Kinks' music demands involvement, and additionally, their rejection of tech- nical embellishments over the years has prevented the acquisition of many younger listeners who do not want to make the commitment the Kinks re- quire. And that's a shame, because the Kinks still have more to say, in a more unique way, than any of their descen- dents, detractors or imitators. J.T.

HEART: Dog & Butterfly. [Mike Flicker, Heart and Michael Fisher, producers; Mike Flicker and Rick Keefer, engineers; recorded at Sea -West Studios in Seattle, Wa. and "Cook With Fire" "live" by Artisan Mobile Recording at Centroplex Coliseum in Memphis, Tn.] Portrait FR 35555.

Performance: Dog tries, butter flies HEART: Dog bites, butterfly soars Recording: Beauty and the beast "Cook With Fire" is a "live" rocker side -ending "Straight On." The latter One side of this album is called "Dog" electrified by Ann Wilson's razor vocals relies more on Ann's great voice than on and the other "Butterfly," a critic's and the t win guitars of Roger Fisher and compositional depth, and there's not straight line if ever there was one. And Howard Leese, with all feedback in- quite enough sex and sensationalism to indeed, the "Dog" side nearly yelps with tended- exemplary of their raw power make up for the melodic weaknesses. In mangy hard rock, while "Butterfly" un- in concert. But "High Time" and "Hi all fairness, however, side one's folds a prettier side of Heart and gives jinx" are less impressive, sharing a pen- unadorned rock format has its share of the group more room to soar. chant for underdone rock basics with the primitive appeal.

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