Licy Be Back with Hope 15 School Scoop the Music Video Was Filmed Approximately 2,500 Loved Ones

Total Page:16

File Type:pdf, Size:1020Kb

Licy Be Back with Hope 15 School Scoop the Music Video Was Filmed Approximately 2,500 Loved Ones theadvocate.tv SEPTEMBER 2014 “Casting vision successfully requires both emotional and In Conversation Jeng Juan speaks about logical transference.” her work with people experiencing poverty JOHN MAXWELL PAGE 13>> in the Philippines. PAGE 12>> 5 Myanmar musos Myanmar music troupe, inspires Perth Karen community >> 7 Children for sex Cambodian communities accustomed to ‘virginity selling’ for quick cash >> Photo: joshfernandesPhoto: photography Amanda McCleary, Licy Be and Kenyon Bowyer use their music talents to address depression issues in our society. Licy Be back with hope 15 School Scoop The music video was filmed approximately 2,500 loved ones. Emmanual Christian at Edith Cowan University This is a significant number Community School writes Perth spoken word artist Licy Be has collaborated campus in Mount Lawley, Western when compared to the yearly for The Advocate >> with her friends and fellow musicians Kenyon Australia. It depicts a university average of 130,000 total deaths Bowyer, Amanda McCleary and Deb Bennett to write scene where an everyday girl per year in Australia. (acted by Licy Be) eventually Nearly all suicides are and record a new song, ‘Step up the Love’, in time for finds the courage, in a simple preventable. This World Suicide World Suicide Prevention Day on 10 September. yet realistic way, to reach out to Prevention Day, SPA is asking Committed to a guy who experiences bullying, people to take the time to learn A video clip of the song will be on conversation between Licy Be family struggles and other issues about suicide and think about how being honest, GodTube and YouTube by early and Kenyon. He expresses the associated with depression (acted to get connected, help someone transparent September. lyrics from the perspective of by Kenyon) and who is on the connect to the support services A brief version of Licy Be and someone who is struggling in verge of taking his life. they need and influence your and above Kenyon Bowyer’s testimony will life with depression and potential “We are aiming to raise connections to get involved in be shared in the first 40 seconds suicide. Licy Be raps in response awareness about the need for suicide prevention initiatives. reproach. of the music video to provide the to Kenyon from the perspective ‘everyday people’ to reach out BAPTIST CHURCHES audience with context to the song. of someone who is observing his and help those that may be As a teenager Licy Be struggled struggles, yet does not know how struggling with depression or WESTERN AUSTRALIA with depression and thoughts of to reach out. suicide,” Licy Be said. For help right now: suicide. Kenyon was bullied and “The take home message The version uploaded to struggled with depression. The behind the song and main theme GodTube and YouTube will direct • Beyondblue duo are regular attendees of C3 is ‘Stand up and give someone a people to several services that 1300 22 4636 Church Beachway. hand up’,” Licy Be said. can help, including Beyondblue, Having both struggled “This message is about Lifeline and TheHopeLine. • Lifeline with depression, Licy Be and calling others to action and Suicide Prevention Australia 13 11 14 Kenyon decided to take their empowering everyday people to (SPA) reports that each year negative experiences and write reach out to their friends, family 65,000 Australians attempt • TheHopeLine a positive song to help reach out and those around them who to take their own lives. Of www.thehopeline.com to others. The song unfolds as a might be in need.” these attempts, Australia loses 2 my view SEPTEMBER 2014 Check your pace Ever feel like your soul needs to catch up with your nor advisable. But this I know, the elderly, sitting with the body? Years ago, social commentators declared that the Holy Spirit’s voice will not suffering, gently ministering to technology would free up our time and our lives. compete with our noise. The the afflicted. richness of His Word in my life If we want to see Him, to is found in seasons of soaking ‘fix our eyes on Jesus’ [Hebrews We could work from home – no The issue, of course, is – not moments of shock. Our 12:2], it will take some strategic more commuting. We could be not the hand-sized piece of greatest creativity and peace changes for some of us. In some connected to the world almost metal and glass that I stuff in emerge not by accident, but from instances those changes will anywhere with greater efficiency! my pocket or the tablet that connection with our Lord and relate to technology. In other We would no longer ‘waste goes everywhere with me. If Saviour Jesus Christ. cases, it is a matter of time time’ on tedious and repetitious I put them away, they have Beholding Christ in the management. In every instance, tasks. They anticipated a world no capacity to pursue me. shadows is not something that it will require us to slow down; of greater flexibility, improved But here’s the question I’m we can do as we roar down the not just so that our souls can Mark Wilson productivity, shorter work weeks, grappling with: Can I slow down road on our way somewhere else. rejoin our bodies, but so that our Mark Wilson is the Director of and more free time. my pace sufficiently to once It requires that we slow to a crawl hearts can rejoin Christ. Check Ministries for Baptist Churches They were absolutely wrong! again hear God? and peer intently. God does not your pace. Western Australia. Instead, we live at higher speed, Higher speeds require stand on a street corner to wave with more immediate demands longer slows. If we’re travelling flamboyantly as we zip past. upon us, and with raised at 150 kilometres per hour, an Instead, we find Him quietly expectations. abrupt stop is not possible, among the homeless, alongside On a daughter’s marriage ... By the time you read this, my daughter Amy is to buy her yet another of the My earn less, now that we’re used to likely to be within spitting distance of her Little Pony range. And although buying at will?” wedding day. my efforts to play Barbie dolls I was surprised at how were at best half-hearted, did quickly and decisively I they really end 20 something answered: “You will never regret My responsibility is to walk her is marrying a Vose graduate, so years ago? making time for your children. down the aisle and conduct the he would be family even if he Whilst pondering, a recent But you will regret it if you don’t.” ceremony. I am not sure how I wasn’t. But the most insightful conversation replayed in my In Psalm 90:12 the psalmist will do that without becoming cliché is the oft repeated, ‘I really head. He was speaking intently. prays, ‘Teach us to number our a tad tearful, but I’m reviewing don’t know where the years have The decision was major. Was days, that we may gain a heart of several strategies which won’t gone.’ I really don’t ... it time to change jobs and take wisdom.’ A prayer for 3,000 years necessarily be successful. So Wasn’t it yesterday that I on something less stressful, ago – a prayer for today. be it. marvelled at her one tooth smile? something that would leave time Dr Brian Harris I’m amazed at how many I would hide behind my hands for the kids? I asked him their Dr Brian Harris is the clichés turn out to be true. and suddenly reappear. I have no ages. He paused a while – too Principal of Vose Seminary Yes, weddings are ridiculously idea why that was funny, but it long really – and then got it. “Two and pastor at large for the expensive. And yes, we caused her to chortle endlessly. and four. Promotion came so Carey Movement. anticipate not losing a daughter Surely it wasn’t further back than quickly,” he said. “I didn’t realise but gaining a son. After all, she last week that she persuaded me it had a price tag. But how can I Boyhood I’ve just seen the film Boyhood, a film that charts the this day would come but I was paint to make his room into a guest development of a boy from the age of six through to totally blindsided by it. room. Stop! eighteen. I tried to pull myself together. Seeking solace, I turned to This is all good and as it should one of the great leaving home be. He’s a man now. Let him stories – the Prodigal Son. At first This coming of age movie was son was finally leaving home it go. Millions of people are going I wasn’t sure if the parallel applied. shot over a period of 12 years, was a bit too close for comfort for through the same and have been I’m not expecting my son to fall using the same actors. We literally most of us watching. throughout time. Be grateful for the into a dissolute despond and see the cast aging before our eyes. I recently saw my own son years you’ve had. But none of it was end up eating pig swill, nor am I And in just a few hours the main (just three days before his 18th working. By the time I got home I expecting him to return home in character, Mason, develops from a birthday) off on his travels. was a wreck. His empty bedroom disgrace. But that wasn’t the point.
Recommended publications
  • Song, State, Sawa Music and Political Radio Between the US and Syria
    Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music.
    [Show full text]
  • Alien Love- Passing, Race, and the Ethics of the Neighbor in Postwar
    UNIVERSITY OF CALIFORNIA Los Angeles Alien Love: Passing, Race, and the Ethics of the Neighbor in Postwar African American Novels, 1945-1956 A dissertation submitted in partial satisfaction of the Requirements for the degree Doctor of Philosophy In English By Hannah Wonkyung Nahm 2021 © Copyright by Hannah Wonkyung Nahm 2021 ABSTRACT OF THE DISSERTATION Alien Love: Passing, Race, and the Ethics of the Neighbor in Postwar African American Novels, 1945-1956 by Hannah Wonkyung Nahm Doctor of Philosophy in English University of California, Los Angeles, 2021 Professor King-Kok Cheung, Co-Chair Professor Richard Yarborough, Co-Chair This dissertation examines Black-authored novels featuring White (or White-passing) protagonists in the post-World War II decade (1945-1956). Published during the fraught postwar political climate of agitation for integration and the continual systematic racism, many novels by Black authors addressed the urgent topic of interracial relationality, probing the tabooed question of whether Black and White can abide in love and kinship. One of the prominent—and controversial—literary strategies sundry Black novelists used in this decade was casting seemingly raceless or ambiguously-raced characters. Collectively, these novels generated a mixture of critical approval and dismissal in their time and up until recently, marginalized from the African American literary tradition. Even more critically overlooked than the ostensibly raceless project was the strategic mobilization of the trope of passing by some midcentury Black ii writers to imagine the racial divide and possible reconciliation. This dissertation intersects passing with postwar Black fiction that features either racially-anomalous or biracial central characters. Examining three novels from this historical period as my case studies, I argue that one of the ways in which Black writers of this decade have imagined the possibility of interracial love—with all its political pitfalls and ethical imperatives —is through the trope of passing.
    [Show full text]
  • The Torrents of Spring by Ivan Turgenev
    THE TORRENTS OF SPRING BY IVAN TURGENEV THE TORRENTS OF SPRING 'Years of gladness, Days of joy, Like the torrents of spring They hurried away.' —From an Old Ballad. … At two o'clock in the night he had gone back to his study. He had dismissed the servant after the candles were lighted, and throwing himself into a low chair by the hearth, he hid his face in both hands. Never had he felt such weariness of body and of spirit. He had passed the whole evening in the company of charming ladies and cultivated men; some of the ladies were beautiful, almost all the men were distinguished by intellect or talent; he himself had talked with great success, even with brilliance … and, for all that, never yet had the taedium vitae of which the Romans talked of old, the 'disgust for life,' taken hold of him with such irresistible, such suffocating force. Had he been a little younger, he would have cried with misery, weariness, and exasperation: a biting, burning bitterness, like the bitter of wormwood, filled his whole soul. A sort of clinging repugnance, a weight of loathing closed in upon him on all sides like a dark night of autumn; and he did not know how to get free from this darkness, this bitterness. Sleep it was useless to reckon upon; he knew he should not sleep. He fell to thinking … slowly, listlessly, wrathfully. He thought of the vanity, the uselessness, the vulgar falsity of all things human. All the stages of man's life passed in order before his mental gaze (he had himself lately reached his fifty-second year), and not one found grace in his eyes.
    [Show full text]
  • Richard of St Victor, Beatrice of Nazareth, Hadewijch, and Angela of Foligno
    Violent Lovesickness: Richard of St Victor, Beatrice of Nazareth, Hadewijch, and Angela of Foligno The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:37925649 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Violent Lovesickness: Richard of St Victor, Beatrice of Nazareth, Hadewijch, and Angela of Foligno A dissertation presented By Travis A. Stevens To The Faculty of Harvard Divinity School in partial fulfillment of the requirements for the degree of Doctor of Theology In the Subject of History of Christianity Harvard University Cambridge, Massachusetts May 2017 © 2017 Travis A. Stevens All rights reserved. Dissertation Advisor: Professor Amy Hollywood Travis A. Stevens Violent Lovesickness: Richard of St Victor, Beatrice of Nazareth, Hadewijch, and Angela of Foligno Abstract This dissertation examines four medieval Christian texts that describe the love between the soul and Christ in violent terms and demonstrates how images of violence, such as wounding, striking, and beating, illustrate the reciprocal suffering of the Christian who is lovesick for Christ and of Christ, lovesick for the soul. These texts challenge the normative account of suffering in Christian theology as always rooted in sin and uncover an underappreciated historical moment when Christian thinkers conceptualize suffering as intrinsic to loving God. Through my readings of Richard of St Victor (d.
    [Show full text]
  • Park Washington 0250E 13782.Pdf (1.065Mb)
    At Liberty and In Love Sooenn Park A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Christine Di Stefano, Chair Jason Mayerfeld Jack Turner III Program Authorized to Offer Degree: Political Science ©Copyright 2014 Sooenn Park University of Washington Abstract At Liberty and In Love Sooenn Park Chair of the Supervisory Committee: Associate Professor Christine Di Stefano Department of Political Science In this dissertation, I present three essays that study the significance of erōs in Plato’s political philosophy and explore its practical implication for the principle of democratic liberty. The love the word erōs refers to in Greek, compared to philia and agapē, has a distinctively physical and intensely visceral dimension: it evokes the irrational and embodied relational impulses of the human condition. When Plato in the Republic, Phaedrus, and Symposium situates the most rational and most liberating human endeavor, philosophy, within the condition of erōs, therefore, he presents us an account of human endeavor for happiness (eudaimonia) always-already embedded in the condition of plurality, embodied mortality, irreducible irrationality, and relation to supra-human reality. I argue that there emerges in Plato’s account of philosophy-cum-erōs what we could call an erotic human ontology, which at once legitimizes democratic liberty as a constitutional principle and equips us with requisite ethical resources for democratic processes, cultivating moral humility and respect for differences and individuality. Table of Contents Introduction 1 Chapter 1 Socrates’ Palinode to Eros, Plato’s Palinode to Liberty 13 Chapter 2 Love and the Mystery of the Other 47 Chapter 3 A Socratic Human Image 78 Conclusion 111 Works Cited 117 iv Acknowledgments My thanks go to the Supervisory Committee of my dissertation, Christine Di Stefano, Jason Mayerfeld, and Jack Turner III.
    [Show full text]
  • Standing for Love Years
    Years Standing for Love Years Standing for Love Years Standing for......... Our Promise We promise to keep your best interests at heart, and we will try to do so by listening to, understanding and caring for you and your family’s unique needs, exceeding your greatest expectations by providing simple transparent solutions, oriented around you and your family’s life goals. Our Mission To maximize client satisfaction through exceptional client care and world class financial advice and expertise. Solidity, ethics, credibility and openness are hallmarks of JMMB as experts in all aspects of our operations. To be a dynamic, international, multifaceted financial group that has a caring, loving and fun environment where team members are productive, creative, happy and fulfilled. Standing for......... families. YEARS Table of Content Memories - Company Highlights 01 Country Highlights 125 Corporate Profile 03 Corporate Governance Report 131 Corporate Structure 05 Risk Report 140 Corporate Information 07 Going Green Report 146 Group Chairman and Group CEO Report 13 Marketing Report 147 Notice of Annual General Meeting 17 Information Technology Report 148 Ten - Year Statistical Review 19 Report of the Directors 149 A Legacy of Love - Tribute to Noel Lyon 21 Board of Directors 25 Financial Reports 150 Profiles of Directors 27 Top 10 Shareholders 30 Independent Auditors’ Report to the Members 151 Shareholdings of Directors 31 Consolidated profit and loss account 158 Shareholdings of Leadership Team 32 Consolidated statement of profit and loss Regional
    [Show full text]
  • Deutsche Nationalbibliografie
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2012 T 07 Stand: 18. Juli 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1613-8945 urn:nbn:de:101-ReiheT07_2012-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]
  • Sound Recording and Popular Music
    SOUNDS AND IMAGES 4 Sound Recording and Popular Music Taylor Swift has become such a music-industry 115 The Development of phenomenon that the only artist in the world able Sound Recording to compete with her isn’t even human: It’s Elsa, 122 the cartoon ice princess from Disney’s Frozen, who U.S. Popular Music and sang the smash hit “Let It Go.” Even with Elsa on the Formation of Rock her heels, Swift still had the No. 1 album in the 129 United States in 2014, with her 3.66-million-selling A Changing Industry: Reformations in 1989 edging out the 3.57 million copies sold of the Popular Music Frozen soundtrack. No other artist was even close; 136 the next-biggest release was Sam Smith’s smash The Business of Sound Recording release In the Lonely Hour, which reached album sales of 1.2 million in 2014.1 144 Sound Recording, Since her debut release of Taylor Swift in 2006, at Free Expression, and Democracy the age of sixteen, Swift has become one of the best-selling singer-songwriters—not only of the past decade but of all time, transitioning from a country-based artist to a top pop-chart star. Her songs often tell personal stories and have gained a stronger feminist perspective over time, exempli- fied in such hits as “Love Story,” “You Belong with Me,” “Fifteen,” “We Are Never Ever Getting Back Together,” “I Knew You Were Trouble,” “Shake It Off,” “Blank Space,” and “Bad Blood.” Jun Sato/Getty Images for TS CHAPTER 4 • SOUND RECORDING AND POPULAR MUSIC 113 4 SOUND RECORDING AND POPULAR MUSIC Swift’s career has blossomed in the midst biggest among many artists dissatisfied of a changing music industry, and she has with the company’s low compensation for been a pioneer in terms of maintaining music creators.
    [Show full text]
  • A Fantasy Theme Analysis of Music Videos That Break the Genre Convention
    Abilene Christian University Digital Commons @ ACU Electronic Theses and Dissertations Electronic Theses and Dissertations Spring 5-2018 Think Outside the Music Video: A Fantasy Theme Analysis of Music Videos that Break the Genre Convention Kimberly Danielle Martinez [email protected] Follow this and additional works at: https://digitalcommons.acu.edu/etd Recommended Citation Martinez, Kimberly Danielle, "Think Outside the Music Video: A Fantasy Theme Analysis of Music Videos that Break the Genre Convention" (2018). Digital Commons @ ACU, Electronic Theses and Dissertations. Paper 102. This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at Digital Commons @ ACU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ ACU. ABSTRACT Typically, music videos fulfill an entertainment purpose, but this Master’s thesis is dedicated to a rhetorical analysis of two music videos that fulfill a greater purpose. I studied two music videos that break the music video genre mold because each one is centered on two societal issues that would be distressing to discuss in other contexts. The first artifact I studied is Eminem’s music video for “Stan,” which highlights the issue of idolization and fandom. The research question that guided this analysis is: How can a rhetor utilize music videos to illustrate the consequences of idolization and fandom? The second artifact I studied is Lindsay Lohan’s music video for “Confessions of a Broken Heart (Daughter to Father),” which highlights the issue of domestic abuse. The research question that guided my analysis is: How can a rhetor utilize music videos to illustrate the complexity of domestic abuse? Both artists used their personal experiences with the accompanying issue to craft their unique music video.
    [Show full text]
  • Late Winter 2019 at Seattle Theatre Group
    NOVEMBER–DECEMBER 2019 The Bellevue Collection Shop. Sip & Celebrate at The Collection. Make your holidays memorable. Enjoy the magic of the nightly Snowfl ake Lane parade with falling snow and festive music. Shop over 200 stores, explore an expansive Dining District and delight in extended holiday shopping hours with free parking—All in One Place. bellevuecollection.com THE BELLEVUE COLLECTION BELLEVUE SQUARE • BELLEVUE PLACE • LINCOLN SQUARE Located between NE 4th and NE 8th on Bellevue Way. 425-454-8096 Untitled-8 1 11/5/19 12:04 PM November/December 2019 | Volume 16, No. 2 WELCOMEFrom Seattle Theatre Group, a non-profit arts organization Welcome! As we continue our 2019/2020 Performing Arts Season, we close out a memorable year with a lineup of performances featuring musicians and dancers of the highest caliber, as well as entertaining productions that are fun for the entire family! First up is Love Heals All Wounds, which we present for one night only at Cornish Playhouse at Seattle Center, featuring the intricate and urban choreography of Jon Boogz and Lil Buck, the stirring message of spoken word artist Robin Sanders, and an all-star cast of movement artists. Focusing on the issues of climate change, mass incarceration, and immigration, this piece addresses the wave of questioning and criticism that has cast a wide shadow over real, everyday obstacles that have plagued our communities for decades. On November 21, we honor one of the most influential jazz labels of all time with the Blue Note Records 80th Birthday Celebration. Featuring performances by vocalist/pianist Kandace Springs, James Carter Organ PAUL HEPPNER President Trio, and pianist James Francies and his trio, this evening will offer a MIKE HATHAWAY Senior Vice President spectacular celebration of the iconic label, as well as jazz music today.
    [Show full text]
  • And the Bands Are Friday Saturday
    Iowa State Daily, February 2013 Iowa State Daily, 2013 2-4-2013 Iowa State Daily (02-04-2013) Iowa State Daily Follow this and additional works at: http://lib.dr.iastate.edu/iowastatedaily_2013-02 Recommended Citation Iowa State Daily, "Iowa State Daily (02-04-2013)" (2013). Iowa State Daily, February 2013. 3. http://lib.dr.iastate.edu/iowastatedaily_2013-02/3 This Book is brought to you for free and open access by the Iowa State Daily, 2013 at Iowa State University Digital Repository. It has been accepted for inclusion in Iowa State Daily, February 2013 by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Front1 1 MONDAY, FEB. 4, 2013 NEWS SPORTS ISU alumni Cyclones kickstart make up new way for missed 3s, to keep beat Baylor plants alive OPINION STYLE Boy Scouts catch up Layer up with modern times to combat cold in style 2013 EISHEA AND THE BANDS ARE FRIDAY SATURDAY EASTON CORBIN B.o.B. Genre: Country Genre: Hip hop Since releasing his first single, “A Little More Country Than That,” in Six-time Grammy- nominated rapper B.o.B. will be headliner for 2009, Easton Corbin has been growing in the country genre. His Saturday’s lineup. His lead single from his sophomore album, first, self-titled album was released in 2010 and sold 43,000 copies While the Veishea “Strange Clouds,” topped the iTunes digital sales in September 2011. in one week, making the highest-recorded number on the label in celebration goes The album also featured hit singles “So Good” and “Hard to Breathe.” seven years.
    [Show full text]
  • Krka November
    Redox D.A.S. Artist List for period: 01.11.2017 - 30.11.2017 JESSICA ALLMAN BROTHERS BOBBY BROWN ZAPPA, FRANK FIRE POINTER SISTERS THE ONE AND ONLY HAWKES, CHESNEY NI MI ZAL DERENDA, NUSA SWEET CHILD O MINE CROW, SHERYL ANGEL EYES WET WET WET BIL SEM MLAD SIFRER, ANDREJ MORE THAN I CAN SAY SAYER, LEO LOVE STORY TAYLOR SWIFT DO NEBA SLATINSEK, MAJA HERO IGLESIAS, ENRIQUE ETERNAL FLAME ATOMIC KITTEN PESEM ZA DINAR PEPEL IN KRI SAVE THE BEST FOR LAST WILLIAMS, VANESSA STOP THAT TRAIN CLINT EASTWOOD TVOJE JUTRO KRESLIN, VLADO LIE TO ME ANDRA DISAPPEAR INXS I CAN T STOP LOVING YOU CHARLES, RAY I LAY MY LOVE ON YOU WESTLIFE SAY YOU SAY ME RICHIE, LIONEL PANDORINA SKRINJICA AVIA BAND BORN THIS WAY LADY GAGA LET S STICK TOGETHER FERRY, BRYAN SANDY TRAVOLTA, JOHN MR REPLAY ACE OF BASE SUNSHINE DAY OSIBISA ZA PRIJATELJE SPIK, MANCA LOVE SONG RIGHT SAID FRED SEASONS IN THE SUN WESTLIFE BYE BYE LOVE EVERLY BROTHERS IF THIS ISN T LOVE JENNIFER HUDSON I WANT YOU TO WANT ME YOAKAM, DWIGHT TIH DEZEVEN DAN 1X BAND MARIA BLONDIE DON T STOP THE MUSIC RICHIE, LIONEL KO BOS PRISLA NA BLED CVETEZAR, JELKA FEEL WILLIAMS, ROBBIE PAPA CHICO BONEY M KOT OCEAN BABILON WHOLE AGAIN ATOMIC KITTEN GREATEST DAY TAKE THAT STOP IN THE NAME OF LOVE SUPREMES FUCKIN PERFECT PINK COOLER THAN ME POSNER MIKE NASMEH IN MIRNA KRI PUSLAR, NINA SING ED SHEERAN I M EVERY WOMAN CHAKA KHAN TWIST AND SHOUT BEATLES I CAN DREAM ABOUT YOU HARTMAN, DAN KUNG FU FIGHTING CEE LO FT JACK BLACK ZBOGOM POP DESIGN FOREVER AND EVER ( 94) ENGELBERT HUMPERDINCK KISS JONES, TOM AND ART OF NOISE CHA
    [Show full text]