DOCSLIB.ORG

Screamer Magazine (12/3)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Screamer Magazine (12/3) SCREAMER MAGAZINE (12/3) http://screamermagazine.com/reviews/raiding-the-rock-vault-live-the-mayan-los-angeles-ca/ Far from the beaten path of the glitz and glitter of Hollywood’s Sunset Strip, lies downtown L.A., which itself is filled with gems hidden on the small one way streets that traverse through town, such as the Mayan. No one would ever believe this venue houses a 5,000 square foot stage making it the perfect place to see a multi-media show as guests buzzed back and forth about what they were going to see. No one really knew what to expect; they had an idea but it always goes differently in your head. Standing in front of the stage, people admired the set design and smiled when at about 8:20pm, the lights went down and we were transported to a time capsule if you will; as the door of the Rock Vault slid open revealing vocalist Andrew Freeman, (Lead Vocals and Guitars – Lynch Mob, The Offspring) who strutted out with intense energy and a grin from ear to ear as he tore into My Generation by The Who, backed by world-class musicians Howard Leese (Guitar – Heart, The Paul Rodgers Band), Joe Lynn Turner (Lead Vocals – Rainbow, Deep Purple), Tracii Guns (Guitar – L.A. Guns, Guns N’ Roses), Robin McAuley (Lead Vocals – MSG, Survivor), John Payne (Lead Vocals and Bass – Asia), Paul Shortino (Vocals – Rough Cutt, Quite Riot), Jay Schellen (Drums – Hurricane, Asia), Lorraine Lewis (Vocals – Femme Fatale) and Michael T Ross (Keyboards – Lita Ford, Hardline, Angel). The Mayan rocked for two hours and change as the story of rock n’ roll from the 1950s to the 1990’s played out in live music, narration (by acclaimed actor Richard Malmos), dance and visuals cast upon two screens to the left and right of the stage. Written by vocalist and guitarist John Payne (Asia) and Grammy-award winning record producer, David Kershenbaum, Raiding the Rock Vault is a welcomed and entertaining ride. This is not what some might consider a gig as much as a true interactive show. Guests were able to get so close to the stage at this particular club; without realizing it, they were part of the show; dancing and singing along. While that may or may not be the goal in most venues the band plans to visit, this was a special evening. When Payne and the crew hit the road with Raiding the Rock Vault, there is no way this production will be able to go into a small club or venue; there is just too much that would get lost in the translation. These men have nothing to prove; they made their bones long ago so getting on stage for Raiding the Rock Vault, is a labor of love. As the years rolled forward on the LED screens, the band performed songs, which made an impact during the history of that time. Every song played was spot on and tight, but stand-outs were Hotel California (Eagles), Jump (Van Halen) Living On A Prayer (Bon Jovi), and Armageddon (Def Leppard). The troupe from Raiding the Rock Vault, did one night only for the Los Angeles crowd and for this being their first show played out live, Payne and his crew should be proud; they put together a great event and you get to learn something on top of it; “ah-ha” moments are cool. They’re currently rehearsing and getting ready to bring the show to U.S. audiences in early spring making this possibly one of the hottest tickets in 2013, as different musicians will sit in on different nights depending on the town the tour is in and the celebrity musicians visiting at the same time. If you’re a ‘rock of the ages’ fan and have a true fascination with the roots that have brought us forward to today, don’t miss Raiding the Rock Vault; a different spin on classic rock. Click here to more photos from this Raiding the Rock Vault. www.raidingtherockvault.com/ www.facebook.com/RaidingTheRockVault .
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Vista USD News
    University of San Diego Digital USD USD Vista USD News 2-2-1984 Vista: February 2, 1984 University of San Diego Follow this and additional works at: https://digital.sandiego.edu/vista Digital USD Citation University of San Diego, "Vista: February 2, 1984" (1984). USD Vista. 925. https://digital.sandiego.edu/vista/925 This Newspaper is brought to you for free and open access by the USD News at Digital USD. It has been accepted for inclusion in USD Vista by an authorized administrator of Digital USD. For more information, please contact [email protected]. UNIVERSITY OF SAN DIEGO •.t- ^ CHE GO, i.«- c / Vol. XXII No. 14 February 2, 1984 T.G.'s: Battle Of The Beers by Shen Hirsch when ETK accepted the ASB's solved the needed sponsorship AK Psi on the other hand felt was not my fault. I have a stand­ For the first time in USD his­ offer to sponsor the Flanigan's. but added a great deal of credibil­ students should be given an alter­ ard procedure in which 1 list all tory the students will be given the ETK, Elman Tappa Kegga, was ity to ETK. native to Flanigan's. The popula­ the free ads on a log sheet and the advantage of a T.G. every Friday. founded by Ed DeMerlier, Vince When AK Psi proposed an tion of student participation had paying ads on another. When ETK, AK Psi and AMA have Kasperick, Tom Ehmann and addition to the agenda ETK was already notably declined from there are too many paying ads the now collaborated to present a Mike Harder as a response to the enraged.
    [Show full text]
  • Arc of Life – Arc of Life
    Arc Of Life – Arc Of Life (57:25, CD,Frontiers Music/Soulfood, 2021) Der Gebrauch des Begriffs Supergroup nimmt bisweilen beängstigend inflationäre Züge an. Okay, drei der Mitglieder von Arc Of Life gehören zum aktuellen Line-up von Yes. Doch sind Sänger Jon Davison, Bassist / Sänger Billy Sherwood und Schlagzeuger Jay Schellen mehr in die Kategorie der soliden Historienverwalter des Prog Dinosauriers zu betrachten, als dass sie zu den prägenden Protagonisten in der jüngeren Yes Geschichte zählen würden. Vervollständigt wird das Quartett von Keyboarder Dave Kerzner (u.a. Sound Of Contact, Dave Kerzner Band) und Gitarrist Jimmy Haun, der u.a. einen Teil der Gitarrenparts auf dem 91er Yes Album „Union“ beisteuerte. Der Fünfer sieht sich als Band, statt nur als loses Projekt und möchte laut Pressemitteilung die Progressive-Rock- Philosophie fortführen, dabei kreative, fordernde, aber auch ohrenfreundliche Musik erschaffen, die Grenzen überschreitet. Nun ja, hehre Worte, die Realität hört sich (nach eigenem Empfinden) dann doch etwas anders an. Denn Arc Of Life drückt in erster Linie Billy Sherwood seinen deutlich vernehmbaren Stempel auf. Die zehn Titel klingen damit weit weniger nach eigenständiger Band, denn nach einem weiteren Soloalbum des ohnehin enorm umtriebigen Sherwood. Vieles ist daher von einem Mix aus Symphonic Rock und AOR geprägt, der die deutliche HandschriftSherwood s trägt: mehrstimmige, verschachtelte Arrangements, voluminöse, überladen produzierte Sounds mit melodischem Einschlag. Das ist zwar gefällig anzuhören, verfügt stellenweise über einen erkennbaren Anspruch, doch krankt dieses Album einmal mehr an einer überfrachteten Orientierungslosigkeit. Hier dominiert mehr Schein als Sein, denn von den Melodien bleibt nichts so recht hängen, die Instrumentalparts lassen spielerisches Können erkennen, fügen sich aber mitunter etwas zufällig in den Gesamtkontext ein.
    [Show full text]
  • The Winonan - 1970S
    Winona State University OpenRiver The inonW an - 1970s The inonW an – Student Newspaper 10-4-1978 The inonW an Winona State University Follow this and additional works at: https://openriver.winona.edu/thewinonan1970s Recommended Citation Winona State University, "The inonW an" (1978). The Winonan - 1970s. 221. https://openriver.winona.edu/thewinonan1970s/221 This Newspaper is brought to you for free and open access by the The inonW an – Student Newspaper at OpenRiver. It has been accepted for inclusion in The inonW an - 1970s by an authorized administrator of OpenRiver. For more information, please contact [email protected]. WINONAN Winona State University The Student Voice Vol. LIVI, Number 3 111 October 4, 1978 Most WSU Students Eligible Free Legal Aid Offered by Tom Herberg branch office of the Southern services offered. Minnesota Regional Legal Services The services of a lawyer are by no which has its main office in St. Paul. "We're lawyers," she said. "We means inexpensive, and persons It is set up and funded by the represent people. We do the things with limited incomes who require National Legal Services Corpora- private lawyers do, but we can only legal services are sometimes caught tion and the U.S. Congress to help people with low incomes and in a financial rut. provide legal services throughout assets. the country. As of May 15th though, persons "A lot of people who need help in with limited incomes and assets in According to DeGrazia the ser- legal matters can't afford attorneys. Winona County have been able to vices of the Winona office are That's what the people in legal seek free legal help through the extended to six other counties: services are here for." Southeastern Minnesota Legal Ser- Fillmore, Goodhue, Houston, Olm- vices Office located at 4th and sted, Rice and Wabasha.
    [Show full text]
  • January 1988
    VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J.
    [Show full text]
  • Sociale Et Guerre Nation, Classe Race
    · NewslNoaveUea DiYert./~er. sports UniliDaIual Stream Travel Feature Anatomy olaDeficit John McKinaoa. To Be Sculpteur SwimTeam Results Pqe3 Pqe2 Phased Out A Chantle 01 Heart Pqe8 Pqe7 November 25, 1985 Colle'ge • Glendon • College Vol. 25, No.9 Nation, Classe Sociale et Guerre Race, Par Jeanne Corriveau C'est jeudi Ie 14 novembre d'inegalite entre les races. De dernier Qu'avait lieu au theAtre meme, la "nation" definissant de Glendon la conference de I'ensemble des etres de descen­ Philippe Garigue intltul6e "Race, dance commune prend mainte­ nation, classe soc::.~~~ et mant, avec I'influence mythiQue, guerra". -Jane Couchman, du un caractere totallsant. Garigue depert8ment d'etudes fra~lses, considere Que Ie nationalisme, I'a d'abord presente, deflnissant ainsi detache de I'existence comme "I'aboutissement d'une des individus, est responsable vie entiere" cette etude de M. des guerres depuis Ie 198 Garigue portant sur Ie mythe et siecle. Et dans la meme Iigne la realite en science sociale. de pensee, les classes sociales Le conferencier a d'abord pretent aI'interrogation Quant a declare QU'iI avait toujours ete leur utllite et I'influence Qu'a eu ~ fascine per la dualite mythe/rea­ I'ideologie sur son concept ~ lite, principe Qui agit sur toute L'histoire des guerres est une g pensee politiQue et sociale. II affaire de mythes a cause de o soutlent QU'on a fait un usage leurs consequences dans la delib8re des mythes au Canada­ prise de decisions politlQues. fra~is, marQuant ainsi I'hlstoire M. Gangue soutlent Qu'll devlent de ce peuple.
    [Show full text]
  • The Royal Affair Tour: Live from Las Vegas
    Yes – The Royal Affair Tour: Live From Las Vegas (75:20, CD, 2 LP, Download, BMG/Warner) Schon wieder ein Live-Album von Yes? Seit dem Jahr 2014 ist dies nun die bereits sechste Live- Veröffentlichung bei der Yes drauf steht, sodass eine gewisse Reizüberflutung zu verzeichnen ist. Sind dennoch Gründe erkennbar, sich noch ein weiteres Live-Werk zuzulegen, auch wenn man kein „Die-Hard Fan“ der Band sein sollte? Fakt ist, das zum x-ten Mal Tracks wie ‚Starship Trooper‘, ‚Siberian Khatru‘, ‚Roundabout‘ oder ‚I’ve Seen All Good People‘ dargeboten werden, die in früheren Besetzungen mit mehr Verve und besseren solistischen Können ertönen. Immerhin sind Kompositionen wie das Richie Havens-Cover ‚No Opportunity Necessary, No Experience Needed‘ von der zweiten Yes- Veröffentlichung, sowie zwei weitere Coverversionen mit ‚Imagine‘ von John Lennon sowie ‚America‘ von Paul Simon dabei, die bisher seltener auf einem Live-Medium zu hören sind. Das Konzert wurde am 26. Juli 2019 im Hard Rock Hotel in Las Vegas während der „The Royal Affair Tour“ aufgenommen und von Billy Sherwood gemixt. Yes sind aktuell Steve Howe (Gitarre), Alan White (Schlagzeug), Geoff Downes (Keyboards), Sänger Jon Davison sowie Billy Sherwood, der nach dem Tod von Gründungsmitglied und Bassist Chris Squire im Jahre 2015 den Bass übernahm. Außerdem wird Jay Schellen im Booklet als Yes- Musiker aufgeführt, der das Schlagzeugspiel live wesentlich bereichert. Ein Gründungsmitglied ist bei Yes inzwischen nicht mehr an Bord, womit der dienstälteste Yesser Steve Howe, der 1971 auf dem „Yes Album“ die Gitarre für Peter Banks übernahm, das Zepter übernommen hat. Als Gast hört man die Moody-Blues-Legende John Lodge, der sich auf ‚Imagine‘ den Gesang mit Jon Davison teilt.
    [Show full text]
  • Dr. Earl Davis Is Always Busy with University of Texas at Austin and Completed His One Task Or Another
    An Independent Student Newspaper Serving the University Community Since 1906 The University Echo <?3 • .-. W Volume/?f?/Issue The University of Tennessee at Chattanooga November II, 1983 SGA finances Romantics p.3 Arena action pp. 12-13 Mocs bushwhack VMI p. 19 Clockwise Irom upper left: Kenny Rogers, Gap Band member, one of the Righteous Brothers, New Edition singers. "Our Personnel Touch guarantees you quality service. Thanks tn Pi tWa Phi f„r rhi, pi.-t..,-,- I'II niri-fl ni-n rimis-.Li ^^'inrlniH Echo News 2 The Echo/November 11, 1983 No pay raise this year UTC faculty salaries below average By Sandy Fye Echo News Editor UTC will need $903,600 to bring faculty salaries up 155 and over stay, then there's no room for new faculty. to Southern Region Education Board (SREB) And we can't afford to retire. averages, according to information compiled by Dave To reach 1982-1983 fiscal year faculty pay "On the whole, I think we've got the best teaching Larson, vice chancellor of administration and finance, averages: faculty in the state," continued Printz. "But it makes in his "Planning for Excellence" report. 66 professors need an average of $2755 each you sort of sad that you can't afford to send your Because report figures were based on 1982-83 109 associate professors need an average of children somewhere else, so they won't be burdened SREB averages, much more money will be necessary $2330 each by having a parent on campus." to raise the salary level to the current average as the 85 assistant professors need an average of $2798 Printz said many former UTC faculty and staff UTC faculty did not receive pay raises for 1983 84, for each members have relocated to other jobs or out of the cost-of-living or otherwise.
    [Show full text]
  • UNIVERSAL MUSIC • Imagine Dragons – Smoke + Mirrors (Fan Pack) • Emile Haynie – We Fall • Misterwives – Our Own Ho
    • Imagine Dragons – Smoke + Mirrors (Fan Pack) • Emile Haynie – We Fall • MisterWives – Our Own House New Releases From Classics And Jazz Inside!!! And more… UNI15-07 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 *Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: SHANIA TWAIN // STILL THE ONE: Live From Vegas (BLU-RAY) Cat. #: EVB335029 Price Code: BC Order Due: February 5, 2015 Release Date: March 3, 2015 File: Pop Genre Code: 33 Box Lot: 25 8 01213 35029 2 Artist/Title: SHANIA TWAIN // STILL THE ONE: Live From Vegas (DVD) Cat. #: EV307009 Price Code: KK 8 01213 07009 1 Synopsis The original queen of crossover country-pop and the world’s best-selling female country artist of all time, Shania Twain, stars in her spectacular show “Shania: Still The One”. This ground-breaking residency show was filmed live at The Colosseum at Caesars Palace, Las Vegas where it began its run on December 1st, 2012. “Shania: Still The One” was created by Shania Twain and directed by Raj Kapoor. It takes the audience on a powerful journey through Shania’s biggest hits, country favourites and beloved crossover songs. Glamorous costumes, a 13-piece live band, backing singers and dancers are combined with stunning visuals and live horses to create the ultimate Las Vegas entertainment and to prove that Shania Twain is undoubtedly Still The One! Bonus Features Backstage Pass – an hour long documentary telling the story of the creation and staging of this amazing live show. Key Selling Points • Filmed in high definition and simultaneously released on Blu-ray.
    [Show full text]
  • Sister Mary Speaks
    AnybodyListening.net/The Breakdown Room SISTER MARY SPEAKS Vocalist's Role with Queensrÿche Continues to Expand By BRIAN J. HEATON Pamela Moore has had a pretty diverse career. Although the singer is widely known for being the riveting voice of "Sister Mary" on Queensrÿche's legendary concept album, Operation: Mindcrime, she's also released her own recordings, contributed her voice to various radio and television commercials, and has a background in theater. The latter came in handy over the past two years, as Moore joined Queensrÿche for an extensive world tour, reprising and expanding her familiar role as the love interest of "Nikki," Operation: Mindcrime's central character. Changes to her customary performance included additional vocal duties and acting out her character's parts on stage - a dramatic performance she was excited to have the opportunity to portray. "This time around I was able to sing more and help out on vocals," Moore explained. "The latter part of the year we really concentrated on bringing to life the Mindcrime show. Since I do have a theater background it was very enjoyable to pull that out again." While she was satisfied by her performance, the Seattle vocalist wasn't aware just how graphic the Sister Mary death scene was, as the character commits suicide by putting a bullet in her head. "I didn't realize it was so bloody," Moore admitted. "At the time [the show] was being rehearsed, I was on my honeymoon and wasn't able to return until a day before the tour started." Moore originally was contacted by the band to record the vocal parts for Sister Mary after the band discovered her doing radio and television commercials for a music store she was working at part time in the late 1980s.
    [Show full text]
  • Official Electronic Press Kit Official Electronic Press Kit
    AA TributeTribute to the music of Paul Rodgers & Mick Ralphs Official Electronic Press Kit “Johnny was a schoolboy when he heard his first Beatles song…” -Shooting Star Bad Company, the English hard rock band from London, were mega-stars throughout the 1970s. Their first three albums, Bad Company (1974), Straight Shooter (1975), and Run with the Pack (1976), charted in the top 5 in both the UK and US. Formed by Singer Paul Rodgers and guitarist, Mick Ralphs along with drummer Simon Kirke and bassist Boz Burrell, Bad Company’s music and Iconic sound is timeless and listened to and loved by fans around the globe. Roc Steady is excited to share the iconic music made popular by Paul Rodgers and Mick Ralphs with fans young and old! Tribute bands like Roc Steady differ from cover bands. Tribute bands re-create the experience of attending the original band’s concerts. When we take the stage, Dale Prince, Nic Cocco, Scott Biggs, David Gregory and Larry James transform and become Paul Rodgers, Mick Ralphs, Simon Kirke, Boz Burrell and Howard Leese. Roc Steady not only deliver’s the live music adlib for adlib, but also studies the mannerisms, stage presence, movements and facial expressions of the original band members. The bands outfits, backdrops, lighting and sound are designed to give the fan the experience of attending an actual Bad Company concert! ©2020 CoccoMusic, LLC All Rights Reserved Diamond Dale Prince Singing the part of Paul Rodgers Born: Flint, MI Hobbies: Harleys, Hot rods and Rock n’ Roll Top 5 Musical Influences: Steve Marriott, Paul Rodgers, Sammy Hagar, Steven Tyler and Chris Cornell Top 5 favorite Albums: Humble Pie- Smokin’, Bad Company- Bad Co, Montrose- Montrose, Aerosmith- Get Your Wings, Guns and Roses- Appetite for Destruction.
    [Show full text]
  • A 50Th Anniversary Tribute to YES Sonic Elements Presents Yesterday and Today – a Tribute to YES 1
    A 50th Anniversary Tribute to YES Sonic Elements Presents Yesterday and Today – A Tribute to YES 1. Machine Messiah (Featuring Nick D’Virgilio & Geoff Downes) 2. Yours Is No Disgrace (Featuring Marisol Koss & Tony Kaye) 3. Turn of the Century (Featuring Sally Minnear & Dave Bainbridge) 4. Sweetness (Featuring Pat Sansone) 5. Soon (Featuring Curved Air) 6. Cinema (Featuring Steve Hackett) 7. Changes (Featuring Robert Berry, Billy Sherwood & Tom Brislin) 8. I’m Running (Featuring Robin Schell, Billy Sherwood & Marco Minnemann) 9. Acoustic Medley (Featuring Jon Davison) i. Your Move ii. And You and I iii. Wonderous Stories 10. Yesterday and Today (Featuring Dr. Danny) 11. Long Distance Runaround (Featuring Leslie Hunt) 12. The Fish (Featuring Billy Sherwood) 13. Starship Trooper (Featuring Francis Dunnery) Produced by Dave Kerzner and Fernando Perdomo Executive Producer: Dave Kerzner FEATURING Jon Davison, Tony Kaye, Jay Schellen, Billy Sherwood Robert Berry, Francis Dunnery, Nick D’Virgilio, Geoff Downes, Steve Hackett, Marco Minnemann, Pat Sansone Dennis Atlas, Dave Bainbridge, Tom Brislin, Johnny Bruhns, Joe Cass, Derek Cintron, Dr. Danny, John Demarkis, Jay Gore, Marisol Koss, Roger Houdaille, Leslie Hunt, Walter Ino, Randy McStine, Sally Minnear, Mark Murdock, Hal Rosenfeld, Robin Schell, Jonathan Schang, Ken Sharp Curved Air: Sonja Kristina, Robert Norton, Paul Sax, Kit Morgan, Chris Harris, Andy Tween ℗ & © 2018 RecPlay, Inc. All rights reserved. All trademarks are the property of their respective owners. Unauthorized copying, hiring, lending, public performance and broadcasting of this record prohibited. A Tribute to YES People sometimes ask us what appeals to us about making The Beatles were my first love, then Yes became the logical a tribute album.
    [Show full text]