Quest Magazine Volume 18 Issue 6
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In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me. -
The Top Dance Songs of 1988
THE TOP DANCE SONGS OF 1988 1. TOGETHER FOREVER/NEVER GONNA GIVE YOU UP - Rick Astley (RCA) 51. GET OUTTA MY DREAMS, GET INTO MY CAR - Billy Ocean (Jive/Arista) 2. JUST GOT PAID-Johnny Kemp (Columbia) 52. LOVE WILL SAVE THE DAY - Whitney Houston (Arista) 3. IT TAKES TWO - Rob Base & D.J. E-Z Rock (Profile) 53. BIG FUN - Inner City (Virgin) 4. BREAK 4 LOVE - Raze (Columbia) 54. THE ONLY WAY IS UP - Yazz and the Plastic Population (Elektra) 5. PUMP UP THE VOLUME - M/A/R/R/S (4th & B'way) 55. SWEET CHILD O MINE - Guns & Roses (Geffen) 6. BOY, I'VE BEEN TOLD - Sa-Fire (Cutting/Mercury) 56. TEARS MAY FALL - TKA (Tommy Boy) 7. SPRING LOVE -Stevie B. (LMR) 57. LATIN LOVE - Trilogy (Prism) 8. SAYIN' SORRY - Denise Lopez (Vendetta) 58. WHEN EVER YOU NEED SOMEBODY - Rick Astley (RCA) 9. WHAT'S ON YOUR MIND - Information Society (Tommy Boy) 59. FANTASY GIRL - Johnny O (Mic Mac) 10. NAUGHTY GIRLS/I WANNA HAVE SOME FUN - Samantha Fox (Jive/RCA) 60. SIMPLY IRRESISTIBLE - Robert Palmer (EMI/Manhattan) 11. PROVE YOUR LOVE/TELL IT TO MY HEART - Taylor Dayne (Arista) 61. JUST A MIRAGE/JINGO-Jellybean (Chrysalis) 12. THE LOCO-MOTION - Kylie Minogue (Geffen) 62. WHAT HAVE I DONE TO DESERVE THIS? - Pet Shop Boys & Dusty Springfield (EMI/Manhattan) 13. PINK CADILLAC - Natalie Cole (EMI/Manhattan) 63. DREAMIN' OF LOVE - Stevie B (LMR) 14. PUSH IT - Salt-N-Pepa (Next Plateau) 64. DOMINO DANCING - Pet Shop Boys (EMI/Manhattan) 15. PARTY PEOPLE - Royal House (Idlers) 65. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Hypersphere Anonymous
Hypersphere Anonymous This work is licensed under a Creative Commons Attribution 4.0 International License. ISBN 978-1-329-78152-8 First edition: December 2015 Fourth edition Part 1 Slice of Life Adventures in The Hypersphere 2 The Hypersphere is a big fucking place, kid. Imagine the biggest pile of dung you can take and then double-- no, triple that shit and you s t i l l h a v e n ’ t c o m e c l o s e t o o n e octingentillionth of a Hypersphere cornerstone. Hell, you probably don’t even know what the Hypersphere is, you goddamn fucking idiot kid. I bet you don’t know the first goddamn thing about the Hypersphere. If you were paying attention, you would have gathered that it’s a big fucking 3 place, but one thing I bet you didn’t know about the Hypersphere is that it is filled with fucked up freaks. There are normal people too, but they just aren’t as interesting as the freaks. Are you a freak, kid? Some sort of fucking Hypersphere psycho? What the fuck are you even doing here? Get the fuck out of my face you fucking deviant. So there I was, chilling out in the Hypersphere. I’d spent the vast majority of my life there, in fact. It did contain everything in my observable universe, so it was pretty hard to leave, honestly. At the time, I was stressing the fuck out about a fight I had gotten in earlier. I’d been shooting some hoops when some no-good shithouses had waltzed up to me and tried to make a scene. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Songs by Artist
Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Karaoke with a Message – August 16, 2019 – 8:30PM
Another Protest Song: Karaoke with a Message – August 16, 2019 – 8:30PM a project of Angel Nevarez and Valerie Tevere for SOMA Summer 2019 at La Morenita Canta Bar (Puente de la Morena 50, 11870 Ciudad de México, MX) karaoke provided by La Morenita Canta Bar songbook edited by Angel Nevarez and Valerie Tevere ( ) 18840 (Ghost) Riders In The Sky Johnny Cash 10274 (I Am Not A) Robot Marina & Diamonds 00005 (I Can't Get No) Satisfaction Rolling Stones 17636 (I Hate) Everything About You Three Days Grace 15910 (I Want To) Thank You Freddie Jackson 05545 (I'm Not Your) Steppin' Stone Monkees 06305 (It's) A Beautiful Mornin' Rascals 19116 (Just Like) Starting Over John Lennon 15128 (Keep Feeling) Fascination Human League 04132 (Reach Up For The) Sunrise Duran Duran 05241 (Sittin' On) The Dock Of The Bay Otis Redding 17305 (Taking My) Life Away Default 15437 (Who Says) You Can't Have It All Alan Jackson # 07630 18 'til I Die Bryan Adams 20759 1994 Jason Aldean 03370 1999 Prince 07147 2 Legit 2 Quit MC Hammer 18961 21 Guns Green Day 004-m 21st Century Digital Boy Bad Religion 08057 21 Questions 50 Cent & Nate Dogg 00714 24 Hours At A Time Marshall Tucker Band 01379 25 Or 6 To 4 Chicago 14375 3 Strange Days School Of Fish 08711 4 Minutes Madonna 08867 4 Minutes Madonna & Justin Timberlake 09981 4 Minutes Avant 18883 5 Miles To Empty Brownstone 13317 500 Miles Peter Paul & Mary 00082 59th Street Bridge Song Simon & Garfunkel 00384 9 To 5 Dolly Parton 08937 99 Luftballons Nena 03637 99 Problems Jay-Z 03855 99 Red Balloons Nena 22405 1-800-273-8255 -
From Bandannas to Berets: a Critical Analysis of Beyoncé's “Formation” Music Video by Kesha Shalyn James a Thesis Submit
From Bandannas to Berets: A Critical Analysis of Beyoncé’s “Formation” Music Video by Kesha Shalyn James A thesis submitted to the Graduate Faculty of Auburn University in partial fulfillment of the requirements for the Degree of Master of Arts in Communication Auburn, Alabama August 5, 2017 Keywords: Beyoncé, Formation, Black women, Black music, Black culture, media representations Copyright 2017 by Kesha Shalyn James Approved by Susan L. Brinson, Chair, Professor of Communication & Journalism George Plasketes, Professor of Communication & Journalism Kevin Smith, Associate Professor of Communication & Journalism Abstract The release of Beyoncé’s “Formation” music video as well as her debut performance of the song at the 2016 Super Bowl has incited debate and controversy across the United States. While some feel empowered and prideful, others are angered and outraged by the lyrical and visual messages Beyoncé communicates in this mediated text. Applying a critical/cultural studies perspective lens, this study explains how Beyoncé challenges the sexist and racist dominant ideology in the United States. Critically analyzing the visual and lyrical composition of “Formation,” this analysis interrogates the messages of both race and gender as well as the representation of Black Women. The findings indicate a direct challenge to white androcentric power as the visuals and lyrics re-appropriate stereotypical images of Black Women, thus demonstrating Black Women’s power and dominance in society. The implications of explaining the ways in which Beyoncé communicates what and how it means to be a Black Woman in “Formation” inform and explain the social, political, and economic reality of Black Women in the United States today, as mediated texts re-present everyday reality. -
Songs by Artist
Songs by Artist Karaoke Collection Title Title Title +44 18 Visions 3 Dog Night When Your Heart Stops Beating Victim 1 1 Block Radius 1910 Fruitgum Co An Old Fashioned Love Song You Got Me Simon Says Black & White 1 Fine Day 1927 Celebrate For The 1st Time Compulsory Hero Easy To Be Hard 1 Flew South If I Could Elis Comin My Kind Of Beautiful Thats When I Think Of You Joy To The World 1 Night Only 1st Class Liar Just For Tonight Beach Baby Mama Told Me Not To Come 1 Republic 2 Evisa Never Been To Spain Mercy Oh La La La Old Fashioned Love Song Say (All I Need) 2 Live Crew Out In The Country Stop & Stare Do Wah Diddy Diddy Pieces Of April 1 True Voice 2 Pac Shambala After Your Gone California Love Sure As Im Sitting Here Sacred Trust Changes The Family Of Man 1 Way Dear Mama The Show Must Go On Cutie Pie How Do You Want It 3 Doors Down 1 Way Ride So Many Tears Away From The Sun Painted Perfect Thugz Mansion Be Like That 10 000 Maniacs Until The End Of Time Behind Those Eyes Because The Night 2 Pac Ft Eminem Citizen Soldier Candy Everybody Wants 1 Day At A Time Duck & Run Like The Weather 2 Pac Ft Eric Will Here By Me More Than This Do For Love Here Without You These Are Days 2 Pac Ft Notorious Big Its Not My Time Trouble Me Runnin Kryptonite 10 Cc 2 Pistols Ft Ray J Let Me Be Myself Donna You Know Me Let Me Go Dreadlock Holiday 2 Pistols Ft T Pain & Tay Dizm Live For Today Good Morning Judge She Got It Loser Im Mandy 2 Play Ft Thomes Jules & Jucxi So I Need You Im Not In Love Careless Whisper The Better Life Rubber Bullets 2 Tons O Fun -
Billboard Magazine
TRENT REZNOR’S (SECRET) WORK AT APPLE The elusive star on turning 50 and what he wishes U2 could redo ‘DID THAT JUST HAPPEN?’ TV music bookers on big gets, bigger nightmares ALLMAN BROTHERS’ EPIC FINAL SHOW Evolution of a Prodigy What do you do after winning Grammys and the adoration of every icon in music? If you’re LORDE, you go Hollywood, cold-call Kanye and curate the Hunger Games soundtrack — all while still finding your way around fame CRITICS ARE RAVINGWorldMags.net ABOUT ARETHA’S BRAND NEW ALBUM AS CANDIDATE FOR ALBUM OF THE YEAR “Divas are everywhere these days, but there’s still only one Aretha. Franklin can still shut down the competition with a breathtaking, gospel-trained grace and power. Here, she tackles tunes by her peers, adding royal luster to Gladys Knight’s ‘Midnight Train to Georgia’ and the Supremes’ ‘You Keep Me Hangin’ On.’ She saves extra energy for songs by younger neo-soul stars. She adds a welcome reggae feel to Alicia Keys’ ‘No One,’ and takes Adele’s ‘Rolling in the Deep’ to stratospheric heights. When Franklin then surprises with a segue into the Motown classic ‘Ain’t No Mountain High Enough,’ the wow factor is off the charts. That’s also the case on a mashup of ‘I’m Every Woman’ with a revived version of ‘Respect,’ on which Franklin ad-libs, ‘I am the Queen.’ Let there be no argument about that.” - THE BOSTON GLOBE “Aretha’s brand new album is shaping up as another key moment in Franklin’s half-century recording career, artistically and potentially commercially rejuvenating her once again.