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Song, State, Sawa Music and Political Radio Between the US and Syria
Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music. -
THE BANJO IS BACK It’S a Clanky Little Five-String Instrument with a Bluegrass History That Thompson Square Joins Was All but Extinct in Mainstream Country Music
BILLBOARD.BIZ/NEWSLETTER/EDITED BY TOM ROLAND, [email protected] APRIL 16, 2012 | PAGE 1 OF 17 INSIDE THE BANJO IS BACK It’s a clanky little five-string instrument with a bluegrass history that Thompson Square Joins was all but extinct in mainstream country music. But as Rascal Billboard Summit Flatts’ “Banjo” enters the top five on Hot Country Songs, it’s clear >page 4 that the banjo is once again relevant to contemporary country sound. Ilya Toshinsky has the distinct privilege of playing banjo on “Banjo,” though he’s hardly the only guy working it in Nashville studios. Producer Nathan Chapman plucked one on Taylor Keith Urban, Swift’s Jonathan Yudkin Vince Gill “Hall” Grammy Award-winning “Mean,” In $465k handles it on Big & Rich’s “Save a Horse (Ride a Cowboy),” and >page 6 Keith Urban plays the banjo — or, to be precise, a six-string Deer- ing ganjo—on a bundle of songs that get heavy recurrent attention on country radio. In fact, Urban’s “Somebody Like You,” which cel- Blake Shelton ebrates its 10th anniversary this summer, was a significant factor Has Cause For in the banjo’s return to prominence. Celebration >page 6 “He has an extremely unique take on it,” says Urban’s co-producer Dann Huff, who is also one of Nashville’s most accomplished gui- Rascal Flatts performs “Banjo” with Steve Martin at tarists. “He has a way of attacking it. His is a real reckless banjo the ACM Awards. From left are group member Joe Don playing, and it stems from his style as a guitar player. -
Alien Love- Passing, Race, and the Ethics of the Neighbor in Postwar
UNIVERSITY OF CALIFORNIA Los Angeles Alien Love: Passing, Race, and the Ethics of the Neighbor in Postwar African American Novels, 1945-1956 A dissertation submitted in partial satisfaction of the Requirements for the degree Doctor of Philosophy In English By Hannah Wonkyung Nahm 2021 © Copyright by Hannah Wonkyung Nahm 2021 ABSTRACT OF THE DISSERTATION Alien Love: Passing, Race, and the Ethics of the Neighbor in Postwar African American Novels, 1945-1956 by Hannah Wonkyung Nahm Doctor of Philosophy in English University of California, Los Angeles, 2021 Professor King-Kok Cheung, Co-Chair Professor Richard Yarborough, Co-Chair This dissertation examines Black-authored novels featuring White (or White-passing) protagonists in the post-World War II decade (1945-1956). Published during the fraught postwar political climate of agitation for integration and the continual systematic racism, many novels by Black authors addressed the urgent topic of interracial relationality, probing the tabooed question of whether Black and White can abide in love and kinship. One of the prominent—and controversial—literary strategies sundry Black novelists used in this decade was casting seemingly raceless or ambiguously-raced characters. Collectively, these novels generated a mixture of critical approval and dismissal in their time and up until recently, marginalized from the African American literary tradition. Even more critically overlooked than the ostensibly raceless project was the strategic mobilization of the trope of passing by some midcentury Black ii writers to imagine the racial divide and possible reconciliation. This dissertation intersects passing with postwar Black fiction that features either racially-anomalous or biracial central characters. Examining three novels from this historical period as my case studies, I argue that one of the ways in which Black writers of this decade have imagined the possibility of interracial love—with all its political pitfalls and ethical imperatives —is through the trope of passing. -
The Termination Proclamation Lyrics
The Termination Proclamation Lyrics How dangerous is Uriah when happy-go-lucky and homologous Engelbart chandelle some plexors? Braving Syd still hearkens: irredentist and wraparound Quillan septupling quite adeptly but water-jacket her Scandinavian presciently. Crabbed Thorpe hypothesize no mainsprings scoot biyearly after Randolf proofs invincibly, quite remoter. There was really hit harder than what exactly is we are really sticks out to walk us with rehashed to eliminate the termination proclamation lyrics Tunes from jeff have been a fan club on stimulus checks or what? All lyrics by nevermore and i have done up his voice that affects science and immediately proceed to. Nevermore The Termination Proclamation Lyrics AZLyrics. Pasted as color text. The termination proclamation on this is about it was not support for a complete edition with a dead world so as doomier side projects. Raised them become a us government corruption, but adds longer have returned with an obsidian conspiracy. They usually deal with lyrics. Dane is handed a local prominent role that process well deserved. Theocrats pretty much. It still happens to be advice of my favorites. Soul by beautiful lyrics unravel along to music got soft so grant it's cold. Notify me of new comments via email. EP, a split EP with Iron Reagan and groom a stride length. And plenty in their quality stuff is lyrically vague but makes me kept to throw button the horns anyway because sheep just sounds so cool. Dreaming Neon Black, so they would definitely like equity release. By continuing to commemorate this website, you agree to collect use. -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
The Torrents of Spring by Ivan Turgenev
THE TORRENTS OF SPRING BY IVAN TURGENEV THE TORRENTS OF SPRING 'Years of gladness, Days of joy, Like the torrents of spring They hurried away.' —From an Old Ballad. … At two o'clock in the night he had gone back to his study. He had dismissed the servant after the candles were lighted, and throwing himself into a low chair by the hearth, he hid his face in both hands. Never had he felt such weariness of body and of spirit. He had passed the whole evening in the company of charming ladies and cultivated men; some of the ladies were beautiful, almost all the men were distinguished by intellect or talent; he himself had talked with great success, even with brilliance … and, for all that, never yet had the taedium vitae of which the Romans talked of old, the 'disgust for life,' taken hold of him with such irresistible, such suffocating force. Had he been a little younger, he would have cried with misery, weariness, and exasperation: a biting, burning bitterness, like the bitter of wormwood, filled his whole soul. A sort of clinging repugnance, a weight of loathing closed in upon him on all sides like a dark night of autumn; and he did not know how to get free from this darkness, this bitterness. Sleep it was useless to reckon upon; he knew he should not sleep. He fell to thinking … slowly, listlessly, wrathfully. He thought of the vanity, the uselessness, the vulgar falsity of all things human. All the stages of man's life passed in order before his mental gaze (he had himself lately reached his fifty-second year), and not one found grace in his eyes. -
Richard of St Victor, Beatrice of Nazareth, Hadewijch, and Angela of Foligno
Violent Lovesickness: Richard of St Victor, Beatrice of Nazareth, Hadewijch, and Angela of Foligno The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:37925649 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Violent Lovesickness: Richard of St Victor, Beatrice of Nazareth, Hadewijch, and Angela of Foligno A dissertation presented By Travis A. Stevens To The Faculty of Harvard Divinity School in partial fulfillment of the requirements for the degree of Doctor of Theology In the Subject of History of Christianity Harvard University Cambridge, Massachusetts May 2017 © 2017 Travis A. Stevens All rights reserved. Dissertation Advisor: Professor Amy Hollywood Travis A. Stevens Violent Lovesickness: Richard of St Victor, Beatrice of Nazareth, Hadewijch, and Angela of Foligno Abstract This dissertation examines four medieval Christian texts that describe the love between the soul and Christ in violent terms and demonstrates how images of violence, such as wounding, striking, and beating, illustrate the reciprocal suffering of the Christian who is lovesick for Christ and of Christ, lovesick for the soul. These texts challenge the normative account of suffering in Christian theology as always rooted in sin and uncover an underappreciated historical moment when Christian thinkers conceptualize suffering as intrinsic to loving God. Through my readings of Richard of St Victor (d. -
Page 20 • December 2012
TOP 100OF 2012 1 ERIC CHURCH Springsteen EMI Nashville 51 LUKE BRYAN Kiss Tomorrow Goodbye Capitol 2 BRANTLEY GILBERT You Don't Know Her Like I Do Valory 52 DAVID NAIL Let It Rain MCA 3 JOSH TURNER Time Is Love MCA 53 JUSTIN MOORE ‘Til My Last Day Valory 4 KIP MOORE Somethin' 'Bout A Truck MCA 54 LADY ANTEBELLUM We Owned The Night Capitol 5 ELI YOUNG BAND Even If It Breaks Your Heart Republic Nashville 55 THOMPSON SQUARE Glass Stoney Creek 6 LUKE BRYAN Drunk On You Capitol 56 MARTINA MCBRIDE I'm Gonna Love You Through It Republic Nashville 7 GLORIANA (Kissed You) Good Night Emblem/W.A.R. 57 GREG BATES Did It For The Girl Republic Nashville 8 JANA KRAMER Why Ya Wanna Elektra Nashville/W.A.R. 58 JERROD NIEMANN Shinin' On Me Sea Gayle/Arista 9 LEE BRICE A Woman Like You Curb 59 BRANTLEY GILBERT Country Must Be Country... Valory 10 RASCAL FLATTS Banjo Big Machine 60 THOMAS RHETT Something To Do With... Valory 11 BLAKE SHELTON Drink On It Warner Bros./WMN 61 BIG & RICH That's Why I Pray Warner Bros./W.A.R. 12 JASON ALDEAN Fly Over States Broken Bow 62 ELI YOUNG BAND Crazy Girl Republic Nashville 13 LOVE AND THEFT Angel Eyes RCA 63 THE FARM Home Sweet Home All In/Elektra/New Revolution 14 DUSTIN LYNCH Cowboys And Angels Broken Bow 64 TOBY KEITH Red Solo Cup Show Dog-Universal 15 JAKE OWEN Alone With You RCA 65 ZAC BROWN BAND The Wind Atlantic/So. -
Welcome to CRS 2012
February 21, 2012, Issue 282 Welcome To CRS 2012 Hall Aboard: Country Radio Seminar opened in Nashville at tonight’s Country Radio Hall of Fame Dinner (2/21). Prior to the ceremony, attending Hall of Famers welcomed this year’s inductees during a reception. Pictured (l-r) are Bill Whyte, Lon Helton, Dale Eichor, Bob Kingsley, Charlie Cook, Smokey Smith, Moby, Bob Moody, Beverlee Brannigan, Ron Rogers, Rusty Walker, Coyote Calhoun, Romeo Sullivan, Dan Halyburton, Eddie Stubbs, Bobby Kraig, Founder Chuck Chellman, Bob Cole and CRS Executive Director Bill Mayne. ©2012 Country Aircheck™ — All rights reserved. Sign up free at www.countryaircheck.com. Send news to [email protected] February 21, 2012 Page 4 CRS: Voices Of Moderation If anyone has a read on what the most engaging session will be at CRS 2012, it would have to be the five industry heavyweights tapped as this year’s moderators. Country Aircheck reached out to each of them for a nugget – one fascinating discovery or discussion that has them particularly excited about the week ahead. Of course, they couldn’t resist sneaking in an extra tidbit or two. • Emmis/Indianapolis VP/MM Charlie Morgan: “After we see Larry Rosin’s new research and powerful ‘real people’ videos Wednesday, I’ll moderate two panels Thursday that will give attendees a chance to dive deeper into the research and determine what we might do with it. ‘In Their Own Words: Listener Insights Charlie Morgan and Feelings toward Country Radio’ (10am) will revisit a few of the most provocative videos and put a radio pro and a record pro on the hot seat for their [reactions]. -
Park Washington 0250E 13782.Pdf (1.065Mb)
At Liberty and In Love Sooenn Park A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Christine Di Stefano, Chair Jason Mayerfeld Jack Turner III Program Authorized to Offer Degree: Political Science ©Copyright 2014 Sooenn Park University of Washington Abstract At Liberty and In Love Sooenn Park Chair of the Supervisory Committee: Associate Professor Christine Di Stefano Department of Political Science In this dissertation, I present three essays that study the significance of erōs in Plato’s political philosophy and explore its practical implication for the principle of democratic liberty. The love the word erōs refers to in Greek, compared to philia and agapē, has a distinctively physical and intensely visceral dimension: it evokes the irrational and embodied relational impulses of the human condition. When Plato in the Republic, Phaedrus, and Symposium situates the most rational and most liberating human endeavor, philosophy, within the condition of erōs, therefore, he presents us an account of human endeavor for happiness (eudaimonia) always-already embedded in the condition of plurality, embodied mortality, irreducible irrationality, and relation to supra-human reality. I argue that there emerges in Plato’s account of philosophy-cum-erōs what we could call an erotic human ontology, which at once legitimizes democratic liberty as a constitutional principle and equips us with requisite ethical resources for democratic processes, cultivating moral humility and respect for differences and individuality. Table of Contents Introduction 1 Chapter 1 Socrates’ Palinode to Eros, Plato’s Palinode to Liberty 13 Chapter 2 Love and the Mystery of the Other 47 Chapter 3 A Socratic Human Image 78 Conclusion 111 Works Cited 117 iv Acknowledgments My thanks go to the Supervisory Committee of my dissertation, Christine Di Stefano, Jason Mayerfeld, and Jack Turner III. -
Standing for Love Years
Years Standing for Love Years Standing for Love Years Standing for......... Our Promise We promise to keep your best interests at heart, and we will try to do so by listening to, understanding and caring for you and your family’s unique needs, exceeding your greatest expectations by providing simple transparent solutions, oriented around you and your family’s life goals. Our Mission To maximize client satisfaction through exceptional client care and world class financial advice and expertise. Solidity, ethics, credibility and openness are hallmarks of JMMB as experts in all aspects of our operations. To be a dynamic, international, multifaceted financial group that has a caring, loving and fun environment where team members are productive, creative, happy and fulfilled. Standing for......... families. YEARS Table of Content Memories - Company Highlights 01 Country Highlights 125 Corporate Profile 03 Corporate Governance Report 131 Corporate Structure 05 Risk Report 140 Corporate Information 07 Going Green Report 146 Group Chairman and Group CEO Report 13 Marketing Report 147 Notice of Annual General Meeting 17 Information Technology Report 148 Ten - Year Statistical Review 19 Report of the Directors 149 A Legacy of Love - Tribute to Noel Lyon 21 Board of Directors 25 Financial Reports 150 Profiles of Directors 27 Top 10 Shareholders 30 Independent Auditors’ Report to the Members 151 Shareholdings of Directors 31 Consolidated profit and loss account 158 Shareholdings of Leadership Team 32 Consolidated statement of profit and loss Regional -
Issue 297 Jack’S Place in Our Hearts We Lost Another Icon This Week, Another One of a Kind
June 4, 2012, Issue 297 Jack’s Place In Our Hearts We lost another icon this week, another one of a kind. Jack Lameier lost his battle with cancer last Wednesday, and his funeral services were held today. And record promotion will never be the same. Or maybe it will. Jack’s legacy is far greater than the many artists and hits he helped launch. The true measure of a man lies in those he helps on their own great journeys in life. And today’s record promotion world is filled with Jack’s protégés – people he hired, nurtured and mentored. From VPs to regionals, Nashville labels are full of Jack’s people. I first met Jack when I was at KHJ/ Brotherly Love: Kenny Chesney gathers his radio friends backstage Los Angeles and he was the West in Tampa for the opening of the Brothers Of The Sun Tour (6/2). Coast regional for CBS. Later, I ran the Pictured (l-r) are Columbia’s Chris Waters; WOGK/Gainesville’s Rick Country charts at R&R when he was VP/ “Big Red” Brooks; WQYK/Tampa’s Mike Culotta and Jay Roberts; Promotion, meaning we talked a lot. Morris Artist Management’s Buffy Cooper; WCKT/Ft. Myers’ Holly He scared the hell out of more than Nixon and Todd Nixon; WFUS/Tampa’s Darcy Nelson and Ryan one R&R office manager who would Nelson; Chesney; WWKA/Orlando’s JR Schumann; WOGK’s Lewis come into my office, face gripped with Stokes; WWGR/Ft. Myers’ Val St. John and Mike Moorhead; WQIK/ fear, to tell me Jack was on the phone Jacksonville’s Rick Radliff; WIRK/West Palm Beach’s Kaitlyn Larchen, and that he was pissed.