Chapter 26: How Ozma Refused to Fight for Her Kingdom
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The Emerald City of Oz by L. Frank Baum Author of the Road to Oz
The Emerald City of Oz by L. Frank Baum Author of The Road to Oz, Dorothy and The Wizard in Oz, The Land of Oz, etc. Contents --Author's Note-- 1. How the Nome King Became Angry 2. How Uncle Henry Got Into Trouble 3. How Ozma Granted Dorothy's Request 4. How The Nome King Planned Revenge 5. How Dorothy Became a Princess 6. How Guph Visited the Whimsies 7. How Aunt Em Conquered the Lion 8. How the Grand Gallipoot Joined The Nomes 9. How the Wogglebug Taught Athletics 10. How the Cuttenclips Lived 11. How the General Met the First and Foremost 12. How they Matched the Fuddles 13. How the General Talked to the King 14. How the Wizard Practiced Sorcery 15. How Dorothy Happened to Get Lost 16. How Dorothy Visited Utensia 17. How They Came to Bunbury 18. How Ozma Looked into the Magic Picture 19. How Bunnybury Welcomed the Strangers 20. How Dorothy Lunched With a King 21. How the King Changed His Mind 22. How the Wizard Found Dorothy 23. How They Encountered the Flutterbudgets 24. How the Tin Woodman Told the Sad News 25. How the Scarecrow Displayed His Wisdom 26. How Ozma Refused to Fight for Her Kingdom 27. How the Fierce Warriors Invaded Oz 28. How They Drank at the Forbidden Fountain 29. How Glinda Worked a Magic Spell 30. How the Story of Oz Came to an End Author's Note Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. -
Little Wizard Stories of Oz by L. Frank Baum
Little Wizard Stories of Oz By L. Frank Baum 1 Contents The Cowardly Lion and the Hungry Tiger Little Dorothy and Toto Tiktok and the Nome King Ozma and the Little Wizard Jack Pumpkinhead and the Sawhorse The Scarecrow and the Tin Woodman 2 THE COWARDLY LION AND THE HUNGRY TIGER In the splendid palace of the Emerald City, which is in the center of the fairy Land of Oz, is a great Throne Room, where Princess Ozma, the Ruler, for an hour each day sits in a throne of glistening emeralds and listens to all the troubles of her people, which they are sure to tell her about. Around Ozma's throne, on such occasions, are grouped all the important personages of Oz, such as the Scarecrow, Jack Pumpkinhead, Tiktok the Clockwork Man, the Tin Woodman, the Wizard of Oz, the Shaggy Man and other famous fairy people. Little Dorothy usually has a seat at Ozma's feet, and crouched on either side the throne are two enormous beasts known as the Hungry Tiger and the Cowardly Lion. These two beasts are Ozma's chief guardians, but as everyone loves the beautiful girl Princess there has never been any disturbance in the great Throne Room, or anything for the guardians to do but look fierce and solemn and keep quiet until the Royal Audience is over and the people go away to their homes. Of course no one would dare be naughty while the huge Lion and Tiger crouched beside the throne; but the fact is, the people of Oz are very seldom naughty. -
The Marvellous Land of Oz ______
The Chronicles of Oz: The Marvellous Land Of Oz __________________________ A six-part audio drama by Aron Toman A Crossover Adventures Production chroniclesofoz.com 44. EPISODE TWO 15 PREVIOUSLY Recap of the previous episode. 16 EXT. CLEARING The Sawhorse runs rampant, while Tip and Jack Pumpkinhead attempt to catch it and calm it down. JACK PUMPKINHEAD Whoah! Whoah! TIP (V.O.) Taming the Sawhorse now it was alive was proving ... tricky. When Jack came to life, he was full of questions and kinda stupid, but he was fairly calm, all things considered. The Sawhorse was frightened. And a little bit insane. JACK PUMPKINHEAD Calm down horsey! TIP Whoah, horse. Easy there boy -- look out Jack, it's coming through! JACK PUMPKINHEAD Whoooah! He leaps out of the way as the horse bounds past him. TIP Come on, there's nothing to be scared of. JACK PUMPKINHEAD I'm scared! TIP Nothing for the Sawhorse to be scared of. (to Sawhorse) We're your friends we're not going to hurt -- ahhh! He jumps aside as it rushes through. 45. JACK PUMPKINHEAD At least it's knocking you over as well as me, Dad. TIP I don't understand, why won't it listen to us? JACK PUMPKINHEAD Maybe it can't listen to us? TIP Oh? Oh, of course, that's it! Jack, find me some leaves or something. (he starts rummaging in the undergrowth) Big ones, about the size of my hand. We need two. JACK PUMPKINHEAD Why? TIP (finding leaves) Here we are, perfect. Ears, Jack! The Sawhorse doesn't have ears! JACK PUMPKINHEAD That's why he isn't listening! TIP We just need to fasten these on to his head and sprinkle a little more powder on. -
The Chronicles of Oz: the Marvellous Land of Oz a Six-Part
The Chronicles of Oz: The Marvellous Land Of Oz __________________________ A six-part audio drama by Aron Toman A Crossover Adventures Production chroniclesofoz.com 223. EPISODE SIX 96 PREVIOUSLY Recap of the previous episodes. 97 INT. PALACE CORRIDOR Continued chaos as the allied forces mop up after the Munchkin invaders. Jinjur rushes down the corridor, out of breath and a little desperate. JINJUR It's down here. It has to be down this way... FARAMANT (afar) She went that way! UGU (afar) Are you sure? FARAMANT (afar) Yes, giddy-up! JINJUR No! Not yet. I won't give up so easily! She pushes against a rock and a secret passage slides aside. She rushes in and it replaces itself as Faramant and Ugu arrive riding the Sawhorse. It whinnies triumphant. FARAMANT Well I thought she went this way. UGU (weary) Can we stop yet? FARAMANT I saw her dash around the corner. UGU I left my stomach somewhere around the atrium. 224. FARAMANT There's nowhere else she could have gone, it's a dead end. UGU Faramant... FARAMANT Yes, climb off if you have to. UGU Thank you! He scampers off and kisses the ground. FARAMANT How did you ever survive living with the Wicked Witch? UGU The Wicked Witch never made me ride a crazy wooden horse without a stop button. FARAMANT She had a dragon! UGU And the Sawhorse is scarier. FARAMANT Right. (he climbs off himself and examines the wall) I don't suppose she went this way.... UGU Through the wall? FARAMANT This is Oz, it's not unheard of. -
Children's Books; America As Fairyland
https://nyti.ms/29BLI4m ARCHIVES | 1985 CHILDREN'S BOOKS; AMERICA AS FAIRYLAND By CATHLEEN SCHINE JULY 7, 1985 About the Archive This is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996. To preserve these articles as they originally appeared, The Times does not alter, edit or update them. Occasionally the digitization process introduces transcription errors or other problems. Please send reports of such problems to [email protected]. NEVER having read the Oz books as a child, I recently picked them up and began the 14-book journey through L. Frank Baum's queer country wondering what all the fuss was about. Because there is, of course, a fuss. An enormous, frenzied fuss that has existed since the first Oz book appeared 85 years ago. Pinch-lipped librarians patrolling their domains in a mysterious national campaign against scarecrows and tin men; novelists and distinguished academics combing the Oz texts for echoes of Hawthorne and Stephen Crane; 26 more sequels by six writers; collectors auctioning off scraps of Ozabilia; an International Wizard of Oz Club with thousands of members; a new movie, ''Return to Oz,'' and most important, I suppose, all these people, adult people, sitting around daydreaming of the times they sat around daydreaming, as children, looking up from yellowed pages describing the wonderful Land of Oz. I suspect I would have hated the Oz books as a child, having preferred heroic collies. And it is probably an indication of my lingering antifantasy prejudice that my favorite passages in all the Oz books are the very first: ''Dorothy lived in the midst of the great Kansas prairies, with Uncle Henry, who was a farmer, and Aunt Em, who was the farmer's wife. -
L. Frank Baum and the Technology of Love
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1978 L. Frank Baum and the Technology of Love Robert Bruce Goble Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Goble, Robert Bruce, "L. Frank Baum and the Technology of Love" (1978). Masters Theses. 3220. https://thekeep.eiu.edu/theses/3220 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Inly ate27b 1978 · Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author pdm L. FrankBa.um and the Technology of Love (TITLE) BY Robert. Bruce Goble THESIS SUBMIITED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE Iuly ;l.�1 1q7{ DATE ADVISER L. -
By Shelley Jackson
by Shelley Jackson Presentation by Kenneth Roman & Peter Hammersley •Hypertext Fiction •Pastiche •Lexia •Electronic Space •Post-Modern After-ing •Non-Linear Exploration •Is it a piece of liturature? •Births (several) •Born 1963 in the Philippines •Parents ran a small bookstore for several years in Berkeley •BA in Art from Stanford, MFA in Creative Writing from Brown •Village Voice “Writer on the Verge” and Pushcart Prize Winner •Her works have spanned different Literature forms: hypertext, short story collections, a novel and even a tattooed •Published by Eastgate Systems in 1995 •Written using the Storyspace program •Started as a drawing of a naked woman with dotted line scars during a hypertext lecture •Inspired by the novels: •Frankenstein (Mary Shelley, 1818) •Patchwork Girl of Oz (L. Frank Baum, 1913) •Greek Mythology "Brilliantly conceived and Some people prefer linear beautifully written." -- text and narration over George P. Landow, author hypertext of Hypertext 3.0 "A cult hit." --Village Voice "Wonderfully rich and complex." -- N. Katherine Hayles, UCLA Victor Frankenstein's companion creature Is secretly finished by Mary Shelley herself Mary and the “Patchwork Girl” lay together and become apart of each other Patchwork girl escapes to the New World while dealing with her degenerating body ’ • 1st Person Narrators •A graveyard •A journey •A quilt •A story •& Broken Accents •Hypertext: •Storyspace Map •Links/Hidden Links •Lexias •Pictures •Tables ’ •Patchwork Girl •Mary Shelley •Shelley Jackson •Percy Shelley •Elsie •Ojo/ -
Tik-Tok of Oz
TIK-TOK OF OZ BY L. FRANK BAUM 1914 CONTENTS Preface Chapter One. Ann's Army Chapter Two. Out Of Oogaboo Chapter Three. Magic Mystifies The Marchers Chapter Four. Betsy Braves The Billows Chapter Five. The Roses Repulse The Refugees Chapter Six. Shaggy Seeks His Stray Brother Chapter Seven. Polychrome's Pitiful Plight Chapter Eight. Tik-Tok Tackles A Tough Task Chapter Nine. Ruggedo's Rage Is Rash And Reckless Chapter Ten. A Terrible Tumble Through A Tube Chapter Eleven. The Famous Fellowship Of Fairies Chapter Twelve. The Lovely Lady Of Light Chapter Thirteen. The Jinjin's Just Judgment Chapter Fourteen. The Long-Eared Hearer Learns By Listening Chapter Fifteen. The Dragon Defies Danger Chapter Sixteen. The Naughty Nome Chapter Seventeen. A Tragic Transformation Chapter Eighteen. A Clever Conquest Chapter Nineteen. King Kaliko Chapter Twenty. Quox Quietly Quits Chapter Twenty-One. A Bashful Brother Chapter Twenty-Two. Kindly Kisses Chapter Twenty-Three. Ruggedo Reforms Chapter Twenty-Four. Dorothy Is Delighted Chapter Twenty-Five. The Land Of Love 1 PREFACE To My Readers The very marked success of my last year's fairy book, "The Patchwork Girl of Oz," convinces me that my readers like the Oz stories "best of all," as one little girl wrote me. So here, my dears, is a new Oz story in which is introduced Ann Soforth, the Queen of Oogaboo, whom Tik–Tok assisted in conquering our old acquaintance, the Nome King. It also tells of Betsy Bobbin and how, after many adventures, she finally reached the marvelous Land of Oz. There is a play called "The Tik–Tok Man of Oz," but it is not like this story of "Tik–Tok of Oz," although some of the adventures recorded in this book, as well as those in several other Oz books, are included in the play. -
A Research Guide for L. Frank Baum
The Wizard Behind Oz and Other Stories: A Research Guide for L. Frank Baum By: Karla Lyles October 2006 2 Introduction: In 1900 Lyman Frank Baum published The Wonderful Wizard of Oz, a phenomenal literary success that inspired posthumous writings to continue the Oz series into more than 40 books (including the originals). Although Baum published several additional series of books (most pseudonymously written) and other individual writings, he is best known for The Wonderful Wizard of Oz. A considerable number of books, articles, dissertations, and electronic resources containing information about the Oz masterpiece are available, supplying a wealth of information for the curious Baum fan or avid Baum researcher. To locate information about Baum and his writings I consulted several search engines, including ABELL, British Library Catalogue, Copac, DLB, MLAIB, Wilson, and WorldCat, as well as referred to footnotes in printed materials I obtained. I have provided references to the databases I located each of the materials in within the brackets at the end of the citation entries, allowing the reader to consult those databases if he/she so chooses to pursue further research. For those individuals who may be unfamiliar with the acronyms of some of the databases, ABELL is the Annual Bibliography of English Language and Literature, DLB is the Dictionary of Literary Biography, and MLAIB is the MLA International Bibliography. I also relied substantially on the services of Interlibrary Loan to secure materials that are not available in Evans Library at Texas A & M University, and I recommend the use of Interlibrary Loan in conducting research to allow for the acquisition of materials that would otherwise remain unobtainable. -
All Turned to Look at the Thing, and So Quickly Had the Wish Been Granted
All turned to look at the Thing, and so quickly had the wish been granted that the Gump lay before them in perfect repair, and as well able to fly through the air as when it had first been brought to life on the roof of the palace. The Scarecrow Appeals to Glinda the Good "Hooray!" shouted the Scarecrow, gaily. "We can now leave this miserable Jackdaws' nest whenever we please." "But it is nearly dark," said the Tin Woodman; "and unless we wait until morning to make our flight we may get into more trouble. I don't like these night trips, for one never knows what will happen." So it was decided to wait until daylight, and the adventurers amused themselves in the twilight by searching the Jackdaws' nest for treasures. The Woggle-Bug found two handsome bracelets of wrought gold, which fitted his slender arms very well. The Scarecrow took a fancy for rings, of which there were many in the nest. Before long he had fitted a ring to each finger of his padded gloves, and not being content with that 172 display he added one more to each thumb. As he carefully chose those rings set with sparkling stones, such as rubies, amethysts and sapphires, the Scarecrow's hands now presented a most brilliant appearance. "This nest would be a picnic for Queen Jinjur," said he, musingly; "for as nearly as I can make out she and her girls conquered me merely to rob my city of its emeralds." The Tin Woodman was content with his diamond necklace and refused to accept any additional decorations; but Tip secured a fine gold watch, which was attached to a heavy fob, and placed it in his pocket with much pride. -
Said Shaggy to His Companions, "For It May Take the Queen Some Time to Conquer the Metal Monarch, As Tik-Tok Has to Do Everything in His Slow, Mechanical Way."
Chapter Seventeen A Tragic Transformation "Don't let us worry," said Shaggy to his companions, "for it may take the Queen some time to conquer the Metal Monarch, as Tik-Tok has to do everything in his slow, mechanical way." "Do you suppose they are likely to fail?" asked the Rose Princess. "I do, indeed," replied Shaggy. "This Nome King is really a powerful fellow and has a legion of nomes to assist him, whereas our bold Queen commands a Clockwork Man and a band of faint-hearted officers." "She ought to have let Quox do the conquering," said Polychrome, dancing lightly upon a point of rock and fluttering her beautiful draperies. "But perhaps the dragon was wise to let her go first, for when she fails to conquer Ruggedo she may become more modest in her ambitions." "Where is the dragon now?" inquired Ozga. "Up there on the rocks," replied Files. "Look, my dear; you may see him from here. He said he would take a little nap while we were mixing up with Ruggedo, and he added that after we had gotten into trouble he 159 would wake up and conquer the Nome King in a jiffy, as his master the Jinjin has ordered him to do." "Quox means well," said Shaggy, "but I do not think we shall need his services; for just as soon as I am satisfied that Queen Ann and her army have failed to conquer Ruggedo, I shall enter the caverns and show the King my Love Magnet. That he cannot resist; therefore the conquest will be made with ease." This speech of Shaggy Man's was overheard by the Long-Eared Hearer, who was at that moment standing by Ruggedo's side. -
Chapter 24: How the Tin Woodman Told the Sad News
Chapter 24: How the Tin Woodman Told the Sad News The Tin Woodman received Princess Dorothy’s party with much grace and cordiality, yet the little girl decided that something must be worrying with her old friend, because he was not so merry as usual. But at first she said nothing about this, for Uncle Henry and Aunt Em were fairly bubbling over with admiration for the beautiful tin castle and its polished tin owner. So her suspicion that something unpleasant had happened was for a time forgotten. “Where is the Scarecrow?” she asked, when they had all been ushered into the big tin drawing-room of the castle, the Sawhorse being led around to the tin stable in the rear. “Why, our old friend has just moved into his new mansion,” explained the Tin Woodman. “It has been a long time in building, although my Winkies and many other people from all parts of the country have been busily working upon it. At last, however, it is completed, and the Scarecrow took possession of his new home just two days ago.” “I hadn’t heard that he wanted a home of his own,” said Dorothy. “Why doesn’t he live with Ozma in the Emerald City? He used to, you know; and I thought he was happy there.” “It seems,” said the Tin Woodman, “that our dear Scarecrow cannot be contented with city life, however beautiful his surroundings might be. Originally he was a farmer, for he passed his early life in a cornfield, where he was supposed to frighten away the crows.” “I know,” said Dorothy, nodding.