Suzanne Petri CABARET First President and a Founding Member Chicago Cabaret Professionals a 501 (C) 3 Org

Total Page:16

File Type:pdf, Size:1020Kb

Suzanne Petri CABARET First President and a Founding Member Chicago Cabaret Professionals a 501 (C) 3 Org Suzanne Petri CABARET First President and a Founding Member Chicago Cabaret Professionals a 501 (c) 3 org. founded in 1998 Recipient of 2009 Gold Coast Award for Cabaret Excellence Winner 2006 After Dark Award: Outstanding Cabaret Artist Mabel Mercer Foundation’s New York Cabaret Convention: Jazz at Lincoln Center, October 2006 Mabel Mercer Foundation’s Third Chicago Cabaret Convention at Park West Theater 2000 Cabaret Fellow at the Eugene O'Neill Theatre Center's Cabaret Symposium with Master Teachers Julie Wilson, Margaret Whiting, Carol Hall, Lina Koutrakos, Rick Jensen, Lincoln Mayorga, Tex Arnold North Central College "Love Songs: The Ups and Downs of Love" Bob Moreen MD and Jim Cox, bass The Holmstad “Women Singers and Songwriters” Celebrating great women of music, such as Marlene Dietrich, Bea Lillie, Sophie Tucker, Peggy Lee, Ella Fitzgerald, Billie Holiday, Edith Piaf and Alberta Hunter. Cyranos Farm Kitchen Cabaret 2013 New Year’s Eve Sparkling International Fete “Songs In The Key Of Diva: European and American Cabaret” 2004-2006 Glenview Library Noel Coward Tribute with Bob Moreen, Robert Breuler and John Eskola Mayne Stage An Evening of Music, Laughs and More! A benefit for The Kaufherr Members Resource Center of SAG-AFTRA Fiorenza Ristorante “An Evening With Marlene: A Tribute to Marlene Dietrich” Bob Moreen, piano The University Club Cabaret at the University Club of Chicago Bob Moreen, piano Jim Cox, bass Pritzker Stage Millennium Park “Celebrate the Holidays with Marlene” Cabaret With a View Bob Moreen Musical Director and Pianist, Dez Desormeaux, Reeds, Jim Cox, Bass with special guests Robert Breuler and John Mohrlein Park West Theatre CCP Annual Gala Benefit 2006 ongoing at Park West as Producer, Director, Singer and Honoree (2009) Drury Lane Water Tower Place Musical Mondays as Executive Producer and Producer, Director, Singer February 2008: “My Fair Cabaret” Beckie Menzie/Bob Moreen Mus. Dr. Through September 2009 Sixteen shows Maxim’s: The Nancy Goldberg International Center: “A Little Touch Of Coward in the Night” The Words and Music of NOEL COWARD August 2009 “Marlene Muzik: A Tribute To Marlene Dietrich The Actress The Music The Desire” 2008 “Jacques Brel is Alive and Well and Celebrating Bastille Day at Maxim’s” MD: Joe Vito “Wunderbar” Music of Weill, Lenya & Dietrich MD: Bob Moreen, Dez Desormeaux, sax, Jim Cox, bass “The Case of the Dying Divas” Murder Mystery 2006-2007 and various venues MD: Beckie Menzie “Let Them Eat Cake and Drink Champagne” Bastille Day Celebration MD: Bob Moreen Maxim’s CCP 2003 Gala: “I Could Go On Singing: Celebrating 100 Years of American Song” Katerina’s “Berlin/Paris/New York: Intimate Nights” A journey through the great days of musical mastery and intimate nights. “Songs In the Key of Diva: Torchy Sass and Swing” The songs of our lives and the clubs we laugh, love in…and all that jazz! “Here’s to the Lives of the Ladies” A Tribute to Blossom Dearie and Eartha Kitt w/KT McCammond, and Bob Moreen “Classy, Brassy Blondes: Two Little Girls From the Upper Midwest” with Elizabeth Doyle “La Musique et L’Amour” A Jacques Brel Bastille “International Tour de l’Amour” Songs Of Dietrich, Brel, Piaf, Porter, Gershwin, Sondheim, Mercer, Arlen and more! “Berlin to Broadway to Hollywood” A Tribute to Kurt Weill, Bertholt Brecht & Marlene Dietrich Davenport’s Cabaret “A Little Touch Of Coward in the Night” The Words and Music of Noël Coward "An Evening With Marlene" Bob Moreen, Brian Patti, Reeds, Jim Cox, Bass, Bob Breuler, John Mohrlein “The Madwoman of Chicago: Musical Madness Persuzified” 2007 MD: Bob Moreen “Das Grand Tour” CD Release Party With Bob Moreen, Dez Desormeaux, Lonie Walker “Songs Of Love and Other Delights” February 2004with Bob Moreen, George Howe “A Marvellous Party” June& Nov 2003 MD:Alan Bukowiecki “I’m Still Here.... I Think” August 2002 MD: Bob Moreen “Black Market Good Friday” March 2002 MD: Bob Moreen “The Grand Tour: Cabaret by Request” August 2001 MD: Bob Moreen “La Dishe Returns...From Camp” February 2001 MD: Bob Moreen “La Creme de la Dishe” August 2000 MD: Pat Rusk Drury Lane Water Tower Place Musical Mondays as Executive Producer/Producer/Director/Singer “My Fair Cabaret” Beckie Menzie/Bob Moreen Mus. Dr. As Producer, Director, Singer “Everything’s Coming Up Rosie” Tribute to Rosie Clooney As Producer/Director/Performer MD: Bob Moreen Skokie Theater “A Couple of Characters” with MD Bob Moreen “A Touch Of Coward in the Afternoon” w/ Bob Moreen, John Eskola, Robert Breuler, Director “Marlene Muzik: A Tribute To Marlene Dietrich” 2009 MD: Bob Moreen Wilmette Theatre “Three More Divas” w/ Ava Logan, Lonie Walker, and Brad Thacker MD: Ben Hartman Storefront Theater “I Am What I Am” A Tribute to Jerry Herman As Singer/Director MD: Bob Moreen “City Lights” A Tribute to Kander and Ebb As Singer/Director MD: Beckie Menzie Chicago Cultural Center “Holiday Fever” A Musical Tribute to Peggy Lee MD: Bob Moreen “I Am What I Am” A Tribute to Jerry Herman MD: Bob Moreen “The Party’s Not Over: A Tribute to Jule Styne” Feb 2006 MD: George Howe CCP Gala “Sunday Afternoon With Sondheim” MD: Beckie Menzie “Hooray for Love” A Tribute to Harold Arlen also co-host MD: Beckie Menzie CCP Gala “Birthday Tribute to Audrey Morris” MD: Bob Moreen “A Merry Little Christmas: A Tribute to Judy Garland” MD: Bob Solone “White Christmas: A Tribute to Rosemary Clooney” Bob Moreen, Stu Genovese, John Whitfield “A Tribute to Beatrice Lillie” w/ Tom Sivak Marlene Dietrich’s 100th Birthday Nov. 2001 w/ Bob Moreen & Donald Jackson 1998 w/ Bobby Schiff & David Rothstein “La Dishe Does La Tucker” Tribute to Sophie Tucker 1999 w/ Bobby Schiff Season of Concern Cabaret 2000 W/ Elizabeth Doyle and Bobby Schiff Noel Coward Centennial Celebration 2000 w/ John Eskola and Pat Rusk Charlene Unger’s Holiday Special w/ Peter Mohawk featured as “Connie Unger” Cornelia’s “Songs In The Key Of Diva: European and American Cabaret” w/Bob Moreen 2007 -8 Steppenwolf Theatre “Suzy Petri and Friends” CD Fundraiser Concert August 2004 American Theater Company “1940’s Holiday Radio Spectacular!” Bob Moreen, Phil Caldwell, musical directors “Hoagy, Mel and Cole” w/ Bob Moreen, Chuck Desormeaux “All That sexy,jazzy Cabaret: The Music of Kander & Ebb” MD: Brian Russell “That Old Bilbao Moon: A Tribute to Kurt Weill” MD: Lisa McQueen “Come On-a My House: A Tribute to Rosemary Clooney”B. Moreen, J. Perkins, John Whitfield Water Tower Pumping Station“Marlene Musik”“Live, Laugh Love and All That Jazz” 2002 w/ George Howe Davenport’s, Bailiwick, Mercury Theatre “A Holiday Cabaret” 1999-2008 and ongoing CCP’s Annual Children’s Charity Spago Cabaret Singer for Assoc. of Banking Women December 2003 w/George Howe Cucina Bella Resident Diva for 5 months Every Saturday Night from New Year’s Eve 2001 Moulin Rouge, Fairmont Hotel, Alhambra Palace French Cabaret Chanteuse Barbara Lee Cohen Productions USA Chicago Cultural Center German Cabaret Chanteuse Gala Event for Congress of the Int’l Society Gynecologic Endoscopy University Club of Chicago Cabaret Night w/ Bob Sutter, David Rothstein Radisson Hotel, Chicago “Kit Kat Klub Kabaret” w/ Elizabeth Doyle and Bill Underwood Chicago House Annual Benefit Bailiwick Theatre “Cabaret w/ Suzanne Petri and Alexandra Billings” w/ Bill Underwood Trio The Breakers Retirement “Marlene Musik” w/ Brian OHern Community “Sophie Tucker & the Music of the 30’s and 40’s” w/ Pat Rusk “Rosie Tunes and Favorites 2002” w/ George Howe Humanities Festival X Noel Coward Centennial Celebration and workshop for teachers Featured Singer w/ Larry Maslon, Tisch School of the Arts, Professor Tom Lindblade of Colorado College and Margo Jefferson, Cultural Critic of the New York Times The Cuneo Museum “Live Laugh Love, Broadway and Beyond” 2001 w/ Pat Rusk and Scott Black “Cabaret Ladies” 2000 w/ Pat Rusk and Scott Black Toulouse Cognac Bar “A Humble Chanteuse: Coward To Weill and Then Some” “I Am Your Friend: A Cabaret Potpourri” 1999-2000 w/ Pat Rusk Cabaret At The Royal George Chicago Cabaret Professionals* 2002 Gala (also producer) Chicago Cabaret Professionals* 1999 Summer Series (also Artistic Director) “French Night” Bastille Day Celebration “Mad About The Boys” Noel Coward songs and scenes “The Broadway Millennium” Fall Gala Underground Wonder Bar: Cabaret Nights and Late Nights for 13 years. .
Recommended publications
  • Fréhel and Bessie Smith
    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 9-18-2018 Fréhel and Bessie Smith: A Cross-Cultural Study of the French Realist Singer and the African American Classic Blues Singer Tiffany Renée Jackson University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Jackson, Tiffany Renée, "Fréhel and Bessie Smith: A Cross-Cultural Study of the French Realist Singer and the African American Classic Blues Singer" (2018). Doctoral Dissertations. 1946. https://opencommons.uconn.edu/dissertations/1946 Fréhel and Bessie Smith: A Cross-Cultural Study of the French Realist Singer and the African American Classic Blues Singer Tiffany Renée Jackson, DMA University of Connecticut, 2018 ABSTRACT In this dissertation I explore parallels between the lives and careers of the chan- son réaliste singer Fréhel (1891-1951), born Marguerite Boulc’h, and the classic blues singer Bessie Smith (1894-1937), and between the genres in which they worked. Both were tragic figures, whose struggles with love, abuse, and abandonment culminated in untimely ends that nevertheless did not overshadow their historical relevance. Drawing on literature in cultural studies and sociology that deals with feminism, race, and class, I compare the the two women’s formative environments and their subsequent biographi- cal histories, their career trajectories, the societal hierarchies from which they emerged, and, finally, their significance for developments in women’s autonomy in wider society. Chanson réaliste (realist song) was a French popular song category developed in the Parisian cabaret of the1880s and which attained its peak of wide dissemination and popularity from the 1920s through the 1940s.
    [Show full text]
  • Hunter, Alberta (1895-1984) Alberta Hunter by Carla Williams Performing "Nobody Knows You When You're Down and Out." Encyclopedia Copyright © 2015, Glbtq, Inc
    Hunter, Alberta (1895-1984) Alberta Hunter by Carla Williams performing "Nobody Knows You When You're Down and Out." Encyclopedia Copyright © 2015, glbtq, Inc. Film still from a youtube Entry Copyright © 2002, glbtq, Inc. video that can be found Reprinted from http://www.glbtq.com here. Blues singer, lyricist, and actress Alberta Hunter, a distinctive stylist and one of the top recording artists in the 1920s and 1930s, experienced a dramatic comeback in her old age. Alberta Hunter was destined to become a legend. Born on April 1, 1895 in Memphis, Tennessee, where she was reared, Hunter left home at age fifteen for Chicago, where, lying about her age, she launched her singing career in the city's nascent saloon and club scene, performing first with King Oliver's legendary Creole Jazz Band. Possessed of abundant talent and stage presence, Hunter rose quickly to become one of the city's leading attractions in the 1910s and 1920s. Noted for singing the blues over troubled love affairs, she also wrote some of her own material, including "Down Hearted Blues." Buoyed by her success in the city that had become the premier center for blues entertainers, Hunter began making recordings in 1921. She made more than 100 recordings for numerous labels, occasionally using pseudonyms to record while under contract with rival companies. Among her best known recordings are those of "'Taint Nobody's Business If I Do" and "Aggravatin' Papa." Having been molested as a child, in disturbing incidents that she would recall later in life, Hunter was largely disdainful of men, particularly those who would control and manipulate her.
    [Show full text]
  • Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
    HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution.
    [Show full text]
  • Nursing the Blues: the Remarkable Alberta Hunter (1895-1984)
    NURSING THE BLUES: THE REMARKABLE ALBERTA HUNTER (1895-1984) David H. Evans, D.M. Professor of Music Introduction My affair with Alberta Hunter began quite by accident. I say affair because as I have continued my study of her life, I have become more passionately involved. It was the vitality of the voice that first intrigued me. Then I happened to see a documentary of her performing at The Cookery in 1977 and knew that I needed to learn more about this remarkable woman. As I have learned more, my interest has redoubled. But let me back up. In the late 1980’s I was expanding my personal record collection and looking for works I could incorporate into a Popular Music class I had developed. Among the many jazz and blues recordings that I purchased was a sound track from a film entitled “Remember My Name.” I had never seen, or even heard of, this film, but one of the songs listed on the album was “Downhearted Blues,” which I had always associated with Bessie Smith. The soundtrack, however, claimed to be a collection of songs by Alberta Hunter, of whom I knew nothing. In fact, one of songs had been composed especially for the film. I was intrigued that someone who had a link to the city blues era of the 1920’s was still active more than fifty years later. I placed the recording on the turntable and before I could even begin reading the liner notes, I was captivated. As I read the notes, I discovered that the rich vibrant voice I was hearing was that of Alberta Hunter, who was 82 years old at the time of the recording.
    [Show full text]
  • Big Band Early Jazz New Orleans Jazz Brass Band R
    21st C. 21st C. Elec- 21st C. 21st C. 21st C. 90s/ Jazz Rock tronica R&B Rap Sacred Music 2000s Jason Moran Brittany Howard DJ Spooky The Roots Frank Ocean Kendrick Lamar Aeolians of Oakwood Kamasi Washington Gary Clark, Jr. Carl Craig Beyoncé Usher Kanye West Tasha Cobbs Concert & Roy Hargrove Janelle Monae Flying Lotus Rihanna Solange Nicki Minaj Jonathan McReynolds 90s Gospel Joshua Redman Stew Alicia Keys Jay-Z Marvin Sapp Terri Lyne Carrington Tamar-kali 50 Cent Kierra Sheard Kirk Franklin Classical Afropunk Trey McLaughlin Donnie McClurkin Mary Mary Audra McDonald, Soprano Donald Lawrence Lawrence Brownlee, Tenor Sounds of Blackness Morris Robinson, Bass 80s/90s Rock Techno 90s R&B 90s Rap Yolanda Adams Janinah Burnett, Soprano Nicole Mitchell, Composer Bad Brains Living Colour Doug Pinnick Juan Atkins R. Kelly Maxwell De La Soul Nas Tania Leon, Composer Fishbone Chocolate Genius Toshi Reagon Derrick May Mariah Carey Mary J. Blige A Tribe Called Jay-Z George E. Lewis, Composer Lenny Kravitz Garland Jeffreys Kevin Saunderson MeShell Erykah Badu Quest The Notorious 80s Superstars Terence Blanchard, Composer Tracy Chapman Slash D. Wynn NdegéOcello Boyz II Men Ice Cube B.I..G. Nkeiru Okoye, Composer D’Angelo Dr. Dre Lil’ Kim Michael Jackson Prince Lionel Richie Courtney Bryan, Composer Snoop Doggy Missy Elliott Tina Turner Whitney Houston Imani Winds, Wind quintet Dogg Lauryn Hill Wu-Tang Clan Outkast 80s Jazz House 80s Rap 2Pac 80s R&B 80s 70s/80s Wynton Greg Osby Frankie Knuckles Sugar Hill Gang LL Cool J Public Enemy Stevie Wonder Marsalis Geri Allen Ron Hardy Grandmaster Flash MC Lyte N .W.
    [Show full text]
  • 2021—04 April Program Guide
    The John Sinclair Foundation Presents RADIO FREE AMSTERDAM 2021 BLUES, JAZZ & REEFER—KEEPING THE MUSIC ALIVE Mondays The John Sinclair Radio Show plus Fly By Night with Steve The Fly Tuesdays The Blues Show with Bruce Pingree plus Blues From the Red Rooster Lounge with Cary Wolfson Wednesdays BluesTime International with Roger White plus Blues Edition with Leslie Keros Thursdays Face The Music with arwulf arwulf plus The Groove Yard with George Klein Fridays Ancestor Worship with John Sinclair plus Sounds of Blue with Bob Putignano Saturdays Big City Blues Cruise with Martino D’Lorenzo plus The Soul Lucille Show with Lucille DJ Sundays Jazz at Daybreak with Leslie Keros plus Jazz Lunatique with David Kunian Our internet radio station airs two hours of original programming every day and offers a continuous flow of music on the 24/7 stream on our website, just like a real radio station. This month Face The Music with arwulf arwulf is featuring recordings cut in 1903, 1913, 1923, 1933 and 1943 to mark the end of his 2013 program year. Roger White is spotlighting a lot of new blues talent on BluessTime International this month, including Casey Hensley, Whitney Shea, Dianna Rain, Liz Mandeville, Crystal Schwanda, the Mary Jo Curry Band, and the Betty Fox Band, plus my old pal from Detroit 50 years ago, guitarist Dallas Hodge. All of our programmers and production staff contribute their work to this important project of the John Sinclair Foundation, offered free to the public throughout the universe for the past fifteen years, since the formation of Radio Free Amsterdam on January 1, 2005.
    [Show full text]
  • African— American Biographies
    These African American Biographies are located at the Burroughs Library and the three branch libraries (Newfield, North, and Old Mill Green) of the Bridgeport Public Library System. Additional biographies indicated by the POP designation are location in the Popular Library with B and XB designations found in the Information Services Department. L.T. refers to Large Type editions. An (*) astericks before the subject’s name indicates that at least one of the selections about that person is an autobiography. Each citation gives title, author, call number and branch location. (Some call numbers may vary from branch to branch and because of multiple edtions. I HAVE A DREAM: AFRICAN— AMERICAN BIOGRAPHIES NOTE: Names with a * list an Autobiography of that person. Call numbers at branches will not have X before the B. * Aaron, Hank Title: I Had A Hammer: The Hank Aaron Story Author: Aaron, Hank Call: B A1134a Loc: Bur, Nor Muhammad Ali Marian Anderson Amiri Baraka Abdul-Jabar, Kareen Title: Kareem Abdul-Jabbar Author: Pepe, Phil Call: B A1365a2 Loc: Bur * Abernathy, Ralph David Title: And the walls came tumbling down : Ralph David Abernathy an autobiography (A) Author: Abernathy, Ralph David. Ella Fitzgerald James Brown Call: B A1466a Loc: Bur, New * Abu-Jamal, Mumia Title: We Want Freedom: A Life in The Black Panther Party Author: Abu-Jamal, Mumia Call: 322.4 A165w Loc: New * Ailey, Alvin James Baldwin Louis Armstrong Title: Revelations Author: Ailey, Alvin Call: B A2935a Loc: Bur A - B Title: Alvin Ailey: A Life in Dance Call: B A42544a Author: Dunning, Jennifer Loc: Bur Call: B A2935d Loc: Bur * Amos, Wally Title: The Cookie Never Crumbles * Ali, Lalia Author: Amos, Wally Title: Reach!, Finding Strength, Call: B A5252c Spirit and Personal Power.
    [Show full text]
  • Ella Fitzgerald Collection of Sheet Music, 1897-1991
    http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
    [Show full text]
  • They Discuss Records and Recordings. Earl Hines and PF Put out Only 500 Or So Copies of a Record
    Reel A, Track 2 June 23, 1967-August, 1969 Also present; Tom Stoddard, Alma Poster (Addenda August 26, 1971.) They discuss records and recordings. Earl Hines and PF put out only 500 or so copies of a record. PF recorded with Lovie Austin, tin the early 1960-s? in Uie 1940.s? Cf. discographies.3 but didn't .f know her in the twenties. He knew Alberta Hunter. They mention an unissued record of the Sidney Bechet quartet with PF, Freddy Moore/ w [also with SB. See discogr^riies. ] "The Song of Songs." [Cf . discographies.] Mention of "My Woman's Blues" PF has a record of "Jersey Lightning" [on Okeh? with Luis Russell's band], PF had two or three copies of it. Llpyd Phillips/ [p]/ was also on the Sidney Bechet record. [C£. discographies.] [Cf. Co 12" LP.] Recorded around 1945-46 [July 23, 1947, Jepsen/ JA22 RECORDS...] They talk about Alberta Hunter records. PF borrowed records from the man across the street. Tliey talk about drinking and the time Tom Stoddard worked in a liquor store. PF says men used to drink claret. PF remembers Buddy Bolden going insane in 1910 [c£ other sources] . Joe Howard [ ?] (machine off). Sam Dutrey/ cl; Johnny Dodds, cl; Dave Jones/ French horn [i.e., mellophone?] are mentioned [in a photo cf Fate Marable band?] . [Mintes?] Bag Factory was where Baby Dodds was working when PF found him. [C£. the BABY DODDS STORY.] PF says BD was making "croker" I i.e. ; crocus] sacks. PF got Johnny Dodds a job playing with Kid Ory at Globe Hall.
    [Show full text]
  • The Rabbit Hole
    FROM OUR PRESIDENT, THE RABBIT HOLE 1801 Commonwealth Ave, Charlotte, NC RICK BALLEW: Don’t Miss our Anniversary Blues Bash Hey Blues Family and Happy in our new HOME AnniversaryCharlotte Blues Society! Our Sunday April 2, 2017 24th Anniversary is Sunday April 2 at The and its FREE Rabbit Hole. Our band is The Instigators, a Charlotte Blues Society member Band and they crank up at 8. We need lots of goodies for our Hospitality Table, so bring your best. To make the celebration complete we've got lots of gifts for you. Our raffle packages include a Coco Montoya gift pack, CDs and more. April 2017 e-BluesLetter Bring family and friends and keep your th It’s our 24 Anniversary and we are ready to turn it up a notch as we continue our mission of wallet in your pocket because it's FREE to KEEPIN’ THE BLUES ALIVE! get in. Spend your savings on raffle tickets and support The Charlotte Blues Society. “THE INSTIGATORS” will bring their Chicago Blues groove to the stage for a FREE Anniversary Our autographed guitar campaign is Blues Bash Sunday April 2, 2017. At 10pm blues underway with signatures from Joe players who sign up throughout the night for the Bonamassa, Tab Benoit and Eric Gales, so open blues jam will have an opportunity to show their stuff. far. Those tickets are $5 each or 3 for $10. The usual CD raffle packages and tickets SAVE THE DATE: Sunday April 2 , 2017 ******************************************* and CDs for Coco Montoya on April 12 are Our first gathering at our new home : THE RABBIT $2 each or 3 for $5 and so on.
    [Show full text]
  • Detroit Blues Women Michael Duggan Murphy Wayne State University
    Wayne State University Wayne State University Dissertations 1-1-2011 Detroit blues women Michael Duggan Murphy Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the African American Studies Commons, Music Commons, and the United States History Commons Recommended Citation Murphy, Michael Duggan, "Detroit blues women" (2011). Wayne State University Dissertations. Paper 286. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. DETROIT BLUES WOMEN by MICHAEL DUGGAN MURPHY DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: HISTORY Approved by: ____________________________________ Advisor Date ____________________________________ ____________________________________ ____________________________________ DEDICATION “Detroit Blues Women” is dedicated to all the women in Detroit who have kept the blues alive, to the many friends, teachers and musicians who have inspired me throughout my life, and especially to the wonderful and amazing family that has kept me alive. Many thanks to Lee, Frank, Tom, Terry, Kim, Allison, Brendan, John, Dianne, Frankie, Tommy, Kathy, Joe, Molly, Tom, Ann, Michael, Dennis, Nancy, Mary, Gerry, Charles, Noranne, Eugene, Maegan, Rebecca, Tim, Debby, Michael Dermot and Angela. ii ACKNOWLEDGMENTS I would first like to thank my advisor and committee chair John J. Bukowczyk for his friendship, his editing skills, and his invaluable guidance through all stages of this dissertation. Throughout my graduate career, Dr. Bukowczyk has been generous mentor with a great deal of insight into the workings of the University and the world at large.
    [Show full text]
  • Representations of African American Women in Blues Lyrics Written by Black Women
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2007 Images and lyrics: Representations of African American women in blues lyrics written by black women Danette Marie Pugh-Patton Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the African American Studies Commons, Ethnomusicology Commons, and the Mass Communication Commons Recommended Citation Pugh-Patton, Danette Marie, "Images and lyrics: Representations of African American women in blues lyrics written by black women" (2007). Theses Digitization Project. 3235. https://scholarworks.lib.csusb.edu/etd-project/3235 This Project is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. IMAGES AND LYRICS: REPRESENTATIONS OF AFRICAN AMERICAN WOMEN IN BLUES LYRICS WRITTEN BY BLACK WOMEN A Project Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies by Danette Marie Pugh-Patton December 2007 IMAGES AND LYRICS: REPRESENTATIONS OF AFRICAN AMERICAN WOMEN IN BLUES LYRICS WRITTEN BY BLACK WOMEN A Project Presented to the Faculty of California State University, San Bernardino by Danette Marie Pugh-Patton December 2007 Approved by: Date Dr. Nathan Carter ABSTRACT The purpose of this thesis is to examine to what extent representations of double jeopardy and the stereotypical images of African American females: Mammy, Matriarch, Sapphire, and Strong Black Woman emerge in the blues lyrics of Alberta Hunter, Gertrude 'Ma' Rainey, Memphis Minnie, and Victoria Spivey, using the theoretical framework of Black feminist rhetorical critique.
    [Show full text]