Boston Symphony Orchestra Concert Programs, Season 100, 1980-1981
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Editors' Note: Contributor Bios Were Updated Where Possible Or Desired
CONTRIBUTORS CONTRIBUTORS Editors’ Note: Contributor bios were updated where possible or desired. Gavin Adair received his MFA in poetry from New York University. Chimamanda Ngozi Adichie was born in Nigeria. Her work has been translated into over thirty languages and has appeared in various publications, including The New Yorker, Granta, The O. Henry Prize Stories, the Financial Times, and Zoetrope. She is the author of the novels Purple Hibiscus, which won the Commonwealth Writers’ Prize and the Hurston/ Wright Legacy Award; Half of a Yellow Sun, which won the Orange Prize and was a National Book Critics Circle Award Finalist and a New York Times Notable Book; and Americanah, which won the National Book Critics Circle Award and was named one of The New York Times Top Ten Best Books of 2013. She also is the author of the story collection The Thing Around Your Neck. Saima Afreen’s poems have been featured in The McNeese Review, The Oklahoma Review, The Nassau Review, The Foliate Oak Literary Magazine, Friends Journal, Shot Glass Journal, Indian Literature, Visual Verse, Open Road Review, Episteme, and several other publications. She was invited as a poet delegate for Goa Arts and Literature Festival, Writers Carnival, Aliah University and TEDx VNRVJIET Hyderabad. O-Jeremiah Agbaakin holds an LL.B degree from the University of Ibadan. His poems have appeared in Poet Lore, Guernica, Pleiades, North Dakota Quarterly, RATTLE, South Dakota Review, The South Carolina Review, West Branch, Poetry NorthWest, among others. Kelli Russell Agodon is the author of Small Knots and a chapbook, Geography. Her work has appeared in the Atlantic Monthly, Prairie Schooner, and 5am. -
Wwciguide May 2020.Pdf
From the President & CEO The Guide The Member Magazine Dear Member, for WTTW and WFMT Thank you for your viewership, listenership, and continued support of WTTW and Renée Crown Public Media Center 5400 North Saint Louis Avenue WFMT. Now more than ever, we believe it is vital that you can turn to us for trusted Chicago, Illinois 60625 news and information, and high quality educational and entertaining programming whenever and wherever you want it. We have developed our May schedule with this Main Switchboard in mind. (773) 583-5000 Member and Viewer Services On WTTW, explore the personal, firsthand perspectives of people whose lives (773) 509-1111 x 6 have been upended by COVID-19 in Chicago in FIRSTHAND: Coronavirus. This new series of stories produced and released on wttw.com and our social media channels Websites wttw.com has been packaged into a one-hour special for television that will premiere on wfmt.com May 18 at 9:00 pm. Also, settle in for the new two-night special Asian Americans to commemorate Asian Pacific American Heritage Month. As America becomes more Publisher diverse, and more divided while facing unimaginable challenges, this film focuses a Anne Gleason Art Director new lens on U.S. history and the ongoing role that Asian Americans have played. On Tom Peth wttw.com, discover and learn about Chicago’s Japanese Culture Center established WTTW Contributors Julia Maish in 1977 in Chicago by Aikido Shihan (Teacher of Teachers) and Zen Master Fumio Lisa Tipton Toyoda to make the crafts, philosophical riches, and martial arts of Japan available WFMT Contributors to Chicagoans. -
St. Louis Symphony Orchestra 2018/2019 Season at a Glance
Contacts: St. Louis Symphony Orchestra: Eric Dundon [email protected], (314) 286-4134 National/International: Nikki Scandalios [email protected], (704) 340-4094 ST. LOUIS SYMPHONY ORCHESTRA 2018/2019 SEASON AT A GLANCE Season highlights include: • Music Director Designate Stéphane Denève conducts four weeks at Powell Hall, with a wide range of repertoire including works by Berlioz, Brahms, Lieberson, Mozart, Prokofiev, Ravel, Scriabin, Vaughan Williams, Wagner, and the SLSO premiere of Esa-Pekka Salonen’s Nyx. • Resident Conductor Gemma New leads the season-opening concert, including the SLSO premiere of Aaron Jay Kernis’ Musica celestis, along with Sibelius’ Finlandia and Elgar’s Enigma Variations. She leads a second concert including the SLSO premiere of Thomas Adès’ Three Studies from Couperin. • Marking the 50th anniversary of his SLSO debut, Conductor Laureate Leonard Slatkin leads two weeks of concerts, including a program of Leonard Bernstein’s “Kaddish” Symphony, Rachmaninoff’s First Piano Concerto, and the SLSO premiere of Loren Loiacono’s Smothered by Sky. His second program features Barber’s Symphony No. 1, Tchaikovsky’s Sixth Symphony, and the world premiere of an SLSO-commissioned work by Emmy Award-winning composer Jeff Beal, known for his music from the Netflix series House of Cards. • Conductors Karina Canellakis, Michael Francis, Gustavo Gimeno, Jakub Hrůša, and Matthias Pintscher make their SLSO debuts; returning guest conductors include Matthew Halls, Hannu Lintu, Jun Märkl, Cristian Măcelaru, Nicholas McGegan, Peter Oundjian, Nathalie Stutzmann, John Storgårds, Bramwell Tovey, and Gilbert Varga. • World premieres of two SLSO-commissioned works, Christopher Rouse’s Bassoon Concerto and a composition by Jeff Beal, along with a U.S. -
The Choral Cycle
THE CHORAL CYCLE: A CONDUCTOR‟S GUIDE TO FOUR REPRESENTATIVE WORKS A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY RUSSELL THORNGATE DISSERTATION ADVISORS: DR. LINDA POHLY AND DR. ANDREW CROW BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2011 Contents Permissions ……………………………………………………………………… v Introduction What Is a Choral Cycle? .............................................................................1 Statement of Purpose and Need for the Study ............................................4 Definition of Terms and Methodology .......................................................6 Chapter 1: Choral Cycles in Historical Context The Emergence of the Choral Cycle .......................................................... 8 Early Predecessors of the Choral Cycle ....................................................11 Romantic-Era Song Cycles ..................................................................... 15 Choral-like Genres: Vocal Chamber Music ..............................................17 Sacred Cyclical Choral Works of the Romantic Era ................................20 Secular Cyclical Choral Works of the Romantic Era .............................. 22 The Choral Cycle in the Twentieth Century ............................................ 25 Early Twentieth-Century American Cycles ............................................. 25 Twentieth-Century European Cycles ....................................................... 27 Later Twentieth-Century American -
Emily Dickinson in Song
1 Emily Dickinson in Song A Discography, 1925-2019 Compiled by Georgiana Strickland 2 Copyright © 2019 by Georgiana W. Strickland All rights reserved 3 What would the Dower be Had I the Art to stun myself With Bolts of Melody! Emily Dickinson 4 Contents Preface 5 Introduction 7 I. Recordings with Vocal Works by a Single Composer 9 Alphabetical by composer II. Compilations: Recordings with Vocal Works by Multiple Composers 54 Alphabetical by record title III. Recordings with Non-Vocal Works 72 Alphabetical by composer or record title IV: Recordings with Works in Miscellaneous Formats 76 Alphabetical by composer or record title Sources 81 Acknowledgments 83 5 Preface The American poet Emily Dickinson (1830-1886), unknown in her lifetime, is today revered by poets and poetry lovers throughout the world, and her revolutionary poetic style has been widely influential. Yet her equally wide influence on the world of music was largely unrecognized until 1992, when the late Carlton Lowenberg published his groundbreaking study Musicians Wrestle Everywhere: Emily Dickinson and Music (Fallen Leaf Press), an examination of Dickinson's involvement in the music of her time, and a "detailed inventory" of 1,615 musical settings of her poems. The result is a survey of an important segment of twentieth-century music. In the years since Lowenberg's inventory appeared, the number of Dickinson settings is estimated to have more than doubled, and a large number of them have been performed and recorded. One critic has described Dickinson as "the darling of modern composers."1 The intriguing question of why this should be so has been answered in many ways by composers and others. -
Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985 -
Print/Download This Article (PDF)
American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLVI, Issue 1 Fall 2016 Now He Walks in Beauty: An American Choral Icon Malcolm J. Merriweather, Brooklyn College, CUNY 2016 was a particularly poignant year of loss for the music world. In pop music, the world bid farewell to ground-breaking artists like David Bowie, Prince, and George Michael. On 12 July 2016 the world of choral music lost a great luminary with the death of Gregg Smith. During the second half of the twentieth century, Smith set the standard for professional choirs when he established the Gregg Smith Singers and was widely admired for his contributions to the field of contemporary choral composition through interpretation, commis- sioning, and recording. Gregg Smith was born on 21 Au- gust 1931 in Chicago, Illinois to Myr- tle and Howard Smith. He earned a B.A. in music and an M.A. in com- position from the University of Cali- fornia at Los Angeles. His primary composition teachers were Lukas Foss and Leonard Stein, and his conduct- ing and ensemble mentors were Raymond Moreman and Fritz Zweig. Throughout his career, Smith served on the faculties at Ithaca College, the State University of New York at Stony Brook, Peabody Conservatory, Columbia University, and Manhattan School of Music. In 1955, he founded the Gregg Gregg Smith, 1931–2016 Smith Singers in Los Angeles. At the Contemporary Music Festival in Darmstadt, Smith and his singers were featured in Time (September, 1961, 73) after a successful performance of music by Schoenberg, Krenek, and Ives. -
A Pictoral History of the Boston Music Hall and the Great Organ
A PICTORIAL HISTORY OF THE BOSTON MUSIC HALL AND THE GREAT ORGAN by Ed Sampson, President, Methuen Memorial Music Hall, Inc. 2018 Few instruments in the history of pipe organs in America have had as long, or as distinguished, a career as the Boston Music Hall Organ. The first concert organ in the country, it remains today one of the outstanding organs in America. The need for a large and centrally-located concert hall for Boston was discussed at the annual meeting of the Harvard Musical Association, founded in 1837 (Henry White Pickering (1811-1898), President) on January 31, 1851. A "Music Hall Committee", comprised of members Robert East Apthorp (1812-1882), George Derby (1819-1874), John Sullivan Dwight (1813-1893), Charles Callahan Perkins (1822-1886), and Dr. Jabez Baxter Upham (1820- 1902), was appointed to address the matter. The Boston Music Hall was built in 1852 by the Boston Music-Hall Association, founded in 1851 (Jabez Baxter Upham, President) and by the Harvard Musical Association, that contributed $100,000 towards its construction. It stood in the center of a block that sloped downward from Tremont Street to Washington Street; and was between Winter Street on the south and Bromfield Street on the north. Almost entirely surrounded by other buildings, only glimpses of the hall's massive granite block foundation and plain brick walls could be seen. There were two entrances to the Music Hall: the Bumstead Place entrance, (named after Thomas Bumstead (1740-1828) a Boston coachmaker), off Tremont Street (later Hamilton Place) opposite the Park Street Church; 1 and the Central Place or Winter Place (later Music Hall Place) entrance off Winter Street. -
Still on the Road: 1974 Tour of America with the Band
STILL ON THE ROAD 1974 TOUR OF AMERICA WITH THE BAND JANUARY 3 Chicago, Illinois Chicago Stadium 4 Chicago, Illinois Chicago Stadium 6 Philadelphia, Pennsylvania The Spectrum – Afternoon 6 Philadelphia, Pennsylvania The Spectrum – Evening 7 Philadelphia, Pennsylvania The Spectrum 9 Toronto, Ontario, Canada Maple Leaf Gardens 10 Toronto, Ontario, Canada Maple Leaf Gardens 11 Montreal, Quebec, Canada Forum de Montreal 12 Montreal, Quebec, Canada Forum de Montreal 14 Boston, Massachusetts Boston Gardens – Afternoon 14 Boston, Massachusetts Boston Gardens – Evening 15 Largo, Maryland Capital Centre 16 Largo, Maryland Capital Centre 17 Charlotte, North Carolina Coliseum 19 Hollywood, Florida Hollywood Sportatorium – Afternoon 19 Hollywood, Florida Hollywood Sportatorium – Evening 21 Atlanta, Georgia The Omni 22 Atlanta, Georgia The Omni 23 Memphis, Tennessee Mid-South Coliseum 25 Fort Worth, Texas Tarrant County Convention Center Arena 26 Houston, Texas Hofheinz Pavilion – Afternoon 26 Houston, Texas Hofheinz Pavilion – Evening 28 Nassau, New York Nassau County Coliseum 29 Nassau, New York Nassau County Coliseum 30 New York City, New York Madison Square Garden 31 New York City, New York Madison Square Garden – Afternoon 31 New York City, New York Madison Square Garden – Evening FEBRUARY 2 Ann Arbor, Michigan Crisler Arena, University Of Michigan 3 Bloomington, Indiana Assembly Hall, Indiana University 4 St. Louis, Missouri Missouri Arena – Afternoon 4 St. Louis, Missouri Missouri Arena – Evening 6 Denver, Colorado Coliseum – Afternoon 6 Denver, -
The Stranger's New Guide Through Boston And
Class THE STRANGER'S I imSW' ^'^™^^1 THROUGH J . BOST'ON \i AND VICINITY. I A Complete Hand-Book, Directing Visitors I WHERE to go, WHEN to go, and \ I HOW to go THKOUGU THE CITY AND SUBURBS. ! wm MAP m mmw§m. A. WILLIAMS & CO., ') 100 Washington Street. For sale in Cars, Hotels, Depots^ <Sc. J)^ Rand, Avery, & Frye, Printers, 3 Cornhill, Boston. WATCH AND CLOCK CO., Manufacturers of Church, Depot, Eailway, AND HOWAI^DAlso, ManufacturersWATOH.of the E. MO WARD A CO., AgetUn, Office, 114 Tremont Street, BOSTON. FAMILY READING FOR OLD AJ^D YOUNG. PUBLISHED BY LEE & SHEPAED, BOSTON. ELEGANT Some liife Series. By Mrs. Madeline Leslie. A new edition. Four vols. 12mo. Cloth. Per vol. Religious Gift Books. $1.50. 1. Cora and the Doctsr ; or. Rev- Illustrated Bible IBiosrra- elations of a Physician's Wife. phy; or, the Livesand Characters 2. The Courtesies of Wedded of the Principal Personages record- Life. ed in tlie Sacred Writings; with an . 3. The Household Angel in Dis- Introduction by Rev. Henry Ward Beecher ; embellished with up- wards of two hundred and fifty Engravinirs, from the pencil of Gustave Dore, the greatest of liv- ing designers, and other eminent New Juvenile Books. artists. An elegant royal octavo volume. Parlor edition, English BY OLIVER OPTIC. cloth, $4.00. Library ed., fine leath- er, marbled edges. *4.,5<l. French lils^tnins Express; or, The mor., full gilt sides and edges, $7. .50. Rival Academies. Sold only by subscription. Agents or. The Young Cap- wanted everywhere. On TimeJ Address the tain of the Ucayga Steamer. -
Download Liner Notes
Cover Art Levy Levy_LinerNts Altrntv8_559427.indd 1 7/28/04 5:24:05 PM A MESSAGE FROM THE MILKEN ARCHIVE FOUNDER Dispersed over the centuries to all corners of the earth, the Jewish people absorbed elements of its host cultures while, miraculously, maintaining its own. As many Jews reconnected in America, escaping persecution and seeking to take part in a visionary democratic society, their experiences found voice in their music. The sacred and secu- lar body of work that has developed over the three centuries since Jews first arrived on these shores provides a powerful means of expressing the multilayered saga of American Jewry. My personal interest in music and deep abiding commitment to synagogue life and the Jewish people united as I developed an increasing appreciation for the quality and tremendous diversity of music written for or inspired by the American Jewish experience. Through discussions with contemporary Jewish composers and performers during the 1980s, I realized that while much of this music had become a vital force in American and world culture, even more music of specifically Jewish content had been created, perhaps performed, and then lost to current and future generations. Believing that there was a unique opportunity to rediscover, preserve, and transmit the collective memory contained within this music, the Milken Archive of American Jewish Music was founded in 1990. This project would unite the Jewish people’s eternal love of music with their commitment to education, a commitment shared by the Milken Family Foundation since our founding in 1982. The passionate collaboration of many distinguished artists, ensembles, and recording producers has created a vast repository of musical resources to educate, entertain, and inspire people of all faiths and cultures. -
Boston Symphony Orchestra Concert Programs, Season 80, 1960-1961
E I G H T I E T H S EASON i960 - 1961 BAYARD TUCKERMAN, JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE We blueprint the basic structure for the insurance of our clients and build their protection on a sound foundation. Only by a complete survey of needs, followed by intelligent counsel, can a proper insur- ance program be constructed. Without obligation on your part, we would be happy to act as your insurance architects. Please call us at any time. CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. When You Think of Insurance . Think of us! 141 Milk Street Boston 6, Massachusetts HU bbard 2-6200 EIGHTIETH SEASON, 1960-1961 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1960, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Theodore P. Ferris John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Sidney R. Rabb C. D. Jackson Charles H. Stockton E. Morton Jennings, Jr. John L. Thorndike Henry A. Laughlin Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen Lewis Perry N. Penrose Hallowell Edward A. Taft Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 15 [643] mm . Boston's Pops are known throughout the world as a yardstick for excellence .