Die Kulturgeschichte Des Japanischen Bauernhauses
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Training Report on Cultural Heritage Protection
Training Report on Cultural Heritage Protection Training Course for Researchers in Charge of Cultural Heritage Protection in Asia and the Pacific 2011 - Indonesia - 5 July - 4 August, 2011, Nara, Japan Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) Training Report on Cultural Heritage Protection Training Course for Researchers in Charge of Cultural Heritage Protection in Asia and the Pacific 2011 - Indonesia - 5 July - 4 August, 2011, Nara, Japan Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) Edited and Published by Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) 757 Horen-cho, Nara 630-8113 Japan Tel: +81-(0)742-20-5001 Fax: +81-(0)742-20-5701 e-mail: [email protected] URL: http://www.nara.accu.or.jp Printed by Meishinsha Ⓒ Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) 2012 Practical training of taking rubbing Practical training of drawing Practical training of photography The closing ceremony at the ACCU office Preface The Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU Nara) was established in August 1999 with the purpose of serving as a domestic centre for promoting cooperation in cultural heritage protection in the Asia-Pacific region. Subsequent to its establishment, our office has been implementing a variety of programmes to help promote cultural heritage protection activities, in close cooperation with the Agency for Cultural Affairs, Japan (Bunkacho); National Institutes for Cultural Heritage, National Research Institute for Cultural Properties, Tokyo and Nara; the Nara Prefectural Government; the Nara Municipal Government; universities; and museums. -
Conceito De Mínimo Na Arquitetura: Proposta Para a Quinta Do Canavial (Covilhã)
UNIVERSIDADE DA BEIRA INTERIOR Engenharia Conceito de Mínimo na Arquitetura: proposta para a Quinta do Canavial (Covilhã) Ana Catarina Novais Gavina Dissertação para obtenção do Grau de Mestre em Arquitetura (ciclo de estudos integrado) Orientador: Prof. Doutor Ana Maria Tavares Ferreira Martins Co-orientador: Prof. Doutor Miguel Costa santos Nepomoceno Covilhã, Abril de 2016 ii Dedicatória Aos meus pais e irmã. iii iv Agradecimentos A todos aqueles que me acompanharam neste percurso, família, amigos, orientadores mas em especial aos meus pais e irmã que sem eles era impossível chegar até ao fim. v vi Resumo A presente dissertação irá abordar como tema fulcral a Habitação tendo de conceito principal o mínimo nas suas múltiplas vertentes. Desta forma, intrínsecos a esta temática, estão conceitos como o Minimalismo, a Flexibilidade e Funcionalidade. Apesar do Minimalismo ter tido as suas origens nas Artes Plásticas, em meados do séc. XX, já anteriores movimentos arquitétónicos tinham revelado resultados concordantes com os do Minimalismo (enquanto corrente estilística), como poderemos analisar através de exemplos escolhidos a nível do património histórico e do património contemporâneo da cela mínima e da habitação mínima, na Parte I. Respetivamente, o primeiro refere-se às celas monásticas e o segundo é relativo ao habitar mínimo tipicamente japonês, analisando pormenorizadamente os seus componentes e formas de habitar. Conclui-se a Parte I com um estudo da flexibilidade e multifuncionalidade de uma habitação, anunciando a filosofia “a forma segue a função”. Seguidamente, a Parte II, é exclusivamente dedicada à proposta do protótipo da habitação minimalista. Analisa-se primeiramente o terreno em questão, avaliando as suas considerações juntamente com as condicionantes da família do cliente. -
Shinto Ritual Building Practices
Shinto Ritual Building Practices Philip E. Harding History of Art 681 The Ohio State University Shinto, the native religion of Japan, is a very diverse tradition yet one unified by certain ritual practices. Roughly speaking, Shinto can be divided into “folk Shinto” and “shrine Shinto,” but even within these divisions can be found considerable diversity. Every village has its own local traditions that operate independently from, yet related to the shrine tradition. (The folk activities take place on land owned by the shrine.) Within the shrine system there is also diversity, and today we can readily identify at least eighteen separate cults, each with its own style of shrine building1. Within Japan’s own official histories the shrine tradition, particularly the Imperial shrine tradition, has been given the most attention. This tradition experienced continental influences from China and was the one with which the Japanese upper class identified itself. Japan’s folk traditions, practiced in the locale where they first evolved, have largely gone without reference in Japan’s history of art and architecture. Both traditions, however, embrace many related themes and practices. One can find formal dualities expressed in the design of the folk forms and layouts of shrine buildings, as well as some shared motifs such as a “heart pillar.” Most significantly, both traditions periodically build and re-build sacred structures so that the particular built forms are simultaneously ephemeral and enduring – sharing in a kind of temporal immortality. These periodic rebuilding practices serve to reinforce cultural memory and place individuals into the larger stream of sacred time which transcends the temporal, constantly changing world of mortal time. -
Full Download
VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン=ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS -
Ryokan Sono Alberghi in Stile Giapponese
Naima-Is-Online RRYYOOKKAANN I ryokan sono alberghi in stile giapponese. Al loro interno, si applicano le stesse norme generali di comportamento delle abitazioni in stile tradizionale e dei templi e santuari, quindi parte delle indicazioni contenute in questo documento potranno tornarvi utili anche in caso decideste di non soggiornare in ryokan. Vediamo di seguito i principali aspetti della vita quotidiana in un ambiente tradizionale giapponese. LA STANZA GIAPPONESE: WASHITSU Una caratteristica peculiare delle stanze in tatami (pavimenti in paglia intrecciata) è la loro doppia valenza: esse si trasformano da stanza da giorno a camera da letto in un attimo. Di giorno, infatti, nella stanza c'è solo il tavolo basso con i cuscini su cui sedersi, mentre la sera la cameriera sposta il tavolo e stende i futon (materassi) per terra, preparandoli per la notte. Il mattino, lasciata libera la stanza, la cameriera stende i futon a prendere aria prima di riporli nell'armadio e prepara il tavolo in centro alla stanza. Questo ciclo si ripete ogni giorno. In alcuni ryokan, la stanza viene sempre lasciata allestita a notte. Se si soggiorna in un minshuku, ryokan a conduzione familiare, e' probabile che siano gli stessi ospiti a doversi preparare il futon. Nelle stanze vengono serviti tè verde e dolcetti ogni giorno. www.naima-is-online.it di Alessia Ravelli Pag. 1 Naima-Is-Online Le donne siedono sui cuscini inginocchiate, o al massimo inginocchiate con le gambe messe leggermente di traverso, mentre gli uomini possono sedere inginocchiati o a gambe incrociate. Questa regola vale sempre quando si è sui tatami: al ristorante, nella camera del ryokan, al tempio, ecc. -
Durham E-Theses
Durham E-Theses Transience and durability in Japanese urban space ROBINSON, WILFRED,IAIN,THOMAS How to cite: ROBINSON, WILFRED,IAIN,THOMAS (2010) Transience and durability in Japanese urban space, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/405/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Iain Robinson Transience and durability in Japanese urban space ABSTRACT The thesis addresses the research question “What is transient and what endures within Japanese urban space” by taking the material constructed form of one Japanese city as a primary text and object of analysis. Chiba-shi is a port and administrative centre in southern Kanto, the largest city in the eastern part of the Tokyo Metropolitan Region and located about forty kilometres from downtown Tokyo. The study privileges the role of process as a theoretical basis for exploring the dynamics of the production and transformation of urban space. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
The Miare Festival Is an Expression of the Living Faith of Local Fishermen. Chapter 3 Justification for Inscription
The Miare Festival is an expression of the living faith of local fishermen. Chapter 3 Justification for Inscription 3.1.a Brief Synthesis 3.1.b Criteria Under Which Inscription is Proposed 3.1.c Statement of Integrity 3.1.d Statement of Authenticity 3.1.e Protection and Management Requirements 3.2 Comparative Analysis 3.3 Proposed Statement of Outstanding Universal Value The Sacred Island of Okinoshima and Associated Sites in the Munakata Region Chapter 3 Justification for Inscription Justification for Inscription 3.1.a Brief Synthesis The Sacred Island of Okinoshima and Associated Sites in the Munakata Region is located in the western coastal area of Japan. It is a serial cultural property that has eight component parts, all of which are linked to the worship of a sacred island that has continued from the fourth century to the present day. These component parts include Okitsu-miya of Munakata Taisha, which encompasses the entire island of Okinoshima and its three attendant reefs, located in the strait between the Japanese archipelago and the Korean peninsula; Okitsu- miya Yohaisho and Nakatsu-miya of Munakata Taisha, located on the island of Oshima; and Hetsu-miya of Munakata Taisha and the Shimbaru-Nuyama Mounded Tomb Group, located on the main island of Kyushu. Okinoshima has unique archaeological sites that have survived nearly intact, providing a chronological account of how ancient rituals based on nature worship developed from the fourth to the ninth centuries. It is of outstanding archaeological value also because of the number and quality of offerings discovered there, underscoring the great importance of the rituals and serving as evidence of their evolution over a period of 500 years, in the midst of a process of dynamic overseas exchange in East Asia. -
OBJETIVOS: Reduzir a Quantidade De Lixo Comum Em 50% . . . E Aumentar a Taxa De Reciclagem Para
OBJETIVOS: reduzir a quantidade de lixo comum em 50% . Edição Revisada Outubro de 2016 e aumentar a taxa de reciclagem para 33% ÍNDICE Parte 1 Rumo à redução do lixo e aumento da reciclagem 3 O que podemos fazer agora 3 Para reaproveitar os recursos, é necessário separar 3 Drenar a água, secar o lixo, fazer a compostagem 3 O novo sistema dos “Sacos da Dieta do Lixo” 4 Parte 2 Categorias de Lixo e Métodos de Processamento 6 11 Categorias de Lixo e 20 tipos de artigo 6 Lixo Queimável(Lixo Comum) 6 Lixo de Embalagens Plásticas 7 Papéis Recicláveis 9 Latas 10 Metais 10 Lixo a ser Triturado 11 Garrafas de Vidro 11 Lixo Tóxico 12 Garrafas PET 12 Lixo a ser Aterrado 13 Lixo de Grande Porte (77 artigos designados) 14 Roupas e artigos de tecido: locais de coleta 17 Estações de reciclagem 18 Parte 3 Lixo que a Prefeitura não recolhe 19 1. Lixo em grande quantidade ou de grandes dimensões 19 2. Pneus e Baterias 19 3. Descarte de eletrodomésticos regulado por lei 20 4. Computadores 21 5. Veículos de duas rodas 21 6. Extintores de Incêndio 22 7. Botijão de Gás Propano 22 8. Limpeza de Banheiros Químicos 23 Parte 4 Descarte ilegal de lixo e outras questões 24 1. Descarte ilegal de lixo 24 2. Incineração ao ar livre 24 3. Empresas privadas para coleta de lixo comum 25 ◆ Lista de materiais em ordem alfabética: como separar cada item 26 ◆ LIXO QUE NÃO DEVE SER JOGADO NO LOCAL DE COLETA DE SEU BAIRRO NEM LEVADO AO BIKA CENTER RUMO À REDUÇÃO DO LIXO E AUMENTO DA RECICLAGEM “Smart city”: cidade, pessoas e meio ambiente em harmonia ●O que podemos fazer agora O descarte de lixo é uma questão crucial para se pensar o meio ambiente global. -
By \O-Icniro Hakomori,Hiroyuki Nagahara,Herbert Plutschow. UCLA Fowler Museum of Cultural History,Textile Series, No. 6. L
BOOK REVIEWS 331 ing and accompaniment (“Hagoromo”),and two pieces from the classical shakuhachi reper tory (“Kokd” and “Tsuru no sugomori”)perhaps played by Higuchi Taizan. Recordings such as the ones reissued on this CD are perhaps not of sufficiently high quality to allow one to lie back in the easy chair and partake in sheer aesthetic delight, but for the scholars or other listeners who wish to make good use of their facility of imagination these wax cylinders are real treasures. The explanatory notes by Ingrid Fritsch, well known for her outstanding work on Japanese shakuhachi music and the various groups of Japanese blind musicians, are a model of what such work can be. The engineers, too, have done more than one might expect, providing faithful reproductions of antiquated sources that now stand a good chance of survival.A further publication of the Japan collection of Lachmann (1924—1925) and Schiinemann (1924) has been announced. An additional ten years of tech nological development no doubt meant far more then than it does now and I look forward to hearing what has so long remained tantalizing but out of reach. REFERENCES CITED G roemer, Gerald 1999 The Arts of the Gannin. Asian Folklore Studies, 53: 275-320. Yomigaeru Opp吹epee: 1900-nen Pari-banpal^u no Kawahami ichiza, CD, Toshiba EMI, TOCG 5432 (1997). Gerald GROEMER Yamanashi University Kofu, Japan Gonick, G loria Ganz. Matsuri! Japanese Festival Arts. With contributions by \o-icniro Hakomori,Hiroyuki Nagahara,Herbert Plutschow. UCLA Fowler Museum of Cultural History,Textile Series, No. 6. Los Angeles: UCLA Fowler Museum of Cultural History,2003. -
Watanabe, Tokyo, E
Edition Axel Menges GmbH Esslinger Straße 24 D-70736 Stuttgart-Fellbach tel. +49-711-574759 fax +49-711-574784 Hiroshi Watanabe The Architecture of Tokyo 348 pp. with 330 ill., 161,5 x 222 mm, soft-cover, English ISBN 3-930698-93-5 Euro 36.00, sfr 62.00, £ 24.00, US $ 42.00, $A 68.00 The Tokyo region is the most populous metropolitan area in the world and a place of extraordinary vitality. The political, economic and cultural centre of Japan, Tokyo also exerts an enormous inter- national influence. In fact the region has been pivotal to the nation’s affairs for centuries. Its sheer size, its concentration of resources and institutions and its long history have produced buildings of many different types from many different eras. Distributors This is the first guide to introduce in one volume the architec- ture of the Tokyo region, encompassing Tokyo proper and adja- Brockhaus Commission cent prefectures, in all its remarkable variety. The buildings are pre- Kreidlerstraße 9 sented chronologically and grouped into six periods: the medieval D-70806 Kornwestheim period (1185–1600), the Edo period (1600–1868), the Meiji period Germany (1868–1912), the Taisho and early Showa period (1912–1945), the tel. +49-7154-1327-33 postwar reconstruction period (1945–1970) and the contemporary fax +49-7154-1327-13 period (1970 until today). This comprehensive coverage permits [email protected] those interested in Japanese architecture or culture to focus on a particular era or to examine buildings within a larger temporal Buchzentrum AG framework. A concise discussion of the history of the region and Industriestraße Ost 10 the architecture of Japan develops a context within which the indi- CH-4614 Hägendorf vidual works may be viewed. -
The Goddesses' Shrine Family: the Munakata Through The
THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA by BRENDAN ARKELL MORLEY A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2009 11 "The Goddesses' Shrine Family: The Munakata through the Kamakura Era," a thesis prepared by Brendan Morley in partial fulfillment ofthe requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies. This thesis has been approved and accepted by: e, Chair ofthe Examining Committee ~_ ..., ,;J,.." \\ e,. (.) I Date Committee in Charge: Andrew Edmund Goble, Chair Ina Asim Jason P. Webb Accepted by: Dean ofthe Graduate School III © 2009 Brendan Arkell Morley IV An Abstract ofthe Thesis of Brendan A. Morley for the degree of Master ofArts in the Interdisciplinary Studies Program: Asian Studies to be taken June 2009 Title: THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA This thesis presents an historical study ofthe Kyushu shrine family known as the Munakata, beginning in the fourth century and ending with the onset ofJapan's medieval age in the fourteenth century. The tutelary deities ofthe Munakata Shrine are held to be the progeny ofthe Sun Goddess, the most powerful deity in the Shinto pantheon; this fact speaks to the long-standing historical relationship the Munakata enjoyed with Japan's ruling elites. Traditional tropes ofJapanese history have generally cast Kyushu as the periphery ofJapanese civilization, but in light ofrecent scholarship, this view has become untenable. Drawing upon extensive primary source material, this thesis will provide a detailed narrative ofMunakata family history while also building upon current trends in Japanese historiography that locate Kyushu within a broader East Asian cultural matrix and reveal it to be a central locus of cultural production on the Japanese archipelago.