African— American Biographies
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Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
FATHER DIVINE. Father Divine Papers, Circa 1930-1996
FATHER DIVINE. Father Divine papers, circa 1930-1996 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Father Divine. Title: Father Divine papers, circa 1930-1996 Call Number: Manuscript Collection No. 840 Extent: 8 linear feet (16 boxes), 3 oversized papers papers boxes and 3 oversized papers folders (OP), 3 extra-oversized papers (XOP), 7 oversized bound volumes (OBV), and AV Masters: .25 linear feet (1 box) Abstract: Papers relating to African American evangelist Father Divine and the Peace Mission Movement including correspondence, writings, photographs, printed material, and memorabilia. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Separated Material Pamphlets, monographs and periodicals included in the collection have been cataloged separately. These materials may be located in the Emory University online catalog by searching for: Father Divine. Source Purchase, 1997, with subsequent additions. Citation [after identification of item(s)], Father Divine papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Father Divine papers, 1930-1996 Manuscript Collection No. 840 Processing Processed by Susan Potts McDonald, April 2011 In 2014, Emory Libraries conservation staff cleaned, repaired, and reformatted the scrapbooks numbered OBV1 and OBV2 as part of the National Parks Service funded Save America's Treasures grant to preserve African American scrapbooks in the Rose Library's holdings. -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Three Pictures Looking Through the Lens of Alumna Linda Panetta’S Life and Work
Fall 2010 • Volume 07 • Number 03 MAGAZINE Three picTures Looking through the Lens of aLumna Linda Panetta’s Life and work. Page 16 1 CALENDAR OF EVENTS Alumni Weekend 2010 Risa Vetri Ferman Cabrini Classic December 2 – January 18 Through the Lens: Student Work from Fine Arts Photography Graduate Programs Open Houses Grace and Joseph Gorevin Fine Arts Gallery, 2nd Floor, Holy Spirit Library Works by Cabrini College students in the Fine Arts Photography class. December 9, February 1, March 2, April 7 Admission is free. Information: www.cabrini.edu/fineartscalendar or call 610-902-8381. 6 p.m., Grace Hall Cabrini offers a Master of Education, a Master of Science in March 9 Leader Lecture Series—A Town Hall Meeting: Organization Leadership, and several teacher certifications. “Breaking the Glass Ceiling in Law Enforcement Leadership” To register or to schedule an appointment, 6:30 p.m., Grace Hall Boardroom visit www.cabrini.edu/gps or call 610-902-8500. Eileen Behr, Chief of Police, Whitemarsh Township, Pennsylvania Maureen Rush, Vice President for Public Safety, University of Pennsylvania Admission is free, but registration is requested: www.cabrini.edu/gps or May 23 call 610-902-8500. Sponsored by the Office of Graduate and Professional 22nd Annual Cabrini Classic Honoring Edith Robb Dixon HON’80 Studies. Waynesborough Country Club – Paoli, Pa. April 12 June 4-5 Leader Lecture Series—“Principles of Justice for Children” Alumni Weekend Risa Vetri Ferman, District Attorney, Montgomery County, Pennsylvania Classes of 1961, 1966, 1971, 1976, 1981, 1986, 1991, 1996, 2001, 6:30 p.m., Mansion and 2006 celebrate milestone reunions. -
Download the Contributor's Manual
Oxford University Press Hutchins Center for African &African American Research at Harvard University CONTRIBUTOR’S MANUAL African American National Biography Henry Louis Gates, Jr. Evelyn Brooks Higginbotham Editors in Chief http://hutchinscenter.fas.harvard.edu/aanb CONTENTS 1 INTRODUCTION 2 PLANNING YOUR ARTICLE 2.1 Readership 2.2 Scope Description 2.3 Word Allotment 2.4 Consensus of Interpretation 3 WRITING YOUR ARTICLE 3.1 Opening Paragraph 3.2 Body of Text 3.3 Marriages 3.4 Death and Summation 3.5 Living People 3.6 Identifying People, Places and Things 3.7 Dates 3.8 Quotations and Permissions 3.9 Citations 3.10 Plagiarism 4 SOME NOTES ON STYLE 4.1 Style, Grammar, spelling 4.2 Spelling 4.3 Punctuation 4.4 Capitalization 4.5 Dates 4.6 Racial Terminology 4.7 Explicit Racial Identification 4.8 Gendered Terms 5 COMPILING YOUR “FURTHER READING” BIBLIOGRAPHY 5.1 Purpose 5.2 Number of Items 5.3 Availability of Works 5.4 Format 5.5 Verification of Sources 6 KEYBOARDING AND SUBMITTING YOUR MANUSCRIPT 1 1 INTRODUCTION We very much appreciate your willingness to contribute to the African American National Biography (AANB). More than a decade in the making, the AANB is now in its second edition, bringing the total number of lives profiled to nearly 5,000 entries online and in print. Our approximately 2,000 authors include Darlene Clark Hine on First Lady Barack Obama, John Swed on Miles Davis; Thomas Holt on W.E.B. Du Bois and the late John Hope Franklin on the pioneering black historian George Washington Williams. -
Tommy Jacquette-Halifu
Tommy Jacquette-Halifu Tommy Jacquette-Halifu (1943-2009) was a co-founder of the annual Watts Summer Festival in 1966, a founding member of the organization Us, executive director of the Watts Summer Festival for over 40 years, a highly-respected social activist, community organizer, and veteran of the 1965 Watts Revolt. And although he was best known for his work as executive director for the Watts Summer Festival (at times featuring Coretta Scott King, Myrlie Evers, Betty Shabazz, Sammy Davis Jr., Richard Pryor, Sammy Davis Jr., Isaac Hayes, Muhammad Ali, Quincy Jones and a host of elected officials as grand marshals of the festival parade), he was also worked with the Watts Christmas Parade, Watts Willowbrook Chamber of Commerce, the Watts Gang Taskforce and organizations and community programs. He was born in Los Angeles, California, the eldest of six children, and grew up in the Imperial Courts in Watts, a residential district in the southern part of Los Angeles, California. Jacquette-Halifu is survived by his wife, Carmen Eatmon of Los Angeles; four sons, Derek and Raymond of Los Angeles and Damien and Juba of Phoenix; two daughters, Julienne Jacobs of St. Louis and Denise McFall of Los Angeles; his mother, Addie Young of Los Angeles; a brother, Bob Henson of Carmel; two sisters, Brenda Lake and Diane Young of Los Angeles; 23 grandchildren and four great-grandchildren. 6 The Journal of Pan African Studies, vol.3, no.6, March 2010 In memory of Tommy Jacquette-Halifu, Congresswoman Maxine Waters gave the following statement at the U.S. House of Representatives in Washington, D.C. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Marginalized-Literature-Market-Life: Black Writers, a Literature of Appeal, and the Rise of Street Lit Permalink https://escholarship.org/uc/item/2d45f381 Author Norris, Keenan Franklin Publication Date 2013 Supplemental Material https://escholarship.org/uc/item/2d45f381#supplemental Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Marginalized-Literature-Market-Life: Black Writers, a Literature of Appeal, and the Rise of Street Lit A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Keenan Franklin Norris June 2013 Dissertation Committee: Dr. Erica Edwards, Chairperson Dr. Tiffany Lopez Dr. Toby Miller Copyright by Keenan Franklin Norris 2013 The Dissertation of Keenan Franklin Norris is approved: _____________________________________________ _____________________________________________ _____________________________________________ Committee Chairperson University of California, Riverside Acknowledgements This dissertation is the product of both my Ph.D. study at UC Riverside and my M.F.A. at Mills College. Therefore, I’d like to acknowledge people at both institutions that have helped me to conceptualize, craft and finalize this work. I’ve been very lucky to have Dr. Erica Edwards as my committee chair. I will forever be thankful to her for her generosity and all the work she’s done on my behalf. Likewise, the guidance of committee members Drs. Tiffany Lopez and Toby Miller has been a tremendous help in this process. I’m appreciative of the entire committee for allowing me the latitude to pursue this unique topic in a somewhat unconventional style— wedding scholarship with creative writing. -
Merciad Writer "Hangs Out" with Yamato Page 8 Hurst Soccer I
THE STUDENT NEWSPAPER OF MERCYHURST COLLEGE SINCE 1929 ARTS& Hurst ENTERTAINMENT soccer I Merciad writer teams head "hangs out" with to playoffs Yamato page 8 page 12 Vol 75 No. 7 Mercyhurst College 501 E. 38th St. Erie, Pa. 16546 November 8; 2001 Anthrax threat turns out to be hoax By Annie DeMeo Staff writer The "Mercyworld" bubble was de- cidedly popped Tuesday. Oct. 30 when a Mercyhurst employee opened an envelope postmarked Cairo, Egypt containing a suspicious white pow- der. * The Federal Bureau of Investiga- tion notified the college at about 2 p.m. Thursday, Nov. 2 with test re- sults revealing that the powder was not anthrax. Despite the fact that the letter was a hoax, it was successful in upsetting the routine of the college. Thirty seven individuals that c a m e in closest contact with the letter were quarantined immediately. F ™ t* About 500 students, faculty, staff; and administrators that were believed to be at risk of exposure were in- structed to undergo testing and, in most cases, prescribed to take the an- Annie Sitter/Merciad photographer tibiotic Cipro as a preventative mea- Effects of the national crisis touched Mercyhurst College Tuesday October 31 after a letter, threatening that it contained anthrax, was sure. * received in the admissions office. The letter, postmarked Cairo* Egypt, was later determined to be a hoax, testing negative for anthrax. Classes in Old Main were cancelled for both Wednesday and Thursday, 'The staff acted very quickly as blocked off. ing they were wearing as well as any dents through both the Cohen Student further disrupting the campus. -
The Racialization of Jimi Hendrix Marcus K
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2007 The Racialization of Jimi Hendrix Marcus K. Adams Follow this and additional works at: http://commons.emich.edu/honors Part of the African American Studies Commons Recommended Citation Adams, Marcus K., "The Racialization of Jimi Hendrix" (2007). Senior Honors Theses. 23. http://commons.emich.edu/honors/23 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. The Racialization of Jimi Hendrix Abstract The period of history immediately following World War Two was a time of intense social change. The nde of colonialism, the internal struggles of newly emerging independent nations in Africa, social and political changes across Europe, armed conflict in Southeast Asia, and the civil rights movement in America were just a few. Although many of the above conflicts have been in the making for quite some time, they seemed to unite to form a socio-political cultural revolution known as the 60s, the effects of which continues to this day. The 1960s asw a particularly intense time for race relations in the United States. Long before it officially became a republic, in matters of race, white America collectively had trouble reconciling what it practiced versus what it preached. Nowhere is this racial contradiction more apparent than in the case of Jimi Hendrix. Jimi Hendrix is emblematic of the racial ideal and the racial contradictions of the 1960s.