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Cardiff Council Cyngor Caerdydd Executive
CARDIFF COUNCIL CYNGOR CAERDYDD EXECUTIVE BUSINESS MEETING: 3 NOVEMBER 2011 WORLD BOXING CONVENTION 2013 (WBC) REPORT OF CHIEF OFFICER (CITY DEVELOPMENT) AGENDA ITEM: 11 PORTFOLIO : TRANSPORT & ECONOMIC DEVELOPMENT Reason for this Report 1. To enable Cardiff to host the World Boxing Council Convention 2013 and approve appropriate budgets to assist in developing the event programme. 2. To attract a World Title bout and Convention which will have an economic impact of up to £3.2m in the city economy 3. To enhance Cardiff’s reputation as an international sports capital and to generate significant global media exposure to promote the city on an international stage. Background 4. Over the last decade Cardiff has built an international reputation for the successful delivery of high profile sporting events, including; the Rugby World Cup; the FA Cup and Heineken Cup Finals, the Ashes Test and the Ryder Cup. Alongside this the city has developed a world-class sporting and visitor destination infrastructure. In recognition of this Cardiff was recently awarded the status of European Capital of Sport. 5. It is recognised that this programme of major sporting events has led to significant benefits for the city economy, including: attracting tourists and the additional consumer spend they bring into the local economy; world- wide media coverage and profile; increased civic and national pride and encouraging increased participation in sporting activities. 6. The World Boxing Council Night of the Champions and World Boxing Convention therefore represent significant opportunities for Cardiff to build on its established platform and to expand into a new events market, with the ultimate aim of becoming a recognised location for major boxing events. -
The Method of Wittgenstein's Tractatus
The Method of Wittgenstein’s Tractatus: Toward a New Interpretation Nikolay Milkov, University of Paderborn, Germany Abstract This paper introduces a novel interpretation of Wittgenstein‘s Tractatus, a work widely held to be one of the most intricate in the philosophical canon. It maintains that the Tractatus does not develop a theory but rather advances an original logical symbolism, a new instrument that enables one to ―recognize the formal properties of propositions by mere inspection of propositions themselves‖ (6.122). Moreover, the Tractarian conceptual notation offers to instruct us on how better to follow the logic of language, and by that token stands to enhance our ability to think. Upon acquiring the thinking skills that one can develop by working with the new symbolism, one may move on and discard the notation—―throw away the ladder‖ (6.54), as Wittgenstein put it. 1. The New Wittgensteinians This paper introduces a novel interpretation of Wittgenstein‘s Tractatus. In the process, it takes issue with the New Wittgensteinians, in particular Cora Diamond and James Conant,1 who some twenty-five years ago fielded a comprehensive, essentially skeptical interpretation of the entire body of the Tractatus. Diamond and Conant argued that the core propositions of the Tractatus are literally nonsense, gibberish equivalent to phrases like ―piggly wiggle tiggle‖ (Diamond, 2000, p. 151). To be more explicit, Diamond and Conant defended their view that the book‘s core content is philosophically vacuous by arguing (i) that the Tractatus is divided into a body and a frame; (ii) that the Preface, 3.32–3.326, 4–4.003, 4.111–2 and 6.53–6.54 compose the frame (Conant 2001, p. -
Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
March 2020 —Mountain States Collector Now Open
Like us and Devoted to Antiques, follow us Collectibles, on Furniture, Art, Design Facebook and History. MArCh 2020 EStAbLIShED In 1972 Volume 48, number 3 St. Patrick’s Day Colorado Antique Gallery History and Traditions Celebrates 28 Years With Giant Sale The Colorado Antique Abound Gallery is celebrating its 28th Anniversary in 2020 with a By Bobbie Sweeney month-long sale that runs through the whole month of St. Patrick's Day—a great day for the March. Proudly located in the Irish in America. It is not necessary that City of Littleton at 5501 S. you come from Ireland or that you are Broadway since 1992. With born of Irish parents—everybody 285 vendors located under one suddenly becomes part of the fun- 52,000 square foot roof there loving, hard-drinking Irish culture on are hundreds of thousands of this festive day. Whatever your favorite color hap - fabulous finds on sale during pens to be, it changes to green on St. the month of March. The Patrick's Day. Having an Irish name helps, but Colorado Antique is home to Germans, Italians, Greeks, Chinese and all the rest can have just as many long-time dealers who much fun drinking green beer, eating green food, and wearing green have been in business at the on this special day of the year. Gallery since 1992. Their staff Most cities in the United States have a parade on this day. Busi - is second to none and has a extensive knowledge the art glass, art work and collectibles are always in stock nessmen, churches, schools—everyone enters into the fun of mak - antique industry. -
“Nothing Is Shown”: a 'Resolute' Response
Philosophical Investigations 26:3 July 2003 ISSN 0190-0536 “Nothing is Shown”: A ‘Resolute’ Response to Mounce, Emiliani, Koethe and Vilhauer Rupert Read and Rob Deans, University of East Anglia Part 1: On Mounce on Wittgenstein (Early and Late) on ‘Saying and Showing’ H. O. Mounce published in this journal two years ago now a Criti- cal Notice of the The New Wittgenstein,1 an anthology (edited by Alice Crary and Rupert Read) which is evenly divided between work on Wittgenstein’s early and later writings. The bulk of Mounce’s article was devoted to those contributions primarily con- cerned with the Tractatus.2 There is a straightforward sense in which this selective focus is natural. The pertinent contributions – most conspicuously those by Cora Diamond and James Conant – describe a strikingly un- orthodox interpretation of Wittgenstein’s early book on which it is depicted as having an anti-metaphysical aim. Mounce takes an inter- est in this interpretation because he believes that, in characterizing the Tractatus in anti-metaphysical terms, it misrepresents the central Tractarian doctrine of ‘saying and showing’ – a doctrine which he understands in terms of the idea that “metaphysical truths, though they cannot be stated, may nevertheless be shown”(186). Mounce argues that Diamond and Conant et al. fail to treat this doctrine as “one that Wittgenstein himself advances,” and he claims that they therefore make Wittgenstein’s thought “less original than one might otherwise suppose” (186) by implying that it is “indistinguishable from positivism” in the sense of “not even attempt[ing] to provide positive knowledge [and] confin[ing] itself to removing the confu- 1. -
Jeremy Bowen Middle East Editor, BBC Media Masters – October 10, 2019 Listen to the Podcast Online, Visit
Jeremy Bowen Middle East Editor, BBC Media Masters – October 10, 2019 Listen to the podcast online, visit www.mediamasters.fm Welcome to Media Masters, a series of one-to-one interviews with people at the top of the media game. Today I’m joined by the BBC’s Middle East editor Jeremy Bowen. During his 35-year career, he has reported from over 20 wars and 80 countries, including Afghanistan, Bosnia, Chechnya, Rwanda, and Iraq, often in the line of fire. Away from the front line, his television work includes the documentaries ‘Moses’ and ‘Son of God’, and even presenting duties on ‘Have I Got News for You’. Jeremy’s string of accolades includes BAFTAs, Emmys, a Peabody, four Royal Television Society and three Bayeux awards. He has also written three bestselling books. Jeremy, thank you for joining me. Well, thanks for inviting me. Firstly, it’s great to see you in good health. You made a very brave public announcement that you are undergoing chemotherapy for bowel cancer in April. Yes, I was going to keep quiet about it but I saw that my friend and colleague, George Alagiah, who also has bowel cancer, that George was doing some stuff for one of the charities, Bowel Cancer UK. And to be honest with you, I felt a bit guilty not doing it. I didn’t really want to share my medical details with perfect strangers, but I thought it was in a good cause that the cause was trying to get people tested. And I did it and there was a good reaction. -
Critically Re-Examining Immigration Rhetoric & Policy Under the Trump
\\jciprod01\productn\H\HLA\22\HLA101.txt unknown Seq: 1 29-OCT-19 16:13 TRUTH IN CRISIS: CRITICALLY RE-EXAMINING IMMIGRATION RHETORIC & POLICY UNDER THE TRUMP ADMINISTRATION Scott B. Astrada & Marvin L Astrada* I. INTRODUCTION .......................................... 7 II. THE POLITICS OF THE SPECTACLE: A PRIMER TO CONCEPTUALIZING IMMIGRATION .......................... 14 R III. IMAGE & THE POLITICS OF THE SPECTACLE ................ 18 R A. Populism & Revolt .................................. 21 R B. Spectacle, Law, Identity & Representative Politics ..... 24 R C. Race, Ethnicity, Religion & Trump .................... 28 R IV. AMERICA FIRST: THE POLITICAL QUESTION OF WHO ARE “WE THE PEOPLE” ....................................... 30 R V. CONCLUSION: GOING FORWARD ........................... 35 R I. INTRODUCTION Although we are in the very early stages of understanding and explain- ing the long-term impact of the Trump administration on American political culture, national identity, and civil society, it clearly represents a watershed moment in the history of the Presidency. This is especially the case in the realm of the present administration’s ideology, which some commentators have designated “Trumpism.”1 At the most general level, the Trump admin- istration appears to have inaugurated a noteworthy change in the exercise of executive power and the content and character of American politics. Among other things, Trumpism has demonstrated a tendency to employ fear, loath- ing, and spectacle to bolster support for and perpetuate the administration’s interpretation of the general welfare expressed in public policy. The politics of fear and loathing, expressed in law and policy, are not a new phenomenon.2 * Scott B. Astrada (J.D., M.B.A, Marquette University; L.L.M, Georgetown University Law Center; B.A., University of Wisconsin – Madison). -
After a Six-Year Hiatus, Robert Schwartzman Is Reviving Rooney with a Brand-New Album That’ S Well Worth the Wait
RADAR AFTER A SIX-YEAR HIATUS, ROBERT SCHWARTZMAN IS REVIVING ROONEY WITH A BRAND-NEW ALBUM THAT’ S WELL WORTH THE WAIT. BY CELIA SHATZMAN. PHOTOGRAPHED BY ZOEY GROSSMAN At Milano’s Bar in New York City’s Nolita neighborhood, Robert But nostalgics, never fear: Rooney classics from earlier albums Schwartzman leans against the picture-covered walls of the will still be in rotation at their shows. Schwartzman relishes the classic dive, sipping hard cider while chatting with his girlfriend blend of old and new. “What’s cool about making a new record and photographer Zoey Grossman. The bar opted out of hosting is you get to add more songs to the mix. When I make a set list, our shoot on this busy Saturday, but the Rooney frontman still I can pull from so many albums from yesterday and I can add wanted to swing by. from today and tomorrow. When I play these songs live I feel Why the dedication to visiting this little watering hole? very excited and passionate. It feels like it did the first time I Because along with the Mercury Lounge, it’s part of today’s trip played it. When you take a break, you feel that same innocence down memory lane. Schwartzman moved to the East Village and original spark you had when you first started.” in the fall of 2001 to attend Eugene Lang College at The New In case you’re wondering what Schwartzman was doing School, and these were his regular spots. “While I was living in during those years away from Rooney, the answer is a lot. -
Nicola-Tallant-Crime.Pdf
PLUS SUNDAY, JULY 26, 2015 e2.45 SPEND €50 AND ENJOY OFF YOUR LIDL SHOP SEE €10 VOUCHER PAGE 2 FIRST PIC GILNICOLA TALILLANTGANEXCLUSIVE KEANE GETAWAY MOB BOSS THE STING CHRISTY BACK HOME AFTER HIT: PAGES 18&19 lIreland’s first family of IRELAND’S crime in bid to flog their WORLD CUP €450k Spanish boozer for CHEER l SEE SPORT under-the-counter cash...to DEAL: Treacy Gilligan tried undercover team to flog her pub to our undercover team DRUG LORD’S BID TO GET BACK IN THE GAME: PAGES 10,11,12&13 10 July 26, 2015 GILLIGANTHE STING GILLIGANS’ UNDERCOVER: Treacy Gilligan is filmed by our team as she tries to sell €450K boozer in sun LAST-CHANCE LOANS: Banks set to swoop on SALOON Alicante pub THE DAUGHTER of Ireland’s former godfather of crime, Treacy Gilligan, tried to Ireland’s first family of crime desperate to get back flog an undercover Sunday World team her Spanish pub for ‘black money’ after we in the game as they try to flog pub to ‘Russian mafia’ set her up with two prospec- tive Russian mafia buyers. By NICOLA TALLANT in Alicante, Spain The family are also fighting orders is the rightful owner of the entire While she insisted that The against Jessbrook House in Enfield, Jessbrook complex. Judges Chambers pub in Ali- the Gilligan family existed in 1996 ‘black money’ – cash under the table the bungalow home where Geraldine The family have racked up more cante is hers and has nothing and over €15m passed through them. -
Anglo-Indian Visions of Empire, the Raj Revival, and the Literary Crafting of National Character
Shadows of the Raj: Anglo-Indian Visions of Empire, the Raj Revival, and the Literary Crafting of National Character by GENEVIEVE GAGNE-HAWES B.A. Whitman College, 2003 M.A. New York University, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) November 2012 © Genevieve Gagne-Hawes, 2012 i ABSTRACT In my dissertation, I argue for a relationship of influence between the authors of what I define as the Raj novel genre, or works by British writers who lived in India between 1858 and 1947 and produced novels set in that country, and authors of the so-called “Raj Revival” in 1970s and 1980s Great Britain. The latter encompasses bestselling, award-winning novels (M.M. Kaye’s The Far Pavilions, Paul Scott’s Raj Quartet; J.G. Farrell’s The Siege of Krishnapur, Ruth Prawer Jhabvala’s Heat and Dust) and films (David Lean’s A Passage to India) that nostalgically revisit the Raj experience. Both movements claim ideal British character is manifested by Anglo- Indians, British persons living and working in India, who develop a series of exemplary character traits through the rigors of daily service in the subcontinent. In the Raj novel genre, this model of Anglo-Indian character—and the concurrent denigration of Indian character—is used as a strategy by which to elevate the nascent Anglo-Indian community. In the Raj Revival, the Raj novel genre’s ideals are deployed in support of the conservative shift that occurred during Prime Minister Margaret Thatcher’s tenure (1979-1990). -
Senate Section (PDF)
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 114 CONGRESS, SECOND SESSION Vol. 162 WASHINGTON, WEDNESDAY, DECEMBER 7, 2016 No. 176 Senate The Senate met at 9:30 a.m. and was RECOGNITION OF THE MAJORITY have fittingly been renamed for Beau called to order by the President pro LEADER Biden in this legislation. I will have tempore (Mr. HATCH). The PRESIDING OFFICER (Mr. more to say about the Vice President PAUL). The majority leader is recog- when he joins us again this afternoon, f nized. but for now I look forward to passing the 21st Century Cures Act today. f PRAYER On another matter, we will have an- LEGISLATION BEFORE THE other important vote this afternoon. It The PRESIDENT pro tempore. To- SENATE is a vote to move forward on the na- day’s opening prayer will be offered by Mr. MCCONNELL. Mr. President, the tional defense authorization conference Elder D. Todd Christofferson, a mem- continuing resolution was filed in the report. ber of the Quorum of the Twelve Apos- House yesterday. As we wait for the We all know the world the next ad- tles of The Church of Jesus Christ of House to take the next step, I encour- ministration will inherit is a difficult Latter-day Saints in Salt Lake City. age all Members to continue reviewing and dangerous one. There are many The guest Chaplain offered the fol- the legislative text, which has been threats. There are numerous national lowing prayer: available for some time. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Shifting Focus of the Traditional Centres of Contemporary Art: Scotland’s Evolving Position from Periphery to Prominence Deborah Jackson Ph.D The University of Edinburgh 2013 "I hereby declare that I am the sole author of this thesis; that the following thesis is entirely my own work; and that no part of this thesis has been submitted for another degree or qualification". Signed ……………………………………………………………………………………… 2 Abstract My thesis considers the distinctive characteristics of contemporary artistic production and display in Scotland from the 1960s to the present. The main objective is to make manifest the diversification of global sites of contemporary art away from traditional centres by examining less exposed aspects of art practice in Scotland. My methodology is driven by a set of case studies of artist-run initiatives (ARIs), which provide models of enquiry into alternative methods of production and display of contemporary art and that demonstrate the role of ARIs in producing art scenes, and not merely representing those that already exist.