YOUR DAILY SHEET OF EDINBURGH FESTIVAL REVIEWS: #07 THURSDAY 11 / FRIDAY 12 AUG

IN EDINBURGH ThreeWeeksGET THREEWEEKS CHILDREN’S SHOWS COMEDY DIRECT TO YOUR IN-BOX The Incredible Book Eating Boy Ivor’s Other Show There are even more reviews in the Bootworks Theatre Ivor Dembina/Laughing Horse Free Festival ThreeWeeks eDaily email. With the development of CGI, complex “Unplanned, unscripted and probably Sign up right now for free at animation and 3D films, it is easy to think different every day” is the synopsis for www.ThreeWeeks.co.uk/eDaily that more traditional forms of expression this hour-long show, led by Ivor Dembina. will struggle to have an impact on today’s The day I attended centred around how younger generation. But it is impossible humour can differ across the globe, with to forget the unique sense of joy that this two international comics joining Dembina premier production from Bootworks Theatre on stage. At this very light-hearted and brings: having watched the puppets and easy-going show, the audience were projection and enjoyed the quirky original actively encouraged to express their own soundtrack, I left with a permanent grin on opinions on humour and ask the comedians my face. The attention to detail and quick- questions. As interesting as many of the paced performance will leave you begging to subjects were, Dembina was far too serious watch it again – I and many others (judging at times and some parts came across as by the contents of their comment book) too regimented, however, when left to follow eagerly await their next venture. Enchanting its own natural flow, the show was very funny and adorable, this masterclass in addressing and thought-provoking. As the Free Fringe children, and the children at heart, will leave continues, this show will hopefully find its you absolutely mesmerised. stride, and generate even more laughs. Laughing Horse @ The Counting House, 4-28 Aug Pleasance Courtyard, 3 – 29 Aug (not 16), times (not 9, 16, 23), 3.30pm (4.30pm), free, fpp93. tw vary, £3.00 - £4.00, fpp22. tw rating 5/5 [ck] rating 3/ [lam]

Baba Yaga (And The Girl With James Loveridge... And The Kind Heart) Other Losers! Theatre Alba James Loveridge/Sam Hastings/Darius Davies/Luke Deep in Duddingston, a fabulous fairytale Capasso unfolds as we follow Anya on her quest to James Loveridge has just moved to London. defeat the evil Baba Yaga. Promenading He mentions this fact six or seven times around the magical Manse Garden, this in twenty minutes – which is a shame, show uses its location brilliantly, with twisting because his tales of provincial misadventure paths, towering trees and Duddingston Loch are by far the funniest parts of his set, all playing parts of the forest. Warm, funny delivered with witty self-deprecation and animals befriend and aid our heroine as she perfect timing. The role of the eponymous confronts the delightfully scary and boo-able ‘Other Loser’ is tonight taken by Sam Baba Yaga. Helen Cunin, Annabel Logan and Hastings, whose routine on the essential Frank Skelly also put in great performances differences between Americans and Brits in the supporting roles. Although slow is well-observed and smart. Unfortunately, to start and occasionally prone to losing he spends far too long condescendingly audience members in the forest (one scene explaining London-centric jokes to the SNAP OF THE DAY: Will you look at that? is almost over by the time the last of the predominantly Scottish audience, meaning audience arrives), this is an enchanting it’s hard to have much sympathy when his The cast of ‘The Dark Philosophers’, show. Well worth the trek to Duddingston. set is derailed by Scottish hecklers. A good Duddingston Kirk Manse Garden, 1 – 14 Aug, times show overall, but they’d do well to remember at the Traverse Theatre. Photo: Paul Collins vary, £5.00, fpp19. tw rating 4/5 [ab] that life does exist outside the M25. Laughing Horse @ Jekyll & Hyde, 5 – 27 Aug (not Baby Loves Disco 7, 14, 21), 5.35pm (6.35pm), free, fpp95 tw rating 3/5 [eb] Baby Loves Disco UK Ltd. Jackson Voorhaar Can’t Play James Sherwood - I Fed My Best A disappointed group of four are turned Baker And Thompson: Never Guitar - Free Friend Her Favourite Cow away at the heaving door of a boutique Made It To The RSC Jackson Voorhaar / Laughing Horse Free Festival Best Medicine Management Edinburgh nightclub. It’s not Saturday night Baker And Thompson The bastard offspring of Eddie Izzard As a show that convincingly argues on George Street, it’s Sunday afternoon at and Noel Fielding, Jackson Voorhaar is a that the terms ‘good’ and ‘bad’ are As the arts stare down the barrel of the cool indie club Electric Circus, and the group charismatic and likeable comic. His set flits obsolete, Sherwood sneakily avoids such gun at further cuts, the Fringe is perhaps consists of mummy, toddler and daddy with from music, which suffers from needing categorisation himself. He begins with the best place to offer satire on the state baby on his shoulders. ‘Baby Loves Disco’ the jokes explained to non-metal fans, to muscle-clenching awkwardness to an of acting in the UK. Comic duo Baker and has sold out the previous two years; so, if well-crafted observational humour, and unresponsive crowd on his exploration Thompson regale us with tales of their you fancy dancing, book early. For the lucky then back again to music - via Satanism. into the meaning of these terms. Shifting dreams and failures, notably to work for the ones, inside it’s disco delight, pumping 70s Although his anecdotes sometimes awkwardly from stand-up to scripted RSC, packaged tightly together with little funk and pop into the main room, with feeds meander for too long with too little pay-off, digressions, Sherwood seemed nervous. Shakespearean parodies. As the pair jump in the chill-out zone. On rotation, there are he keeps the audience laughing most of That said, he was performing to a wee from ‘Romeo and Juliet’ to ‘A Midsummer baby-type businesses occupying the back the time. Even when jokes fall flat, Voorhaar crowd in the Wee Room, and once on the Night’s Dream’, offhand quips, one-liners rooms. Be prepared: it gets hot, so bring recovers gracefully and keeps going, often keyboard, both he and the audience relaxed. and comebacks pepper the often sharp and plenty of water and snacks. And, of course, getting a secondary laugh for his troubles. He utilises music to ingenious ends, and it’s wisecrack exchanges. Yet while the piece be prepared to dance with your baby! Unfortunately, his take on musical comedy, sometimes unexpectedly witty and funny, harbours some interesting potential, its lack Electric Circus, 7, 14, 21, 28 Aug, 11.00am (1.00pm) although a novel idea, is rather forced and as well as skilfully played and sung. His of fluidity between gags becomes a little over and 2.00pm (4.00pm), £8.00, fpp19. tw rating 4/5 disrupts the rhythm of the show. Overall, surprisingly spectacular finale, gloriously [lc] familiar, and instead of building on some however, it is a solid performance by an mixing good and bad musically, exhibits great material, they leave us with much ado entertaining young comic. Sherwood’s talent as a musician and about nothing. The Counting House, 4 – 28 Aug, 2.15pm (3.15pm), comedian. But is it good or bad...? Laughing Horse @ The Three Sisters, 4-17 Aug (Not 15), free, fpp94. tw rating 3/5 [ab] 5:00pm (6:00pm), Free, fpp42. tw rating 3/5 [ajl] Gilded Balloon Teviot, 3 - 28 Aug (not 16, 23), 3.15pm (4.15pm), £7.00 - £8.00, fpp95. tw rating 3/5 [mm]

MORE REVIEWS PLUS NEWS, INTERVIEWS AND EXCLUSIVE COLUMNS: WWW.THREEWEEKS.CO.UK Brave New Irish Showcase – Free labelling her a nymphomaniac; her preferred It’s all exposed here via a mixture of film, Cock And Bull Story surprisingly likeable main characters and BraveNewIrish.com / Laughing Horse Free Fringe term is “sexually compulsive”, and it’s a dance, statistics, monologue, and – wait emeraldBLUE 2011 the neighbours, relatives, and love interests compulsion which, it seems, makes great for it – nudity. This show will be illuminating they dramatise with gusto, this piece offers One would think it nepotism for an Irish pub Loud, laddish and with hormones on the comedy. A brilliant young comic; go see her for audiences with little exposure to a moving account of Yorkshire emerging to host a showcase of Irish comedians on high, this two man play by Richard Crowe now because it’s unlikely she’ll be doing this professional dance, though there are some from the Thatcher period. the Edinburgh Fringe, but thankfully there and Richard Zajdlic addresses homophobia for free much longer. references which may go over the head of are enough laughs here for us to let it slide. head on. This prominent and poignant issue, Underbelly Cowgate, 4 - 28 Aug (not 17), 12.05pm punters less familiar with its world, while (1.05pm), £7.50 - £10.00, fpp269. tw rating 4/5 [tsr] Featuring, for its first ten days, the talents of Laughing Horse @ The Counting House, 5 – 29 Aug contrastingly dealt with in the context of the (not 14), 20:30pm, free, fpp73 tw rating 4/5 [dg] professional dancers will relate to many of Damon Blake and George Fox, it is probably insensitive Scottish boxing scene – complete the issues it addresses and enjoy the darkly for the best that the former opened the with the fiery fight scenes – make for a Hotel Medea humorous undertones. Though the concepts show. As he fired off a loosely connected Fran Moulds – Curtains very watchable production. The vibrant Zecora Ura Theatre/Para Active are clever, I was slightly lost in parts, and series of jokes that only sporadically hit the Fran Moulds/Free Festival script, combined with the superb timing In true Brazilian style, ‘Hotel Medea’ keeps the ending felt somewhat disconnected to mark, belly laughs became lost in a swamp An eccentric American storyteller running and commitment of the show’s two young you out from midnight to dawn. But there’s the rest of the piece. Overall though, this is of non-starters and obscure pop-culture a workshop, a Northern Irish theology actors, add up to something not unlike Rocky more: you will be touched, will parade, an enjoyable and educating performance, references that only raised titters from a lecturer giving a talk on sex, and a teenage crossed with a two-man version of Gregory won’t be allowed to be just an audience. certainly worth going to see. knowing few. Thankfully, Fox closes with a Islam “revert” from Bolton performing a Burke’s ‘Black Watch’. However, be wary of The leading lady will kiss you. ‘Hotel Medea’ highly imaginative set, which truly blossoms Dance Base, 5-21 Aug (not 8, 15), 12pm (12:40pm), the Fringe Programme’s lenient rating: the video diary: this eclectic group make up £7.00 fpp168 tw rating 3/5 [efs] blends rave, live documentary, satire, when he starts applying Facebook logic to the bill for Fran Mould’s sixth Edinburgh content is far from PG. On brief occasions, tragedy and hide and seek. The troupe the real world. Festival show “Curtains”. Moulds ushers in the cast or script appears to flag, but overall harness the manifold powers of a late night - Shutterland Laughing Horse @ Finnegan’s Wake, 4 – 27 Aug the audience in character before giving an this is a well observed theatrical piece that exertion endorphins, the emotional effects of (not 7, 14, 21) 6.00pm (7.00pm), free, fpp52 tw arresting and enthusiastic performance, Rhum & Clay Theatre Company packs a punch. sleeplessness, chants and crowd psychology rating 3/5 [rss] transitioning from one character to the next “Get back in your box!” Shutterland is an New Town Theatre, 4 - 28 Aug, 7.30pm (9.00pm), – and they build dreamlike things to replace with simple yet effective accessory changes. exuberant four-man performance exploring £10.00 - £12.50, fpp250. tw rating 3/5 [ck] the dreams we’re missing; they lull you back Chortle Presents: Fast Fringe However, while the characters themselves surveillance society and individual freedom: to childhood; they make you comfortable Chortle are well-executed in terms of accent and Lublin, the main character, is totally unaware Cutting the Cord in absurdity; they end on the first and A show that presents the best of Edinburgh delivery, the material itself is often lacklustre that he is living in a world in which he has Flying Eye strongest narrative device: a real dawn. It and slow. A shorter, punchier slot for each never made a decision for himself. The cast is tender, shocking and indescribable. Lose comedy in one sitting sounds promising. From the outset, Sachi Kimura wrong-foots character would allow Moulds to convey her manage to tackle such heavy concepts with sleep over this. Unfortunately, this is no such show. ‘Chortle the audience by asking them to mill around well-crafted personae more effectively. It is a light touch, and their agile movement Presents: Fast Fringe’ left me wondering on-stage; they’re immediately captivated and Summerhall, 5, 6, 12, 13, 19, 20, 25, 26, 27 Aug, an interesting concept, but still in need of - refined through training at the Lecoq 11:45pm (5:30am), £25.00 - £29.50, fpp253. tw how many synonyms for ‘mediocre’ I could ready to hear the story of a Tokyo-girl in some tweaking. School in Paris - is combined with physical rating: 5/5 [gl] fit in one review. The acts in this variety-style London, a composite tale built from several comedy to great effect. The sound effects, show range from tolerable to dull, with only Laughing Horse @ The Three Sisters, 5 – 28 Aug (not real migrants’ stories. Sachi is a solid brick a couple of average stand-ups. Dubious 6, 13, 20, 25) 3.00pm (4.00pm), free, fpp80 tw rating lighting and music all add to a slick show, I, The Dictator 3/5 [ec] of goodwill, and immensely likeable. Her while the intimacy of the performance space Wiczy Theatre highlights include a musical comedy act affected accent is occasionally faulty, but enhances the connection to the audience. A which aims for quirky but achieves juvenile, the rough English is vital to the character There are many excellent ways to begin a Gavin Webster: All Young great first Edinburgh production for Rhum and a characterless man in a bear costume. and she rapidly improves. There are so Fringe performance, but standing at the and Clay Theatre Company. The line-up changes daily so perhaps it People Are C**ts many tiny things executed well, including an front of the stage in one’s underpants is was simply the wrong date. Based on Gavin Webster/The Stand Comedy Club Zoo, 5-29 Aug (not 22), 4:15pm (5:15pm), £7.00 - extended metaphor where she - as a hermit seldom one of them. In this tediously long £9.00 fpp176 tw rating 4/5 [efs] today’s pedestrian offerings, however, if As the title perhaps might not indicate, crab - is stuck between two shells. The hour, Krystian Wieczynski ham-fistedly this showcased anything, it was the most Webster’s prime target is the twenty- show is most poignant in its depiction of the attempts to explore the similarities between humdrum of second-rate comedy. I may something. Yet his railing against their harsh hypocrisy of immigration: “I am more Charlie Chaplin and Hitler, against the have smirked once or twice but I certainly upward inflections and overuse of the word THEATRE Japanese here, but I must also be more backdrop of the film ‘The Great Dictator’. didn’t chortle. ‘like’ is not articulate enough to transcend British than the British”. Wieczynski’s strong accent makes the Pleasance Dome, 3 - 27 Aug, 6.40pm (7.40pm), the obviousness. A likeable, effusive man, The 2 Sides Of Eddie Ramone Underbelly, 4 - 27 Aug (not 15), 6.45pm (7.40pm) bizarre show even harder to follow, and £6.00 - £9.50, fpp56. tw rating 2/5 [ek] £8.50 – £10.50, fpp253. tw rating: 4/5 [gl] his attempts to speak and move ostensibly his show sadly lacks comedic impact, and Chris Sullivan after a promising start, things peter out; hypnotically come across as merely In this thoughtful piece, Eddie Ramone (Chris Comic Strip a Frankie Boyle impression is a particular irritating. Punctuated with abominable tap- Sullivan) reflects on the strange duality of Dusk Rings A Bell Assembly low point. The show’s blurb advertises a dancing and worryingly incremental stages a comedian’s life where one moment he HighTide Festival Theatre / Escalator East To “rabble-rousing” comic, but this is more like Edinburgh of nudity, this faux-arthouse performance With its vivid 1960s atmosphere, the may be the darling of a crowd, and the next, listening to a mildly amusing talk; though manages to baffle and bore in equal Dans Paleis forms the perfect setting sitting alone and gloomy in a darkened bar. The acting is top quality, the delivery is there is the occasional good riff, nothing is measure. A waste of time, money and a for this innovative concept for late-night His initial 15 minute stretch of bad stand-up good, the staging is excellent – so what’s really memorable. I no longer qualify for a perfectly good venue; any free tickets you entertainment. Compèred by Australian is revealed to be purely an act when he the problem? The play, unfortunately. A young person’s railcard, but I imagine I will receive should be considered overpriced. comic Asher Treleaven and featuring a begins to slip between his “autopilot” stage sustained dialogue between 39-year-old be classed as a c**t for saying hilarity is New Town Theatre, 4 - 28 Aug (not 15), 2.00pm host of different acts on its various nights, persona and his ongoing internal thoughts. communications expert Molly, and ex- not here. (3.00pm), £8.00 - £12.00, fpp272. tw rating 1/5 [zg] this evening of comedy is interspersed He holds the rapt attention of the audience flame and felon Ray, the drama unfolds The Stand Comedy Club II, 3 – 28 Aug (not 4, 15), with burlesque dancing and strip-tease. It’s throughout the story of his personal life, around their chance meeting, budding surprisingly light, though, and is something 5.50pm (6.50pm), £7.00 - £8.00, fpp82. tw rating relationship, and the ramifications of Ray’s Medea 2/5 [dp] but the true interest of the show lies in the Fraser Cannon Productions and Critical Mass that can be enjoyed by both genders, while contrast of his shallow stage persona with past. Stephen Belber’s script attempts a the relaxed ambience makes it an excellent complex exploration of humanity, crime Euripides’ tragic tale of betrayal and Ian Fox Exposes Himself the gradually revealed pain and sorrow way to see a good variety of performers which colour the life of even some the most and redemption, but errs in making his alienation is expertly given a modern edge Ian Fox for a reasonable sum of money. This gentle successful show-people. characters just too unsympathetic. Molly in this production from Fraser Cannon. An show provides the perfect introduction Ian Fox takes photos of funny things - like, theSpaces @ Surgeons Hall, 6 - 27 Aug (not 7, 14, hides her emotional distance behind a adapted script from Stella Duffy sees much to a genre that is often the subject of say, the back of his cat’s head, or fat people 21), 6.00pm (7.00pm), £5.00, fpp307. tw rating 3/5 veneer of eloquence, while Ray’s tormented of the language transformed to give more misunderstanding, so even if you have never - and then tells us about them with help from [zg] outcries often seem like unjustified self-pity. of a contemporary feel, whilst still retaining fancied yourself much of a burlesque lover, his laser-pointer. His agreeable commentary The play is at its best when dissecting the the essence of the original Greek story. you may find yourself converted. runs gently over the top, mixing in with Are You Happy Now? - Free flaws of its characters, and at its worst Nadira Janikova in her portrayal of Medea Assembly George Square, 4 -7, 11 – 14, 19 -21, anecdotes about how the photos came to New Room Theatre / PBH’s Free Festival when attempting to sympathise with them. manages to brilliantly capture the agony of 26 - 28 Aug, times vary £13.00 - £15.00, fpp60. tw be taken and more general musings on But perhaps you’ll be more forgiving. being ostracised and abandoned for another rating 4/5 [aq] Four men, two relationships, one train life. A well-crafted anecdote about getting Assembly George Square, 6, 7, 9, 10, 11, 16, 17, 18, woman, and her subsequent thirst for station waiting room. This is a play that his shaved-headed friend to accidentally 23, 24, 29 Aug, 2.00pm (3.20pm), £9.00 - £12.00, revenge that follows, in a performance that explores the complexities of modern Enjoy Yourself – It’s Later Than attend an English Defence League rally is fpp258. tw rating 3/5 [jc] is truly absorbing. With a well presented relationships in a claustrophobic setting. an unexpected highlight, but ultimately Fox’s chorus that uses music to help capture the You Think The four characters are played by two men, set is a bit too much like someone showing The Girl With The Iron Claws burning torment of the “barbarian”, this is Lenny Peters which works for the most part but at times you their holiday snaps. While some of his Wrong Crowd a production that is well worth watching, Lenny Peters really wants us to enjoy feels a little muddled and breaks up the stories are genuinely funny, the photos regardless of one’s interest (or not) in Greek ourselves. Really. He tells us more than once plot; as a result, the show occasionally lacks Enchanting and eerie, this freshly-told themselves are not really worthy of the tragedy. - in words which he may have pulled straight fluidity. Moreover, some of the dialogue is a fairy tale remains traditional enough to be lavish attention that is bestowed on them. from a self-help manual - that his show is comforting. A princess falls in love with a Assembly George Square, 3 - 29 Aug, 6.30pm little stilted and a couple of scenes seem to (7.35pm), £10.00 - £13.00, fpp279. tw rating 4/5 all about getting us to make the most of our Laughing Horse @Espionage, 4 - 28 Aug, 2.30pm king in bear form (much in the vein of ‘The (3.30pm), free, fpp90. tw rating 2/5 [sj] drag, Despite this, the actors themselves [aq] lives. However, this combination of stand-up are very good and explore their characters Princess And The Frog’), and faces down the and improv, punctuated inexplicably by effectively, while the space is used cleverly Troll Queen to rescue him. The splendidly quotations from famous writers, fails to fulfil It’s The End Of The World As We and story-lines interweave well. It’s an versatile four-person cast, augmented by its grandiose promise. Peters tells a series Know It - Free original and challenging play that’s well portable puppets, fuse drama, silhouette, of confessional tales about relationships, Kooky Babooshka / Laughing Horse Free Festival thought out, and leaves you still thinking it and a smattering of song excellently, but special mention must go to Laura Cairns, child-raising and alcoholism, which are There are a hell of a lot of stupid things over long after you’ve seen it. who withstands being upstaged by her own more pitiful than comic; he provokes in the world; Scientology, health & safety, Kiwi Bar @ Walkabout, 5 - 28 Aug (not 8, 15, 22), double in puppet form. Vocally and physically the odd giggle, but too many of his jokes people calling their kids names like Trojan... 2.30pm (3.30pm), free, fpp239. tw rating 3/5 [lam] brilliant, the actors bring to life a bickering centre around crude regional and national Kooky Babooshka riffs on lots of them in royal family, a trio of identical crones, and stereotypes. The puns are predictable and this sketch show about how this Darwin- Circus Of The Orient the advice trite; there are undoubtedly a quest that everyone in the audience can tested world is in danger from an epidemic Up for a swinging time? Led by Chinese pole- better ways to enjoy yourself at this year’s take to heart. Particularly recommended for of stupidity. At times these four Geordie jumping ‘Trio Serik’, ‘Circus of the Orient’ Fringe. girls who yearn to be princesses without a girls are very funny but unfortunately they springs into action from the start. This big- Laughing Horse @ Espionage, 4 - 28 Aug (not 8, 15, hint of pink. are also a bit hit-and-miss. Additionally, they top stage production combines acrobatics, 22), 3.30pm (4.30pm), free, fpp 71 tw rating 2/5 [lm] could do with learning when to stop; a lot Underbelly Cowgate, 4 - 28 Aug, 1.35pm (2.35pm), clowning antics and audience participation, £7.50 - £10.00, fpp266. tw rating 5/5 [tsr] of their funniest sketches have a habit of making it certainly one for children, but Fabulous Abs falling flat due to weak, often unnecessary also for adults who secretly delight at the The Historians Abigoliah Schamaun punchlines tacked on the end. The energy of thought of a trapeze act. Triple somersaults, Hot Ice Theatre “People write reviews about me saying the group is infectious, however, and their trampoline routines and kung fu mastery I’m funny, because, as you’ve probably innovative version of ‘Poker Face’ alone is mesmerise the audience and make Chavs! Or so you might think, but these worth turning up for. Halifax lasses refuse to be stereotyped. noticed, I am funny…” drawls the Ohio-born time itself fly by. Keep an eye out for the Get lots more ThreeWeeks reviews stand-up, exhibiting that type of confidence Laughing Horse @ Espionage, 4 - 28 Aug (not 9, 16, springboard style of Julio Troupe, the aerial Chucker and Mucker shoplift sweets from that Americans just seem to be born 23), 8.45pm (9.45pm), free, fpp93. tw rating 3/5 [im] grace of Monalisa and the unbelievable Woolies and share them with - well, hurl in your inbox with the eDaily with. However, this statement is not just Shaolin Warriors. And with plenty of them at - the audience, torment the snotty ThreeWeeks.co.uk/edaily arrogance – self-titled “chubbiest yoga clowning around – literally – from ‘Duo girl two doors down, and dance their faces teacher in America” Schamaun is not just DANCE & PHYSICAL THEATRE Delbosq’, there is something for everyone in off at nightclubs. Yet they’re self-aware funny, she’s hilarious. Her self-deprecating this family friendly show. A real, traditional enough to ponder their diverging lives ThreeWeeks Publishing, a division of UnLimited Media, Unicorn House, 221 anecdotes are full of sensational smut, Arnica 9CH circus experience. from the perspective of Beacon Hill. A few more links would tighten the plot – the Shoreditch High Street, London, E1 6PJ. including various kiss-and-tell tales of “classy” Maud Liardon Meadows Theatre Big Top, 6 - 14 Aug, times vary, threesomes, funny fellatio and the mystifying £12.00 - £16.00, fpp250. tw rating 4/5 [ep] basis of Chucker’s nickname is hinted Printing by Smart Design & Print. Life as a dancer: body issues, alcohol, poor at, then dropped, and whatever happens “folds” of the vagina. But don’t be mistaken in Credits at www.ThreeWeeks.co.uk/credits sex-life and premature arthritis. Who knew! to the snotty girl? Overall, between the TW RATINGS EXPLAINED: 1/5 BAD | 2/5 MEDIOCRE | 3/5 GOOD | 4/5 VERY GOOD | 5/5 BRILLIANT