The Piasa, Or, the Devil Among the Indians
LI B RAFLY OF THE UNIVERSITY Of ILLINOIS THE PIASA, OR, BY HON. P. A. ARMSTRONG, AUTHOR OF "THE SAUKS, AND THE BLACK HAWK WAR," "I,EGEND OP STARVED ROCK," ETC. WITH ENGRAVINGS OF THE MONSTERS. MORRIS, E. B. FLETCHER, BOOK AND JOB PRINTER. 1887. HIST, CHAPTER I. PICTOGRAPHS AND PETROGLYPHS THEIR ORIGIN AND USES THE PIASA,*OR PIUSA,f THE LARGEST AND MOST WONDERFUL PETRO- GLYPHS OF THE WORLD THEIR CLOSE RESEMBLANCE TO THE MANIFOLD DESCRIPTIONS AND NAMES OF THE DEVIL OF THE SCRIPTURES WHERE, WHEN AND BY WHOM THESE MONSTER PETROGLYPHS WERE DISCOVERED BUT BY WHOM CONCEIVED AND EXECUTED, AND FOR WHAT PURPOSE, NOW IS, AND PROB- ABLY EVER WILL BE, A SEALED MYSTERY. From the evening and the morning of the sixth day, from the beginning when God created the heaven and the earth, and darkness was upon the face of the deep, and the spirit of God moved upon the face of the waters, and God said: Let there be light in the firmament of the heavens to divide the day .from the night, and give light upon the earth, and made two great lights, the greater to rule the day and the lesser to rule the night, and plucked from his jeweled crown a handful of dia- monds and scattered them broadcast athwart the sky for bril- liants to his canopy, and stars in his firmament, down through the countless ages to the present, all nations, tongues, kindreds and peoples, in whatsoever condition, time, clime or place, civilized,pagan, Mohammedan,barbarian or savage,have adopt- ed and utilized signs, motions, gestures, types, emblems, sym- bols, pictures, drawings, etchings or paintings as their primary and most natural as well as direct and forcible methods and vehicles of communicating, recording and perpetuating thought and history.
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