frederick H. Lovejoy, Jr. • Diane H. Lupean • Mrs. Harry L. Marks • Joseph B. Martin, M.D. • Joseph C. McNay • Albert Merck† • Dr. Martin C. Mihm, Jr. • John A. Perkins • May H. Pierce • Dr. Tina Young Poussaint • Daphne Brooks Prout • Robert E. Remis • John Ex Rodgers • Alan W. Rottenberg • Roger A. Saunders • Lynda Anne Schubert • L. Scott Singleton • Gilda Slifka • Samuel Thorne • Diana Osgood Tottenham • Paul M. Verrochi • James Westra • Mrs. Joan D. Wheeler • Margaret Williams-DeCelles • Richard Wurtman, M.D. † Deceased Tanglewood The Tanglewood Festival On August 13, 15, and 16, 1936, the Boston Symphony Orchestra gave its first concerts in the Berkshire Hills of western Massachusetts; music director Serge Koussevitzky conducted. But those outdoor concerts, attended by a total of 15,000 people, did not take place at Tanglewood: the orchestra performed nearby under a large tent at Holmwood, a former Vanderbilt estate that later became The Center at Foxhollow. In fact, the first Berkshire Symphonic Festival had taken place two summers earlier, at Interlaken, when, organized by a group of music-loving Berkshire summer residents, three outdoor concerts were given by members of the New York Philharmonic, under the direction of composer/conductor Henry Hadley. But after a second concert series in 1935, plans for 1936 proved difficult, for reasons including Hadley’s health and aspects of the musical programming; so the organizing committee instead approached Koussevitzky and the BSO’s Trustees, whose enthusiastic response led to the BSO’s first concerts in the Berkshires. In the winter of 1936, following the BSO’s concerts that summer, Mrs. Gorham Brooks and Miss Mary Aspinwall Tappan offered Tanglewood, the Tappan family estate, with its buildings and 210 acres of lawns and meadows, as a gift to Koussevitzky and the orchestra. The offer was gratefully accepted, a two-weekend festival was planned for 1937, and on August 5 that year, the festival’s largest crowd to date assembled under a tent for the first Tanglewood concert, an all-Beethoven program. At the all-Wagner concert that opened the 1937 festival’s second weekend, rain and thunder twice interrupted the Rienzi Overture and necessitated the omission altogether of the Siegfried Idyll, music too gentle to be heard through the downpour. At the inter- mission, Miss Gertrude Robinson Smith, one of the festival’s founders, made an appeal to raise funds for the building of a permanent structure. The appeal was broadened by means of a printed circular handed out at the two remaining concerts, and within a short time enough money was raised to begin active planning for a “music pavilion.” Eliel Saarinen, the eminent architect selected by Koussevitzky, proposed an elaborate design that went far beyond the festival’s immediate needs, and also well beyond the $100,000 budget. When his second, simplified plans were again deemed too expensive, A banner advertising the 1939 Berkshire Symphonic Festival (BSO Archives) he finally wrote that if the Trustees insisted on remaining within their budget, they would have “just a shed...which any builder could accomplish without the aid of an architect.” The Trustees then asked Stockbridge engineer Joseph Franz to simplify Saarinen’s plans further, and the “Shed” he erected—which remains, with modifica- tions, to this day—was inaugurated on August 4, 1938, with the first concert of that year’s festival. It has resounded to the music of the Boston Symphony Orchestra every summer since, except for the war years 1942-45, and has become almost a place of pilgrimage to millions of concertgoers. In 1959, as the result of a collabora- tion between the acoustical consultant Bolt Beranek and Newman and archi- tect Eero Saarinen and Associates, the installation of the then-unique Edmund Hawes Talbot Orchestra Canopy, along with other improve- After the storm of August 12, 1937, which precipitated a fundraising drive ments, produced the Shed’s present for the construction of the Tanglewood Shed (BSO Archives) world-famous acoustics. In 1988, on the occasion of its fiftieth anniversary, the Shed was rededicated as “The Serge Kous- sevitzky Music Shed,” recognizing the far-reaching vision of the BSO’s legendary music director. In 1940, the Berkshire Music Center (now the Tanglewood Music Center) began its operations. By 1941 the Theatre-Concert Hall, the Chamber Music Hall, and several small studios were finished, and the festival had so expanded its activities
Load more

Recommended publications
  • Guest Artist Recital, Luby Symposium
    2016 Luby Violin Symposium Guest Artist Recital Kevork Mardirossian, violin Lee Phillips, piano Wednesday, May 18, 2016 7:30 PM Person Recital Hall Program Sonata in D Major, HWV 371 (1681) George Frideric Handel Affetuoso (1685-1759) Allegro Larghetto Allegro Violin Sonata No. 2 in A Major, Op. 100 Johannes Brahms Allegro amabile (1833-97) Andante tranquilo – Vivace – Andante Allegretto grazioso Intermission Sonata No. 1 in G Minor for violin solo, BWV 1001 J.S. Bach Adagio (1685-1750) Fuga Suite Populaire Espagnole (1926) Manuel De Falla/arr. Paul Kochanski El paño moruno (1876-1946/1887-1934) Nana Canción Polo Asturiana Jota Tzigane (1924) Maurice Ravel (1875-1937) Special thanks to the UNC Summer School and Dean Jan Yopp, the UNC Music Department and Chair Louise Toppin, and Susan Klebanow. About the Luby Violin Symposium Named in honor of its founder, violinist and former UNC professor Richard Luby, the Symposium offers participants an intensive one-week immersion focused on individual instrumental and musical growth within the context of a supportive and nurturing atmosphere. Previously directed by Richard Luby and Fabian Lopez, the Symposium is in its eighth summer. The Symposium includes private lessons masterclasses student performances faculty performances guest artist performances HIP Bach perspectives body awareness methods practice techniques performance psychology All course activities take place on the beautiful campus at the University of North Carolina at Chapel Hill in the Kenan Music Building and Person Hall. The Symposium is supported by the UNC Music Department, sponsored as a course by the UNC Summer School, and by donations which support student scholarships, activities, and artists.
    [Show full text]
  • Mythes | Foreword Track Listing
    MYTHES | FOREWORD TRACK LISTING (1882 –1971) SUITE ITALIENNE 1 i Introduzione: Allegro moderato 2’20 2 ii Serenata: Larghetto 3’30 3 iii Tarantella: Vivace 2’17 I would like to express my heartfelt gratitude to David and Mary Bowerman, 4 iv Gavotta con due Variazioni 3’53 5 v Scherzino 1’21 Martin Denny, Alexander Van Ingen and the Windsor Festival for giving me this 6 vi Minuetto e Finale 4’50 wonderful opportunity, and huge compliment to producer Matthew Bennett, (1835 –1880) sound engineer Dave Rowell and the whole team at Champs Hill for their 7 LÉGENDE OP.17 7’10 excellent teamwork in creating this CD. (1881 –1945) The “Mythes” album is all about feelings, emotions and imagination which are RHAPSODY NO.1 SZ.86 8 i Lassu: Moderato 4’25 the most crucial elements of music-making. The entire process of recording this 9 i i Friss: Allegretto moderato 6’08 disc with the one and only Henry Kramer has been a pure joy, and I sincerely (1882 –1937) hope it will lead you to a journey full of adventures and fantasies. MYTHES, ‘TROIS POÈMES’ OP.30 10 i La Fontaine d’Arethuse 5’28 11 i i Narcisse 7’37 12 iii Dryades et Pan 7’45 (1875 –1937) 13 TZIGANE 10’38 Total playing time: 67’27 Produced and edited by Matthew Bennett Jiyoon Lee Engineer: Dave Rowell Recorded 25th – 27th July 2017 in the Music Room, Champs Hill, West Sussex, UK All photographs by Kaupo Kikkas Executive Producer for Champs Hill Records: Alexander Van Ingen Label Manager for Champs Hill Records: Joanna Wilson PROGRAMME NOTE It was during a gentle stroll around the Place de la Concorde, Paris, in the Spring of Most of the music on this disc originated during the early 20th century, the one 1919, that celebrated impresario Serge Diaghilev suggested to Stravinsky that he exception being the 1860 Légende by Polish violinist-composer Henryk Wieniawski.
    [Show full text]
  • Paganini's Violin
    Il Cannone FRANCESCA DEGO plays Paganini’s Violin Francesca Leonardi piano Nicolò Paganini, 1820 Paganini, Nicolò Drawing courtesy of Associazione Amici di Paganini Il Cannone – Francesca Dego Plays Paganini’s Violin Nicolò Paganini (1782 – 1840) 1 La Clochette (1826)* 6:35 (La campanella) Rondo Finale from Concerto No. 2 in B minor, Op. 7 for Violin and Orchestra Arranged c. 1905 for Violin and Piano by Fritz Kreisler Frau Marie Rosselt in Dankbarkeit und Verehrung gewidmet Allegretto grazioso – Meno mosso – Tempo I – Meno mosso Tempo I – Molto moderato – Meno mosso – Più mosso Fritz Kreisler (1875 – 1962) Recitativo und Scherzo-Caprice, Op. 6 (c. 1911) 4:33 for Solo Violin À Eugène Ysaÿe, le maître et l’ami 2 Recitativo. Lento con espressione – Tranquillo – 2:32 3 Scherzo. Presto e brillante – Pesante – Energico – Pesante 2:00 3 John Corigliano (b. 1938) 4 The Red Violin Caprices(1997) 8:10 for Solo Violin Edited by Joshua Bell Theme = c. 60 – Variation 1. Presto – Variation 2. Con bravura – Fast and free – Variation 3. Adagio, languid – Variation 4. Slowly con rubato – Faster – Tempo I – Faster – Presto – Slower – Variation 5. Presto, pesante – Presto possibile Carlo Boccadoro (b. 1963) premiere recording 5 Come d’autunno (2019) 4:31 (As in Autumn) for Solo Violin A Francesca Dego ( = 150) – Cantabile, tempo flessibile – Poco più lento – A tempo [Cantabile] – Tempo I – Cantabile – Poco più lento – Tempo I, lontano, come un ricordo – Calmo – Tempo I – [Calmo] 4 Nicolò Paganini premiere recording 6 Cantabile, Op. 17 (1823)* 5:07 in D major • in D-Dur • en ré majeur • in re maggiore for Violin and Guitar / Piano Piano Accompaniment Arranged 2019 by Carlo Boccadoro A Francesca e Francesca [ ] Gioachino Rossini (1792 – 1868) 7 Un mot à Paganini (c.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 54,1934-1935, Trip
    Carnegie i>all • Heto gorfe Thursday Evening, January 3, at 8:45 Saturday Afternoon, January 5, at 2:30 Boston Symphony Orchestra [Fifty-fourth Season, 1934-1935] Dr. SERGE KOUSSEVITZKY, Conductor Personnel Violins BURGIN, R. ELCUS, G. LAUGA, N. SAUVLET, H:. RESNIKOFF, V. Concert-master GUNDERSEN, R. KASSMAN, N. CHERKASSKY, P. EISLER, D. THEODOROWICZ, J- HANSEN, E. MARIOTTI, V. FEDOROVSKY, P. TAPLEY, R. LEIBOVICI, J. PIN FIELD, C. LEVEEN, P. KRIPS, A. KNUDSON, C. ZUNG, M. BEALE, M. GORODETZKY, L. MAYER, P. DIAMOND, S. DEL SORDO, R. FIEDLER, B. BRYANT, M. STONESTREET, L. MESSINA, S. ZIDE, L. MURRAY, J. ERKELENS, H. seiniger, s. Violas LEFRANC, J. FOUREL, G. BERNARD, A. CROVER, H. ARTIERES, L. CAUHAPE, J. VAN WYNBERGEN, C. WERNER, H. AVIERINO, N. DEANE, C. HUMPHREY, G. GERHARDT, S. JACOB, R. Violoncellos FABRIZIO, E. BEDETTI, J. LANGENDOEN, J. CHARDON, Y. STOCKBRIDGE , C ZIGHERA, A. BARTH, C. DROEGHMANS, H. WARNKE, J. MARJOLLET, L. ZIMBLER, J. Basses GIRARD, H. KUNZE, M. LEMAIRE, J. ludwtg, 0. VONDRAK, A. MOLEUX, G. frankel, 1. DUFRESNE, G. JUHT, L. Flutes Oboes Clarinets Bassoons LAURENT, G. GILLET, F. polatschek, v. la US, A. r. BLADET, G. DEVERGIE, J. VALERIO, M. ALLARD, AMERENA, P. STANISLAUS, H. MAZZEO, R. El? Clarinet PANENKA, E. Piccolo English Horn Bass Clarinet Contra-Bassoon battles, a. SPEYER, L. MIMART, P. PILLER, B. Horns Horns Trumpets Trombones boettcher, g. VALKENIER, W mager, g. raiciiman, J. MACDONALD, W. LANNOYE, M. LAFOSSE, M. HANSOTTE, L. GRUNDEY, t. LILLEBACK, VALKENIER, w. SINGER, J. W. gebhardt, w. LORBEER, H. VOISIN, R. MANN, J. Tuba Harps Timpani Percussion ADAM, E.
    [Show full text]
  • C K’NAY C (To Her) C (Poem by A
    K ney C k’NAY C (To Her) C (poem by A. Belïy [(A.) BAY-lee] set to music by Sergei Rachmaninoff [sehr-GAYEE rahk-MAH-nyih-nuff]) Kaan C JindÍich z Albestç Kàan C YINND-rshihk z’AHL-bess-too KAHAHN C (known also as Heinrich Kàan-Albest [H¦N-rihh KAHAHN-AHL-besst]) Kabaivanska C Raina Kabaivanska C rah-EE-nah kah-bahih-WAHN-skuh C (known also as Raina Yakimova [yah-KEE-muh-vuh] Kabaivanska) Kabalevsky C Dmitri Kabalevsky C d’MEE-tree kah-bah-LYEFF-skee C (known also as Dmitri Borisovich Kabalevsky [d’MEE-tree bah-REE-suh-vihch kah-bah-LYEFF-skee]) C (the first name is also transliterated as Dmitry) Kabasta C Oswald Kabasta C AWSS-vahlt kah-BAHSS-tah Kabelac C Miloslav Kabelá C MIH-law-slahf KAH-beh-lahahsh Kabos C Ilona Kabós C IH-law-nuh KAH-bohohsh Kacinskas C Jerome Ka inskas C juh-ROHM kah-CHINN-skuss C (known also as Jeronimas Ka inskas [yeh-raw-NEE-mahss kah-CHEEN-skahss]) Kaddish for terezin C Kaddish for Terezin C kahd-DIHSH (for) TEH-reh-zinn C (a Holocaust Requiem [{REH-kôôee-umm} REH-kôôih-emm] by Ronald Senator [RAH-nulld SEH-nuh-tur]) C (Kaddish is a Jewish mourner’s prayer, and Terezin is a Czechoslovakian town converted to a concentration camp by the Nazis during World War II, where more than 15,000 Jewish children perished) Kade C Otto Kade C AWT-toh KAH-duh Kadesh urchatz C Kadesh Ur'chatz C kah-DEHSH o-HAHTSS C (Bless and Wash — a prayer song) Kadosa C Pál Kadosa C PAHAHL KAH-daw-shah Kadosh sanctus C Kadosh, Sanctus C kah-DAWSH, SAHNGK-tawss C (section of the Holocaust Reqiem — Kaddish for Terezin [kahd-DIHSH (for) TEH-reh-zinn]
    [Show full text]
  • ROCKPORT CHAMBER MUSIC FESTIVAL PROGRAMS 2002-2006 Location: Rockport Art Association
    ROCKPORT CHAMBER MUSIC FESTIVAL PROGRAMS 2002-2006 Location: Rockport Art Association 2002 June 6-June 30, 2002 David Deveau, artistic director Thursday, June 6, 2002 Opening Night Gala Concert and Champagne Reception Elizabeth Printy, soprano Laura Ardan, clarinet David Finch, cello William Ransom, piano From Sechs Deutsche lieder (Six German Songs) Louis Spohr (1784-1859) Op. 103 for soprano, clarinet and piano (1837) Der Hirt Auf dem Felsen (The Shepherd on the Rock) Franz Schubert (1797-1828) For soprano, clarinet and piano (1828) Trio for clarinet, cello and piano in E-flat major, Op. 38 (1803) Ludwig van Beethoven (1770-1827) Friday, June 7, 2002 Peter Serkin, piano Sonata No. 30 in E major, Op. 109 (1820) Ludwig van Beethoven (1770-1827) Passacaglia (The Last of Four Studies on Basic Rows (1935-6) Stefan Wolpe (1902-72) Thirty-three Variations on a Theme of Diabelli, Op. 120 (1823) Beethoven Saturday, June 8, 2002 Ronald Copes, violin Jennifer Culp, cello David Deveau, piano Piano Trio in G major, Hob. XB.25, Gypsy (1795) Franz Joseph Haydn (1732-1809) Hungarian Rhapsody, No. 13 in A minor Franz Liszt (1811-86) Piano Trio in E minor, Op. 90 Dumky Antonín Dvořák (1841-1904) Sunday, June 9, 2002 Stefan Jackiw, violin David Deveau, piano Richard Knisely, narrator William Ransom, piano Sonata No. 2 for violin and piano in A major, Op. 100 Johannes Brahms (1833-97) Enoch Arden (1897) Richard Strauss (1864-1949) (text by Alfred Lord Tennyson) Thursday, June 13, 2002 Jennifer Frautschi, violin Eric Ruske, horn Ken Noda, piano Pre-concert lecture, John Harbison Sonatina for violin and Piano Antonín Dvořák (1841-1904) Twilight Music for horn, violin and piano John Harbison (b.1938) Four Songs of Solitude for solo violin (1985) Harbison Trio in E-flat major, Op.
    [Show full text]
  • PHILADELPHIA ORCHESTRA Season 1942-1943 Mrs
    Tte Philadelph ia Orchestra EUGENE ORMANDY Conductor ☆ Anni vers ary Concert In \Cash mg ton DECEMBER 1, 1942, at 8:30 ☆ CONSTITUTION HALL WASHINGTON COMMITTEE FOR THE PHILADELPHIA ORCHESTRA Season 1942-1943 Mrs. Adolph C. Miller, Chairman Mrs. Robert Low Bacon Miss Laura Harlan Mrs. A. A. Berle, Jr. Mrs. Charles B. Henderson Mrs. Robert Woods Bliss Mrs. Eugene Meyer, Jr. Mrs. William Castle Mrs. Owen J. Roberts Mme. Ciechanowska Lady Salter Mrs. William Crozier Mrs. Edwin Watson Mrs. James Clement Dunn Mrs. Stanley Woodward BOXHOLDERS 13. Mrs. Roosevelt 23. Mrs. Orme Wilson 5. Major J. N. Ray 24. Mrs. Max O’Rell Truitt 7. The Ambassador of U. S. R. R. and 25. Mrs. Edwin B. Parker Mme. Litvinov 26. Mrs. William Crozier 9. Miss Alice Clapp 27 Mrs. Owen J. Roberts 10. Mr. and Mrs. Eugene Ormandy 29. Mrs. Ralph Worthington 11. Mrs. William Pouch Mrs. Norman C. Keith 12. Mr. Andrew Snow 30. Mrs. Patrick J. Hurley 14. Mrs. Edwin M. Watson 31. Mr. Dudley T. Easby, Jr. Mrs. Stanley Woodward 33. Mrs. Thomas Daniels 15. Miss Mabel Boardman 39. Mrs. George Garrett 16. Mrs. Eugene Meyer, Jr. Mrs. James Clement Dunn 17. Mrs. F. A. Keep 42 Princess Cantacuzene-Grant 18. Mrs. A. A. Berle, Jr. 43. Mrs. William R. Castle 19. Mr. Ord Preston 47. Countess Laszlo Szechenyi 21. Mrs. Adolph Casper Miller 51. Mrs. Robert Low Bacon PATRONS AND PATRONESSES Hon. C. B. Aitchison Mrs. Carol Greenough Lt. Commander David Mrs. Copley Amory Miss Grace Dunham Guest McAlpin Rev. Dr. George W. Atkinson Mrs.
    [Show full text]
  • Troy Chromatic Concerts Performers 1894-2007
    Troy Chromatic Concerts 110 Seasons of Classical Music Excellence 1894-2007 1ST SEASON - 1894-1895 Raoul Pugno, piano, & Maude MacCarthy, violin Henry E. Krehbiel, lecturer, with Thomas Impett, tenor Marcella Sembrich, soprano Edward A. MacDowell, piano Bendix String Quartet & Augusta Cottlow, piano Mr. & Mrs. Max Heinrich 10TH SEASON - 1903-1904 Kneisel Quartet Jacques Thibaud, cello 2ND SEASON - 1895-1896 Lillian Nordica, soprano Louis C. Elson Ernestine Schumann-Heink, mezzo soprano Fannie Bloomfield Zeisler, piano Arbos String Quartet & Alfred Reisenauer, piano Plunket Greene, bass-baritone 11TH SEASON - 1904-1905 Kneisel Quartet Kneisel Quartet & Augusta Cottlow, piano 3RD SEASON - 1896-1897 Eugen d'Albert, piano Corrine Moore-Lawson Johanna Gadski, soprano Albert Lockwood, piano Louise Homer, contralto, & Emilio de Gogorza, baritone Kneisel Quartet 12TH SEASON - 1905-1906 Plunket Greene, bass-baritone Harold Bauer, piano 4TH SEASON - 1897-1898 Johanna Gadski, soprano Georg Henschel, baritone, & Mrs. Georg Henschel, Marie Nichols, violin, & Elsa Ruegger, cello soprano Herbert Witherspoon, bass Henri Marteau, violin 13TH SEASON - 1906-1907 David Bispham, baritone Ernestine Schumann-Heink, mezzo soprano Kneisel Quartet Josef Lhevinne, piano 5TH SEASON - 1898-1899 Alexandre Petschnikoff, violin, & Rudolf Ganz, piano In a Persian Garden Victor Harris, conductor George Hamlin, tenor David Bispham, baritone 14TH SEASON - 1907-1908 Emil Sauer, piano Susan Metcalfe, soprano Kneisel Quartet Emilio de Gogorza, baritone 6TH SEASON - 1899-1900
    [Show full text]
  • Sf.T1eherd Sc~Ol Ofmusic
    FACULTY AND GUEST ARTIST RECITAL SOHYOUNG PARK, Piano CURT THOMPSON, Violin (guest) Monday, December 8, 2008 8:00 p.m. Lillian H. Duncan Recital Hall sf.t1eherd RICE UNIVERSITY Sc~ol ofMusic PROGRAM Sonatine in A Minor for Violin Franz Schubert and Piano, D. 385 (1797-1828) Allegro moderato Andante Menuetto: Allegro Allegro Five Melodies for Violin Sergei Prokofiev and Piano, Op. 35b (1891-1953) Andante ( a Paul Kochanski) Lento, ma non troppo ( a Cecilia Hansen) Animato, ma non allegro (a Paul Kochanski) Allegretto, leggero e scherzando (a Paul Kochanski) Andante non troppo ( a Joseph Szigeti) INTERMISSION Sonata for Violin and Piano Johannes Brahms in G Major, Op. 78 (1833-1897) Vivace ma non troppo Adagio Allegro molto moderato Transcriptions from Gershwin's Jascha Heifetz "Porgy and Bess" for Violin and Piano (1901 -1987) Summertime and A Woman is a Sometime Thing My Man's Gone Now Bess, You is My Woman Now It Ain't Necessarily So Tempo di Blues BIOGRAPHIES Pianist SOHYOUNG PARK, born in Seoul, Korea, received her doc­ toral degree from The Shepherd School ofMusic, master's degree from the University of Michigan, and bachelor's degree from Seoul National University. Dr. Park also received a Diploma of Merit from Accademia Musicale Chigiana in Siena, Italy, and attended the International Cham­ ber Music School of Trio di Trieste in Italy. As a soloist and chamber mu­ sician, she has studied with and has been coached by renowned artists and pedagogues such as Robert Roux, Michele Campanella, Paul Badu­ ra-Skoda, Dario De Rosa, Russell Sherman, Menahem Pressler, Eugene Istomin, Jean-Yves Thibaudet, Lazar Berman, James Tocco, Louis Na­ gel, and Martin Katz.
    [Show full text]
  • [email protected] ALAN G
    FOR IMMEDIATE RELEASE UPDATED June 3, 2013 May 30, 2013 Contact: Katherine E. Johnson (212) 875-5718; [email protected] ALAN GILBERT AND THE NEW YORK PHILHARMONIC MAY 30–JUNE 29, 2013 PROGRAM II OF IV GERALD FINLEY and PATRICIA RACETTE in DALLAPICCOLA’S IL PRIGIONIERO LISA BATIASHVILI Plays Prokofiev, June 6–11 Alan Gilbert To Join Philharmonic Musicians in Brahms’s String Quintet in G major on the Saturday Matinee Concert, June 8 Italian modernist composer Luigi Dallapiccola’s serialist opera Il Prigioniero, featuring bass- baritone Gerald Finley as The Prisoner and soprano Patricia Racette (in her Philharmonic debut) as The Mother, highlight the next installment of Gilbert’s Playlist — four weeks of programs conducted by Alan Gilbert showcasing themes and ideas that have become a hallmark of the Music Director’s tenure — Thursday, June 6, 2013, at 7:30 p.m.; Saturday, June 8 at 8:00 p.m.; and Tuesday, June 11 at 7:30 p.m. The program will open with Prokofiev’s Violin Concerto No. 1, featuring Lisa Batiashvili, a frequent soloist with the New York Philharmonic. Additional cast for Il Prigioniero includes tenor Peter Hoare (debut) as The Jailer and Grand Inquisitor; tenor William Ferguson (debut) as the First Priest; baritone Sidney Outlaw (debut) as the Second Priest; and The Collegiate Chorale, directed by James Bagwell. A protest opera composed between 1944 and 1948, Il Prigioniero follows the story of a man imprisoned during the Inquisition who, when hopeful of his escape, finds that he’s been duped into believing he is on his way to freedom when he falls into the arms of the Grand Inquisitor himself.
    [Show full text]
  • Grande Polonaise
    Joseph bechsberg c/o Paul R. Reynolds A Son 599 fifth Avenue Nee fork 17. N.T. GRANDE POLONAISE The Paris taxi driver had 1st ao off at the wrong address and by the time I found the right one - Square du Bois de Boulogne - I was lata for ay lunch date. The snail square was an oasis of tranquillity and an island of secluaion. Trees and singing birds and only the faint swieuing of tiros iron nearby Avenue Foch. Silent town ho use a, parked large cars. The house nowhere ran clockwise and then again counter­ clockwise. as they soaetiaes do in Franco, and I stood there wondering where No. 22 was when, all of a sudden, the powerful passages of Chopin's C Minor ("Revolution") etude caae froa the house near the western corner. That was it. then. No one else in Square du Bois do Boulogne or. for that natter* in all the world plays Chopin as Arthur Rubinstein doos. The three-atory house with its straight, plain facade looked aoro like a town house in Now York's Sutton Place than a villa near the Bois. A black-iron fence cut off the view of the ground floor where the ausic caae froa. A slit for the nail box with no naae on it. a shiny brass button. The house seeaed dwarfed by the larger one next to it. lhere (Rubinstein told ae later) Claude Debussy had spent the last twelve year: of Mb life, had written the "Martyrdoa of Saint Sebastian", and died in 1918.
    [Show full text]
  • November Recital Program Notes
    Mystical Voices of Eastern Europe A. Khachaturian Adagio from ballet Gayane.. Written in 1942, Khachaturian's original Gayane was the story of a young Armenian woman whose patriotic convictions conflict with her personal feelings on discovering her husband's treason. In later years the plot was modified several times, the resultant story emphasizing romance over nationalistic zeal. Adagio is a beautiful song sang by the mother to a child. It was featured prominently in Stanley Kubrick's s film 2001: A Space Odyssey. H. Kulenty "Still Life with a violin" Still life with a violin was commissioned by the National Museum in Warsaw, and was first performed by Krzysztof Bąkowski (to whom it was dedicated) at the opening of a formists’ exhibition, on May 20th 1985. The composition is constructed on a succession of formal arcs which realize the transition from ‘long time’ (aesthetic analogy to minimal music) to ‘short time’ (aesthetic analogy to Anton Webern’s punctualism). -- Hanna Kulenty L. Auerbach T'filah ( Prayer) Auerbach composed this short piece, dedicated to violinist Vadim Guzman as a reaction to the tragedy of the Holocaust. The musical prayer begins with a quiet cantilena, highly reminiscent of cantorial singing in a synagogue. The melody builds in loudness and intensity, and includes a passage in double stops. A second section, faster and more folk-like, introduces a brief Jewish dance derived from a figure in the first melody, but the opening gesture of that initial melody keeps intruding. The two musical ideas alternate freely; the haunting first gesture ends the piece, fading into a quiet trill and a high harmonic note.
    [Show full text]