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Game of Thrones – a Complexidade Narrativa Na Série Televisiva E Seu Desenvolvimento Nas Demais Mídias

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Game of Thrones – a Complexidade Narrativa Na Série Televisiva E Seu Desenvolvimento Nas Demais Mídias 1 UNIVERSIDADE ANHEMBI MORUMBI KATIA DE JESUS A CAMINHO DE WESTEROS: Game of Thrones – A complexidade narrativa na série televisiva e seu desenvolvimento nas demais mídias. SÃO PAULO 2015 2 KATIA DE JESUS A CAMINHO DE WESTEROS: Game of Thrones – A complexidade narrativa na série televisiva e seu desenvolvimento nas demais mídias. Dissertação de Mestrado apresentada à Banca Examinadora, como exigência parcial para a obtenção do título de Mestre em Comunicação, área de concentração em Comunicação Audiovisual, da Universidade Anhembi Morumbi, sob a orientação do Prof. Dr. Rogério Ferraraz. SÃO PAULO 2015 3 J56c Jesus, Katia de A caminho de Westeros: Game of Thrones – A complexidade narrativa na série televisiva e seu desenvolvimento nas demais mídias / Katia de Jesus. – 2015. 93f.: il.; 30 cm. Orientador: Prof. Dr. Rogério Ferraraz. Dissertação (Mestrado em Comunicação) – Universidade Anhembi Morumbi, São Paulo, 2015. Bibliografia: f. 79-87. 1. Comunicação social. 2. Análise de produto audiovisual. 3.Narrativa seriada televisiva. 4. Complexidade narrativa. 5. Game of Thrones. 6. Narrativa transmídia. I. Título. CDD 302.2 1. Ciência da Informação. 2. Administração. I. Título. UNIPÊ / BC 4 KATIA DE JESUS A CAMINHO DE WESTEROS: Game of Thrones – A complexidade narrativa na série televisiva e seu desenvolvimento nas demais mídias. Dissertação de Mestrado apresentada à Banca Examinadora, como exigência parcial para a obtenção do título de Mestre em Comunicação, área de concentração em Comunicação Audiovisual, da Universidade Anhembi Morumbi, sob a orientação do Prof. Dr. Rogério Ferraraz. Aprovado em ----/-----/----- Prof. Dr. Rogério Ferraraz Prof. Dr. Renato Luiz Pucci Junior Prof. Dr. Marcelo Bulhões 5 AGRADECIMENTOS Agradeço primeiramente a meu orientador Prof. Dr. Rogério Ferraraz, que possibilitou a realização deste trabalho com sua dedicação, suporte e paciência em todos os momentos difíceis que passei em minha trajetória do mestrado, sempre contribuindo ricamente com seu conhecimento. Agradeço a todo o corpo docente pelas contribuições com meu aprendizado, em especial à Prof. Dra. Maria Ignês, que sempre me auxiliou com sua simpatia e sabedoria; ao Prof. Dr. Luiz Antonio Vadico, que me ensinou sobre pesquisa e fez eu me encantar pela estética fílmica; ao Prof. Dr. Renato Luiz Pucci Junior, que ajudou a mudar o rumo da minha dissertação no exame de qualificação, com suas críticas construtivas. Aos meus amigos que me apoiaram nesta caminhada, em especial à Fernanda Mendes, amiga e companheira de estudos neste mestrado, que sempre me deu forças para continuar com a caminhada. À minha família, principalmente meus pais, Wagner e Maria Aparecida, por seu exemplo e compreensão com a minha falta de tempo, por conta dos estudos. A meu marido Jesse James, pelo carinho, compreensão e suporte no decorrer destes dois anos. Por último, agradeço a todos que contribuíram de certa forma com meu crescimento e que não foram citados. 6 RESUMO Este trabalho possui como foco central a análise da série televisiva Game of Thrones. Seu objetivo maior é, através de pesquisa de cunho exploratório e qualitativo, analisar como a complexidade narrativa é construída e desenvolvida na série televisiva e qual sua relação com as demais mídias ou produtos com sua temática. Pretende-se, assim, verificar o papel exercido por estas mídias na complexidade narrativa da série de TV. Para atingir o objetivo proposto, a pesquisa estruturou-se sobre um arcabouço teórico, de autores como, Umberto Eco (1989), Omar Calabrese (1987), Maria Cristina Costa (2000), Arlindo Machado (2000), Marcelo Bulhões (2009), Cássio Starling Carlos (2006), Henry Jenkins (2009), Jason Mittell (2012), Jean-Pierre Esquenazi (2010), Carlos A. Scolari (2013), Renata Pallottini (1998), Jak Boumans (2005), Gaby Allrath e Marion Gymnich (2005), entre outros. A estrutura do trabalho contempla a reflexão sobre os aspectos relacionados às narrativas seriadas televisivas contemporâneas, à apresentação do universo ficcional de Game of Thrones e por último, à análise da série televisiva e das demais mídias que a envolvem. Game of Thrones é um dos exemplos de narrativas seriadas televisivas contemporâneas e de como a complexidade narrativa pode ser trabalhada nas séries e demais mídias atuais. Palavras-chave: Análise de produto audiovisual. Narrativa seriada televisiva. Complexidade narrativa. Game of Thrones. Narrativa Transmídia. 7 ABSTRACT This dissertation has as central focus the analysis of the television series Game of Thrones. Its main objective is, through exploratory and qualitative research, how to analyze the narrative complexity is built and developed in the television series and what its relationship with other media or products with their theme. It is intended, therefore, check the role played by these media in the narrative complexity of the TV series. To achieve the proposed objective, the survey was structured on a theoretical framework, the authors as Umberto Eco (1989), Omar Calabrese (1987), Maria Cristina Costa (2000), Arlindo Machado (2000), Marcelo Bulhões (2009), Cássio Starling Carlos (2006), Henry Jenkins (2009), Jason Mittell (2012), Jean-Pierre Esquenazi (2010), Carlos A. Scolari (2013), Renata Pallottini (1998), Jak Boumans (2005), Gaby Allrath and Marion Gymnich (2005), among others. The structure of the dissertation includes a reflection on the aspects related to contemporary television serial narratives, presenting the fictional universe of Game of Thrones and finally the analysis of the television series and the other media that surround it. Game of Thrones is an example of contemporary television serial narratives and how the narrative complexity can be developed in the series and other current media. Key-words: Audiovisual product analysis. Television serial narrative. Narrative complexity. Game of Thrones. Transmedia storytelling. 8 LISTA DE FIGURAS Figura 1: Mapa de Westeros e Terras além mar........................................................29 Figura 2: O trono de ferro...........................................................................................30 Figura 3: As casas e seus lemas................................................................................32 Figura 4: A muralha....................................................................................................36 Figura 5: The Night’s Watch (Patrulha da Noite)…….................................................36 Figura 6: As maiores casas de Game Of Thrones e suas regiões.............................37 Figura 7: Porto Real ..................................................................................................38 Figura 8: Personagens da série Game of Thrones....................................................39 Figura 9: Relacionamentos entre as casas e personagens.......................................45 Figura 10: Imagens da abertura da série...................................................................55 Figura 11: Board games (jogos de tabuleiro) e Card games (Jogo de cartas)..........61 Figura 12: Board game lançado no Brasil pela empresa Galápagos.........................61 Figura 13: O festim dos corvos e A Dança dos Dragões - Expansões do Board game “A Guerra dos Tronos”................................................................................................62 Figura 14: Imagens do game (videogame) da empresa Telltale Games...................64 Figura 15 Capas dos três volumes da Graphic Novel lançada no Brasil...................66 Figura 16: Capas do primeiro e segundo volumes do livro Game of Thrones: Inside HBO’s.........................................................................................................................67 Figura 17: Imagens internas do livro Game of Thrones: Inside HBO’s......................67 Figura 18: Os onze principais momentos das quatro temporadas de Game of Thrones – Curta animado francês..............................................................................69 Figura 19: Curta da HBO The History of Alchemists..................................................70 Figura 20: Imagens do curta de Egor Zhgun..............................................................71 9 Figura 21: Imagens do curta animado “Snow Knows”................................................71 Figura 22: Mapa de Westeros, recriado no Google Maps..........................................75 10 LISTA DE QUADROS Quadro 1: Análise de episódios da primeira temporada ...........................................48 11 SUMÁRIO INTRODUÇÃO .......................................................................................................... 12 1 A NARRATIVA FICCIONAL SERIADA CONTEMPORÂNEA NA TELEVISÃO ...... 16 2 A CAMINHO DE WESTEROS: O UNIVERSO FICCIONAL DE GAME OF THRONES..................................................................................................................29 2.1 Conhecendo o mundo de Game Of Thrones e seus personagens .................. 31 2.2 A narrativa da série televisiva Game of Thrones e seus elementos constitutivos ................................................................................................................................ 46 2.3 A identidade de Game of Thrones ................................................................... 52 3 OS ELEMENTOS DA NARRATIVA SERIADA NAS DEMAIS MÍDIAS DE GAME OF THRONES ................................................................................................................. 57 3.1 Jogos ..............................................................................................................
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