Tik-Tok of Oz
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The Emerald City of Oz by L. Frank Baum Author of the Road to Oz
The Emerald City of Oz by L. Frank Baum Author of The Road to Oz, Dorothy and The Wizard in Oz, The Land of Oz, etc. Contents --Author's Note-- 1. How the Nome King Became Angry 2. How Uncle Henry Got Into Trouble 3. How Ozma Granted Dorothy's Request 4. How The Nome King Planned Revenge 5. How Dorothy Became a Princess 6. How Guph Visited the Whimsies 7. How Aunt Em Conquered the Lion 8. How the Grand Gallipoot Joined The Nomes 9. How the Wogglebug Taught Athletics 10. How the Cuttenclips Lived 11. How the General Met the First and Foremost 12. How they Matched the Fuddles 13. How the General Talked to the King 14. How the Wizard Practiced Sorcery 15. How Dorothy Happened to Get Lost 16. How Dorothy Visited Utensia 17. How They Came to Bunbury 18. How Ozma Looked into the Magic Picture 19. How Bunnybury Welcomed the Strangers 20. How Dorothy Lunched With a King 21. How the King Changed His Mind 22. How the Wizard Found Dorothy 23. How They Encountered the Flutterbudgets 24. How the Tin Woodman Told the Sad News 25. How the Scarecrow Displayed His Wisdom 26. How Ozma Refused to Fight for Her Kingdom 27. How the Fierce Warriors Invaded Oz 28. How They Drank at the Forbidden Fountain 29. How Glinda Worked a Magic Spell 30. How the Story of Oz Came to an End Author's Note Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. -
Little Wizard Stories of Oz by L. Frank Baum
Little Wizard Stories of Oz By L. Frank Baum 1 Contents The Cowardly Lion and the Hungry Tiger Little Dorothy and Toto Tiktok and the Nome King Ozma and the Little Wizard Jack Pumpkinhead and the Sawhorse The Scarecrow and the Tin Woodman 2 THE COWARDLY LION AND THE HUNGRY TIGER In the splendid palace of the Emerald City, which is in the center of the fairy Land of Oz, is a great Throne Room, where Princess Ozma, the Ruler, for an hour each day sits in a throne of glistening emeralds and listens to all the troubles of her people, which they are sure to tell her about. Around Ozma's throne, on such occasions, are grouped all the important personages of Oz, such as the Scarecrow, Jack Pumpkinhead, Tiktok the Clockwork Man, the Tin Woodman, the Wizard of Oz, the Shaggy Man and other famous fairy people. Little Dorothy usually has a seat at Ozma's feet, and crouched on either side the throne are two enormous beasts known as the Hungry Tiger and the Cowardly Lion. These two beasts are Ozma's chief guardians, but as everyone loves the beautiful girl Princess there has never been any disturbance in the great Throne Room, or anything for the guardians to do but look fierce and solemn and keep quiet until the Royal Audience is over and the people go away to their homes. Of course no one would dare be naughty while the huge Lion and Tiger crouched beside the throne; but the fact is, the people of Oz are very seldom naughty. -
The Wonderful Wizard of Oz & Glinda of Oz Ebook, Epub
THE WONDERFUL WIZARD OF OZ & GLINDA OF OZ PDF, EPUB, EBOOK L. Frank Baum | 304 pages | 06 Jul 2012 | Wordsworth Editions Ltd | 9781840226942 | English | Herts, United Kingdom The Wonderful Wizard of Oz & Glinda of Oz PDF Book She explains "I have lived here many years Glinda plays the most active role in finding and restoring Princess Ozma , the rightful heir, to the throne of Oz, the search for whom takes place in the second book, The Marvelous Land of Oz , although Glinda had been searching for Ozma ever since the princess disappeared as a baby. Baum's children's novel The Wonderful Wizard of Oz refers to Glinda as the "Good Witch of the South"; she does not appear in the novel until late in its development. With the army quickly approaching Finley, China Girl, and finally Oz fall after her. She was old then and considered ugly by the cruel King Oz, thus causing him to brand her a witch. And Instead initiated a long grueling search across all the land of Oz, for the rightful ruler of royal blood. As the series draws to an end, Glinda telepathically contacts and saves Dorothy from falling to her death from a tower, following a confrontation with the Nome King and his minions. It is revealed that she wishes to wed Aiden, the Wizard of Oz. Glinda occasionally exhibits a more ruthless, cunning side than her counterparts or companions. In the books, Glinda is depicted as a beautiful young woman with long, rich rare red hair and blue eyes, wearing a pure white dress. -
Chapter Seven Polychrome's Pitiful Plight the Rain King Got Too
Chapter Seven Polychrome's Pitiful Plight The Rain King got too much water in his basin and spilled some over the brim. That made it rain in a certain part of the country--a real hard shower, for a time--and sent the Rainbow scampering to the place to show the gorgeous colors of his glorious bow as soon as the mist of rain had passed and the sky was clear. The coming of the Rainbow is always a joyous event to earth folk, yet few have ever seen it close by. Usually the Rainbow is so far distant that you can observe its splendid hues but dimly, and that is why we seldom catch sight of the dancing Daughters of the Rainbow. In the barren country where the rain had just fallen there appeared to be no human beings at all; but the Rainbow appeared, just the same, and dancing gayly upon its arch were the Rainbow's Daughters, led by the fairylike Polychrome, who is so dainty and beautiful that no girl has ever quite equalled her in loveliness. Polychrome was in a merry mood and danced down the arch of the bow to the ground, daring her sisters to follow her. Laughing and gleeful, they also touched the ground with their twinkling feet; but all the Daughters of the Rainbow knew that this was a dangerous pastime, so 53 they quickly climbed upon their bow again. All but Polychrome. Though the sweetest and merriest of them all, she was likewise the most reckless. Moreover, it was an unusual sensation to pat the cold, damp earth with her rosy toes. -
We're Off to Save the Wizard
WE’RE OFF TO SAVE THE WIZARD based on Frank L. Baum’s “Tik Tok of Oz” adapted by Craig Sodaro Performance Rights It is an infringement of the federal copyright law to copy this script in any way or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Contact the publisher for additional scripts and further licensing information. On all programs and advertising the author’s name must appear as well as this notice: “Produced by special arrangement with Eldridge Publishing Co.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com © 2000 by Craig Sodaro Download your complete script from Eldridge Publishing https://histage.com/were-off-to-save-the-wizard We’re Off to Save the Wizard - 2 - STORY OF THE PLAY The Wizard of Oz has been kidnapped! The evil Nome King Ruggedo is demanding he be made king of the world and is holding the Wizard hostage until Ozma, Queen of Oz, agrees to step aside. Ozma begs her old friend Dorothy to take the mechanical man Tik Tok and rescue the Wizard. But the journey will be long and perilous, and Ruggedo.s powers are very strong. Nevertheless, Dorothy will do anything to save her old friend. Along the way, Dorothy and Tik Tok meet Queen Ann.s bungling army, the tail end of a rainbow who.s lost her sisters, a delicate Princess Rose, and a prospector from Colorado who.s looking for his brother. They all decide to find the Wizard, who might be able to solve each of their problems. -
Children's Books; America As Fairyland
https://nyti.ms/29BLI4m ARCHIVES | 1985 CHILDREN'S BOOKS; AMERICA AS FAIRYLAND By CATHLEEN SCHINE JULY 7, 1985 About the Archive This is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996. To preserve these articles as they originally appeared, The Times does not alter, edit or update them. Occasionally the digitization process introduces transcription errors or other problems. Please send reports of such problems to [email protected]. NEVER having read the Oz books as a child, I recently picked them up and began the 14-book journey through L. Frank Baum's queer country wondering what all the fuss was about. Because there is, of course, a fuss. An enormous, frenzied fuss that has existed since the first Oz book appeared 85 years ago. Pinch-lipped librarians patrolling their domains in a mysterious national campaign against scarecrows and tin men; novelists and distinguished academics combing the Oz texts for echoes of Hawthorne and Stephen Crane; 26 more sequels by six writers; collectors auctioning off scraps of Ozabilia; an International Wizard of Oz Club with thousands of members; a new movie, ''Return to Oz,'' and most important, I suppose, all these people, adult people, sitting around daydreaming of the times they sat around daydreaming, as children, looking up from yellowed pages describing the wonderful Land of Oz. I suspect I would have hated the Oz books as a child, having preferred heroic collies. And it is probably an indication of my lingering antifantasy prejudice that my favorite passages in all the Oz books are the very first: ''Dorothy lived in the midst of the great Kansas prairies, with Uncle Henry, who was a farmer, and Aunt Em, who was the farmer's wife. -
L. Frank Baum and the Technology of Love
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1978 L. Frank Baum and the Technology of Love Robert Bruce Goble Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Goble, Robert Bruce, "L. Frank Baum and the Technology of Love" (1978). Masters Theses. 3220. https://thekeep.eiu.edu/theses/3220 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Inly ate27b 1978 · Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author pdm L. FrankBa.um and the Technology of Love (TITLE) BY Robert. Bruce Goble THESIS SUBMIITED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE Iuly ;l.�1 1q7{ DATE ADVISER L. -
To the Baum Bugle Supplement for Volumes 46-49 (2002-2005)
Index to the Baum Bugle Supplement for Volumes 46-49 (2002-2005) Adams, Ryan Author "Return to The Marvelous Land of Oz Producer In Search of Dorothy (review): One Hundred Years Later": "Answering Bell" (Music Video): 2005:49:1:32-33 2004:48:3:26-36 2002:46:1:3 Apocrypha Baum, Dr. Henry "Harry" Clay (brother Adventures in Oz (2006) (see Oz apocrypha): 2003:47:1:8-21 of LFB) Collection of Shanower's five graphic Apollo Victoria Theater Photograph: 2002:46:1:6 Oz novels.: 2005:49:2:5 Production of Wicked (September Baum, Lyman Frank Albanian Editions of Oz Books (see 2006): 2005:49:3:4 Astrological chart: 2002:46:2:15 Foreign Editions of Oz Books) "Are You a Good Ruler or a Bad Author Albright, Jane Ruler?": 2004:48:1:24-28 Aunt Jane's Nieces (IWOC Edition "Three Faces of Oz: Interviews" Arlen, Harold 2003) (review): 2003:47:3:27-30 (Robert Sabuda, "Prince of Pop- National Public Radio centennial Carodej Ze Zeme Oz (The ups"): 2002:46:1:18-24 program. Wonderful Wizard of Oz - Czech) Tribute to Fred M. Meyer: "Come Rain or Come Shine" (review): 2005:49:2:32-33 2004:48:3:16 Musical Celebration of Harold Carodejna Zeme Oz (The All Things Oz: 2002:46:2:4 Arlen: 2005:49:1:5 Marvelous Land of Oz - Czech) All Things Oz: The Wonder, Wit, and Arne Nixon Center for Study of (review): 2005:49:2:32-33 Wisdom of The Wizard of Oz Children's Literature (Fresno, CA): Charobnak Iz Oza (The Wizard of (review): 2004:48:1:29-30 2002:46:3:3 Oz - Serbian) (review): Allen, Zachary Ashanti 2005:49:2:33 Convention Report: Chesterton Actress The Complete Life and -
By Shelley Jackson
by Shelley Jackson Presentation by Kenneth Roman & Peter Hammersley •Hypertext Fiction •Pastiche •Lexia •Electronic Space •Post-Modern After-ing •Non-Linear Exploration •Is it a piece of liturature? •Births (several) •Born 1963 in the Philippines •Parents ran a small bookstore for several years in Berkeley •BA in Art from Stanford, MFA in Creative Writing from Brown •Village Voice “Writer on the Verge” and Pushcart Prize Winner •Her works have spanned different Literature forms: hypertext, short story collections, a novel and even a tattooed •Published by Eastgate Systems in 1995 •Written using the Storyspace program •Started as a drawing of a naked woman with dotted line scars during a hypertext lecture •Inspired by the novels: •Frankenstein (Mary Shelley, 1818) •Patchwork Girl of Oz (L. Frank Baum, 1913) •Greek Mythology "Brilliantly conceived and Some people prefer linear beautifully written." -- text and narration over George P. Landow, author hypertext of Hypertext 3.0 "A cult hit." --Village Voice "Wonderfully rich and complex." -- N. Katherine Hayles, UCLA Victor Frankenstein's companion creature Is secretly finished by Mary Shelley herself Mary and the “Patchwork Girl” lay together and become apart of each other Patchwork girl escapes to the New World while dealing with her degenerating body ’ • 1st Person Narrators •A graveyard •A journey •A quilt •A story •& Broken Accents •Hypertext: •Storyspace Map •Links/Hidden Links •Lexias •Pictures •Tables ’ •Patchwork Girl •Mary Shelley •Shelley Jackson •Percy Shelley •Elsie •Ojo/ -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title "Do It Again": Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy's Margins Permalink https://escholarship.org/uc/item/4297q61r Author Baltimore, Samuel Dworkin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Samuel Dworkin Baltimore 2013 ABSTRACT OF THE DISSERTATION “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins by Samuel Dworkin Baltimore Doctor of Philosophy in Musicology University of California, Los Angeles, 2013 Professor Raymond Knapp, Chair This dissertation examines the ways that various subcultural audiences define themselves through repeated interaction with musical comedy. By foregrounding the role of the audience in creating meaning and by minimizing the “show” as a coherent work, I reconnect musicals to their roots in comedy by way of Mikhail Bakhtin’s theories of carnival and reduced laughter. The audiences I study are kids, queers, and collectors, an alliterative set of people whose gender identities and expressions all depart from or fall outside of the normative binary. Focusing on these audiences, whose musical comedy fandom is widely acknowledged but little studied, I follow Raymond Knapp and Stacy Wolf to demonstrate that musical comedy provides a forum for identity formation especially for these problematically gendered audiences. ii The dissertation of Samuel Dworkin Baltimore is approved. -
Tin Woodman by L
The TIN WOODMAN by L. Frank Baum of Oz CHAPTER 17 - THE WORKSHOP OF KU-KLIP It was not more than a two hours’ jour- beasts. I cannot think of anyone living near here ney to the house where Nimmie Amee had with whom Nimmie Amee might care to live.” lived, but when our travelers arrived there they “Why not go to Ku-Klip and ask him what found the place deserted. The door was partly has become of the girl?” proposed Polychrome. off its hinges, the roof had fallen in at the rear That struck them all as being a good sug- and the interior of the cottage was thick with gestion, so once more they started to tramp dust. Not only was the place vacant, but it was through the forest, taking the direct path to evident that no one had lived there for a long Ku-Klip’s house, for both the tin twins knew time. the way, having followed it many times. Ku- “I suppose,” said the Scarecrow, as they Klip lived at the far edge of the great forest, his all stood looking wonderingly at the ruined house facing the broad plains of the Munchkin house, “that after the Wicked Witch was de- Country that lay to the eastward. But, when stroyed, Nimmie Amee became lonely and they came to this residence by the forest’s edge, went somewhere else to live.” the tinsmith was not at home. “One could scarcely expect a young girl It was a pretty place, all painted dark blue to live all alone in a forest,” added Woot. -
The Ruby Slippers Free
FREE THE RUBY SLIPPERS PDF Keir Alexander | 432 pages | 21 Aug 2014 | Little, Brown Book Group | 9781472108081 | English | London, United Kingdom Ruby Slippers Locations: Where to See Them | Marriott TRAVELER Because of their iconic stature, [1] the ruby slippers are among the most valuable items of film memorabilia. The Ruby Slippers pairs are known to have survived; one pair was stolen from a museum in and recovered in However, the color of the shoes was changed to red to take advantage of the new Technicolor film process used in big-budget Hollywood films of the era. Film screenwriter Noel Langley is credited with the idea. In the MGM film, The Ruby Slippers adolescent farm girl named Dorothy played by Judy Garlandher dog Totoand their The Ruby Slippers are swept away from Kansas The Ruby Slippers a tornado and taken to the magical Land of Oz. The house falls on and kills The Ruby Slippers Wicked Witch of the Eastfreeing The Ruby Slippers Munchkins from The Ruby Slippers tyranny. Glinda the Good Witch of the North arrives via magic bubble and shows Dorothy the dead woman's two feet visibly sticking out from under the house wearing the ruby slippers. When the Wicked Witch of The Ruby Slippers West comes to claim her dead sister's shoes, Glinda magically transfers them to Dorothy's feet. Glinda tells Dorothy to keep tight inside of them and never take them off, as the slippers must be very powerful or the Wicked Witch would not want them so badly. Throughout the rest of the film, the The Ruby Slippers Witch schemes to obtain the shoes.