Artistry in the Ancient Novel
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Ephesiaca a Paraliterary Love-Story from the Ancient World ANCIENT NARRATIVE
Xenophon’s Ephesiaca A Paraliterary Love-Story from the Ancient World ANCIENT NARRATIVE Supplementum 22 Editorial Board Gareth Schmeling, University of Florida, Gainesville Stephen Harrison, Corpus Christi College, Oxford Heinz Hofmann, Universität Tübingen Massimo Fusillo, Università degli Studi dell’Aquila Ruurd Nauta, University of Groningen Stelios Panayotakis, University of Crete Costas Panayotakis (review editor), University of Glasgow Advisory Board Jean Alvares, Montclair State University Alain Billault, Université Paris Sorbonne – Paris IV Ewen Bowie, Corpus Christi College, Oxford Jan Bremmer, University of Groningen Koen De Temmerman, University of Ghent Stavros Frangoulidis, Aristotelian University of Thessaloniki Ronald Hock, University of Southern California, Los Angeles Irene de Jong, University of Amsterdam Silvia Montiglio, Johns Hopkins University John Morgan, University of Wales, Swansea Michael Paschalis, University of Crete Judith Perkins, Saint Joseph College, West Hartford Tim Whitmarsh, University of Cambridge Alfons Wouters, University of Leuven Maaike Zimmerman, University of Groningen Website www.ancientnarrative.com Subscriptions and ordering Barkhuis Kooiweg 38 9761 GL Eelde the Netherlands [email protected] www.barkhuis.nl Xenophon’s Ephesiaca A Paraliterary Love-Story from the Ancient World by Aldo Tagliabue BARKHUIS & GRONINGEN UNIVERSITY LIBRARY GRONINGEN 2017 Book design: Barkhuis Cover design: Nynke Tiekstra, Coltsfootmedia, Rotterdam Image on cover: “Incontro tra Anzia e Abrocome alle feste di Diana”, Jacopo Amigoni (attributed), ca. 1743 ISBN 9789492444127 Copyright © 2017 the author All rights reserved. No part of this publication or the information contained herein may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, elec- tronical, mechanical, by photocopying, recording or otherwise, without prior written per- mission from the author. -
Problems of Mimetic Characterization in Dostoevsky and Tolstoy
Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy By Chloe Susan Liebmann Kitzinger A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Irina Paperno, Chair Professor Eric Naiman Professor Dorothy J. Hale Spring 2016 Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy © 2016 By Chloe Susan Liebmann Kitzinger Abstract Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy by Chloe Susan Liebmann Kitzinger Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Irina Paperno, Chair This dissertation focuses new critical attention on a problem central to the history and theory of the novel, but so far remarkably underexplored: the mimetic illusion that realist characters exist independently from the author’s control, and even from the constraints of form itself. How is this illusion of “life” produced? What conditions maintain it, and at what points does it start to falter? My study investigates the character-systems of three Russian realist novels with widely differing narrative structures — Tolstoy’s War and Peace (1865–1869), and Dostoevsky’s The Adolescent (1875) and The Brothers Karamazov (1879–1880) — that offer rich ground for exploring the sources and limits of mimetic illusion. I suggest, moreover, that Tolstoy and Dostoevsky themselves were preoccupied with this question. Their novels take shape around ambitious projects of characterization that carry them toward the edges of the realist tradition, where the novel begins to give way to other forms of art and thought. -
A Garden Utopia: the Phaeacians in Longus' Daphnis And
A Garden Utopia: The Phaeacians in Longus’ Daphnis and Chloe Longus’ Daphnis and Chloe is in many ways the most unique of the ancient Greek novels. Whereas all the other ‘Big Five’ feature extensive travel narratives, in which the protagonists undergo a series of separations and misadventures across the Mediterranean, Longus’ story is entirely confined to the pastoral hinterland of a single city on Lesbos, Mytilene. Furthermore, Daphnis and Chloe replaces the theme of the journey with an intense societal reflection on the relationship between nature (φύσις) and civilization (τέχνη, literally ‘art’), the shortcomings of one separated from the other, and the necessity of a proper harmony between the two in establishing a peaceful social order (Winkler 1990; Morgan 1994; Peters 2017). Overall, this thematic shift from the journey to nature brings about an obvious consequence: while the other ‘Big Five’ novels are in different ways prose versions of the Odyssey, which mirror Odysseus’ journey and reunification with his wife Penelope (Zanetto 2014), Daphnis and Chloe is believed to lack significant and recurrent Homeric references (Bowie, forthcoming). In this paper, I challenge this scholarly view by arguing that Daphnis and Chloe exploits the Phaeacian episode in Books 6-8 of the Odyssey, and that it does so precisely to give foundation to the aforementioned reflection on the balance between nature and civilization. Throughout my analysis, I take some distance from the traditional model of intertextuality adopted by classicists and stress the importance of thematic connections alongside strictly verbal references. In the first part of my paper, I offer an overview of Longus’ philosophy of civilization, drawing on key passages such as the narrator’s prologue, the ekphraseis of Philetas’ and Dionysophanes’ gardens (2.3 and 4.2-3), and the wedding scene of Daphnis and Chloe (4.32-40). -
Pleasure and Instruction in the Prologue of Longus
SYMBOLAE PHILOLOGORUM POSNANIENSIUM GRAECAE ET LATINAE XIX• 2009 pp. 95-114. ISBN 978-83-232-2153-1. ISSN 0302-7384 ADAM MICKIEWICZUNIVERSITYPRESS, POZNAŃ BRUCE DUNCAN MACQUEEN Department of Comparative Literature, University of Silesia pl. Sejmu Śląskiego 1, 40-032 Katowice Poland PLEASURE AND INSTRUCTION IN THE PROLOGUE OF LONGUS’ DAPHNIS AND CHLOE ABSTRACT . Bruce Duncan MacQueen, Pleasure and instruction in the Prologue of Longus’ “Daphnis and Chloe”. The present study attempts to demonstrate that the ancient Greek novel Daphnis and Chloe system- atically explores the problem expressed by Horace in the phrase docere et delectare, and that this purpose is announced in the Prologue. The functions of prologues as such are briefly reviewed. After a consideration of the prologues of the remaining ancient Greek novels, the Prologue of Longus’s Daphnis and Chloe is analyzed line by line. Longus uses the Prologue, then, to establish a series of dialectical tensions that operate throughout the novel, allowing it to delight and instruct at the same time. Key words: ancient Greek novel, Eros, paradox, paideia, hunting. INTRODUCTION A paradox often repeated, like a metaphor, eventually loses the shock value that makes it useful as a figure of speech. To use the terminology of cognitive psychology, it comes to be “overlearned,” repeated without reflec- tion at particular moments when the requisite prompt occurs. Its very fa- miliarity makes it fade into the background, where it ceases to draw atten- tion to itself. We have been told since childhood, for example, to “turn the other cheek,” so we repeat the phrase automatically and almost entirely ignore it in practice, since it no longer demands our attention. -
Xetex Output 2007.09.06:0922
i ``variants5'' --- 2007/9/6 --- 9:22 --- page 129 --- #127 i i i The Copyist as Novelist Multiple Versions in the Ancient Greek Novel M. Sanz Morales No book is ever published without some variant in each copy. Scribes take a secret oath to omit, interpolate, vary. Jorge Luis Borges, The Babylon Lottery 1. Purpose The present essay has two objectives: on the one hand, to show the ex- istence of multiple versions in the textual transmission of several of the Greek novels that have come down to us; on the other, to investigate the causes for such multiplicity. This shall require that this case of multiple versions be placed in relationship with other similar cases of works which do not pertain to the genre of the novel, but yet are related to it, which in turn will lead to certain consequences in the field of literary studies.1 2. Greek novels and their multiple versions The genre of the Greek novel developed in the first centuries of our era, a period in which the Greek-speaking world was a part of the Roman Em- pire. The only five novels which have survived in their entirety all belong to this period, as well as the quite numerous papyrus fragments of other novels which have been lost. The peak of the genre seems to have been somewhere around the second or third century A. D., judging from the probable date of many of these novels.2 As for their literary form, the 1 This article is a part of a research project (HUM2005-03090) financed by the Ministerio de Educación y Ciencia of Spain and FEDER. -
Sex and Status in Daphnis and Chloe
Sex and Status in Daphnis and Chloe In Daphnis and Chloe the title characters spend most of the novel attempting to figure out how to have sex and failing. Even when their elders encourage sex and try to explain it, they cannot understand. What prevents them is their inherent aristocratic nature, which binds them to the conventions of chastity followed by the protagonists of all Greek ideal novels. All ideal novels star chaste and aristocratic lovers; it is Daphnis and Chloe’s unique combination of the ideal novel with another genre, pastoral poetry, that makes the connection between chastity and social class clear. The rustic, lower class characters in this novel are derived from pastoral, which is filled with eroticism and reproduction, and they take a free approach to sexuality, largely unconcerned with social strictures around it. The aristocratic characters come from the Greek ideal novel, in which chastity and marriage are highly prized, and they maintain these priorities. Daphnis and Chloe’s inability to break these conventions of chastity show that they are inherently aristocratic. Daphnis and Chloe is frequently analyzed in terms of gender differences, especially concerning sexual behavior, most famously in Winkler 1990 but also Morgan 2004 and Alvarez 2014. However, the characters are also divided by class and genre. The two genres that Longus is combining are preoccupied with different classes. Pastoral is populated by simple rustics living an idealized life herding animals in the countryside, but with shepherding comes low social class. Their lives are happy, but these characters are herders and subsistence farmers, a circumstance to which Longus brings attention by having Daphnis raised as a slave. -
International Journal of Computer Science & Information Security
IJCSIS Vol. 13 No. 5, May 2015 ISSN 1947-5500 International Journal of Computer Science & Information Security © IJCSIS PUBLICATION 2015 Pennsylvania, USA JCSI I S ISSN (online): 1947-5500 Please consider to contribute to and/or forward to the appropriate groups the following opportunity to submit and publish original scientific results. CALL FOR PAPERS International Journal of Computer Science and Information Security (IJCSIS) January-December 2015 Issues The topics suggested by this issue can be discussed in term of concepts, surveys, state of the art, research, standards, implementations, running experiments, applications, and industrial case studies. Authors are invited to submit complete unpublished papers, which are not under review in any other conference or journal in the following, but not limited to, topic areas. See authors guide for manuscript preparation and submission guidelines. Indexed by Google Scholar, DBLP, CiteSeerX, Directory for Open Access Journal (DOAJ), Bielefeld Academic Search Engine (BASE), SCIRUS, Scopus Database, Cornell University Library, ScientificCommons, ProQuest, EBSCO and more. Deadline: see web site Notification: see web site Revision: see web site Publication: see web site Context-aware systems Agent-based systems Networking technologies Mobility and multimedia systems Security in network, systems, and applications Systems performance Evolutionary computation Networking and telecommunications Industrial systems Software development and deployment Evolutionary computation Knowledge virtualization -
Introduction
Cambridge University Press 978-0-521-82391-3 - Narrative and Identity in the Ancient Greek Novel: Returning Romance Tim Whitmarsh Excerpt More information Introduction true romance Habrocomes, my child, I am not a settler or a native Sicilian but an elite Spartan, from one of the powerful families there, and very pros- perous. When I was a young man and enrolled among the ephebes, I fell in love with a citizen girl by the name of Thelxinoe, and Thelxinoe returned my love. We met at a time when an all-night festival was being held in the city, with a god’s guidance, and enjoyed the pleasure that our meeting had promised. For a while we used to meet in secret, and swore repeatedly to each other that our relationship would last till death. But one of the gods must have been spiteful. While I was still classed among the ephebes, Thelxinoe’s parents agreed to her marriage to a young man called Androcles, who had by this time also fallen in love with her. At first, the girl had to invent all sorts of excuses to put off the wedding, but in the end she was able to arrange a meeting with me, and she agreed to elope from Sparta with me by night. We both dressed up as young men, and I even cut Thelxinoe’s hair, on the very night before her wedding. Escaping from the city we came to Argos, then Corinth, where we boarded a ship and sailed for Sicily. When the Spartans learned of our escape, they condemned us to death. -
The Greek and the Roman Novel. Parallel Readings
Parallel Cults? Religion and Narrative in Apuleius’ Metamorphoses and Some Greek Novels STEPHEN HARRISON University of Oxford1 1 Introduction In this paper I want to compare the narrative function of the gods, their sanc- tuaries and oracles in the plot of Apuleius’ Metamorphoses with that of simi- lar elements in the plots of Greek novels, and to argue that Apuleius proba- bly knew most of the extant Greek novels and plays with their established literary uses of divine elements. This has additional relevance for the overall interpretation of the Metamorphoses, since it can be used to suggest that the religious element in Apuleius is more likely to have a literary, entertaining function rather than a serious, proselytising role.2 A recent investigation3 gives the following dates for the earlier Greek novels (all CE): Achilles Tatius before 164 Chariton 41–62 Xenophon 65–98 ————— 1 My thanks to the audience at Rethymnon for useful discussion, and to Michael Paschalis and Stavros Frangoulidis for organising a splendid conference. The text and translation of Apuleius are cited from Hanson 1989, the translations of Greek novels from those col- lected in Reardon 1989 (Reardon’s Chariton, Anderson’s Xenophon, Winkler’s Achilles, Gill’s Longus, and Sullivan’s Onos). 2 Here I add to the case made in Harrison 2000, 238–52 and 2000–1. 3 Bowie 2002. The Greek and the Roman Novel: Parallel Readings, 204–218 PARALLEL CULTS? 205 Of the other Greek extant novels, there is no doubt that either the Onos or the lost Greek Metamorphoses from which it derived -
Interpreting the Heroine of a Greek Romance Isabelle Raposo [email protected]
CORE Metadata, citation and similar papers at core.ac.uk Provided by Wellesley College Wellesley College Wellesley College Digital Scholarship and Archive Honors Thesis Collection 2019 Charicleia’s Dream: Interpreting the Heroine of a Greek Romance Isabelle Raposo [email protected] Follow this and additional works at: https://repository.wellesley.edu/thesiscollection Recommended Citation Raposo, Isabelle, "Charicleia’s Dream: Interpreting the Heroine of a Greek Romance" (2019). Honors Thesis Collection. 641. https://repository.wellesley.edu/thesiscollection/641 This Dissertation/Thesis is brought to you for free and open access by Wellesley College Digital Scholarship and Archive. It has been accepted for inclusion in Honors Thesis Collection by an authorized administrator of Wellesley College Digital Scholarship and Archive. For more information, please contact [email protected]. Charicleia’s Dream: Interpreting the Heroine of a Greek Romance Isabelle Kennedy Raposo Submitted in Partial Fulfillment of the Prerequisite for Honors in Classics April 2019 © Isabelle Raposo 2019 Introduction Dreams, Oracles, and Interpretation This thesis will analyze the ways in which Charicleia, the heroine of Heliodorus’ Aethiopica, is characterized, using an oracular dream as a guide to interpretation. About the Aethiopica The Aethiopica, or “An Ethiopian story,” is the only known work of Heliodorus of Emesa, composed about 350 A.D. Little is known about the life of Heliodorus apart from the information he provides at the end of the Aethiopica: -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Hoag, Gary G Title: The teachings on Riches in 1 Timothy in light of Ephesiaca by Xenophon of Ephesus General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. The Teachings on Riches in I Timothy in light of Ephesiaca by Xenophon of Ephesus Gary G. Hoag A dissertation submitted to the University of Bristol and Trinity College in accordance with the requirements for award of degree of Doctor of Philosophy in the Faculty of Arts. -
Silencing the Female Voice in Longus and Achilles Tatius
Silencing the female voice in Longus and Achilles Tatius Word Count: 12,904 Exam Number: B052116 Classical Studies MA (Hons) School of History, Classics and Archaeology University of Edinburgh B052116 Acknowledgments I am indebted to the brilliant Dr Calum Maciver, whose passion for these novels is continually inspiring. Thank you for your incredible supervision and patience. I’d also like to thank Dr Donncha O’Rourke for his advice and boundless encouragement. My warmest thanks to Sekheena and Emily for their assistance in proofreading this paper. To my fantastic circle of Classics girls, thank you for your companionship and humour. Thanks to my parents for their love and support. To Ben, for giving me strength and light. And finally, to the Edinburgh University Classics Department, for a truly rewarding four years. 1 B052116 Table of Contents Acknowledgments………………………………………………………………………….1 List of Abbreviations………………………………………………………………………3 Introduction ……………………………………………………………………………….4 Chapter 1: Through the Male Lens………………………………………………………6 The Aftertaste of Sophrosune……………………………………………………………….6 Male Viewers and Voyeuristic Fantasy.…………………………………………………....8 Narratorial Manipulation of Perspective………………………………………………….11 Chapter 2: The Mythic Hush…………………………………………………………….15 Echoing Violence in Longus……………………………………………………………….16 Making a myth out of Chloe………………………………………………………………..19 Leucippe and Europa: introducing the mythic parallel……………………………………21 Andromeda, Philomela and Procne: shifting perspectives………………………………...22 Chapter 3: Rupturing the