Chapter 25: How the Scarecrow Displayed His Wisdom
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The Emerald City of Oz by L. Frank Baum Author of the Road to Oz
The Emerald City of Oz by L. Frank Baum Author of The Road to Oz, Dorothy and The Wizard in Oz, The Land of Oz, etc. Contents --Author's Note-- 1. How the Nome King Became Angry 2. How Uncle Henry Got Into Trouble 3. How Ozma Granted Dorothy's Request 4. How The Nome King Planned Revenge 5. How Dorothy Became a Princess 6. How Guph Visited the Whimsies 7. How Aunt Em Conquered the Lion 8. How the Grand Gallipoot Joined The Nomes 9. How the Wogglebug Taught Athletics 10. How the Cuttenclips Lived 11. How the General Met the First and Foremost 12. How they Matched the Fuddles 13. How the General Talked to the King 14. How the Wizard Practiced Sorcery 15. How Dorothy Happened to Get Lost 16. How Dorothy Visited Utensia 17. How They Came to Bunbury 18. How Ozma Looked into the Magic Picture 19. How Bunnybury Welcomed the Strangers 20. How Dorothy Lunched With a King 21. How the King Changed His Mind 22. How the Wizard Found Dorothy 23. How They Encountered the Flutterbudgets 24. How the Tin Woodman Told the Sad News 25. How the Scarecrow Displayed His Wisdom 26. How Ozma Refused to Fight for Her Kingdom 27. How the Fierce Warriors Invaded Oz 28. How They Drank at the Forbidden Fountain 29. How Glinda Worked a Magic Spell 30. How the Story of Oz Came to an End Author's Note Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. -
Little Wizard Stories of Oz by L. Frank Baum
Little Wizard Stories of Oz By L. Frank Baum 1 Contents The Cowardly Lion and the Hungry Tiger Little Dorothy and Toto Tiktok and the Nome King Ozma and the Little Wizard Jack Pumpkinhead and the Sawhorse The Scarecrow and the Tin Woodman 2 THE COWARDLY LION AND THE HUNGRY TIGER In the splendid palace of the Emerald City, which is in the center of the fairy Land of Oz, is a great Throne Room, where Princess Ozma, the Ruler, for an hour each day sits in a throne of glistening emeralds and listens to all the troubles of her people, which they are sure to tell her about. Around Ozma's throne, on such occasions, are grouped all the important personages of Oz, such as the Scarecrow, Jack Pumpkinhead, Tiktok the Clockwork Man, the Tin Woodman, the Wizard of Oz, the Shaggy Man and other famous fairy people. Little Dorothy usually has a seat at Ozma's feet, and crouched on either side the throne are two enormous beasts known as the Hungry Tiger and the Cowardly Lion. These two beasts are Ozma's chief guardians, but as everyone loves the beautiful girl Princess there has never been any disturbance in the great Throne Room, or anything for the guardians to do but look fierce and solemn and keep quiet until the Royal Audience is over and the people go away to their homes. Of course no one would dare be naughty while the huge Lion and Tiger crouched beside the throne; but the fact is, the people of Oz are very seldom naughty. -
The Marvellous Land of Oz ______
The Chronicles of Oz: The Marvellous Land Of Oz __________________________ A six-part audio drama by Aron Toman A Crossover Adventures Production chroniclesofoz.com 44. EPISODE TWO 15 PREVIOUSLY Recap of the previous episode. 16 EXT. CLEARING The Sawhorse runs rampant, while Tip and Jack Pumpkinhead attempt to catch it and calm it down. JACK PUMPKINHEAD Whoah! Whoah! TIP (V.O.) Taming the Sawhorse now it was alive was proving ... tricky. When Jack came to life, he was full of questions and kinda stupid, but he was fairly calm, all things considered. The Sawhorse was frightened. And a little bit insane. JACK PUMPKINHEAD Calm down horsey! TIP Whoah, horse. Easy there boy -- look out Jack, it's coming through! JACK PUMPKINHEAD Whoooah! He leaps out of the way as the horse bounds past him. TIP Come on, there's nothing to be scared of. JACK PUMPKINHEAD I'm scared! TIP Nothing for the Sawhorse to be scared of. (to Sawhorse) We're your friends we're not going to hurt -- ahhh! He jumps aside as it rushes through. 45. JACK PUMPKINHEAD At least it's knocking you over as well as me, Dad. TIP I don't understand, why won't it listen to us? JACK PUMPKINHEAD Maybe it can't listen to us? TIP Oh? Oh, of course, that's it! Jack, find me some leaves or something. (he starts rummaging in the undergrowth) Big ones, about the size of my hand. We need two. JACK PUMPKINHEAD Why? TIP (finding leaves) Here we are, perfect. Ears, Jack! The Sawhorse doesn't have ears! JACK PUMPKINHEAD That's why he isn't listening! TIP We just need to fasten these on to his head and sprinkle a little more powder on. -
The Wonderful Wizard of Oz & Glinda of Oz Ebook, Epub
THE WONDERFUL WIZARD OF OZ & GLINDA OF OZ PDF, EPUB, EBOOK L. Frank Baum | 304 pages | 06 Jul 2012 | Wordsworth Editions Ltd | 9781840226942 | English | Herts, United Kingdom The Wonderful Wizard of Oz & Glinda of Oz PDF Book She explains "I have lived here many years Glinda plays the most active role in finding and restoring Princess Ozma , the rightful heir, to the throne of Oz, the search for whom takes place in the second book, The Marvelous Land of Oz , although Glinda had been searching for Ozma ever since the princess disappeared as a baby. Baum's children's novel The Wonderful Wizard of Oz refers to Glinda as the "Good Witch of the South"; she does not appear in the novel until late in its development. With the army quickly approaching Finley, China Girl, and finally Oz fall after her. She was old then and considered ugly by the cruel King Oz, thus causing him to brand her a witch. And Instead initiated a long grueling search across all the land of Oz, for the rightful ruler of royal blood. As the series draws to an end, Glinda telepathically contacts and saves Dorothy from falling to her death from a tower, following a confrontation with the Nome King and his minions. It is revealed that she wishes to wed Aiden, the Wizard of Oz. Glinda occasionally exhibits a more ruthless, cunning side than her counterparts or companions. In the books, Glinda is depicted as a beautiful young woman with long, rich rare red hair and blue eyes, wearing a pure white dress. -
A Representação Do Feminino No Mundo De Oz, De L. Frank Baum
UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE LETRAS MODERNAS PROGRAMA DE ESTUDOS LINGUÍSTICOS E LITERÁRIOS EM INGLÊS SUBÁREA DE LÍNGUA A REPRESENTAÇÃO DO FEMININO NO MUNDO DE OZ, DE L. FRANK BAUM ANA CAROLINA LAZZARI CHIOVATTO São Paulo – SP 2017 UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE LETRAS MODERNAS PROGRAMA DE ESTUDOS LINGUÍSTICOS E LITERÁRIOS EM INGLÊS SUBÁREA DE LÍNGUA A REPRESENTAÇÃO DO FEMININO NO MUNDO DE OZ, DE L. FRANK BAUM Ana Carolina Lazzari Chiovatto Dissertação apresentada ao Programa de Pós-Graduação em Estudos Linguísticos e Literários em Inglês, do Departamento de Letras Modernas da Faculdade de Filosofia, Letras e Ciências Humanas, para a obtenção do título de Mestre em Letras. Orientadora Profa. Dra. Elizabeth Harkot de la Taille São Paulo – SP 2017 Nome: CHIOVATTO, Ana Carolina Lazzari Título: A Representação do Feminino no Mundo de Oz, de L. Frank Baum Dissertação apresentada à Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo para obtenção do título de Mestre em Estudos Linguísticos e Literários em Inglês Aprovado em: Banca Examinadora Prof(a). Dr(a). Instituição: Julgamento: Assinatura: Prof(a). Dr(a). Instituição: Julgamento: Assinatura: Prof(a). Dr(a). Instituição: Julgamento: Assinatura: RESUMO Nos livros de L. Frank Baum cuja ação se desenvolve na Terra de Oz, as personagens femininas aparecem nas mais diversas funções, de protagonista a vilã, de fada a bruxa, de princesa a general, entre outras, sejam elas humanas, feéricas ou animais, desdobrando-se em diversos papéis e, desse modo, reproduzindo alguns estereótipos e quebrando outros. -
The Chronicles of Oz: the Marvellous Land of Oz a Six-Part
The Chronicles of Oz: The Marvellous Land Of Oz __________________________ A six-part audio drama by Aron Toman A Crossover Adventures Production chroniclesofoz.com 223. EPISODE SIX 96 PREVIOUSLY Recap of the previous episodes. 97 INT. PALACE CORRIDOR Continued chaos as the allied forces mop up after the Munchkin invaders. Jinjur rushes down the corridor, out of breath and a little desperate. JINJUR It's down here. It has to be down this way... FARAMANT (afar) She went that way! UGU (afar) Are you sure? FARAMANT (afar) Yes, giddy-up! JINJUR No! Not yet. I won't give up so easily! She pushes against a rock and a secret passage slides aside. She rushes in and it replaces itself as Faramant and Ugu arrive riding the Sawhorse. It whinnies triumphant. FARAMANT Well I thought she went this way. UGU (weary) Can we stop yet? FARAMANT I saw her dash around the corner. UGU I left my stomach somewhere around the atrium. 224. FARAMANT There's nowhere else she could have gone, it's a dead end. UGU Faramant... FARAMANT Yes, climb off if you have to. UGU Thank you! He scampers off and kisses the ground. FARAMANT How did you ever survive living with the Wicked Witch? UGU The Wicked Witch never made me ride a crazy wooden horse without a stop button. FARAMANT She had a dragon! UGU And the Sawhorse is scarier. FARAMANT Right. (he climbs off himself and examines the wall) I don't suppose she went this way.... UGU Through the wall? FARAMANT This is Oz, it's not unheard of. -
L. Frank Baum and the Technology of Love
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1978 L. Frank Baum and the Technology of Love Robert Bruce Goble Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Goble, Robert Bruce, "L. Frank Baum and the Technology of Love" (1978). Masters Theses. 3220. https://thekeep.eiu.edu/theses/3220 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Inly ate27b 1978 · Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author pdm L. FrankBa.um and the Technology of Love (TITLE) BY Robert. Bruce Goble THESIS SUBMIITED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE Iuly ;l.�1 1q7{ DATE ADVISER L. -
To the Baum Bugle Supplement for Volumes 46-49 (2002-2005)
Index to the Baum Bugle Supplement for Volumes 46-49 (2002-2005) Adams, Ryan Author "Return to The Marvelous Land of Oz Producer In Search of Dorothy (review): One Hundred Years Later": "Answering Bell" (Music Video): 2005:49:1:32-33 2004:48:3:26-36 2002:46:1:3 Apocrypha Baum, Dr. Henry "Harry" Clay (brother Adventures in Oz (2006) (see Oz apocrypha): 2003:47:1:8-21 of LFB) Collection of Shanower's five graphic Apollo Victoria Theater Photograph: 2002:46:1:6 Oz novels.: 2005:49:2:5 Production of Wicked (September Baum, Lyman Frank Albanian Editions of Oz Books (see 2006): 2005:49:3:4 Astrological chart: 2002:46:2:15 Foreign Editions of Oz Books) "Are You a Good Ruler or a Bad Author Albright, Jane Ruler?": 2004:48:1:24-28 Aunt Jane's Nieces (IWOC Edition "Three Faces of Oz: Interviews" Arlen, Harold 2003) (review): 2003:47:3:27-30 (Robert Sabuda, "Prince of Pop- National Public Radio centennial Carodej Ze Zeme Oz (The ups"): 2002:46:1:18-24 program. Wonderful Wizard of Oz - Czech) Tribute to Fred M. Meyer: "Come Rain or Come Shine" (review): 2005:49:2:32-33 2004:48:3:16 Musical Celebration of Harold Carodejna Zeme Oz (The All Things Oz: 2002:46:2:4 Arlen: 2005:49:1:5 Marvelous Land of Oz - Czech) All Things Oz: The Wonder, Wit, and Arne Nixon Center for Study of (review): 2005:49:2:32-33 Wisdom of The Wizard of Oz Children's Literature (Fresno, CA): Charobnak Iz Oza (The Wizard of (review): 2004:48:1:29-30 2002:46:3:3 Oz - Serbian) (review): Allen, Zachary Ashanti 2005:49:2:33 Convention Report: Chesterton Actress The Complete Life and -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title "Do It Again": Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy's Margins Permalink https://escholarship.org/uc/item/4297q61r Author Baltimore, Samuel Dworkin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Samuel Dworkin Baltimore 2013 ABSTRACT OF THE DISSERTATION “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins by Samuel Dworkin Baltimore Doctor of Philosophy in Musicology University of California, Los Angeles, 2013 Professor Raymond Knapp, Chair This dissertation examines the ways that various subcultural audiences define themselves through repeated interaction with musical comedy. By foregrounding the role of the audience in creating meaning and by minimizing the “show” as a coherent work, I reconnect musicals to their roots in comedy by way of Mikhail Bakhtin’s theories of carnival and reduced laughter. The audiences I study are kids, queers, and collectors, an alliterative set of people whose gender identities and expressions all depart from or fall outside of the normative binary. Focusing on these audiences, whose musical comedy fandom is widely acknowledged but little studied, I follow Raymond Knapp and Stacy Wolf to demonstrate that musical comedy provides a forum for identity formation especially for these problematically gendered audiences. ii The dissertation of Samuel Dworkin Baltimore is approved. -
A Research Guide for L. Frank Baum
The Wizard Behind Oz and Other Stories: A Research Guide for L. Frank Baum By: Karla Lyles October 2006 2 Introduction: In 1900 Lyman Frank Baum published The Wonderful Wizard of Oz, a phenomenal literary success that inspired posthumous writings to continue the Oz series into more than 40 books (including the originals). Although Baum published several additional series of books (most pseudonymously written) and other individual writings, he is best known for The Wonderful Wizard of Oz. A considerable number of books, articles, dissertations, and electronic resources containing information about the Oz masterpiece are available, supplying a wealth of information for the curious Baum fan or avid Baum researcher. To locate information about Baum and his writings I consulted several search engines, including ABELL, British Library Catalogue, Copac, DLB, MLAIB, Wilson, and WorldCat, as well as referred to footnotes in printed materials I obtained. I have provided references to the databases I located each of the materials in within the brackets at the end of the citation entries, allowing the reader to consult those databases if he/she so chooses to pursue further research. For those individuals who may be unfamiliar with the acronyms of some of the databases, ABELL is the Annual Bibliography of English Language and Literature, DLB is the Dictionary of Literary Biography, and MLAIB is the MLA International Bibliography. I also relied substantially on the services of Interlibrary Loan to secure materials that are not available in Evans Library at Texas A & M University, and I recommend the use of Interlibrary Loan in conducting research to allow for the acquisition of materials that would otherwise remain unobtainable. -
All Turned to Look at the Thing, and So Quickly Had the Wish Been Granted
All turned to look at the Thing, and so quickly had the wish been granted that the Gump lay before them in perfect repair, and as well able to fly through the air as when it had first been brought to life on the roof of the palace. The Scarecrow Appeals to Glinda the Good "Hooray!" shouted the Scarecrow, gaily. "We can now leave this miserable Jackdaws' nest whenever we please." "But it is nearly dark," said the Tin Woodman; "and unless we wait until morning to make our flight we may get into more trouble. I don't like these night trips, for one never knows what will happen." So it was decided to wait until daylight, and the adventurers amused themselves in the twilight by searching the Jackdaws' nest for treasures. The Woggle-Bug found two handsome bracelets of wrought gold, which fitted his slender arms very well. The Scarecrow took a fancy for rings, of which there were many in the nest. Before long he had fitted a ring to each finger of his padded gloves, and not being content with that 172 display he added one more to each thumb. As he carefully chose those rings set with sparkling stones, such as rubies, amethysts and sapphires, the Scarecrow's hands now presented a most brilliant appearance. "This nest would be a picnic for Queen Jinjur," said he, musingly; "for as nearly as I can make out she and her girls conquered me merely to rob my city of its emeralds." The Tin Woodman was content with his diamond necklace and refused to accept any additional decorations; but Tip secured a fine gold watch, which was attached to a heavy fob, and placed it in his pocket with much pride. -
The Wizard of Oz
MACMILLAN READERS PRE-INTERMEDIATE LEVEL L. FRANK BAUM The Wizard of Oz Retold by Elizabeth Walker MACMILLAN Contents r Autho e th t abou e Not A 4 y Stor s Thi t abou e Not A 6 The People in This Story 8 1 The Cyclone 9 2 In the Land of the Munchkins 12 3 Dorothy Meets the Scarecrow 15 n Ma n Ti e th s Help y Doroth 4 19 n Lio y Cowardl e Th 5 22 6 The River 25 7 The Field of Sleep 29 8 The Queen of the Field Mice 30 9 The Emerald City 33 10 The Great Wizard of Oz 38 t Wes e th f o h Witc d Wicke e Th 1 1 43 12 In the Power of the Wicked Witch 47 13 Dorothy and the Winged Monkeys 51 14 The Wonderful Wizard of Oz 54 15 The Journey to the South 62 16 Home Again 68 Understanding for s Point 72 Glossary 76 Exercises 81 A Note Abou. tpopular Thy ver e e Authobecam s tale r y fair f o s book s hi d an s storie e thes Frank had at last found the work that he could do best. Wonderful The s wa k boo s famou t mos s Baum' k Fran . L w Ne n i , Syracuse r nea 6 185 n i n bor s wa m Bau k Fran n Lyma Wizard1 of Oz, which was published in 1900. The book made s Hi . States d Unite e th f o t par n Easter e th n i , State k Yor Frank a great deal of money.