“True Morocco:” How Tourists Change Moroccan Economies, Infrastructure and Cultures
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Tuareg Music and Capitalist Reckonings in Niger a Dissertation Submitted
UNIVERSITY OF CALIFORNIA Los Angeles Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Eric James Schmidt 2018 © Copyright by Eric James Schmidt 2018 ABSTRACT OF THE DISSERTATION Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger by Eric James Schmidt Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Timothy D. Taylor, Chair This dissertation examines how Tuareg people in Niger use music to reckon with their increasing but incomplete entanglement in global neoliberal capitalism. I argue that a variety of social actors—Tuareg musicians, fans, festival organizers, and government officials, as well as music producers from Europe and North America—have come to regard Tuareg music as a resource by which to realize economic, political, and other social ambitions. Such treatment of culture-as-resource is intimately linked to the global expansion of neoliberal capitalism, which has led individual and collective subjects around the world to take on a more entrepreneurial nature by exploiting representations of their identities for a variety of ends. While Tuareg collective identity has strongly been tied to an economy of pastoralism and caravan trade, the contemporary moment demands a reimagining of what it means to be, and to survive as, Tuareg. Since the 1970s, cycles of drought, entrenched poverty, and periodic conflicts have pushed more and more Tuaregs to pursue wage labor in cities across northwestern Africa or to work as trans- ii Saharan smugglers; meanwhile, tourism expanded from the 1980s into one of the region’s biggest industries by drawing on pastoralist skills while capitalizing on strategic essentialisms of Tuareg culture and identity. -
Morocco (November, 2013) Part I - Rabat
Morocco (November, 2013) Part I - Rabat Storks & Minarets If your minaret does not have storks on it, it isn't a real minaret. This one is in Chellah, or Sala Colonia, a necropolis and complex of ancient Roman Mauretania Tingitana and medieval ruins at the outskirts of Rabat. The Djellaba Even the locals were cold. This man is wearing a djellaba; a Berber traditional long, loose-fitting outer robe with full sleeves. Later on during this trip it got even colder and my layered technique to keep warm was not doing so well. I purchased one of these in heavy wool as an additional outer layer and it worked great. _____________________________________________________________________________________________________________________________________________ Page 1 Flying Pig Adventures: Volume 14 - Morocco, Part I - Rabat Copyright 2013, Wally Hampton, All Rights Reserved ~ [email protected] ~ www.WallyHampton.com Rabat cemetary Cimetière As-Shouhada' looking west out into the Atlantic towards North Carolina. A horse mounted guard outside of the incomplete mosque where the Hassan Tower is located. I was not sure he was all too happy about being photographed, but he was unarmed so I went ahead with it. Rabat is the "Blue" city, these images taken in the Kasbah of the Udayas. _____________________________________________________________________________________________________________________________________________ Page 2 Flying Pig Adventures: Volume 14 - Morocco, Part I - Rabat Copyright 2013, Wally Hampton, All Rights Reserved ~ [email protected] -
Transnational Trills in the Africana World
Transnational Trills in the Africana World Transnational Trills in the Africana World Edited by Cheryl Sterling Transnational Trills in the Africana World Series: Studies in African Humanities Edited by Cheryl Sterling This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Cheryl Sterling and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2321-7 ISBN (13): 978-1-5275-2321-0 TABLE OF CONTENTS Acknowledgements ................................................................................. viii Contributors ............................................................................................... ix A Note from the Series Editor ................................................................. xiv Introduction ................................................................................................ 1 The Africana Matrix Ideology as Aesthetics Cheryl Sterling Section I - Music and Politics Chapter One .............................................................................................. 22 Rethinking the African Link: Nationalism, Freedom, and Culture in Jazz Signifiers Joseph -
Expat Guide to Casablanca
EXPAT GUIDE TO CASABLANCA SEPTEMBER 2020 SUMMARY INTRODUCTION TO THE KINGDOM OF MOROCCO 7 ENTRY, STAY AND RESIDENCE IN MOROCCO 13 LIVING IN CASABLANCA 19 CASABLANCA NEIGHBOURHOODS 20 RENTING YOUR PLACE 24 GENERAL SERVICES 25 PUBLIC TRANSPORTATION 26 STUDYING IN CASABLANCA 28 EXPAT COMMUNITIES 30 GROCERIES AND FOOD SUPPLIES 31 SHOPPING IN CASABLANCA 32 LEISURE AND WELL-BEING 34 AMUSEMENT PARKS 36 SPORT IN CASABLANCA 37 BEAUTY SALONS AND SPA 38 NIGHT LIFE, RESTAURANTS AND CAFÉS 39 ART, CINEMAS AND THATERS 40 MEDICAL TREATMENT 45 GENERAL MEDICAL NEEDS 46 MEDICAL EMERGENCY 46 PHARMACIES 46 DRIVING IN CASABLANCA 48 DRIVING LICENSE 48 CAR YOU BROUGHT FROM ABROAD 50 DRIVING LAW HIGHLIGHTS 51 CASABLANCA FINANCE CITY 53 WORKING IN CASABLANCA 59 LOCAL BANK ACCOUNTS 65 MOVING TO/WITHIN CASABLANCA 69 TRAVEL WITHIN MOROCCO 75 6 7 INTRODUCTION TO THE KINGDOM OF MOROCCO INTRODUCTION TO THE KINGDOM OF MOROCCO TO INTRODUCTION 8 9 THE KINGDOM MOROCCO Morocco is one of the oldest states in the world, dating back to the 8th RELIGION AND LANGUAGE century; The Arabs called Morocco Al-Maghreb because of its location in the Islam is the religion of the State with more than far west of the Arab world, in Africa; Al-Maghreb Al-Akssa means the Farthest 99% being Muslims. There are also Christian and west. Jewish minorities who are well integrated. Under The word “Morocco” derives from the Berber “Amerruk/Amurakuc” which is its constitution, Morocco guarantees freedom of the original name of “Marrakech”. Amerruk or Amurakuc means the land of relegion. God or sacred land in Berber. -
Bang on a Can Announces Onebeat Marathon #2 Live Online! Sunday, May 2, 2021 from 12PM - 4PM EDT
FOR IMMEDIATE RELEASE Press contact: Maggie Stapleton, Jensen Artists 646.536.7864 x2, [email protected] Bang on a Can Announces OneBeat Marathon #2 Live Online! Sunday, May 2, 2021 from 12PM - 4PM EDT A Global Music Celebration curated and hosted by Found Sound Nation. Four Hours of LIVE Music at live.bangonacan.org Note: An embed code for the OneBeat Marathon livestream will be available to press upon request, to allow for hosting the livestream on your site. The OneBeat Virtual Marathon is back! OneBeat, a singular global music exchange led by our Found Sound Nation team, employs collaborative original music as a potent new form of cultural diplomacy. We are thrilled to present this second virtual event, showcasing creative musicians who come together to make music, not war. The OneBeat Marathon brings together disparate musical communities, offering virtuosic creators a space to share their work. These spectacular musicians join us from across the globe, from a wide range of musical traditions. They illuminate our world, open our ears, and break through the barriers that keep us apart. - Julia Wolfe, Bang on a Can co-founder and co-artistic director Brooklyn, NY — Bang on a Can is excited to present the second OneBeat Marathon – Live Online – on Sunday, May 2, 2021 from 12PM - 4PM ET, curated by Found Sound Nation, its social practice and global collaboration wing. Over four hours the OneBeat Marathon will share the power of music and tap into the most urgent and essential sounds of our time. From the Kyrgyz three-stringed komuz played on the high steppe, to the tranceful marimba de chonta of Colombia's pacific shore, to the Algerian Amazigh highlands and to the trippy organic beats of Bombay’s underground scene – OneBeat finds a unifying possibility of sound that ties us all together. -
Morocco Brochure
MOROCCO 2020 HOTELS I ENGLISH ONLY I COACH TOURS I CRUISE I DAY TOURS Casablanca 2 MOROCCO 2020 • GREECE AND MEDITERRANEAN TRAVEL CENTRE Welcome to Morocco Take a journey to Morocco – an amazing country that affects all your senses. Ancient and bustling medinas, mysterious and lush mountains, desolate Saharan dunes, streets lined with snake charmers and storytellers, Halina Kubica the constant aroma of spices tantalising your Owner & Manging Director senses... Welcome to Morocco! From the fast paced city of Marrakech with its mix of vibrancy and excitement to Morocco’s oldest city, Fez, with its labyrinth of tiny streets, with some of its houses only accessible by a drop ladder, Morocco is an inviting country full of big flavours, full of colour and rich in taste. Be prepared to leave with satisfied taste buds and a rounder belly Let us show you the side of Morocco that you’ve never seen before. MOROCCO 2020 • GREECE AND MEDITERRANEAN TRAVEL CENTRE 3 Let us take you on the Trip of a Lifetime Greece and Mediterranean Travel Centre is your local boutique Australian owned and operated company. We have been designing holidays with the Australian traveller in mind for over 17 years. With personal, hands-on service, you can rest assured that your holiday will be impeccable from start to finish. Travel with us and experience the difference... Expert Knowledge Trusted Security We are destination experts of Spain and the Mediterranean. We are accredited ATAS, the Australian Federation of Our itineraries and recommendations are based on a Travel Agents scheme, proud members of the Australian wealth of personal experience and include exclusive offers, Federation of Travel Agents (AFTA) and Council of Australian products, and knowledge not available elsewhere. -
WHV - Let Us Work for Udayas Rabat, Modern Capital and Historic City: a Shared Heritage, Morocco
WHV - Let us work for Udayas Rabat, Modern Capital and Historic City: a Shared Heritage, Morocco Cultural property inscribed on the List of World 09/07/2017 – 25/07/2017 Heritage since 2012 Rabat, Modern Capital and Historic City is located on the Atlantic coast in the north-west of Morocco. The site is the product of a fertile exchange between the Arabo-Muslim past and Western modernism. The inscribed city encompasses the new town conceived and built under the French Protectorate from 1912 to the 1930s, including royal and administrative areas, residential and commercial developments and the Jardins d’Essais botanical and pleasure gardens. It also encompasses older parts of the city dating back to the 12thcentury. The new town is one of the largest and most ambitious modern urban projects built in Africa in the 20th century and probably the most complete. The older parts include Hassan Mosque (begun in 1184) and the Almohad ramparts and gates, the only surviving parts of the project for a great capital city of the Almohad caliphate as well as remains from the Moorish, or Andalusian, principality of the 17thcentury. Project objectives: The project aims at raising awareness about the site and the value of cultural heritage among residents of the Kasbah of the Udayas, which composes a part of the world heritage site of Rabat, local authorities and visitors. It also aims at contributing to its preservation through cleaning, gardening and maintenance activities. Project activities: The volunteers will participate in restoration, maintenance, gardening and cleaning activities at the site and its surroundings. -
A Study of Stambeli in Digital Media
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Spring 2019 A Study of Stambeli in Digital Media Nneka Mogbo Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the African Languages and Societies Commons, African Studies Commons, Ethnomusicology Commons, Music Performance Commons, Religion Commons, Sociology of Culture Commons, and the Sociology of Religion Commons A Study of Stambeli in Digital Media Nneka Mogbo Mounir Khélifa, Academic Director Dr. Raja Labadi, Advisor Wofford College Intercultural Studies Major Sidi Bou Saïd, Tunisia Submitted in partial fulfillment of the requirements for Tunisia and Italy: Politics and Religious Integration in the Mediterranean, SIT Study Abroad Spring 2019 Abstract This research paper explores stambeli, a traditional spiritual music in Tunisia, by understanding its musical and spiritual components then identifying ways it is presented in digital media. Stambeli is shaped by pre-Islamic West African animist beliefs, spiritual healing and trances. The genre arrived in Tunisia when sub-Saharan Africans arrived in the north through slavery, migration or trade from present-day countries like Mauritania, Mali and Chad. Today, it is a geographic and cultural intersection of sub-Saharan, North and West African influences. Mogbo 2 Acknowledgements This paper would not be possible without the support of my advisor, Dr. Raja Labadi and the Spring 2019 SIT Tunisia academic staff: Mounir Khélifa, Alia Lamããne Ben Cheikh and Amina Brik. I am grateful to my host family for their hospitality and support throughout my academic semester and research period in Tunisia. I am especially grateful for my host sister, Rym Bouderbala, who helped me navigate translations. -
Best Day Trips from Casablanca
Best Day Trips from Casablanca August 18, 2017, Casablanca, Morocco Four Seasons Hotel Casablanca is ideally situated for you to discover major Moroccan cities, especially the renowned Imperial cities of Rabat and Marrakech and their rich heritage. Rabat Within a one hour drive from the city, discover the UNESCO World Heritage site of Rabat, which also happens to be home to the country's capital. Let our concierge help curate your tour including a visit to the fascinating archaeological Roman site of the Chellah and the Hassan Tower, the city’s landmark, which adjoins the Mohammed V mausoleum. Enter the winding streets of the Kasbah of the Udayas, a 12th century "city within a city" built on the banks of the Bou Regreg river during the Almohad dynasty. Wander down the winding streets lined with picturesque houses to reach the banks of the river and discover the unique Musée des Oudayas (Oudayas Museum), home to an impressive array of traditional Moroccan artwork, carpets, astronomical instruments, and ancient items such as a 12th century Koran. Complete your 1 day trip to the imperial city with a visit to the Musée Mohammed VI d'Art Moderne et Contemporain with expositions from renowned artists such as Picasso. Be sure to ask our Chef Concierge Caroline Breyer to arrange a private tour! El Jadida Escape the city buzz with a refreshing excursion to the port-city of El Jadida, once a Portuguese fortified city located on the Atlantic coastline. Listed as a UNESCO World Heritage Site, El Jadida, previously known as Mazagan, is a mesmerising example of Arab and European cultures intertwined in the city’s remaining historical remnants, including the famous Portuguese Cistern. -
Society for Ethnomusicology 60Th Annual Meeting, 2015 Abstracts
Society for Ethnomusicology 60th Annual Meeting, 2015 Abstracts Walking, Parading, and Footworking Through the City: Urban collectively entrained and individually varied. Understanding their footwork Processional Music Practices and Embodied Histories as both an enactment of sedimented histories and a creative process of Marié Abe, Boston University, Chair, – Panel Abstract reconfiguring the spatial dynamics of urban streets, I suggest that a sense of enticement emerges from the oscillation between these different temporalities, In Michel de Certeau’s now-famous essay, “Walking the City,” he celebrates particularly within the entanglement of western imperialism and the bodily knowing of the urban environment as a resistant practice: a relational, development of Japanese capitalist modernity that informed the formation of kinesthetic, and ephemeral “anti-museum.” And yet, the potential for one’s chindon-ya. walking to disrupt the social order depends on the walker’s racial, ethnic, gendered, national and/or classed subjectivities. Following de Certeau’s In a State of Belief: Postsecular Modernity and Korean Church provocations, this panel investigates three distinct urban, processional music Performance in Kazakhstan traditions in which walking shapes participants’ relationships to the past, the Margarethe Adams, Stony Brook University city, and/or to each other. For chindon-ya troupes in Osaka - who perform a kind of musical advertisement - discordant walking holds a key to their "The postsecular may be less a new phase of cultural development than it is a performance of enticement, as an intersection of their vested interests in working through of the problems and contradictions in the secularization producing distinct sociality, aesthetics, and history. For the Shanghai process itself" (Dunn 2010:92). -
The Festive Sacred and the Fetish of Trance Performing the Sacred at the Essaouira Gnawa Festival Le Sacré Festif Et La Transe Fétiche
Gradhiva Revue d'anthropologie et d'histoire des arts 7 | 2008 Le possédé spectaculaire The Festive Sacred and the Fetish of Trance Performing the Sacred at the Essaouira Gnawa Festival Le sacré festif et la transe fétiche. La performance du sacré au festival gnaoua et musiques du monde d’Essaouira Deborah Kapchan Electronic version URL: http://journals.openedition.org/gradhiva/1014 DOI: 10.4000/gradhiva.1014 ISSN: 1760-849X Publisher Musée du quai Branly Jacques Chirac Printed version Date of publication: 15 May 2008 Number of pages: 52-67 ISBN: 978-2-915133-86-8 ISSN: 0764-8928 Electronic reference Deborah Kapchan, « The Festive Sacred and the Fetish of Trance », Gradhiva [Online], 7 | 2008, Online since 15 May 2011, connection on 19 April 2019. URL : http://journals.openedition.org/gradhiva/1014 ; DOI : 10.4000/gradhiva.1014 © musée du quai Branly Fig. 1 Spectacle gnawa au « festival gnaoua et musiques du monde d’Essaouira », 24 juin 2006. © Pierre-Emmanuel Rastoin (P. E. R.). Dossier The Festive Sacred and the Fetish of Trance Performing the Sacred at the Essaouira Gnawa Festival of World Music Deborah Kapchan t is late June 1999 and I am in Essaouira, Morocco, it still unfolds b-haqq-u u treq-u, in its truth and its path. for the Essaouira Gnawa Festival of World Music. In 2004 I find myself in Essaouira again. There is ano- I The weather is balmy, but the wind of this coastal ther conference — this time on religion and slavery — city blows so hard that the festival-goers clasp their organized by another scholar, historian Mohammed scarves tightly around them. -
Music in Morocco: Gnawa History and Onward
Music in Morocco: Gnawa History and Onward Part 1 - Gnawa Music: From Slavery to Prominence http://www.aljazeera.com/indepth/features/2015/12/gnawa-music-slavery-prominence- 151203135403027.html 1. Why was Gnawa music created in Morocco? 2. In your own words, what aspects of Gnawa music are traditionally African? How is it a part of African heritage? 3. Where does the word “gnawa” come from? 4. Where in Morocco can one find Gnawa music? 5. What are the themes in Gnawa music? 6. What does Okot p’Bitek mean in saying that African primitive songs and dancing are “not just entertainment”? 7. What is the link between blues and jazz in the United States and Gnawa music in Morocco and other parts of Africa? 8. What did the Moroccan government do as a result of Gnawa music’s popularity? 9. What are five adjectives or phrases that the author uses to describe Gnawa music? Part 2: o Maâlém Mahmoud Guinia, "Ftouh Rahba": https://www.youtube.com/watch?v=IZD_HENCPZ0 o Shayfeen, “Wach Kayn Maydar”: https://www.youtube.com/watch?v=Bfh65T7XhQ8 1. In listening to “Ftouh Rahba”, what components do you notice in the music that were mentioned in the article? 2. In the “Wach Kayn Maydar” video, what types of images do you see? Does the video or style of music remind you any American music videos you have seen or songs you have listened to? Part 3: What types of American music have similar themes to that of Gnawa? How is music used in American culture as a way to call attention to social issues or promote social change? Use specific examples.