Chino Moreno, Stef Carpenter, Become Nu-Metal
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Deftones Annonserer Albumet Ohms
Deftones - Ohms 21-08-2020 11:40 CEST Deftones annonserer albumet Ohms Det GRAMMY-prisvinnende og internasjonalt kritikerroste bandet Deftones har annonsert at det etterlengtede albumet, Ohms, utgis 25. september via Warner Records. Annonseringen kommer sammen med det episke tittelsporet, ny video regissert av Rafatoon og oppdatert hjemmeside via deftones.com. Spekuleringen rundt det kommende albumet blant fans har feid over medielandskapet og satte fyr på nysgjerrigheten i det bandets hjemmeside og sosiale medier ble mørke. Dette fortsatte å øke da bandet røpet album coveret uten noen videre tilleggsinformasjon. Coveret er designet av deres mangeårige samarbeidspartner Frank Maddocks (som også designet det ikoniske White Pony LP coveret), og det fengslende bildet av to øyne bestående av tusener av hvite piksler dukket kryptisk opp på en billboard i den kulturelle kjernen av Los Angeles på Fairfax Avenue over den ikoniske restauranten Canter's Deli med skriften "This Is Our Time...We Devour The Days Ahead." Ohms ble innspilt på Henson Studios og Trainwreck Studios og er et utenomjordisk arbeid laget av kvintetten. Det markerer også deres første album på fire år siden kritikerroste Gore i 2016. Bandet, som består av Chino Moreno, Frank Delgado, Stephen Carpenter, Abe Cunningham, og Sergio Vega, har produsert en kompakt plate der hvert bandmedlem leverer på sitt beste. Albumet har også med seg en velkjent samarbeidspartner i veteran produsent og ingeniør Terry Date, som jobbet på Adrenaline (1995), Around The Fur (1997) og White Pony (2000). Alt dette legger til rette for å levere Ohms; 10 spor med rå virkelighetsfrukt og enestående groove som har gjort Deftones' sound eksepsjonell i over to år. -
Radiohead's Pre-Release Strategy for in Rainbows
Making Money by Giving It for Free: Radiohead’s Pre-Release Strategy for In Rainbows Faculty Research Working Paper Series Marc Bourreau Telecom ParisTech and CREST Pinar Dogan Harvard Kennedy School Sounman Hong Yonsei University July 2014 RWP14-032 Visit the HKS Faculty Research Working Paper Series at: http://web.hks.harvard.edu/publications The views expressed in the HKS Faculty Research Working Paper Series are those of the author(s) and do not necessarily reflect those of the John F. Kennedy School of Government or of Harvard University. Faculty Research Working Papers have not undergone formal review and approval. Such papers are included in this series to elicit feedback and to encourage debate on important public policy challenges. Copyright belongs to the author(s). Papers may be downloaded for personal use only. www.hks.harvard.edu Makingmoneybygivingitforfree: Radiohead’s pre-release strategy for In Rainbows∗ Marc Bourreau†,Pınar Dogan˘ ‡, and Sounman Hong§ June 2014 Abstract In 2007 a prominent British alternative-rock band, Radiohead, pre-released its album In Rainbows online, and asked their fans to "pick-their-own-price" (PYOP) for the digital down- load. The offer was available for three months, after which the band released and commercialized the album, both digitally and in CD. In this paper, we use weekly music sales data in the US between 2004-2012 to examine the effect of Radiohead’s unorthodox strategy on the band’s al- bum sales. We find that Radiohead’s PYOP offer had no effect on the subsequent CD sales. Interestingly, it yielded higher digital album sales compared to a traditional release. -
The BG News April 29, 2003
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-29-2003 The BG News April 29, 2003 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 29, 2003" (2003). BG News (Student Newspaper). 7121. https://scholarworks.bgsu.edu/bg-news/7121 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. State University TUESDAY April 29, 2003 SOFTBALL: PARTLY CLOUDY The Women's Softball HIGH 66! LOW 55 team travels to Cleveland www.bgnews.com today to take on independent student press VOLUME % ISSUE 68 Cleveland State; PAGE 7 areas restricted to participants arc of the event. services, said "It certain]) takes a inside buildings and the Oak "It's going lo be a good stress' little bit of work In planning Grove Cemetery. reliever and a chance to get our something like this I'm interested According to Gillispie, the event minds off of impending exams," to see how n works out" is a way to provide something for he said. "It'll be a good opportuni- Participating students must the campus as a whole. "We sec it ty to interact with the rest of the sign a waiver and submit their ID as a chance for us to do some- student body on campus.'' numlK'r when the\ register, Am thing for the University,'' he said. -
DAILYEASTERNNEWS.COM Fundfest to Help Laid Off Employees Event to Feature Food Vendors, Entertainment, and Speakers
Eastern Illinois University The Keep April 2016 4-29-2016 Daily Eastern News: April 29, 2016 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2016_apr Recommended Citation Eastern Illinois University, "Daily Eastern News: April 29, 2016" (2016). April. 21. http://thekeep.eiu.edu/den_2016_apr/21 This is brought to you for free and open access by the 2016 at The Keep. It has been accepted for inclusion in April by an authorized administrator of The Keep. For more information, please contact [email protected]. ON THE VERGE THREE-GAME SERIES Check out this week’s The Eastern softball team will head edition of the Verge for to Southern Illinois-Edwardsville for information on ACTS three weekend games Friday and ministry dancers, the Mobile Saturday. Food Pantry, and more. SECTION B PAGE 8 HE T aily astErn Ews Friday,D April 29, 2016 E“TELL THE TRUTH AND DON’T BE AFRAID” n VOL. 100 | NO. 148 CELEBRATING A CENTURY OF COVERAGE EST. 1915 WWW.DAILYEASTERNNEWS.COM FUNdFest to help laid off employees Event to feature food vendors, entertainment, and speakers By T’Nerra Butler Multicultural Editor | @DEN_News Following the layoffs of the many civil ser- vice workers across campus, a group came together and brainstormed a way to lend a helping hand. Support EIU Employees came up with a day chock filled with activities that would in turn, raise money to give to those who have been laid off. MACKENZIE FREUND | THE DAILY EASTERN NEWS FUNdFest will be at 11 a.m. Saturday at Brendan Lynch stands outside of the Bike & Hike store on 18th Street on a sunny afternoon. -
A Descriptive and Comparative Study of Conceptual Metaphors in Pop and Metal Lyrics
UNIVERSIDAD DE CHILE FACULTAD DE FILOSOFÍA Y HUMANIDADES DEPARTAMENTO DE LINGÜÍSTICA METAPHORS WE SING BY: A DESCRIPTIVE AND COMPARATIVE STUDY OF CONCEPTUAL METAPHORS IN POP AND METAL LYRICS. Informe final de Seminario de Grado para optar al Grado de Licenciado en Lengua y Literatura Inglesas Estudiantes: María Elena Álvarez I. Diego Ávila S. Carolina Blanco S. Nelly Gonzalez C. Katherine Keim R. Rodolfo Romero R. Rocío Saavedra L. Lorena Solar R. Manuel Villanovoa C. Profesor Guía: Carlos Zenteno B. Santiago-Chile 2009 2 Acknowledgements We would like to thank Professor Carlos Zenteno for his academic encouragement and for teaching us that [KNOWLEDGE IS A VALUABLE OBJECT]. Without his support and guidance this research would never have seen the light. Also, our appreciation to Natalia Saez, who, with no formal attachment to our research, took her own time to help us. Finally, we would like to thank Professor Guillermo Soto, whose suggestions were fundamental to the completion of this research. Degree Seminar Group 3 AGRADECIMIENTOS Gracias a mi mamá por todo su apoyo, por haberme entregado todo el amor que una hija puede recibir. Te amo infinitamente. A la Estelita, por sus sabias palabras en los momentos importantes, gracias simplemente por ser ella. A mis tías, tío y primos por su apoyo y cariño constantes. A mis amigas de la U, ya que sin ellas la universidad jamás hubiese sido lo mismo. Gracias a Christian, mi compañero incondicional de este viaje que hemos decidido emprender juntos; gracias por todo su apoyo y amor. A mi abuelo, que me ha acompañado en todos los momentos importantes de mi vida… sé que ahora estás conmigo. -
Deftones' New Release, 'Gore', Has Been Called a Departure from The
Deftones’ new release, ‘Gore’, has been called a departure from the group’s recent albums— somber and a little less optimistic. Stephen Carpenter and Chino Moreno discuss filling different guitar frequencies with different numbers of strings, tone modeling, and keeping the inspiration alive for more than two decades. by TZVI GLUCKIN March 10, 2016 edit by: deftfan (DeftonesZone) Grammy-winning rock group deftones is a guitar- centric, the knowledge i had read up on, was told about, and riff-driven band. Since their 1995 debut, adrenaline, the alt absorbed from others.” Deftones new album—two years in legends have been revered as extremely passionate masters the making—builds on carpenter’s experience, of sonic layering. And gore, their eighth studio release, is experimentation, and vast tonal awareness. Moreno adds a a guitar tour de force, featuring low-tuned 8-strings, swirly different perspective to the mix. “if it sounds good in a delays, sonic soundscapes, and bone-crushing chunk. little room with all of us in a circle then there’s a good Stephen carpenter is the band’s primary guitarist, while chance it should sound good on tape or recorded,” he says. lead singer chino moreno started adding additional guitars Gore, produced by the band in tandem with Matt Hyde, is with their third release, 2000’S white pony. Together, they a guitarist's feast and is replete with swagger, low-end create a dense, colorful, musical wall. “it’s like the rumble, and ambient textures. It also features Alice in bulldozer effect,” carpenter says. “you just get in where Chains guitarist Jerry Cantrell on the song “Phantom you fit in.” Bride.” Carpenter is the consummate gearhead. -
Limp Bizkit (From the 1999 Album SIGNIFICANT OTHER) Transcribed by Danj Inc Words and Music by Limp Bizkit ([email protected]) Arranged by Limp Bizkit
RE-ARRANGED As recorded by Limp Bizkit (From the 1999 Album SIGNIFICANT OTHER) Transcribed by danj_inc Words and Music by Limp Bizkit ([email protected]) Arranged by Limp Bizkit A Intro/Verse Downtuned 7-string guitar arr. for 6-string Moderate Nu-Metal = 105 SEE PERFORMANCE NOTES P 8 1 g I 4 Gtrs I, II, III, IV, V T A B N.C. 8x VV VV VV VV 8x 9 g VV VV VV V V VV VV VV V V V V VV VV VV VV V VV VV VV V V V V I V V V V V V V V V V V V V V V V Gtrs I, II 3 0 3 0 7 7 0 8 T 3 0 3 0 7 7 0 8 A 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 B 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 T T T T T T T T T T T T T T T T T P T T T P T T T T T T T T P T T T T N.C. 11 g V V V V V V I V V V V V V } } } V V V V V V } } } Gtr II V V } } } } } V V } } } } } T A 14 17 14 x x x 14 17 14 x x x B x x x x x x 12 12 3 15 15 3 12 12 x x x x x 12 12 3 15 15 3 12 12 x x x x x T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T B Interlude 4 13 g I T A B Generated using the Power Tab Editor by Brad Larsen. -
Upheaval Records Interview
Upheaval Records Interview This is the second interview in a series of Canadian record labels, and this is one of my all time favorite record labels! Everything released by this dude was amazing! And it definitely stands the test of time! Dan actually has copies left of the New Day Rising 7″, Lockjaw CD and Day of Mourning CD. You can email him to acquire some copies for your own. The complete Upheaval Records discography includes: UR-666 – New Day Rising double 7” (1996) – Less than 2000 copies UP002CD – Ignorance Never Settles“Cycles of Consumption” (1996) – 1000 copies UP003CD – Lockjaw “A Lesson in Hate” (1997) – Less than 1000 UP004CD – Day of Mourning “Reborn as the Enemy” (1998) – 1000 copies UR-666 – New Day Rising double 7” (1996) UP002CD – Ignorance Never Settles “Cycles of Consumption” (1996) UP003CD – Lockjaw “A Lesson in Hate” (1997) UP004CD – Day of Mourning “Reborn as the Enemy” (1998) Instead of using the label logo, Upheaval Records used this definition on the outside of the New Day Rising 7″ -When was the label formed and where was it located originally? The label was formed in 1996. I ran it out of Hamilton. At first, I would trade my releases with other labels from all over the world, so the whole room would be just packed with records. It was kind of neat where it was my fantasy equivalent to business people who dream of wanting to roll around in money. I didn’t actually want to roll around in records, but I loved having boxes of them everywhere. -
Epsiode 20: Happy Birthday, Hybrid Theory!
Epsiode 20: Happy Birthday, Hybrid Theory! So, we’ve hit another milestone. I’ve rated for 15+ before like 6am, when it made 20 episodes of this podcast – which becomes a Top 50 countdown. When I was is frankly very silly – and I was trying younger, it was the quickest way to find to think about what I could write about new music, and potentially accidentally to reflect such a momentous occasion. see something that would really scar I was trying to think of something that you, music-video wise. Like that time I was released in the year 2000 and accidentally saw Aphex Twin’s Come to was, as such, experiencing a similarly Daddy music video. momentous 20th anniversary. The answer is, unsurprisingly, a lot of things But because I was tiny and my brain – Gladiator, Bring It On and American was a sponge, it turns out a lot of what Psycho all came out in the year 2000. But I consumed has actually just oozed into I wasn’t allowed to watch any of those every recess of my being, to the point things until I was in high school, and they where One Step Closer came on and I didn’t really spur me to action. immediately sang all the words like I was in some sort of trance. And I haven’t done And then I sent a rambling voice memo a musical episode for a while. So, today, to Wes, who you may remember from we’re talking Nu Metal, baby! Hell yeah! such hits as “making this podcast sound any good” and “writing the theme tune I’m Alex. -
University of Oklahoma Graduate College Performing Gender: Hell Hath No Fury Like a Woman Horned a Thesis Submitted to the Gradu
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF ARTS By GLENN FLANSBURG Norman, Oklahoma 2021 PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS APPROVED FOR THE GAYLORD COLLEGE OF JOURNALISM AND MASS COMMUNICATION BY THE COMMITTEE CONSISTING OF Dr. Ralph Beliveau, Chair Dr. Meta Carstarphen Dr. Casey Gerber © Copyright by GLENN FLANSBURG 2021 All Rights Reserved. iv TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Introduction .................................................................................................................................... 1 Heavy Metal Reigns…and Quickly Dies ....................................................................................... 1 Music as Discourse ...................................................................................................................... 2 The Hegemony of Heavy Metal .................................................................................................. 2 Theory ......................................................................................................................................... 3 Encoding/Decoding Theory ..................................................................................................... 3 Feminist Communication -
Deftones - Ohms Episode 196
Song Exploder Deftones - Ohms Episode 196 Hrishikesh: You’re listening to Song Exploder, where musicians take apart their songs and piece by piece tell the story of how they were made. My name is Hrishikesh Hirway. (“Ohms” by DEFTONES) Hrishikesh: This episode contains explicit language. Deftones are a Grammy-winning band from Sacramento who’ve sold over ten million albums. Their ninth album came out this year on September 25th, 2020. It’s called Ohms, and the last track on it is also called “Ohms.” In this episode, singer Chino Moreno breaks down how that song came together, and how they literally went back to where things started in order to create the music. (“Ohms” by DEFTONES) Hrishikesh: Here’s Chino Moreno on how “Ohms” got started. Chino: My name is Chino Moreno. (Music fades out) Chino: The first time I heard anything of it was a email that I received from Stephen Carpenter, who plays guitar. He sent this demo and I remember I was travelling, and I was on my way to Yellowstone National Park. And I remember like my wife was getting mad at me because I don’t have unlimited data so like I was downloading stuff like using my cellular network. And she was like “Why are you downloading stuff right now? We’re going to run out of data!” But I had already got like two thirds of the way through so I just continued on. This was probably three or so years ago out of the blue. He rarely sends me demos because a lot of our music is really written like when all of us are in the same room.