A Survival Guide for Teenage Siblings of Young
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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
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GROUfS the first will be 10:30 am., next Friday and Saturday. THE SUNDAY STAR, Washingto*, D. C. B-11 LOCAL MAMA for the second 2:30 p.m„ both Written by George Fill, the ICNOAY, rtBRl ABY iS. IBM in the auditorium of Roose- show la titled “Heaven For- School, -" jl I \ aj HL velt High Thirteenth bid” and it is being done at and Allison streets N.W. This the Garrett Park School. ... •/ Original n Musical is the offering of the ¦T jr. '<.-:'. <«ißwC 1 r fourth And there's still another mu- M ¦ Recreation Department's ,y; sical note: Members of the * Skw '-4 ./ w*- # * Children’s Theater : A j|r/ season. audiences that saw “Brlga- r I i * v iPk*-.v i ? Planned as Benefit ** * doon” played by students at i^ AND Suitland Junior High School HARRY MmARTHUR nightly during the snows ANOTHER—Adven- By ture Theater, another group recently, call it an exciting •tar Stas Writer ; run will be 8:30 o'clock. experience. Howard J. Mill- ** * * of adult theater enhtusiasts ORIGINAL—There was a stage plays for children, man of the Suitland faculty ONE-ACTERS The Wigs who DAYS «g<> t groups present Witting- did a first-rate directing job L time when few of the- will “Dick ig|HMBL and Cues Dramatic Club of players, hobbyists dare to ton and His Cat” in four per- with his teen-age ater would First Baptist Church will spies report. Same group last rigors ; stage program three formances this month. The j y test themselves in the a of one- Saturday year successfully tackled it act plays on Wednesday and first will be next at of a musical show. -
The Films of John Korty, Feb 24—26
MEDIA ALERT BAMcinématek presents Fog City Maverick: The Films of John Korty, Feb 24—26 Korty in person! Co-presented by Cinema Conservancy “A man of taste, intelligence, and high aspirations who refuses to make conventional films.”—The New York Times The Wall Street Journal is the title sponsor for BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Jan 21, 2015—From Tuesday, February 24 through Thursday, February 26, BAMcinématek presents Fog City Maverick: The Films of John Korty, a three-day tribute to one of American independent cinema’s most distinctive, unsung voices. The Oscar- and Emmy-winning San Francisco director/animator has quietly carved out a one-of-a-kind career over the past five decades. Praised by Pauline Kael as one of the most “gifted, intelligent men outside the industry… attempting to make inexpensive feature-films as honestly and independently as they can,” Korty has forgone mainstream Hollywood ambitions despite his early Bay Area associations with George Lucas and Francis Ford Coppola. Instead he chose to pursue uncompromisingly original, refreshingly offbeat indie projects across narrative, documentary, animation, and television that reflect his boundless visual imagination and humanistic outlook. Opening the series on Tuesday, February 24 is an exceedingly rare 35mm screening of the eye- popping cult animation masterpiece Twice Upon A Time (1983), barely seen on the big screen in New York since its tragically limited original release. Other highlights include Funnyman (1967— Feb 25), a stop-motion animation/live-action hybrid featuring legendary San Francisco comedy troupe the Committee; Korty’s feature debut The Crazy-Quilt (1966—Feb 25), part of the 1979 New York Film Festival’s seminal American Independents survey alongside classics The Cool World, Badlands, Sweet Sweetback’s Badasssss Song, and Northern Lights; and Korty’s Academy Award-winning documentary, Who Are the DeBolts? And Where Did They Get Nineteen Kids? (1977—Feb 26). -
Laurel Canyon Pressbook Revised
FRANCES McDORMAND CHRISTIAN BALE KATE BECKINSALE NATASCHA McELHONE and ALESSANDRO NIVOLA in “LAUREL CANYON” a film by Lisa Cholodenko 103 Minutes. Rated R by the MPAA. A Sony Pictures Classics Release. EAST COAST: WEST COAST: EXHIBITOR CONTACTS: MAGIC LANTERN, INC. BLOCK -KORENBROT SONY PICTURES CLASSICS JESSICA UZZAN MELODY KORENBROT CARMELO PIRRONE AMY GORDON ZIGGY KOZLOWSKI MARISSA MANNE 250 WEST 57TH STREET 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1718 SUITE 200 8TH FLOOR NEW YORK, NY 10107 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 586-7233 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 586-7282 FAX: (323) 655-7302 FAX: (212) 833-8844 www.magiclanternpr.com Visit the Sony Pictures Classics internet site at: http:/www.sonyclassics.com 1 LAUREL CANYON Cast Jane FRANCES McDORMAND Sam CHRISTIAN BALE Alex KATE BECKINSALE Sara NATASCHA McELHONE Ian ALESSANDRO NIVOLA Fripp LOUIS KNOX BARLOW Rowan RUSSELL POLLARD Dean IMAAD WASIF Mickey MICKEY PETRALIA Claudia MELISSA DE SOUSA Darla ALEXANDRA CARTER China MICHELLE DEMIRJIAN Wyatt RICK GONZALEZ Mr. Elliot DENNIS HOWARD Mrs. Elliot CATHERINE McGOOHAN Woman 1 JUDITH MONTGOMERY Woman 2 PATRICIA PLACE Cambridge party guest #1 WILLO HAUSMAN Cambridge party guest #2 GREG WOLFSON Cambridge party guest #3 BRANDY NIGHTINGALE stewardess CATHARINE SCOTT Tom MARCUS ASHLEY Hospital patient #1 LYLE KANOUSE Hospital patient #2 MARCIA CHOLODENKO Gloria GINA DOCTOR Landlord LAURI JOHNSON Manager TOM GRIFFITHS ER doctor REEF KARIM Elderly man LOU CUTELL Elderly man’s dog ZEUS Justin NICK KIRIAZIS Laura HEIDI SULZMAN Mark ARIEL FELIX Debby MARIE BLANCO Room service guy TED KOLAND Concierge PHILIP PAVEL Doctor MARK ROGERSON Soft rocker JUSTIN MELDAL-JOHNSEN Mark Linkous HIMSELF Daniel Lanois HIMSELF 2 LAUREL CANYON Filmmakers Written and Directed By LISA CHOLODENKO Producers SUSAN A. -
Production Notes for Feature Film, “Snow Cake” It's April 2005 and The
Production Notes for Feature Film, “Snow Cake” It’s April 2005 and the snow is melting fast in Wawa there is perceptible panic throughout the cast and crew of Snow Cake when they find out that this location chosen specifically for its customary frigid climate and overabundance of snow – has very little snow to speak of. “The reason we went to Wawa in the first place was to get the snow, says director Marc Evans with a smile. “I was very worried about not getting enough snow. And then Alan Rickman, who plays Alex, said ‘Look, at the end of the day, this film is not about snow. It’s got snow in the title, but it’s about the people who live in this place.’ And I thought, yes, that’s so true. It’s the interaction between the two main characters that forms the thrust of the film. The joy of this film is seeing how the characters interact.” In fact, the lack of snow may have been a blessing in disguise for the film. ‘It appears that this film is being guided by some unseen force in a way,” Rickman says. “We went to Wawa a week later than we were due to. Had we gone there the week before, we would have encountered temperatures that would have been so horrific to work in, so cold, below freezing” Instead, “we had a freak period of 13 days of unbroken sunshine, which on the face of it, with a film called Snow Cake, you might think would be a problem!” But Rickman had always said that the film would find itself and it did in the most beautiful way as the snow thawed around them. -
Pausing Encounters with Autism and Its Unruly Representation: an Inquiry Into Method, Culture and Academia in the Making of Disability and Difference in Canada
Pausing Encounters with Autism and Its Unruly Representation: An inquiry into method, culture and academia in the making of disability and difference in Canada A dissertation submitted to the Committee of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Faculty of Arts and Science. TRENT UNIVERSITY Peterborough, Ontario, Canada Copyright by John Edward Marris 2013 Canadian Studies Ph.D. Graduate Program January 2014 ABSTRACT Pausing Encounters with Autism and Its Unruly Representation: An inquiry into method, culture and academia in the making of disability and difference in Canada John Edward Marris This dissertation seeks to explore and understand how autism, asperger and the autistic spectrum is represented in Canadian culture. Acknowledging the role of films, television, literature and print media in the construction of autism in the consciousness of the Canadian public, this project seeks to critique representations of autism on the grounds that these representations have an ethical responsibility to autistic individuals and those who share their lives. This project raises questions about how autism is constructed in formal and popular texts; explores retrospective diagnosis and labelling in biography and fiction; questions the use of autism and Asperger’s as metaphor for contemporary technology culture; examines autistic characterization in fiction; and argues that representations of autism need to be hospitable to autistic culture and difference. In carrying out this critique this project proposes and enacts a new interdisciplinary methodology for academic disability study that brings the academic researcher in contact with the perspectives of non-academic audiences working in the same subject area, and practices this approach through an unconventional focus group collaboration. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
Disability in an Age of Environmental Risk by Sarah Gibbons a Thesis
Disablement, Diversity, Deviation: Disability in an Age of Environmental Risk by Sarah Gibbons A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2016 © Sarah Gibbons 2016 I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This dissertation brings disability studies and postcolonial studies into dialogue with discourse surrounding risk in the environmental humanities. The central question that it investigates is how critics can reframe and reinterpret existing threat registers to accept and celebrate disability and embodied difference without passively accepting the social policies that produce disabling conditions. It examines the literary and rhetorical strategies of contemporary cultural works that one, promote a disability politics that aims for greater recognition of how our environmental surroundings affect human health and ability, but also two, put forward a disability politics that objects to devaluing disabled bodies by stigmatizing them as unnatural. Some of the major works under discussion in this dissertation include Marie Clements’s Burning Vision (2003), Indra Sinha’s Animal’s People (2007), Gerardine Wurzburg’s Wretches & Jabberers (2010) and Corinne Duyvis’s On the Edge of Gone (2016). The first section of this dissertation focuses on disability, illness, industry, and environmental health to consider how critics can discuss disability and environmental health in conjunction without returning to a medical model in which the term ‘disability’ often designates how closely bodies visibly conform or deviate from definitions of the normal body. -
Production Notes
A Film by John Madden Production Notes Synopsis Even the best secret agents carry a debt from a past mission. Rachel Singer must now face up to hers… Filmed on location in Tel Aviv, the U.K., and Budapest, the espionage thriller The Debt is directed by Academy Award nominee John Madden (Shakespeare in Love). The screenplay, by Matthew Vaughn & Jane Goldman and Peter Straughan, is adapted from the 2007 Israeli film Ha-Hov [The Debt]. At the 2011 Beaune International Thriller Film Festival, The Debt was honoured with the Special Police [Jury] Prize. The story begins in 1997, as shocking news reaches retired Mossad secret agents Rachel (played by Academy Award winner Helen Mirren) and Stephan (two-time Academy Award nominee Tom Wilkinson) about their former colleague David (Ciarán Hinds of the upcoming Tinker, Tailor, Soldier, Spy). All three have been venerated for decades by Israel because of the secret mission that they embarked on for their country back in 1965-1966, when the trio (portrayed, respectively, by Jessica Chastain [The Tree of Life, The Help], Marton Csokas [The Lord of the Rings, Dream House], and Sam Worthington [Avatar, Clash of the Titans]) tracked down Nazi war criminal Dieter Vogel (Jesper Christensen of Casino Royale and Quantum of Solace), the feared Surgeon of Birkenau, in East Berlin. While Rachel found herself grappling with romantic feelings during the mission, the net around Vogel was tightened by using her as bait. At great risk, and at considerable personal cost, the team’s mission was accomplished – or was it? The suspense builds in and across two different time periods, with startling action and surprising revelations that compel Rachel to take matters into her own hands. -
World Digipak Comp B.Indd
MOTOWN Around the World Visas Entries/Entrées Departures/Sorties 1 Visas Visas Entries/Entrées Departures/Sorties Entries/Entrées Departures/Sorties THE SOUND OF YOUNG AMERICA an outpouring. At Mrs. Edwards’ urging, Motown IL SUONO DELL’GIOVANE AMERICA complemented these bold moves with several recordings DER TON VON JUNGEM AMERIKA in German, Spanish, Italian, and, unknown to the public at LE BRUIT DE LA JEUNE AMÉRIQUE EL SONIDO DE AMÉRICA JOVEN the time, French. by Andrew Flory & Harry Weinger “We thought it would be hard to do, but learning the words and making the tracks work was enjoyable,” said Berry Gordy, Jr. founded Motown with the idea that his the Temptations’ Otis Williams, humming “Mein Girl” with a artists would cross borders, real and intangible. smile. “The people fl own in to teach us made it easy, and His bold idea would bloom in late 1964, when the we got it down just enough to be understood.” Supremes’ “Baby Love” hit No. 1 in the U.K., and “The Sound Of Young America,” as Motown later billed itself, spread around the world. Audiences who didn’t know English knew the words to Motown songs. The Motortown Revue went to Europe. Fan letters in every language showed up at West Grand Boulevard. Behind the infectious beat, inroads had been made overseas as early as spring 1963, when Mr. Gordy, along with Motown executives Esther Gordy Edwards and Barney Ales, made unprecedented sales visits to Italy, Germany, Belgium, Holland, France, Norway, Sweden and England. Two years later EMI U.K. created the Tamla Motown imprint, an international umbrella for the company’s multi-label output. -
This Is Carmen Lundy, Jazz and the New Songbook: Live at the Madrid, Come Home, Solamente, Changes, and Soul to Soul, Among Others
Finding Aid to The HistoryMakers ® Video Oral History with Carmen Lundy Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Lundy, Carmen Title: The HistoryMakers® Video Oral History Interview with Carmen Lundy, Dates: November 12, 2014 Bulk Dates: 2014 Physical 9 uncompressed MOV digital video files (4:33:00). Description: Abstract: Jazz singer Carmen Lundy (1954 - ) has recorded fourteen albums and published over 100 songs. She has also acted on stage and is an exhibited painter and co-founder of Afrasia Productions. Lundy was interviewed by The HistoryMakers® on November 12, 2014, in Woodland Hills, California. This collection is comprised of the original video footage of the interview. Identification: A2014_256 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Jazz singer, arranger and composer Carmen Lundy was born on November 1, 1954 in Miami, Florida. Her mother, Oveida, was the lead singer in a gospel group; her younger brother, Curtis Lundy, is a jazz bassist. Inspired by those around her, Lundy began playing the piano at age six, and started singing in her church choir at age twelve. She went on to attend the University of Miami, where she received her B.M. degree in studio music and jazz. At the age of sixteen, Lundy began her professional career in Miami, then moved to New York City in 1978 where she worked with numerous Jazz veterans. The following year, she made her first appearance on an album with a group called Jasmine; and, in 1980, formed her own group, performing with pianists John Hicks and Onaje Gumbs. -
UCSB Mcnair Scholars Research Journal
UCSB McNair Scholars Research Journal UNIVERSITY OF CALIFORNIA, SANTA BARBARA 2017 Volume 7 UCSB McNair Scholars Research Journal University of California, Santa Barbara 2017 – Volume 7 Nondiscrimination Policy The University of California, in accordance with applicable Federal and State law and University policy, does not discriminate on the basis of race, color, national origin, religion, sex, gender, gender expression, gender identity, pregnancy, physical or mental disability, medical condition (cancer-related or genetic characteristics), genetic information (including family medical history), ancestry, marital status, age, sexual orientation, citizenship, status as a protected veteran or service in the uniformed services. The University also prohibits sexual harassment. This nondiscrimination policy covers admission, access, and treatment in University programs and activities. Inquiries regarding the University’s nondiscrimination policies may be directed to: Ricardo A. Alcaíno Director, Equal Opportunity and Discrimination Prevention Office 3217A Phelps Hall University of California, Santa Barbara Santa Barbara, CA 93106-2060 (805) 893-4505 Cover photo: Tony Mastres, UCSB Photo Services ii UCSB McNair Scholar Research Journal McNair Program Staff Program Director Dr. Beth E. Schneider Assistant Director Dr. Yvette Martínez-Vu Program Coordinator Marcus Mathis Graduate Mentors Madeline Nolan Cruz Ortiz Jr. Gina Vanegas Writing Consultant Dr. Ellen Broidy Journal Editors Dr. Beth E. Schneider Dr. Ellen Broidy Journal Layout/Design Madeline Nolan Cruz Ortiz Jr. iii UCSB McNair Scholars Research Journal 2017 - Volume 7 Table of Contents McNair Program Staff p. iii Table of Contents p. iv Letter from the Executive Vice Chancellor p. vii Letter from the Interim Dean of Undergraduate Education p. ix Letter from the Program Director p.