Feminist Newsletter GR Serve Day - May 28, 2015 GR Feminist Club: Women in Nerd Who We Are & What We Do Culture by Maddy Broderick and Clara Levy Around the World

Total Page:16

File Type:pdf, Size:1020Kb

Feminist Newsletter GR Serve Day - May 28, 2015 GR Feminist Club: Women in Nerd Who We Are & What We Do Culture by Maddy Broderick and Clara Levy Around the World Feminist Newsletter GR Serve Day - May 28, 2015 GR Feminist Club: Women in Nerd Who We Are & What We Do Culture By Maddy Broderick and Clara Levy around the world. This past year, we By Maddy Broderick As future Feminist Club raised money for several organization, ¨Nerd Culture” has never presidents, this club has meant a lot to one being the Survivors of Acid Trust been more mainstream than today. us over the past 3 years. Feminist Club International, which raises money for When comic books, video games, is dedicated not only to the discussion women who are victims of acid attacks. and movies with ¨nerdy” themes first and education of Feminist ideas, We also had a toiletries drive to benefit came out, they never had the reach that intersectionality, and sexism around the Safe House Shelter in Bloomfield they do now. Between ComicCons in the world, but has also become a safe for victims of domestic abuse, and last San Diego, New York, and Toronto, space for anyone to come and express year we ran a clothing drive for Oasis Star Trek conventions, and the rise in themselves and their ideas, regardless Women’s Shelter in Paterson. We hope popularity of cosplay, nerd culture has of gender identity or sexuality. to extend our outreach over the next never been less, well, nerdy. The stigma We do important work. few years, finding more charities and around nerd culture has almost entirely Feminist Club works hard to reach out causes, and hopefully getting more alleviated. Nerd culture and pop culture to all students in the school, because students involved. have become virtually intertwined. Feminism is for everyone. The door Feminist club is all about This has lead to more people becoming is open every Thursday beginning at creation, education, and change. We interested in this culture. However, it 3 in Room 225, and all students are create projects (and sometimes crafts!), has also lead to the shutting out of a welcome to come and talk with us. we educate others and ourselves on group of people: women. We share movie clips, poems, songs, issues going on in the world, and we Women are constantly and pictures of Joe Biden on occasion. try to make change happen in and out questioned when it comes to their We talk about not only sexism, but its of our community. I strongly encourage love of all things nerdy, they accused intersections with race, class, sexuality, anyone interested to stop in on a of being ¨fake geek girls¨ who are just gender identity, and how it affects us meeting next year and see what it’s all into nerd culture for the attention. Girls and the world we live in. about, because Feminism really is for in comic book stores are constantly Outside of discussions, we also everyone. questioned, asking if they just came for work to help women affected by sexism their boyfriend, brother, or other male figure, and constantly being quizzed on their knowledge. How many times have you heard someone ask a girl ¨You like this thing? Ok, name all these facts about this thing” t o prove that they are ¨real fans¨. Why do we as society insist on girls proving themselves constantly and have to turn to men for validation to say ¨Ok, you can be part of this¨. Girls and women should not have to be subjected to constant judgement and testing when they walk into a store or a convention. With the popularization of cosplay (that is, dressing up like a character from a movie/book/comic/ “I need Feminism because I want to live in a world where “like a girl” is a compliment” Photo by Olivia Broderick (Continued on Page 3) Feminism and Music By Julia Sterling Hole is an alternative rock dissolved later on, they paved the way Many people think that band from the ‘90s that explicitly talked for women in rock (Allmusic.com). feminism is a niche culture, but this is about feminist ideas and issues like Joan Jett, who became a solo artist untrue. Many famous people, including body image and sexual exploitation, after the breakup of the Runaways, many musicians, have declared and is often considered as part of the is a self-declared feminist. She has themselves as feminists, including Riot Grrrl movement (MTV.com). discussed the lack of women in rock Taylor Swift, Wanda Sykes, Laverne The Riot Grrrl movement is a feminist and bias against women in the rock Cox, Tina Fey, Nicki Minaj, Amy movement that emerged from the world, and in her Rock and Roll Hall Poehler, Kurt Cobain, Emma Watson, American alternative and punk music of Fame acceptance speech stated that Beyonce, Joan Jett, and Courtney scenes in the ‘90s and the third-wave “[rock and roll] is a meaningful way to Love. Now, here’s some music to help feminist movement. It started with the express dissent, upset the status quo, you with your moral law. formation of female-fronted punk rock stir up revolution, and fight for human One example of a mainstream bands such as Bikini Kill, Heavens rights”. Jett’s music throughout her feminist song is one called “None of to Betsy, L7, Babes in Toyland, and career has contained feminist themes in Your Business” by the rap duo Salt- Bratmobile. These bands confronted the lyrics. N-Pepa. “None of Your Business” sexism head-on and addressed other Music, especially rock, discusses double-standards, shaming issues such as sexuality, racism, and continues to play a role in the feminist women for their sexuality, and judging patriarchy (British Library). Though it movement. Feminist music encourages people. Salt-N-Pepa ask, “Who are was mostly an underground movement, good attitudes towards women, and is you to judge?” and say, “If I wanna Riot Grrrl is widespread, with branches very important to the movement. take a guy home with me tonight/it’s of Riot Grrrls still in existence all over none of your business.” (AZ Lyrics). the world. Women are constantly shamed for The Riot Grrrl movement Our Feminist being comfortable with their sexuality, claim Joan Jett as an inspiration. Joan but Salt-N-Pepa say that a woman’s Jett, a rock star, is a female pioneer sexuality is her own business and in the male-dominated world of rock Club Playlist no one else’s, which is absolutely a music, and was the first female artist feminist attitude. In more recent years, to own and control a record company. By Julia Sterling and Nina Singer Beyonce has become a poster child for In the 1970s, Joan Jett was playing popular feminist music. In her song guitar in an all-female band called the • Run the World (Girls) - Beyonce “Flawless” (featuring Chimamanda Runaways. The Runaways were ahead • Bad Reputation - Joan Jett Ngozi Adichie), she defines a feminist of their time, but unfortunately were • None of Your Business - Salt N as “the person who believes in the dismissed by audiences because of Pepa social, political, and economic equality their youth and because of their gender. • Run Fast - The Julie Ruin of the sexes”, which is undoubtedly a The Runaways sang about rebelling, • You Don’t Own Me - Lesley Gore feminist attitude (AZ Lyrics). Her song sex, and partying (Biography.com), • Secrets - Mary Lambert “Run the World (Girls)” is a female- which was completely unheard of at the • Celebrity Skin- Hole empowering anthem which “goes out time for girls, and was unfortunately • Cherry Bomb - the Runaways to all the women getting it in”, and is a considered too unsettling by many • Handsome and Gretel - Babes in steadfast example of feminist music. Americans. Though the Runaways Toyland • Freak Like Me- Halestorm • Keep Your Head Up - Tupac • Husbands - Savages • Modern Girl - Sleater-Kinney • 9 to 5 - Dolly Parton • Asking for It – Hole • Bo$$- Fifth Harmony • Gloria - Patti Smith • Glory - John Legend • Shake It Off - Taylor Swift • Flawless - Beyonce • Criminal - Fiona Apple • Ain’t Gonna Let Nobody Turn Me Around - Joan Baez • Unpretty - TLC “I need Feminism because all women are cool” • U.N.I.T.Y - Queen Latifah Photo By Maddy Broderick Feminism in the Classroom By Ms. Balaschak have come a long way, the are still teach. When discussing literature, for Classrooms are an important not as active in class discussion as example, English teachers can not only part of a democratic society, one that their male counterparts. The article choose to include content by writers fosters empowerment of a diverse set “Gender Gaps in Achievement and from diverse backgrounds, but they of voices and ideas. The classroom Participation in Multiple Introductory can also address the perspective of should be a place that provides a safe Biology Classrooms” published in traditionally marginalized characters in place to honor those ideas. Feminists the Fall 2014 edition of Life Sciences stories. Though the English curriculum have long looked at education as a Education states that, “...although is comprised of mostly male authors, means of preparing all students to females on average represent 60% English teachers can still choose to participate equally in society. Feminists of the students in these courses, their honor the perspectives of female look at several factors to ensure that all voices make up less than 40% of those characters like Viola in Twelfth Night, genders are supported and encouraged heard responding to instructor-posed Curley’s Wife in Of Mice and Men, and in a classroom environment. questions to the class, one of the most Elizabeth Proctor in The Crucible. Teachers need to make sure all common ways of engaging students in For educators and students, students’ voices are honored, and that large lectures” (Eddy).
Recommended publications
  • Idioms-And-Expressions.Pdf
    Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.
    [Show full text]
  • Quest Magazine Volume 18 Issue 6
    YOU ARE THE LINK TO STOP BULLYING Photos courtesy Arketype, Inc. “I want the young people Story by Mark Mariucci aka Za that feel bullied today to know that it gets better. Tomorrow is a new day and there are many community resources to lend support. We just need to speak up. No one has to feel alone,” Joey Taylor camera crews were on had for behind the scenes shots and of course the main video shooting on the Weidner stage. Many have joined this effort, contributing When Joey Taylor first contacted me at Quest, I could manage alone. I pointed Joey to friends generous in-kind and cash donations, includ - I only knew him as that guy who worked at the of mine at the award winning advertising agency ing Ames Production Services, Arketype Inc., salon where I get my hair cut. Dan Savage had Arketype Inc. Harmony Café, a program of Goodwill NCW, just released his “It Get’s Better” Youtube cam - After a meeting was set up with Jim Rivett and Kavarna Coffeehouse, Salon BBN (Beauty by paign. Joey was inspired and wanted to do some - Shelly Young, things began to move very fast. Nature) ,SAM & RUBY, Savvy’s Pizza & Italian thing similar. My first gut reaction I must admit Joey andArketype planned out a video shoot and Cuisine, Union Congregational Church, Weidner was to think “here is another kid with wonderful website. The concept grew to include not only Center Presents, Quest Magazine and a donation ideas that aren’t going anywhere.” gay bullying but all bullying.
    [Show full text]
  • Shogun's Local Legacy Kathleen Hanna True Widow
    Vol. 24 • Issue 297 • September 2013 • slugmag.com • Always Free Shogun’s Local Legacy Kathleen Hanna True Widow slugmag.com 1 2 SaltLakeUnderGround slugmag.com 3 SaltLakeUnderGround • Vol. 24 • Issue #297 • September 2013 • slugmag.com facebook.com/SLUG.Mag @SLUGMag @SLUGMag youtube.com/user/SLUGMagazine Publisher: Eighteen Percent Gray Marketing Manager: Editor: Angela H. Brown Karamea Puriri Managing Editor: Esther Meroño Marketing Team: Ischa B., Sabrina Costello, Editorial Assistant: Alexander Ortega Kristina Sandi, Brooklyn Ottens, Angella Luci- Office Coordinator:Gavin Sheehan sano, Nicole Roccanova, Raffi Shahinian, Vic- Digital Content Coordinator: Cody Kirkland toria Loveless, Zac Freeman, Cassie Anderson, Copy Editing Team: Esther Meroño, Alexan- Cassie Loveless, Shley Kinser, Matt Brunk, Robin der Ortega, Mary E. Duncan, Cody Kirkland, Sessions, Carl Acheson, Chandler Hunt Johnathan Ford, Alex Cragun, Rachel Miller, Ka- Social Media Coordinator: Catie Weimer tie Bald, Liz Phillips, Allison Shephard, Laikwan Waigwa-Stone, Shawn Soward Distribution Manager: Eric Granato Distro: Eric Granato, Tommy Dolph, Tony Cover Designer: Joshua Joye Bassett, Nancy Burkhart, Adam Okeefe, Ryan Lead Designer: Joshua Joye Worwood, John Ford, Matt Pothier, Phil Cannon, Design Team: Eleanor Scholz, BJ Viehl, Lenny Tim Kronenberg, Justin Nelson-Carruth, Xkot Riccardi, Chad Pinckney, Mason Rodrickc Toxsik, Nancy Perkins Ad Designers: Kent Farrington, Sumerset Bivens, Christian Broadbent, Kelli Tompkins, Eric Senior Staff Writers: Mike Brown, Mariah Sapp, Brad Barker, Paden Bischoff, Maggie Mann-Mellus, James Orme, Lance Saunders, Zukowski, Thy Doan, KJ Jackett, Nicholas Dowd, Bryer Wharton, Peter Fryer, James Bennett, Ricky Nick Ketterer Vigil, Gavin Hoffman, Esther Meroño, Rebecca Website Design: Kate Colgan Vernon, Jimmy Martin, Ben Trentelman, Princess Office Interns: Carl Acheson, Robin Sessions, Kennedy, Sean Zimmerman-Wall, Cody Hudson, Alex Cragun, Chandler Hunt Shawn Mayer, Dean O.
    [Show full text]
  • For the Love of It?: Zine Writing and the Study Of
    FOR THE LOVE OF IT?: ZINE WRITING AND THE STUDY OF CONTEMPORARY AMATEUR WORK A Dissertation by EMILY SARA HOEFLINGER Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Mary Ann O’Farrell Committee Members, Sally Robinson Giovanna Del Negro Joan Wolf Head of Department, Maura Ives May 2016 Major Subject: English Copyright 2016 Emily Sara Hoeflinger ABSTRACT In this project, I am examining zines in relation to the question of contemporary amateurism. With the onset of Web 2.0 came a space for new forms of amateur work, but this new work hasn’t been addressed as “amateur,” which has revealed a problem between what theorists know the amateur to be and what has been embraced by mainstream culture. This oversimplification of the definition of amateurism seems to threaten the integrity of amateur work in general. I analyze the concepts “transparency” and “distance” and show that both highlight the need for preserving the amateur. I confront the notion of “for the love it” by interrogating the boundaries that zine writers have established and the misperception that zine work somehow remains on the fringe of capitalist culture. Moreover, I identify the Pro Am (professional amateur) as the most significant contemporary amateur figure because it directly challenges not only what it means to be professional, but also what it means to be amateur. By examining perzines and glossies, I argue that while “for the love of it” has been downplayed or even ignored, internal rewards are still an important factor in what makes an act amateur and that external rewards don’t always have to be monetary.
    [Show full text]
  • 18 Transgender CON by Chris Angel Murphy 18 Alcoholism, the Thinking Disease by G-O Digillio TENTS 32 Living out by Sally Sheklow
    1 TWO MOTHERS – Germany – Director, Anne Zohra Berrached REACHING FOR THE MOON – Brazil - Director, Bruno Barreto Enjoy a great line-up of LGBT films, including our annual celebration of diversity in cinema, the GAY!La screenings - for HIM and for HER - and party! Palm Springs International Film Festival features eleven unforgettable days of screenings, tributes and special events in the gorgeous desert setting of Palm Springs. With more than 185 films from over 70 different countries, it’s a singular celebration of the best of international and American cinema. Box Office Opens December 26, 2013 Special hotel rates available at psfilmfest.org/participate/travel/ Reel-Deal Six Packs & Special Event tickets NOW on sale online at: psfilmfest.org or call (760) 778-8979 title SPONSOR major SPONSORS is a proud sponsor of the Palm Springs International Film Festival Lesbian News Magazine | December 2013 | www.LesbianNews.com Subscribe To Lesbian News NOW With every 1 year subscription receive this LN perk. Subscribe to Lesbian News on your iPad & iPhone and access the magazine as well as LN digital extras each month. Advertise in LN 1.800.458.9888 3 December 2013 Features 14 Theorhetorically Speaking By Nikki McCauley 18 Transgender CON By Chris Angel Murphy 18 Alcoholism, The Thinking Disease By G-O Digillio TENTS 32 Living Out By Sally Sheklow 33 Positive Reflections Inside LN By Dian Katz, MS 42 Words That Make Sense 11 POETRY By Toni Hart 13 MUSIC 19 LIFE COACH’S CORNER 19 QUEERLY QUESTIONING Lifestyles 20 MOVIES EYE C 22 LOLs 10 Politically
    [Show full text]
  • Generation X and the Invention of a Third Feminist Wave
    GENERATION X AND THE INVENTION OF A THIRD FEMINIST WAVE by ELIZABETH ANN BLY Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Renée Sentilles Department of History CASE WESTERN RESERVE UNIVERSITY January, 2010 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of _____________________________________________________ candidate for the ______________________degree *. (signed)_______________________________________________ (chair of the committee) ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. Copyright © 2009 by Elizabeth Ann Bly All rights reserved iii For Gabe, Kristin, and Xoe And in memory of Judith Northwood (1964-2009) iv TABLE OF CONTENTS LIST OF ILLUSTRATIONS viii ACKNOWLEDGEMENTS ix ABSTRACT xiii INTRODUCTION 1 White Grrrls 7 ―We Don‘t Need Another Wave‖ 11 Generation X, Feminism, and Contemporary History 19 ―The Order of Things‖ 25 CHAPTER ONE: “Generation X and the 1970s Pop Cultural Discourse on „Women‟s Lib‟” 32 ―Women‘s Lib‖: The Media‘s ―Charred Bra‖ Revolution 35 A Day in the Life: ―Women‘s Lib‖ as Spectacle 38 ―And Then There‘s Maude‖: ―Women‘s Lib‖ and Adult TV 46 Women‘s Lib
    [Show full text]
  • Giant Metal Insects Are All EP Called Greasin’ Wheezer and a CD out Anthony and Flea—You’Ve Got Com­ About
    Stink Face SUMMER SPECTACULAR ISSUE!!! Issue #3 Summer 1993 $1 ($1.50 postpaid) In this issue... Babes in Toy land The Fluid GG Allin Live/Dead Lollapalooza ’93 MDC ...and advice on how to make your own ’zine!!! TakeGIANT one METAL INSECTSothers—Paul side of the Carbonara Red Hot Chili Step Into My Parlor(guitar), Peppers’ funk tactics, throw in a little paintsbit others in the audience—and inMichael Jones (bass), Boris (the road of the Crash Worship primal instinct andthe meantime, spews out intriguingdude con­ and P-Funk singer), and John H bring in a little bit of Mr. Bungle’s entrails, cepts and catharsis to draw any crowd (drums)—just sorta listened in and and chances are you’ll have at least an in. As for discography, the band has anlaughed at the appropriate times. Look idea of what Giant Metal Insects are all EP called Greasin’ Wheezer and a CD out Anthony and Flea—you’ve got com­ about. Based in New York, they’ve been through Entropy Records (106 Guilford pany! around about five years now, and useDr., aTrumbull, CT, 06611) called better form of expression than the Pep­Asanisimasa, which has a front cover of SF: What’s an“Asanisimasa”? pers putting socks on their Joneses a beautifully or painted female torso (read VR: “Asanisimasa” is the magic word, GG Allin’s habit of using his own “fluids”on for more detail). This interview was sort of like “Abracadabra.” My Italian for lubricant on the stage. You see, donefront in their van outside of Finney’s grandmother, on if she didn’t like you she’d man Vito Ray paints himself up, then5/8/93, and I primarily quoted Ray, as thego like this(pointing two fingers to the Continued on Page 6 Note From The Editor: Three’s a Charm Well, here it is, the third edition of Stink Face.
    [Show full text]
  • Songs by Artist
    Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co.
    [Show full text]
  • LIGHTBOX FILM CENTER at INTERNATIONAL HOUSE PHILADELPHIA to SCREEN LAURA PARNES’ ‘TOUR WITHOUT END.’ Wednesday, September 12 at 7Pm
    LIGHTBOX FILM CENTER AT INTERNATIONAL HOUSE PHILADELPHIA TO SCREEN LAURA PARNES’ ‘TOUR WITHOUT END.’ Wednesday, September 12 at 7pm Press Contact: [email protected] Philadelphia, PA–Lightbox Film Center at International House Philadelphia is pleased to announce the screening of Laura Parnes’ Tour Without End on Wednesday, September 12 at 7pm. This screening is part of Lightbox Film Center’s monthly Subversive Elements series dedicated to experimental film and moving image art. Parnes, a Philadelphia native and notable Tyler School of Art alumni, will be in attendance. The film features members of Gang Gang Dance, Julie Ruin, MEN, Eartheater, MGMT, Light Asylum and more. An official selection of the 2018 Sarasota Film Festival, Tour Without End is an experimental narrative comedy/documentary hybrid film. Casting real-life musicians, artists, and actors as fictional bands on tour, the film evolves into a cross-generational commentary on contemporary culture and politics in the Trump era. Shot over the course of 4 years between 2014-2018, at over 15 DIY music spaces in and around NYC, Tour Without End functions as a time capsule made more apparent by the shuttering of many of the films’ locations due to NYC’s rapid gentrification. The film’s multitude of characters are legendary performers in the downtown NYC arts scene including Wooster Group founder Kate Valk, Jim Fletcher (The NYC Players), musicians Lizzi Bougatsos, (Gang Gang Dance), Kathleen Hanna (The Julie Ruin), Brontez Purnell (The Younger Lovers), Eileen Myles, Alexandra Drewchin (Eartheater), Nicole Eisenman, K8 Hardy, Johanna Fateman (Le Tigre) Shannon Funchess (Light Asylum), JD Samson (MEN), Gary Indiana, Kembra Pfahler, (Voluptuous Horror of Karen Black), Rachel Mason, Tom McGrath, Matthew Asti (MGMT), Becca Blackwell, Christen Clifford, Alessandra Genovese (Crush), Rogelio Ramos (Love Pig), Kenya Robinson (Cheeky LaShae) and Neon Music (Youth Quake).
    [Show full text]
  • The Westfield Leader
    THE WESTFIELD LEADER THE LEADING AND MOST WIDELY CltCULATED WUKLY NEWSPAPER IN UNION COUNTY No.,33 WESTFIELD, NEW JEKSEY, THURSDAY, APRIL 28, 1949 m May Buy Borough Begins Mayor, Council Mayor Proclmm$ Mutic Week Churches, Schools' Ambulance Survey to Find To Be Honored Mayor Charles P. Bailey, in a '-.•? proclamation calling for commun- §ting School Needs ity-wide observance of National At May 6 Dinner Music Week May 1-7, declared to- day that "Westfield is proud to see Mark Music Week uncil Seto Hearing Board of Education Business Association, the growth of Music Week through- out the nation because it was es- Bill Restricting To Study Data GOP Committee tablished by a Westfield resident, Special Events Scheduled Throughout en Exeavationi Co-Sponsor Affair C. M. Tremaine." Town to Observe Special Occasion In Future Planning "Music Week this year marks new S. * •• Cadillac ambu- MOUNTAINSIDE—The census I Mayor Charles P. Bailey and its 2*,th anniversary. Schools, The celebration of Music Week will begin Sunday with m«y be expected in Westfield of the borough, sponsored by the members of the Town Council will churches ami community organiza- programs in Westfield churches. At the morning warship tarWat bout two monthf, if an ordi- Board of Education, started last be guests of honor at a testimonial the First Methodist Church, the Sanctuary choir, under •UrertifJI 4* t providing for t*s purchase week following a Anal briefing of dinner sponsored jointly by the. the most successful observation yet Richard K. Alford, minister of music, will sing Frani BcfcHbart'aiaV ftoved on final reading at the the committee Thursday night in Town Republican Committee and held here All should receive the them, "The Omnipotence," with the soprano solo part takaa kf 9 meeting of th« Town Coun- the school.
    [Show full text]
  • Karaoke with a Message – August 16, 2019 – 8:30PM
    Another Protest Song: Karaoke with a Message – August 16, 2019 – 8:30PM a project of Angel Nevarez and Valerie Tevere for SOMA Summer 2019 at La Morenita Canta Bar (Puente de la Morena 50, 11870 Ciudad de México, MX) karaoke provided by La Morenita Canta Bar songbook edited by Angel Nevarez and Valerie Tevere ( ) 18840 (Ghost) Riders In The Sky Johnny Cash 10274 (I Am Not A) Robot Marina & Diamonds 00005 (I Can't Get No) Satisfaction Rolling Stones 17636 (I Hate) Everything About You Three Days Grace 15910 (I Want To) Thank You Freddie Jackson 05545 (I'm Not Your) Steppin' Stone Monkees 06305 (It's) A Beautiful Mornin' Rascals 19116 (Just Like) Starting Over John Lennon 15128 (Keep Feeling) Fascination Human League 04132 (Reach Up For The) Sunrise Duran Duran 05241 (Sittin' On) The Dock Of The Bay Otis Redding 17305 (Taking My) Life Away Default 15437 (Who Says) You Can't Have It All Alan Jackson # 07630 18 'til I Die Bryan Adams 20759 1994 Jason Aldean 03370 1999 Prince 07147 2 Legit 2 Quit MC Hammer 18961 21 Guns Green Day 004-m 21st Century Digital Boy Bad Religion 08057 21 Questions 50 Cent & Nate Dogg 00714 24 Hours At A Time Marshall Tucker Band 01379 25 Or 6 To 4 Chicago 14375 3 Strange Days School Of Fish 08711 4 Minutes Madonna 08867 4 Minutes Madonna & Justin Timberlake 09981 4 Minutes Avant 18883 5 Miles To Empty Brownstone 13317 500 Miles Peter Paul & Mary 00082 59th Street Bridge Song Simon & Garfunkel 00384 9 To 5 Dolly Parton 08937 99 Luftballons Nena 03637 99 Problems Jay-Z 03855 99 Red Balloons Nena 22405 1-800-273-8255
    [Show full text]
  • Read the Following Text and Answer the Questions. the Riot
    Read the following text and answer the questions. The riot grrrl returns Dan Hancox – October 3, 2013 – The National Among the various waves of western feminism and rebellious youth subcultures since the 1960s, riot grrrl stands out as one of the most provocative, but also one of the most thoughtful and deliberative. Its roots were in the punk and new wave music and attitude of the late 1970s and 1980s, but it was not until the early 1990s that the term emerged from the punk scenes of Washington DC and the north-western region of the United 5 States, drawing on a growing youth feminist movement and the DIY youth culture embodied in homemade, cut-and-paste fanzines. References to “revolution girl style now” and “riot girls” mutated into the punk growl not of docile girls but “grrrls”. It was quickly and substantially misunderstood by the very culture they were rebelling against: as bands like Bikini Kill and Bratmobile began to attract attention beyond the punk underground, so did the American 10 media’s excitement about this “new big thing”, in the aftermath of grunge. This excitement quickly manifested itself in a tendency to generalise, fetishise and trivialise the things the riot grrrls were singing about, and conveying through their broader aesthetics: in fanzines, onstage, or otherwise. “There were,” Sharon Cheslow said in the 11-part Riot Grrrl Retrospective documentary, “a lot of very important ideas that I think the mainstream media couldn’t handle, so it was easier to focus on the fact that these were girls who 15 were wearing barrettes in their hair or writing ‘slut’ on their stomach.” Covering issues like misogyny, abuse and patriarchy were considered too contentious or complex for the American mainstream, and instead, the movement was patronised in a way which confirmed much of their original anger.
    [Show full text]