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News and Notes of Music and Drama were convinced. To demonstrate lu i..í<i./i ¡i initíi-jHi, nun aiL/nir- of At the Riverside At the Winter Garden my i.r-.iuutu Ut iMt.ni' Programs contention thoroughly 1 asked them to CARNE31E HALL TO-DAY. AT 3. s Calendar for the Current Week ¿m attend a second performance, and again The Week ¡ I demonstrated and that ' I SUNDAY.Aeolian il concert the New York my theory, Hall, p. m., by Symphony I no SOPHIE (Cantlnaed from preceding page! left doubt in their minds. BRÁSLAU j Society; Carnegie Hall, .1 p. m., non g recital by Sophie Braslau« FU" r. ;, g "it is n. very con¬ [O (KN*AJBE PIANO). the Philharmonic contralto; 8:15 p. m., violin recital John i important matter," CARNEOIE 1LAIX, TO-NIGäT AT H-.t'r, Orchestra, repetition bj Corlgliano; City College, cluded Mr. "for a comedian to TOWH HAIA«, "TO-MORROW Amt ¿«"a**"! Ihursday afternoon's ! p. m., organ recital Samuel A. Manhattan ' Brown, "D program. by Baldwin; Opera House, know the of laughtor. He î. At S:15 p. m,, violin recital by Helen *!:.10 p. m., conceit by Fcodor Chalinpine. assisted by Joseph Stopak, psychology CORIGLIANO R can give a belter performance, becauso VIOLIN aSÇITAL ÍM.. '. HAVEÑS Jeffrey vjolinist; Town Hall, 3:30 m., concert the of the & Ba p. by Society Priendai he more of TOWN NOV. !», ,it ¡« "."'2_RECITAL__i2.í:'íon Concerto In G minor.Vivaldi furnishoB Inugha and, conree, HALL, »VEO., TOWN JíAI.I... I h..r«. .Aft v,,T .,, nacerlo In A of Music; 8:15 p. m., 'cello recital by Jnacha Bonschuck. I .,-, Musette minor,,.Qoldraar*K.t.Palmgrou it is the real business of the comedian .GlUcU Mo\|).VY.Aeolian Hall, 3 p. m., piano recital by Edwin Hughes; 8:13 to dispenso mirth and laughter." DAI BUELL rpetuum Mobil«.Novacek m.. recital PIANO & Han SONO.-WHITTLEn;:«" p. piano by Juan Reyes; Carnegie Hall, 8:15 p. m., violin RRCITAL._(Maaon In.) [Mm» à Ha««« The Foggy Dew.Mesandei Tow.v Nov. ;». ât TTAL_ r: itroductlon o't Scherzo.S.iraSTUa recital by Madeleine MacGuigan; Town Hall, .1 p. m.. plano recital Every Man Hi* Own HALL,.Wed.Eve., 8:18 ions HALL', ¡-.«¡n. Afr., >"«.*. u at? Saturday by Raymond Havens; S:13 p. m., piano recital by Silvio Scionti. Scenario Writer Now Eisa, Maria & Greta Hilger TUESDAY.Aeolian Hall, 3 p.m., violin rocital by Tclmanyl; 8:15 p. m., William Christy (abr. une has written francis Aeolian Hall, 3 p. m. Piano recital 1 :- ,-¦ i incert I 3QNQ roGERS concert by the Beethoven Association; C»rncgie Hall, 3 p. m., so many scenarios that now he is gblo jsteloway Plane.) RECITAL (STBINWAT PIAKOl by John Powell: piano TOWN HALL, SAT. AFT., NOV. AT 2:30. mat«, «.Tus. 53.Beethoven recital by Elly Ney; Town Hall, 8:1."» p. m., piano recital by Alfredo to diüpenae with them. He just thinks 12, FIRST RECITàC Four scherzos.B minor, r. r,it minor, his and then ahead and IS am'or, C sharp minor.Chopin Casella. up story goes White Hlrefios.Mariai! Baue WEDNESDAY.Aeolian Hall, 3 p. m., piano recital by Katherine Bacon; »hoots it. ilo brings it out of the BACHAUS In C Rhapapdy minor.Dohnanyl into the here without even THE BM1NEN1 PIANIST'..i IT eo «.*,»utitr> Dances.Beethoven Chalif 8:15 p. m., song recital Baroness von everywhere _. BALD1BALDWIN Hay, by Olga Tuerk-Rohn, ___ _ PIANO CSÏ8 ..«¦y in the Straw.David Qulon 4 recital Retting it down on paper. CARNEGÍE Slumber Song- (illscoverefl by Carl V. t soprano; City College, p. m., organ by Samuel A. Baldwin; HALL,¡XL, SUNDAY AFT., NOV. 13, AT 3..REINALB Lachmund among manuscripts that Carnegie Hail, 8:15 p. m.. song recital by Danise, had come Into his possession While a Giuseppe barytone; "Prisoner of Zenda" Spreenefl pupil ot Us« In Weimar).Liszt Town Hall, 3 p. m., piano recital by l)ai Buell; 8:15 p. m., concern Hungarian Rhapsody No. 13.Liszt by the Hilger Trio. Levas Stone will play the leading WERRENRATH role in screen RECITAL fSTEINWAY(81 Aeolian Hull, 8:15 p. m." violin and the production of "The ._ _ PIANO*! 3 TOWN HALL, MONDA)¿IONIÍA . *».: : organ recital by Edwin Grasse: THURSDA'Y.Aeolian Hall, p. m., violin recital by George Raudenbush; Prisoner of Zenda" which Rex Ingrain ALL, ÎEBNOON,KKMl()\, NOVEMBERNOVKMBKR H, \: Sonata for piano and violin, Op. 30, 8:15 p. m., song recital by Harriet Van Emden, soprano; "No. 2, in C minor. Beethoven Carnegie is making. Alice Terry will be Prin¬ Norwegian I.*>ance, No. -1, in D minor, Hall, 8:30 p. m., concert by the Philharmonic Orchestra; Town and YOLANDA MERO HallN cess. Flavia Robcct Edcson will bo ¦¦' '** Grieg PIANO RE' ITA I, (3TgI*NWA"Yí:-"TB:."-:v. A IAN ¦.¦¦ No. in O 3 p. m., song recital by Dorothy Whittle, _?HLAT-_BEATS AT BOX OrnCB. Ponu Without Words. 3, Colonel Sapt. Mary O'Hara wrote the TOWN HALL, Tues.¦s. All., Nov. 1I tai:»t I »r.ajer; Sclierso in C minor.Grasse FRIDAY.Aeolian Hall, 8:15 p. m., piano recital by Alexander Aft., "lEOLIANlEOLIAN HALL, Wed.W« Aft., Not.M,a*"| iVgau Prelude, in E flat major.Bach Chlgrin- continuity. Sonata' tor organ.Grass»» sky; Carnegie Hall, 2:30 p. m., conceit by the Philharmonic Orchestra; 'Les Preludes'' .Ltaal-Grasse 8:15 p. m., violin recital by Helen Jeffrey. SKLAREVSKI V*^^ CRESPI re¬ PIANO) RECITAL*.RECl (Stelny VTOLIN RECI' Carnegie Hall, 3 p. m. Violin SATURDAY.Aeolian Hall, 3 p. m., recital John Élïii;^ .-Piano) cital Paul Kochanski: piano by Powell; 8:15 CARNEGÍERNEC HALL, SAT. by p. m., violin and organ recital by Edwin Martha AFTERNOON, NOV. 19th, at 2:30 Devil's Trill Sonata.'.Tartinl Grasse; Carnegie Hall, 3 p. Morton Will Rogers i .'.ilesro.J. 8. Bach m., violin recital by Paul Kochanski ; 8:30 p. m., concert by the Philhar¬ fME. r\* TIOÎ7 Prelude in E for violin alone. .. ,J. S. Bach M1 vvskl monic Town 3 Myths .Saymano Orchestra; Hall, p.m., piano recital by William Bachaus. for several nights and found hearty SONG RECITAL (STEINWA."*! "¦»' a ur.Zarzyckl ovnca, Browntyíakes Them laughter where formerly it was forced. TOWN HALI **''^' »urne» in D.Chopln-WilhelmJ "i-'» «*¦ vr; "«.-:. ï £* /.**. »l-UTAL Slavonic Dances in Q minor "I ji^/-.'hi ~ Dvorak-Kreisler began making other experiments NOV. 17. AT Jeanne;t. V-M-**T-a\LAVALy* A-fc»*J in and I have tried it in 'Arrest in Aeolian puno.) Hall, FrK - La Carnavel Russa.Wieniawski Laugh Any Key Mo,' Eve., No*.Not. 18. at 8:158:17*5 I TOWN HALL,HAIL. I ' **."' ÎI At 8:30 p. m. Concert by the Phil¬ Music Notes In which I play in the 'Greenwich Villago harmonic Orchestra: Coinedv Skits Follies.' I found in any comedy situa¬ JASCHA PESETZK! POVLAFRUSH Program. I Beeihover tion we call on the stago a sure-firo PIANO r1K«~lTAL. I BOXG KKCTTAT,. .'». 3; mphony No. 5. Guiseppe Danise, of the the (STEINWAT.) (M« Hamllr, Pias».) li tolio Concerto barytone | Metropolitan Opera Company, has "An audience can be made to laugh laugh that the audience always laughs TOWN Dronislaw Huberman Metropolitan Opera Company, whose HALL,'SUNDAY AFTERNOON, NOV. 20. AT 3 Vio. 3. returned from a second transcontinen¬ in any key, provided of course, they in the key in which I pitch my voice on Overture, "l.eoruare," lirst New York récitai was a feature of 2:30 recital tal tour with his.opera company. Six¬ want to laugh," says Joe E. Brown, the last word of the sentence. Town-Hall, p. m.; piano the will a re- I EMiyo William Bachaus: early season, give second teen cities were visited during the tour comedian in the Greenwich Village "I discussed this matter name ea.ru to remember. DEGOGORZA by citai at Carnegie Hall next Wednesday recently .1 voice hard to forget." taiaie, up. 17.Schumann of seven weeks. Follies, now at the Shubert Theater. with the president of a large college Variations on o theme by Paganini. evening. He will sing an aria from Brahms "I discovered quite accidentally," and told him of my experiment. He in B minor.Liszt Massenet's "Hérodiade," the Credo Mme. Emmy Desti.nn will at a Sonata sing says Mr. Brown, "that an actor can asked me to meet the dean of their "¡INTERNATIONAL CONCERT DIRECTION, INC., ANNOIM Ff » from Verdi's "Otello" and songs in concert to. bo given,next LUCY GATES Tuesday by make his audience laugh in any key. p<;ychologry department, and we dis¬ CARNEGIE Schoia Cantorum Announces Italian and French by Donaudy, Mess¬ her countrymen of of New . HALL, TUESDAY NOV. at 3. the.City The first time I observed this I v.aii cussed my experiments at some length. First New York Recital "THIRD NEW YORK AFTERNOON, 8, oí" Six Lecture-Musicale? ager, Barbirolli and Panizza. York for the benefit of the Czecho-Slo- RECITAL.ALL CHOPIN PROGRAM- Lories a scene wherein I hud re¬ Both the and the dean were of lliis Popular Soprano council of the Schola vak schools in this playing to president The advisory Vasa. the Bohemian violin¬ city. peat the same line, and each time it very loath to accept my conclusion, and KLurt Schindler, conductor, Prihoda, AEOLIAN HALL, FEB. 28th. Cantorum, will his first New York was to a I contended it be for E Y ist, give recital Yolanda supposed produAs laugh.
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    Il Cannone FRANCESCA DEGO plays Paganini’s Violin Francesca Leonardi piano Nicolò Paganini, 1820 Paganini, Nicolò Drawing courtesy of Associazione Amici di Paganini Il Cannone – Francesca Dego Plays Paganini’s Violin Nicolò Paganini (1782 – 1840) 1 La Clochette (1826)* 6:35 (La campanella) Rondo Finale from Concerto No. 2 in B minor, Op. 7 for Violin and Orchestra Arranged c. 1905 for Violin and Piano by Fritz Kreisler Frau Marie Rosselt in Dankbarkeit und Verehrung gewidmet Allegretto grazioso – Meno mosso – Tempo I – Meno mosso Tempo I – Molto moderato – Meno mosso – Più mosso Fritz Kreisler (1875 – 1962) Recitativo und Scherzo-Caprice, Op. 6 (c. 1911) 4:33 for Solo Violin À Eugène Ysaÿe, le maître et l’ami 2 Recitativo. Lento con espressione – Tranquillo – 2:32 3 Scherzo. Presto e brillante – Pesante – Energico – Pesante 2:00 3 John Corigliano (b. 1938) 4 The Red Violin Caprices(1997) 8:10 for Solo Violin Edited by Joshua Bell Theme = c. 60 – Variation 1. Presto – Variation 2. Con bravura – Fast and free – Variation 3. Adagio, languid – Variation 4. Slowly con rubato – Faster – Tempo I – Faster – Presto – Slower – Variation 5. Presto, pesante – Presto possibile Carlo Boccadoro (b. 1963) premiere recording 5 Come d’autunno (2019) 4:31 (As in Autumn) for Solo Violin A Francesca Dego ( = 150) – Cantabile, tempo flessibile – Poco più lento – A tempo [Cantabile] – Tempo I – Cantabile – Poco più lento – Tempo I, lontano, come un ricordo – Calmo – Tempo I – [Calmo] 4 Nicolò Paganini premiere recording 6 Cantabile, Op. 17 (1823)* 5:07 in D major • in D-Dur • en ré majeur • in re maggiore for Violin and Guitar / Piano Piano Accompaniment Arranged 2019 by Carlo Boccadoro A Francesca e Francesca [ ] Gioachino Rossini (1792 – 1868) 7 Un mot à Paganini (c.
  • An Identification of Past Influences and Current Trends in Australian Piano Pedagogy

    An Identification of Past Influences and Current Trends in Australian Piano Pedagogy

    An Identification of Past Influences and Current Trends in Australian Piano Pedagogy Monika Rutkowska BMus (Hons)(Newcastle) A thesis submitted in fulfilment of the requirements for the degree of Master of Philosophy (Music) June 2018 This research was supported by an Australian Government Research Training Program (RTP) Scholarship Master of Philosophy (Music) The University of Newcastle (Australia) Statement of Originality I hereby certify that the work embodied in the thesis is my own work, conducted under normal supervision. The thesis contains no material which has been accepted, or is being examined, for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to the final version of my thesis being made available worldwide when deposited in the University’s Digital Repository, subject to the provisions of the Copyright Act 1968 and any approved embargo. Monika Rutkowska June 2018 Monika Rutkowska - 3145630 ii Master of Philosophy (Music) The University of Newcastle (Australia) Acknowledgements I would sincerely like to thank my principal supervisor Conjoint Associate Professor Rosalind Halton and co-supervisor Nathan Scott for their valuable insights, guidance and willingness in helping me to grow both as a researcher and a writer. I would like to extend thanks to Dr Gian-Franco Ricci, who was the inspiration for studying this topic, and also my principal supervisor for the first half of this research project. A warm thank you to the survey and interview participants in this study, who generously gave their time, their reminiscences, and thoughts on teaching to this project.
  • Boston Symphony Orchestra Concert Programs, Season 54,1934-1935, Trip

    Boston Symphony Orchestra Concert Programs, Season 54,1934-1935, Trip

    Carnegie i>all • Heto gorfe Thursday Evening, January 3, at 8:45 Saturday Afternoon, January 5, at 2:30 Boston Symphony Orchestra [Fifty-fourth Season, 1934-1935] Dr. SERGE KOUSSEVITZKY, Conductor Personnel Violins BURGIN, R. ELCUS, G. LAUGA, N. SAUVLET, H:. RESNIKOFF, V. Concert-master GUNDERSEN, R. KASSMAN, N. CHERKASSKY, P. EISLER, D. THEODOROWICZ, J- HANSEN, E. MARIOTTI, V. FEDOROVSKY, P. TAPLEY, R. LEIBOVICI, J. PIN FIELD, C. LEVEEN, P. KRIPS, A. KNUDSON, C. ZUNG, M. BEALE, M. GORODETZKY, L. MAYER, P. DIAMOND, S. DEL SORDO, R. FIEDLER, B. BRYANT, M. STONESTREET, L. MESSINA, S. ZIDE, L. MURRAY, J. ERKELENS, H. seiniger, s. Violas LEFRANC, J. FOUREL, G. BERNARD, A. CROVER, H. ARTIERES, L. CAUHAPE, J. VAN WYNBERGEN, C. WERNER, H. AVIERINO, N. DEANE, C. HUMPHREY, G. GERHARDT, S. JACOB, R. Violoncellos FABRIZIO, E. BEDETTI, J. LANGENDOEN, J. CHARDON, Y. STOCKBRIDGE , C ZIGHERA, A. BARTH, C. DROEGHMANS, H. WARNKE, J. MARJOLLET, L. ZIMBLER, J. Basses GIRARD, H. KUNZE, M. LEMAIRE, J. ludwtg, 0. VONDRAK, A. MOLEUX, G. frankel, 1. DUFRESNE, G. JUHT, L. Flutes Oboes Clarinets Bassoons LAURENT, G. GILLET, F. polatschek, v. la US, A. r. BLADET, G. DEVERGIE, J. VALERIO, M. ALLARD, AMERENA, P. STANISLAUS, H. MAZZEO, R. El? Clarinet PANENKA, E. Piccolo English Horn Bass Clarinet Contra-Bassoon battles, a. SPEYER, L. MIMART, P. PILLER, B. Horns Horns Trumpets Trombones boettcher, g. VALKENIER, W mager, g. raiciiman, J. MACDONALD, W. LANNOYE, M. LAFOSSE, M. HANSOTTE, L. GRUNDEY, t. LILLEBACK, VALKENIER, w. SINGER, J. W. gebhardt, w. LORBEER, H. VOISIN, R. MANN, J. Tuba Harps Timpani Percussion ADAM, E.