Chapter - Vi: Findings, Conclusion & Implications of the Study
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												  CHAPTER – I : INTRODUCTION 1.1 Importance of Vamiki RamayanaCHAPTER – I : INTRODUCTION 1.1 Importance of Vamiki Ramayana 1.2 Valmiki Ramayana‘s Importance – In The Words Of Valmiki 1.3 Need for selecting the problem from the point of view of Educational Leadership 1.4 Leadership Lessons from Valmiki Ramayana 1.5 Morality of Leaders in Valmiki Ramayana 1.6 Rationale of the Study 1.7 Statement of the Study 1.8 Objective of the Study 1.9 Explanation of the terms 1.10 Approach and Methodology 1.11 Scheme of Chapterization 1.12 Implications of the study CHAPTER – I INTRODUCTION Introduction ―The art of education would never attain clearness in itself without philosophy, there is an interaction between the two and either without the other is incomplete and unserviceable.‖ Fitche. The most sacred of all creations of God in the human life and it has two aspects- one biological and other sociological. If nutrition and reproduction maintain and transmit the biological aspect, the sociological aspect is transmitted by education. Man is primarily distinguishable from the animals because of power of reasoning. Man is endowed with intelligence, remains active, original and energetic. Man lives in accordance with his philosophy of life and his conception of the world. Human life is a priceless gift of God. But we have become sheer materialistic and we live animal life. It is said that man is a rational animal; but our intellect is fully preoccupied in pursuit of materialistic life and worldly pleasures. Our senses and objects of pleasure are also created by God, hence without discarding or condemning them, we have to develop ( Bhav Jeevan) and devotion along with them.
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												  Sita Locked out a Telugu Women’S Song of Sita VSita Locked Out A Telugu Women’s Song of Sita V. Narayana Rao She is born of Earth and raised by a belt of gold with bells on it, Rama says, Janaka. bracelets with sapphires inlaid, “If you lose sleep, what do I care! She serves her in-laws with devotion. and a necklace of precious stones. The lamp standing here keeps me Her loving husband calls her, but she She brushes kohl along her lashes company. does not come. and looks at herself in the life-size If you stand out there, what do I care! Flowers in his hair, perfume on his mirror. Flowers and bukka scents keep me body, her husband is in a joyous mood. Pleased with herself, the woman smiles. company. Looking for her, he waits and waits. She eats her dinner – If you stand out there, what do I He is impatient at the time she takes. five different courses, sweets and all – care! “Why doesn’t she come, what is taking then washes her hands. Sandal and musk keep me company. her so long?” She covers herself in a golden shawl, If you stand out there, what do I The solar hero1 is upset with her. takes water to drink in a jug of gold; care! He closes the door and bolts it. betel leaves, areca nuts, perfumes, The mattress and pillows keep me “You and your chores, Daughter of sandal paste, jasmine water, company.” Earth! fruits and snacks on a platter of gold. Upset at Rama’s words, Sita quickly You have grown too proud,” he says She wears jasmine and jaji flowers in runs to her mother-in-law’s house.
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												  Hindu Students Organization Sanātana Dharma SaṅghaHindu Students Organization Sanātana Dharma Saṅgha Table of Contents About HSO 1 Food for Thought 2 Pronunciation Guide 3 Opening Prayers 4 Gaṇesh Bhajans 6 Guru and Bhagavān Bhajans 9 Nārāyaṇa Bhajans 11 Krishṇa Bhajans 13 Rāma Bhajans 23 Devī Bhajans 27 Shiva Bhajans 32 Subramaṇyam Bhajans 37 Sarva Dharma Bhajans 38 Traditional Songs 40 Aartīs 53 Closing Prayers 58 Index 59 About HSO Columbia University’s Hindu Students Organization welcomes you. The Hindu Students Organization (HSO) is a faith-based group founded in 1992 with the intent of raising awareness of Hindu philosophies, customs, and traditions at Columbia University. HSO's major goals are to encourage dialogue about Hinduism and to provide a forum for students to practice the faith. HSO works with closely with other organizations to host joint events in an effort to educate the general public and the Columbia community. To pursue these goals, HSO engages in educational discussions, takes part in community service, and coordinates religious and cultural events including the following: Be the Change Day Navaratri Diwali Saraswati/Ganesh Puja Study Breaks Lecture Events Shruti: A Classical Night Holi Weekly Bhajans and Discussion Circle/Bhajans Workshop Interfaith Events Interviews to become a part of HSO’s planning board take place at the start of the fall semester. If you are interested in joining our mailing list or if you would like to get in touch with us, email us at [email protected] or visit us at http://www.columbia.edu/cu/hso/! 1 Food For Thought Om - “OM - This Imperishable Word is the whole of this visible universe.
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												  Sita Ram Babaसीता राम बाबा Sītā Rāma Bābā סִיטָ ה רְ אַמָ ה בָבָ ה Bābā بَابَا He had a crippled leg and was on crutches. He tried to speak to us in broken English. His name was Sita Ram Baba. He sat there with his begging bowl in hand. Unlike most Sadhus, he had very high self- esteem. His eyes lit up when we bought him some ice-cream, he really enjoyed it. He stayed with us most of that evening. I videotaped the whole scene. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Locations 4961-4964). Trafford. Kindle Edition. … immortal Sita Ram Baba. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Location 5039). Trafford. Kindle Edition. Breaking the Death Habit: The Science of Everlasting Life by Leonard Orr (page 56) ראמה راما Ράμα ראמה راما Ράμα Rama has its origins in the Sanskrit language. It is used largely in Hebrew and Indian. It is derived literally from the word rama which is of the meaning 'pleasing'. http://www.babynamespedia.com/meaning/Rama/f Rama For other uses, see Rama (disambiguation). “Râm” redirects here. It is not to be confused with Ram (disambiguation). Rama (/ˈrɑːmə/;[1] Sanskrit: राम Rāma) is the seventh avatar of the Hindu god Vishnu,[2] and a king of Ayodhya in Hindu scriptures. Rama is also the protagonist of the Hindu epic Ramayana, which narrates his supremacy. Rama is one of the many popular figures and deities in Hinduism, specifically Vaishnavism and Vaishnava reli- gious scriptures in South and Southeast Asia.[3] Along with Krishna, Rama is considered to be one of the most important avatars of Vishnu.
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												  Untouched Questions|| Om Namah Sadgurudevay || Untouched Questions Compiled and Interpreted by: Blessed Disciple of Most Revered Sri Paramhans Ji Maharaj Swami Adgadanand Ji Shri Paramhans Ashram Shakteshgarh, Chunar-Mirzapur, U.P. Publisher: Shri Paramhans Swami Adgadanand Ji Ashram Trust 5, New Apollo Estate, Mogra Lane, Opp. Nagardas Road Andheri (East), Mumbai – 400069 India Most Respectfully Dedicated At The Holy Feet Of Most Revered Swami Sri Paramanand Ji Yogiraj Matchless Grandsire Of The Era GURU VANDANA (SALUTATIONS TO THE GURU) || Om Shree Sadguru Dev Bhagwan Ki Jai || Jai Sadgurudevam, Paramaanandam, amar shariraam avikari I Nirguna nirmulam, dhaari sthulam, kattan shulam bhavbhaari II Surat nij soham, kalimal khoham, janman mohan chhavibhaari I Amraapur vaasi, sab sukh raashi, sadaa ekraas nirvikaari II Anubhav gambira, mati ke dhira, alakh fakira avtaari I Yogi advaishta, trikaal drashta, keval pad anandkaari II Chitrakuthi aayo, advait lakhaayo, anusuia asan maari I Shree Paramhans Swami, antaryaami, hain badnaami sansaari II Hansan hitkaari, jag pagudhaari, garva prahaari, upkaari I Sat- panth chalaayo, bharam mitaayo, rup lakhaayo kartaari II Yeh shishya hai tero, karat nihoro, mo par hero prandhaari I Jai Sadguru.....bhari II Index S.No. Subject Page No. 1. The History of Lord Shri Ram 1 2. Desertion of Sita 6 3. Varna (Caste) 17 4. Shambook 36 5. Worship of Goddess Saraswati 49 6. Why God Has No Beards? 58 7. Vishwakarma Pooja 62 8. Idol Worship - Valid or Invalid 79 9. Dhyan 92 10. Hath, Chakra-Bhedan and Yog 114 11. Analysis of Dravid & Arya in the Light of Ram-Katha 142 12. The Historical Value of Mahabharata 161 13.
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												  Samoohika Bhajans.PdfGajaananam Bhootha Ganaadhi Sevitham Kapittha Jamboo phalasaara bhakshitham Umaasutham Shoka Vinaasha Kaaranam Namaami Vigneshwara Paadha Pankajam Paahi Paahi Gajaanana Paarvathi Puthra Gajaanana Mooshika Vaahana Gajaanana Modaka Hastha Gajaanana Chaamara Karna Gajaanana Vilambitha Suthra Gajaanana Vaamana Roopa Gajaanana Maheshwara Puthra Gajaanana Vighna Vinaashaka Gajaanana Paada Namasthey Gajaanana Raadhe Raadhe Raadhe Raadhe Raadhe Raadhe Raadhe Govinda Brindaavana Chanda Anaathanaatha Deenabandhu Raadhe Govinda Nandakumaara Navanitha Chora Raadhe Govinda Brindaavana Chanda Anaathanaatha Deenabandhu Raadhe Govinda Puraana Purusha Punya Shloka Raadhe Govinda Brindaavana Chanda Anaathanaatha Deenabandhu Raadhe Govinda Pandarinaatha Paanduranga Raadhe Govinda Brindaavana Chanda, Anaathanaatha Deenabandhu Raadhe Govinda Bhakthavathsala Bhagavathapriya Raadhe Govinda Brindaavana Chanda Anaathanaatha Deenabandhu Raadhe Govinda Jai Jai Vittala Jaya Hari Vittala Raadhe Govinda Brindaavana Chanda, Anaathanaatha Deenabandhu Raadhe Govinda Shivaaya Parameshwaraaya Shivaaya Parameshwaraaya Jagadeeshwaraaya Shashishekharaaya Nama Om Bhavaaya Guna sambhavaaya shiva thaandavaaya nama om Om Namah Shivaaya Om Namah Shivaaya Shivaaya Nama Om Om Namah Haraaya Om Namah Haraaya Haraaya Nama Om- Shivaaya…….. Shiva Shiva Sharavana Bhavaaya Nama Om Hara Hara Shanmukha Guhaaya Nama Om - Shivaaya……. Shiva Shiva Shiva Shiva Shivaaya Nama Om Hara Hara Hara Hara Haraaya Nama Om - Shivaaya……. Raghupathi Raaghava Raghupathi Raaghava Raajaa Raam Pathitha Paavana
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												  Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst OthersHindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks.
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												  Essence of Valmiki Ramayana in Four Parts So Far of Baala-Ayodhya-Aranya- and Now the KishkindhaESSENCE OF VALMIKI KISHKINDHA RAMAYANA Translated and interpreted byV.D.N.Rao, former General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, now at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda- Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti- Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ -Essence of Maha Narayanopanishad; Essence of Maitri Upanishad Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Essence of Knowledge of Numbers for students Essence
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												  Bala Bhavan Bhajans ContentsBala Bhavan Bhajans 9252, Miramar Road, San Diego, CA 92126 www.vcscsd.org Bala Bhavan Bhajans Contents GANESHA BHAJANS .................................................................................................. 5 1. Ganesha Sharanam, Sharanam Ganesha ............................................................ 5 2. Gauree Nandana Gajaanana ............................................................................... 5 3. Paahi Paahi Gajaanana Raga: Abheri .......................................... 5 4. Shuklambaradharam ........................................................................................... 5 5. Ganeshwara Gajamukeshwara ........................................................................... 6 6. Gajavadana ......................................................................................................... 6 7. Gajanana ............................................................................................................. 6 8. Ga-yi-yeh Ganapathi Raga: Mohana ........................................ 6 9. Gananatham Gananatham .................................................................................. 7 10. Jaya Ganesha ...................................................................................................... 7 11. Jaya Jaya Girija Bala .......................................................................................... 7 12. Jaya Ganesha ...................................................................................................... 8 13. Sri Maha Ganapathe ..........................................................................................
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												  Ramakatha Rasavahini II 7 Preface for This Edition 8 This Book 9 the Inner Meaning 11 Chapter 1Ramakatha Rasavahini II Stream of Sacred Sweetness Sathya Sai Baba Contents Ramakatha Rasavahini II 7 Preface for this Edition 8 This Book 9 The Inner Meaning 11 Chapter 1. The Dandaka Forest 12 The fool Jayanta 12 A visit to the sage Athri’s hermitage 12 A stay at a beautiful hermitage 13 An encounter with Viradha, the ogre 14 Sarabhanga immolates himself 14 Sutheekshna adores Rama 15 On to Agastya’s ashram 16 Agastya asks not to be deluded into egotism 17 The story of the curse on Dandaka Forest 18 On to Dandaka Forest 18 Chapter 2. Panchavati 20 Lakshmana’s sense of duty 20 Rama constantly has visitors 21 Rama discourses on spiritual matters 22 Surpanakha falls for Lakshmana 23 Surpanakha is punished 24 The demons want revenge 25 The demons kill each other! 26 Ascetic sages visit Rama 27 Ravana hears Surpanakha’s story 28 Chapter 3. The Wily Villain 30 The thoughts of Ravana and Vibhishana 30 Ravana enlists Maricha’s help 30 Rama and Sita discuss their plans 31 The deer entices the brothers 32 Rama stalks and kills the deer 33 Caught between two loyalties 34 Sita is kidnapped! 35 Jatayu tries to save Sita 35 The brothers lament Sita’s disappearance 36 Lakshmana realizes the truth 37 Rama assents 38 Study the Ramayana closely! 39 Jatayu tells them what he knows 39 Ajamukhi loses her limbs 40 Rama kills Kabanda 40 Sabari tells her story 41 Rama admires devotion 42 Sabari tells what she knows 43 Chapter 4. An Ally Accepted 45 Hanuman meets the brothers 45 The brothers meet Sugriva 46 Lakshmana identifies some of the jewels 47 Sugriva tells his story 47 The story of the curse on Vali 49 Rama exhibits his power 50 Sugriva pours out his feelings 51 The battle between Vali and Sugriva 52 Rama kills His devotee, Vali 54 Rama consoles Tara 56 The search for Sita is delayed by weather 57 Chapter 5.
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												  Prince Rama and the Monkey KingPrince Rama and the Monkey King Teacher Guide Grades K – 6 About the Artists BOXTALES THEATRE COMPANY uses masks, movement, storytelling and live music to presents myths and folklore from around the world. The performers combine their diverse talents to create a professional, high energy, highly interactive theatrical experience for youth and family audiences. BOXTALES employs the disciplines of storytelling, masks, various movement styles including AcroYoga, and music to breathe life into world mythology and folklore. Objectives To introduce students to one of the world’s greatest epics, the Rāmāyana. To encourage students to seek out and read more mythology and folklore from all over the world. To help develop creative imagination. To introduce the importance of oral tradition and theatre as an educational tool. To present stories that will help raise self-esteem and teach important lessons. To encourage students to identify character traits, attitudes, and situations existing in the story as well as in our contemporary society. Preparation of the Program Myth has played a very significant role in the development of civilization. Through the development of myths mankind has been able to pass down from generation to generation the history and beliefs of early ancestors, and teach us how to live a better life. This kind of material can also be found in dogmatic text, but this has traditionally been the study of clergy and intellectuals. Through the ages the most effective forms of this “wisdom” for the general populous have been narrative and allegorical in nature. The ancient art of myth transforms us by helping us to turn the meaninglessness of existence into the meaningfulness of life.
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												  Year II-Chap.3-RAMAYANACHAPTER THREE Rama, Sita, Lakshmana and Hanuman in RAMAYANA Year II Chapter 3-RAMAYANA THE RAMAYANA Introduction Valmiki is known as Adi Kabi, the first poet. He wrote an epic in Sanskrit, the Ramayana, which depicts the life of Rama, the hero of the story. Sage Narada narrated the story of Rama to Valmiki. Ramayana is divided into the following: o Balakanda (Book of Youth) - Boyhood of Rama, o Ayodhya Kanda (Book of Ayodhya) - Life in Ayodhya after Rama and Sita’s wedding, o Aranya Kanda (Book of Forest) – Rama’s forest life and abduction of Sita by Ravana, o Kishkindha Kanda (Book of Holy Monkey Empire) – Rama’s stay in Kishkindha after meeting Hanuman and Sugriva, o Sundara Kanda (Book of Beauty) – Hanuman’s Prank-locating Sita in Ashoka grove, and o Yuddha Kanda (Book of War) – Rama’s victory over Ravana in the war and Rama’s coronation. The period after coronation of Rama is considered in the last book - Uttara Kanda. The feature story Dasaratha was the king of Kosala, an ancient kingdom that was located in present day Uttar Pradesh. Ayodhya was its capital- located on the banks of the river Sarayu. Dasaratha was loved by one and all. His subjects were happy and his kingdom was prosperous. Even though Dasaratha had everything that he desired, he was very sad at heart; he had no children. During the same time, there lived a powerful Rakshasa (demon) king in the island of Sri Lanka (Ceylon), located just south of India. He was called Ravana. He had ten heads.