Protest. Culture. Politics. Action Forms Against Authoritarian Structures In
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Forum 8.Indb
No 8 FORUM FOR ANTHROPOLOGY AND CULTURE 250 Mikhail Alekseevsky Who Are All Those People (the Ones with Placards)? The mass protests against the rigged elections to the State Duma, which took place in many cities across Russia in December 2011 were a surprise for the authorities and for ordinary citizens alike. For many years political street protests were not broadly popular in Russia; the last opposition protests that drew tens of thou- sands of participants happened at the turn of the 1990s, i.e. before the fall of the Soviet Union. It was not only the particularly high number of participants in the street protests that was unex- pected, but also the behaviour of the public at the different events. One of the distinguishing features of the December protests was the home made placards carried by participants. These were sometimes ironic, caustic or absurd, but at all times quite unlike typical forms of po- litical campaigning. It has been repeatedly noted both in journalistic articles and comments made by the government and participants themselves that the majority of protesters are not activists affiliated to any politi- cal movement, but rather people who have previ- ously avoided protests of this kind and who are not especially interested in politics. Unexpect- edly, a new and powerful force has emerged onto the political arena, about which little is known. It is evident that the majority of protesters oppose the current government, but that is not to say that Mikhail Alekseevsky they therefore belong to the parties or move- State Republic Centre ments that have been organising the protests. -
New Europe College Black Sea Link Program Yearbook 2010-2011, 2011-2012
New Europe College Black Sea Link Program Yearbook 2010-2011, 2011-2012 DIANA DUMITRU IBRAHIM IBRAHIMOV NATALYA LAZAR OCTAVIAN MILEVSCHI ORLIN SABEV (ORHAN SALIH) VSEVOLOD SAMOKHVALOV STANISLAV SECRIERU OCTAVIAN ŢÎCU LIA TSULADZE TAMARA ZLOBINA Editor: Irina Vainovski-Mihai Copyright – New Europe College ISSN 1584-0298 New Europe College Str. Plantelor 21 023971 Bucharest Romania www.nec.ro; e-mail: [email protected] Tel. (+4) 021.307.99.10, Fax (+4) 021. 327.07.74 TAMARA ZLOBINA Born in 1982, in Ukraine “Kandydat nauk” (Ph.D. equivalent) in Philosophy, National Institute for Strategic Studies, Kyiv (2010) Dissertation: The role of cultural space in the development of the Ukrainian political nation Independent scholar, curator and art critic Research grants and curatorial residencies in Ukraine, Moldova, Belarus Participation in conferences and research seminars in Ukraine, Lithuania, Estonia, Poland, Hungary, Belgium, Georgia Articles and studies on contemporary art, gender studies, production of space, and nationalism in Ukraine, Moldova, Belarus THE VISA DENIAL CASE: CONTEMPORARY ART IN BELARUS, MOLDOVA, AND UKRAINE BETWEEN POLITICAL EMANCIPATION AND INTERNALIZATION OF COLONIAL GAZE Introduction The position of the contemporary art from Central and Eastern Europe in the global art world can be metaphorically described through the art work of Sándor Pinczehelyi called “Almost 30 Years 1973‑2002” (Hungary).1 The first part of it was produced in 1973. It represents the self portrait of a young man holding the hammer and the sickle in front of his face. His two hands are strictly crossed in front of his chest and his face is framed by the symbols of communist ideology. -
Brott Och Straff I Ryssland: Fallet Magnitskij AV WILLIAM BROWDER INLEDNING AV MATS JOHANSSON
BRIEFING NR: 2 ISBN 91-7566-878-9 · Februari 2012 BRIEFING: Brott och straff i Ryssland: Fallet Magnitskij AV WILLIAM BROWDER INLEDNING AV MATS JOHANSSON INLEDNING: korruption, bland annat inom den presidentvalet den 4 mars. Vilket Sergej Magnitskij var en av Ryss- statliga energijätten Gazprom. 2006 väcker frågan om på vilka villkor lands ledande affärsjurister fram till sin svartlistades Browder av den ryska re- utländska företag kan göra affärer i död 2009, 37 år gammal. Då mörda- geringen, klassad som ett hot mot den Ryssland. Det avslöjar hur brott och des han under en sjukhusvistelse på nationella säkerheten, och utvisades. straff hanteras i en rövarstat som allt grund av sitt försvar för lag och rätt Nu står han medåtalad i processen tydligare visar sitt förakt för spelregler i processen mot funktionärer som mot den döde Magnitskij. i mellanstatliga och internationella stulit företag tillhöriga det utländska Bifogad dokumentation utgör under- relationer. investmentbolaget Hermitage. Ingen laget för den hearing som hölls i den Utomlands har fallet väckt starka uppsatt ansvarig har ännu straffats. amerikanska senatens utrikesutskotts reaktioner och ingår numera i under- Tvärtom har den ryska staten nyligen underkommitté för Europa den 14 visningen vid Harvard. Det är dags att vidtagit den ovanliga åtgärden att åtala december 2011 under rubriken ”The även Sverige reagerar och agerar. Så Magnitskij efter hans död. State of Human Rights and The Rule skedde nyligen när den svenska reger- Den ryska mörkläggningen ska inte of Law in Russia”. ingen tillsammans med den brittiska ske i tysthet. Fallet behandlas nu i den Innehållet tecknar bilden av en stat tog upp fallet i Europarådets minis- amerikanska senaten på initiativ av som saknar grundläggande skydd för terkommitté med krav på en effektiv den demokratiske senatorn Ben Car- individen. -
1 Protest Public As a Social Actor
Protest Public as a Social Actor: from mosaic of "issue-based groups" to the unity of "the other world possible" Abstract This paper is an attempt to address a methodological problem of defining the origin, the structure and social foundations of massive and lasting peaceful street protests, that had appeared spontaneously and almost simultaneously at the beginning of new millennia in the countries with very different level of public wealth and socio-political structure - from US and UK to Turkey, Brazil and Bulgaria, lately involving similar protest events in Russia and Ukraine. Been driven by different reasons, addressing different targets, those mass street actions have a lot of common features, that allow to consider them as one phenomena, which we define as a new type of social engagement, distinguished both from civil society organizations and social movements. This type of engagement is characterized by formation and activities of protesting publics, which can have deep and lasting impact on both society and policy process, including various fields of social policy, by transforming the public sphere through changing dominating public discourses. Such activities are largely based on common demand of ethical nature, that can bring together many diverse social groups and mini-publics, focused on issue-based protests. Paper is exploring theoretical foundations of perceiving self-organized publics as collective social actors with their unique features and capacities. It also seeks to develop a conceptual frame for protest events analysis as manifestations of protest publics, which allows to identify the type of specific public assembled for each event , its “qualities of actorness” and its transformative potential. -
Magazin Treffen Junger Autoren 2017
Berliner Festspiele 32. Treffen junger Autoren 16. bis 20. November 2017 Inhaltsverzeichnis 3 Vorwort 74 Campus Ein Fenster in eine neue 76 Praxis Welt entdecken – 83 Dialog von Christina Schulz 85 Fokus 86 Spezial 4 Bühne 6 Lynn Sophie Guldin 90 Blog 8 Veronika Artibilova 10 Fanny Haimerl 92 Forum 12 Marlena Wessollek 95 Praxis 14 Amelie Schmid 95 Dialog 16 Rosa Engelhardt 18 Paloma Solazzo 96 Jury 20 Stefan Gruber 99 Anthologie 22 Pauline van Gemmern 100 Kuratorium 24 Kerstin Uebele 101 Statistik 26 Sandro Huber 102 Bundeswettbewerbe 28 Josefin Fischer 103 Impressum 1 30 Ansgar Riedißer 104 Kalendarium 32 Lea Wahode 34 Farukh Sauerwein 36 Miedya Mahmod 38 Rebecca Heims 40 Laura Herman 42 Moritz Schlenstedt 44 Jelin Katz 48 Essay 51 Letters from Literature – von Priya Basil 56 Wer bin ich, wenn ich schreibe? – von Thomas Freyer, Olivia Wenzel, Max Wallenhorst, Kristo Šagor, Kirsten Fuchs und Reihaneh Youzbashi Dizaji 62 Verhandlungen über das Unverhandelbare? – Die Gerichtszeichnungen von Marina Naprushkina 2 Treffen junger Autoren junger Treffen Ein Fenster in eine neue Welt entdecken In ihrer Eröffnungsrede für das 13. internationale literaturfestival berlin sagte Taiye Selasi über Literatur: „Jedes Mal, wenn wir ein Buch in die Hand nehmen, löschen wir unsere persönlichen Grenzen aus. Wir überschreiten die Markierun- gen unseres Selbst und betreten das unbekannte Territorium des Anderen. Nach den ersten Augenblicken der Desorientiertheit merken wir, dass wir zu Hause sind.“ Es ist eine sehr eindrückliche Beschreibung für das, was in beson- deren Momenten des Lesens geschehen kann, und wonach man sich beim Lesen vielleicht sehnt – einen unbekannten Weg einzuschlagen, ein Fenster in eine neue Welt zu entdecken oder sich auf eine unverhoffte Begebenheit einzu- lassen. -
Moabit Mountain College Keine Zeit Für Kunst 11.09. – 31.10.2020 Eine
Keine Zeit für Kunst 11.09. – 31.10.2020 Eine Ausstellung mit Arbeiten von / An exhibition with works by Marina Naprushkina & Moabit Mountain College Pressemappe / Press Kit Inhalt Allgemeine Presseinformationen / General Press Information Ein Gespräch zwischen / A conversation between Marina Naprushkina & Nataša Ilić Biografien/ biographies Marina Naprushkina & Moabit Mountain College Galerie Wedding Raum für zeitgenössische Kunst Bezirksamt Mitte von Berlin Amt für Weiterbildung und Kultur Fachbereich Kunst, Kultur und Geschichte Pressekontakt Malte Pieper T (030) 9018 42385 [email protected] Müllerstraße 146 – 147 13353 Berlin www.galeriewedding.de www.facebook.com/galeriewedding www.instagram.com/galeriewedding Allgemeine Presseinformationen Berlin, 10.09.2020 Keine Zeit für Kunst 11.09. bis 31.10.2020 Eine Ausstellung von Marina Naprushkina & Moabit Mountain College kuratiert von Nataša Ilić Im Rahmen von Sos (Soft Solidarity), konzipiert von Nataša Ilić und Solvej Helweg Ovesen Erö#nung am 10.09.2020 von 19 – 22 Uhr mit Moabit Mountain College Küche: Mazen Alsawaf Musik: Marsa Band Keine Zeit für Kunst ist keine gewöhnliche Ausstellung, sondern vielmehr ein künstlerisches Statement der Künstlerin Marina Naprushkina und des Moabit Mountain College (MMC), das über die Arbeitsbedingungen in der Kunstwelt und darüber hinaus reflektiert. Die Ausstellungserö!nung findet am 10. September 2020 von 19 bis 22 Uhr in der Galerie Wedding – Raum für zeitgenössische Kunst statt. Für Naprushkina und das Moabit Mountain College, das auf der langjährigen Arbeit der Berliner Initiative Neue Nachbarschaft/Moabit aufbaut, bildet die Kunst eine Grundlage für alle anderen Disziplinen. Neue Nachbarschaft/Moabit ist ein Geflüchteten- und Nachbarschaftsprojekt, das zu einer der größten Initiativen dieser Art in Berlin herangewachsen ist und eine starke Gemeinschaft von Geflüchteten, Menschen mit Migrationsgeschichte und Nachbar*innen aufgebaut hat. -
RAM PUB SPRNG-15 FINAL.Indd
publications + distribution spring 2015 spring 2015 Architecture 5 Art + Culture 8 Design + Graphics 29 Photography 34 Theory + Literary Arts 40 Previously Announced 50 RAM ORDeR + TRADe InfORMATIOn 52 rampub.com Art Architecture + Culture Highlights XXII CEMEX BUILDING AWARD Produced now for over 20 years, this comprehensively illustrated volume documents the winners of the 2015 renowned building award sponsored by international concrete, cement and aggregates giant CeMeX, based in Mexico. Chosen by a prestigious jury of 17 international and domestic architects, engineers and designers, the prize-winners span 13 categories, from single-family and multi-unit residential (both conventional and low-income) to commercial and mixed-use, accessibility, social impact, urbanism, infrastructure, innovation in techniques and construction processes and sustainability. Also awarded is a Lifetime Achievement Award, this year given to Spanish architect Carlos ferrater i Lambarri. The book is an indispensible reference on current architecture and building technologies for libraries, architects, designers and engineers. A stunning publication filled with full-color plates and informative essays. January 2015, english & Spanish ARQUIe n , MeXICO Hardcover, 9 x 11 ¼ inches CeMeX, MeXICO 284 pp, extensive color ISBn: 978-607-7784-69-2 Retail price: $42.50 49 CITIES WORKac (ed.) The much-in-demand 49 Cities, first published by Storefront for Art & Architecture, the internationally recognized nYC center for alternative thinking in art and architecture, is now available in its third edition. This fascinating compilation of “fantastic projections” by architects and planners dreaming of better and different cities ranges from 500 B.C. to the present. With every plan, radical visions were proposed, embodying not only desires but also fears and anxieties of the time. -
A Companion to Andrei Platonov's the Foundation
A Companion to Andrei Platonov’s The Foundation Pit Studies in Russian and Slavic Literatures, Cultures and History Series Editor: Lazar Fleishman A Companion to Andrei Platonov’s The Foundation Pit Thomas Seifrid University of Southern California Boston 2009 Copyright © 2009 Academic Studies Press All rights reserved ISBN 978-1-934843-57-4 Book design by Ivan Grave Published by Academic Studies Press in 2009 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com iv Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com CONTENTS CHAPTER ONE Platonov’s Life . 1 CHAPTER TWO Intellectual Influences on Platonov . 33 CHAPTER THREE The Literary Context of The Foundation Pit . 59 CHAPTER FOUR The Political Context of The Foundation Pit . 81 CHAPTER FIVE The Foundation Pit Itself . -
Giving Form to the Impatience of Liberty October 5, 2013 – January 12, 2014
Giving Form to the Impatience of Liberty October 5, 2013 – January 12, 2014 Press conference: Friday, October 4, 2013, 11 a.m. Pedro G. Romero, Los Trabajadores, 2012 Manuela Beck, Banu Cennetoğlu / Yasemin Özcan, Ştefan Constantinescu, Alice Creischer / Christian von Borries / Andreas Siekmann, Kiri Dalena, Barbara Ehnes, Heinz Frank, Grupo Baja Mar, Dmitry Gutov / David Riff, Kiluanji Kia Henda, Francis Hunger, Sven Johne, Hassan Khan, Jakob Kolding, Pil and Galia Kollectiv, Dóra Maurer, Klaus Mettig / Katharina Sieverding, Marina Naprushkina, Boris Ondreička, Pedro G. Romero, Allan Sekula, Klaus Staeck, Wolfgang Stehle, Marion Von Osten, Jeronimo Voss Württembergischer Kunstverein · Schlossplatz 2 (Besuchereingang: Stauffenbergstrasse / Glastrakt) · 70173 Stuttgart 1 Fon: +49 (0)711 - 22 33 70 · Fax: +49 (0)711 - 29 36 17 · [email protected] · www.wkv-stuttgart.de Introduction I do not know whether … the critical task still entails faith in Enlightenment; I continue to think that this task requires work on our limits, that is, a patient labor giving form to our impatience for liberty. Michel Foucault, “What is Enlightenment?” In introducing the exhibition Giving Form to the Impatience of Liberty, the Württembergischer Kunstverein in Stuttgart is once again circling around the complex relations and conflictual situations between art and politics, art and life, art and society. The exhibition’s point of origin rests in the younger forms and discourses of a (re)politicization of the arts, which are meant to be probed in terms of their heterogeneity and antagonisms. These are artistic practices which subject the aesthetic utopias of modernism that were said to have floundered to both a critical reading and a reevaluation, and which— reaching beyond a naïve euphoria or worldly-wise distance—renegotiate the political, societal, and critical potentialities of art. -
Programm Internationale Tagung the Active Part Of
»The Active Part of Art« How can contemporary art strengthen culture in democracies and how can bk public prepositions be created? International Conference • April 26–27 2018 At present, we see that authoritarian national developments are taking place in various European countries, which also affect the freedom of art, so in Hungary, Serbia, Poland and also outside Europe – e. g. in Turkey. Similarly, socio-political developments are also taking place in Germany, which also give cause for concern in view of our history, or require artistic action or artistic positioning. Having just discussed whether art production is still possible in view of the dev- astating global warlike confl icts, it becomes apparent that politically connoted art took up more space at this year‘s major exhibitions, such as Documenta 14 or the Venice Biennale. A tried and tested, but above all necessary means of achiev- ing this is to create publicity: be it on the curatorial or artistic level, in order to draw attention to social and socio-political conditions of different kinds and to create transparency. The existence of these public spaces guarantees the preser- vation of democratic structures, which include freedom of expression and freedom of art. Together with national and international artists, curators and philosophers we will discuss following questions: To what extent can contemporary art affect and strengthen democratic structures? Does art have the power to infl uence and move societies? How can we bring these questions into the mediation and make it pro- ductive for a wider audience and enable more cultural participation? Following experts we invited from Germany, Hungary, Serbia and Turkey: Dr. -
DOWNLOAD in PDF-Format
FREEDOM OF ASSEMBLY IN POST-SOVIET ST ATES REPORT Belarus • Moldova • Russia • Ukraine 2016-2017 2017 Content: Freedom of Assembly in Post-Soviet states. Report on Belarus, Moldova, Russia, and Ukraine – 2016-2017. By ed. Eugene Krapyvin, Serhii Bahlai – Kyiv, Expert group “Police under control”, 2017. – 56 p. Preface....................................................................................................................................4 Belarus (Dzmitry Charnych) Authors: I. Summary.................................................................................................................................................8 Dzmitry Charnych (Belarus) – coordinator of legal programs, Belarusian Helsinki II. Full Report.............................................................................................................................................8 Committee, Human Rights Center «Viasna» 2.1. Legal Framework.........................................................................................................................8 2.2. Demonstrative cases of recent years: review.........................................................................10 Alexandru Postika (Moldova) – lawyer, head of monitoring on democratic processes 2.3. New Trends.................................................................................................................................15 program, Promo-LEX Association III. Recommendations...........................................................................................................................16 -
Download Pavilion
PAVILION journal for politics and culture #16 TACTICS FOR THE HERE AND NOW ISSN 1841-7337 PAVILION #16 TACTICS FOR THE HERE AND NOW READER OF BUCHAREST BIENNALE 5 | MAy 25 - JULy 22, 2012 www.pavilionjournal.org | www.bucharestbiennale.org | www.pavilioncenter.ro Editors: Răzvan Ion & Eugen Rădescu Advisory Board: Felix Vogel, Peter Osborne, Sina Najafi, Suzana Milevska Contributors: Anne Barlow, Eugen Rădescu, Stephen Duncombe, Răzvan Ion, Suzana Milevska, Sotirios Bahtsetzis, Tom Holert, Olive McKeon, Simon Sheikh, Ștefan Voicu, Marius Stan Translations: Radu Pavel Gheo Web & Software Design: Alexandru Enăchioaie DTP & Prepress: Andrei Grigore BUCHAREST BIENNALE 5 Curator: Anne Barlow Participants: Abbas Akhavan (IR/CA), Marina Albu (RO), Haris Epaminonda (CY/DE), Klas Eriksson (SE), Ruth Ewan (UK), Aurélien Froment (FR/IE), Ciprian Homorodean (RO/BE), Iman Issa (EG/USA), Janice Kerbel (CA/UK), Jill Magid (USA), David Maljković (HR), Marina Naprushkina (BY/DE), Ahmet Öğüt (TR/NL), Vesna Pavlović (RS), Anahita Razmi (DE), Wael Shawky (EG/FR), Alexandre Singh (FR/USA), Mounira Al Solh (LB/NL) & Bassam Ramlawi (LB), Rinus Van de Velde (BE) Directors: Răzvan Ion & Eugen Rădescu Executive Director: Andrei Crăciun Assistant Executive Director: Andrei Grigore Education & Communication Manager: Florentina Buburuzan Web & Software Design: Alexandru Enăchioaie Design of the BB logo: Håkan Gustafson DTP & Prepress: Andrei Grigore Interns: Daniela Pălimariu, Andreea Pătru Volunteers: Roxana Aron, Monica Beatrice Bercovici, Ioana Tincuța Bratu, Maria Buda, Mădălina Buhoș, Anca Andreea Chitoran, Daniel Comendant, Mihaela Conciu, Alexandra Dănciulescu, Fadi Drăghici, Alexandra Enache, Gabriela Ghircoiaș, Andreea Maier, Anamaria Mișcu, Ioana Rozalia Moldovan, Demir Nurla, Daniela Pălimariu, Oana Anca Porime, Laura Prodan, Oana Irina Rusu, Ioana Șomănescu, Ioana Trușcă, Liana Andreea Voinea PAVILION is the producer of BUCHAREST BIENNALE www.bucharestbiennale.org Published by: Artphoto Asc.