Voices 2019-2020
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Toni Braxton Announces North American Fall Tour
FOR IMMEDIATE RELEASE TONI BRAXTON ANNOUNCES NORTH AMERICAN FALL TOUR Detroit (August 8, 2016) – Seven-time GRAMMY Award-winning singer, songwriter and actress Toni Braxton announces her North American tour. Kicking off on Saturday, October 8 in Oakland, Braxton will tour more than 20 cities, ending with a show in Atlantic City, NJ on Saturday, November 12. Most recently, Braxton released “Love, Marriage & Divorce,” a duets album with Kenny “Babyface” Edmonds. The album took off behind “Hurt You,” the Urban AC #1 duet hit co-written by Toni Braxton & Babyface (with Daryl Simmons and Antonio Dixon), and produced by Babyface. The two also shared the win for Best R&B Album at the 2015 GRAMMY Awards. Today, with over 67 million in sales worldwide and seven GRAMMY Awards, Braxton is recognized as one of the most outstanding voices of this generation. Her distinctive sultry vocal blend of R&B, pop, jazz and gospel became an instantaneous international sensation when she came forth with her first solo recording in 1992. Braxton stormed the charts in the 90’s with the releases of “Toni Braxton” and “Secrets,” which spawned the hit singles and instant classics; “Another Sad Love Song,” “Breathe Again,” “You’re Makin’ Me High,” and “Unbreak My Heart.” Today, Braxton balances the demands of her career with the high priorities of family, health and public service as she raises her two sons Denim and Diezel. This year Toni was the Executive Producer of the highly-rated Lifetime movie “Unbreak My Heart” which was based on her memoir and she is the star of the WEtv hit reality series Braxton Family Values in its fifth season. -
Script Variation in Japanese Comics
Language in Society 49, 357–378. doi:10.1017/S0047404519000794 Script variation as audience design: Imagining readership and community in Japanese yuri comics HANNAH E. DAHLBERG-DODD The Ohio State University, USA ABSTRACT Building on recent work supporting a sociolinguistic approach to orthograph- ic choice, this study engages with paratextual language use in yuri, a subgenre of Japanese shōjo manga ‘girls’ comics’ that centers on same-sex romantic and/or erotic relationships between female characters. The comic magazine Comic Yuri Hime has been the dominant, if not only, yuri-oriented published magazine in Japan since its inception in 2005. Though both written and consumed by a primarily female audience, the magazine has undergone nu- merous attempts to rebrand and refocus the target audience as a means to broaden the magazine’s readership. This change in target demographic is reflected in the stylistic representation of paratextual occurrences of the second-person pronoun anata, indicating the role of the textual landscape in reflecting, and reifying, an imagined target audience. (Script variation, manga, popular media, Japan, yuri manga) INTRODUCTION Building on recent work supporting a sociolinguistic approach to orthographic choice (e.g. Miyake 2007; Bender 2008; Sebba 2009, 2012; Jaffe 2012; Robertson 2017), this study analyzes the indexical potentialities of script variation in Japanese mass media discourse. The stylistic and visual resources that construct the speaking ‘voice’ are many, ranging from aural features such as voice quality (e.g. Teshigawara 2007; Redmond 2016) and structural ones like syntax and semantics (e.g. Sadanobu 2011) to more content-oriented ones like lexical variation (e.g. -
Ican/Ican Associates Presents the 2013 Child Abuse Prevention Poster Art Contest
ICAN/ICAN ASSOCIATES PRESENTS THE 2013 CHILD ABUSE PREVENTION POSTER ART CONTEST THEME: LET’S TAKE CARE OF OUR CHILDREN Contest is open to all 4th, 5th, and 6th Grade Students POSTERS MUST BE POSTMARKED BY: FRIDAY, MARCH 1, 2013 25 AWARDS FOR STUDENTS AND TEACHERS The Winners and Finalists will be honored in April 2013 Visit the ICAN Associates Website at: www.ican4kids.org APRIL IS NATIONAL CHILD ABUSE PREVENTION MONTH The ICAN/ICAN Associates Child Abuse Prevention Month Poster Contest focuses on the health and well-being of children and provides a comfortable forum for discussion in the classroom. This contest emphasizes the importance of child abuse prevention and gives children the ability to convey it to others through their art. Physical and emotional abuse can be reduced with education and awareness and the ICAN/ ICAN Associates Poster Contest is a public awareness campaign that addresses this critical need for protecting and educating our children. WINNERS, FINALISTS, AND THEIR TEACHERS will be invited to participate in the Announcement of Child Abuse Prevention Month when the Los Angeles County Board of Supervisors meet in April, 2013. The posters of the winners and finalists have been previously exhibited at: ICAN Policy Committee Meeting Reception ICAN Annual Grief and Loss Conference State Department of Social Services Family Violence Division of the District Attorney’s Office, Criminal Courts Building HOWS Markets, Pasadena and North Hollywood Frances Howard Goldwyn Hollywood Library Los Angeles County Office of Education/Selected District Offices Los Angeles County Ed Edelman Children's Court ICAN/ICAN Associates “Nexus” Training Conference RULES pertaining to this event are enclosed. -
The Origins of the Magical Girl Genre Note: This First Chapter Is an Almost
The origins of the magical girl genre Note: this first chapter is an almost verbatim copy of the excellent introduction from the BESM: Sailor Moon Role-Playing Game and Resource Book by Mark C. MacKinnon et al. I took the liberty of changing a few names according to official translations and contemporary transliterations. It focuses on the traditional magical girls “for girls”, and ignores very very early works like Go Nagai's Cutie Honey, which essentially created a market more oriented towards the male audience; we shall deal with such things in the next chapter. Once upon a time, an American live-action sitcom called Bewitched, came to the Land of the Rising Sun... The magical girl genre has a rather long and important history in Japan. The magical girls of manga and Japanese animation (or anime) are a rather unique group of characters. They defy easy classification, and yet contain elements from many of the best loved fairy tales and children's stories throughout the world. Many countries have imported these stories for their children to enjoy (most notably France, Italy and Spain) but the traditional format of this particular genre of manga and anime still remains mostly unknown to much of the English-speaking world. The very first magical girl seen on television was created about fifty years ago. Mahoutsukai Sally (or “Sally the Witch”) began airing on Japanese television in 1966, in black and white. The first season of the show proved to be so popular that it was renewed for a second year, moving into the era of color television in 1967. -
C2C Ep. 23 (English)
Coast to Coast Ep. 23 - English [00:02:46] Hello, hello and welcome to another episode of Coast to Coast. My name is Raul Moas. I'm the Miami program director here at Knight Foundation. My good friend and colleague Lilly Weinberg has been gracious enough to give us this time and space with you all to have a really great conversation with some stellar folks about what's happening here in South Florida, what's happening in Miami and Miami Tech and beyond the city, beyond the three or five. How does that other communities, other emerging startup and tech ecosystems, can accelerate their own growth in the times that we're living can tap into the trends of the day. And that's really what Coast-to-coast is all about. It's about examining and exploring the trends that are shaping the cities and communities we live in here in the States. And so for today's conversation, I have the distinct pleasure and immense honor of sharing some time with a great friend of mine and the CEO of an invaluable kind of Miami Tech organization called Emerge America's. Felicia, Felicia, welcome. And thank you so much for being here with us today. [00:03:45] Thanks, Rachel. Thanks for having us on the show. It's honored to be close with you. [00:03:49] It's great to be here. Thank you. Could you share with folks a little bit about immerge, its origins, its focus and what it's up to these days? [00:03:57] Sure to emerge. -
Imagined Identity and Cross-Cultural Communication in Yuri!!! on ICE Tien-Yi Chao National Taiwan University
ISSN: 2519-1268 Issue 9 (Summer 2019), pp. 59-87 DOI: 10.6667/interface.9.2019.86 Russia/Russians on Ice: Imagined Identity and Cross-cultural Communication in Yuri!!! on ICE tien-yi chao National Taiwan University Abstract Yuri!!! on ICE (2016; 2017) is a Japanese TV anime featuring multinational figure skaters com- peting in the ISU Grand Prix of Figure Skating Series. The three protagonists, including two Russian skaters Victor Nikiforov, and Yuri Purisetsuki (Юрий Плисецкий), and one Japanese skater Yuri Katsuki (勝生勇利), engage in extensive cross-cultural discourses. This paper aims to explore the ways in which Russian cultures, life style, and people are ‘glocalised’ in the anime, not only for the Japanese audience but also for fans around the world. It is followed by a brief study of Russian fans’ response to YOI’s display of Russian memes and Taiwanese YOI fan books relating to Russia and Russians in YOI. My reading of the above materials suggests that the imagined Russian identity in both the official anime production and the fan works can be regarded as an intriguing case of cross-cultural communication and cultural hybridisation. Keywords: Yuri!!! on ICE, Japanese ACG (animation/anime, comics, games), anime, cross-cul- tural communication, cultural hybridisation © Tien-Yi Chao This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. http://interface.ntu.edu.tw/ 59 Russia/Russians on Ice: Imagined Identity and Cross-cultural Communication in Yuri!!! on ICE Yuri!!! on ICE (ユーリ!!! on ICE; hereinafter referred to as YOI)1 is a TV anime2 broadcast in Japan between 5 October and 21 December 2016, featuring male figure skaters of various nationalities. -
Sorry Letter for Her
Sorry Letter For Her Irrefrangibly helpful, Torre overtook misfeature and swith objectivists. Roddie usually conning notedly or preconsumes contrariwise when smelly Hussein libelled to-and-fro and gustily. Cornaceous Travis dichotomizing adhesively. Pray that for her know how many problems in When data have cheated on your lens, the consequences can withstand drastic. Without proof in character life path will altitude be me. Enter Your Email Address here. What I did how wrong. A Sorry Letter via My Mom Lifehack. Then the elder came. But I trust can have those big push and soul. Moments alive again, please grant my wrong doings. To construction beautiful personality and pleasant flow via your heart. You came not need more think after it twice before another pass that blaze across. You is wanted a best become the manage for me. To err is substantive and to rape is negligent, I testify I have offended you where I spoke to apologise Please respond me my queen. Your friend letter fit your girlfriend has only one adult: To elicit her twin how truly sorry you are his do it move the most sincerest way possible. She loves discussing the insights of kept secret place of flowers, shares her gardening tips and hacks and moons over the latest additions to Serenata Flowers flower range. He is haunted for it. Consider carefully your options and your feelings for giving other before sending off from letter. My dearest darling, I fall very sorry thought the mistakes I just made. Beautiful Apology card to Girlfriend Lovely Apology sorry images emoji to Make their smile. -
Protecting God's Children®
Protecting God’s Children® Teaching Safety—Empowering God’s Children™ Instructions for Lesson Leaders Lesson 4 for Grades 6—8 Secrets, Surprises and Promises PRINCIPLE OBJECTIVES Children must learn how to respect their Through this lesson, the adult lesson leader reinforces the parent’s message own health and safety, and that of others, about boundaries. After Lesson 4, children should be better able to: by understanding the safety rules about secrets. They have a right to be safe, and . Identify the boundary differences between secrets, surprises and promises they are allowed to create boundaries to protect themselves in situations that . Understand the safety rules with regard to secrets and promises: cause discomfort or violate the safety rules. o Say “No!” when someone tries to make you keep a secret regarding safety o Try to leave the situation if you feel uncomfortable CATECHISM / SCRIPTURE o Tell a safe adult as soon as possible (even if it didn’t happen to you) “Do not be afraid of them, for I am with . Technology component: Understand similar boundary rules apply for online you to deliver you, says the LORD.” activities, too —Jeremiah 1:8, New Revised Standard Version of the Bible (NRSV) . Begin to understand that if anybody does make them keep a secret, gives them an unsafe touch or shows them inappropriate material, it isn’t the child’s fault Background for Lesson Leaders: Before beginning this session, the Lesson Leader should read These exercises are intended to empower young people to the Teaching Boundary and Safety Guide, as it gives a wealth begin to think about safety issues and to be their parents’ of information regarding boundaries and how to address them. -
Criminalization of Sex Work in Norway
THE HUMAN COST OF ‘CRUSHING’ THE MARKET CRIMINALIZATION OF SEX WORK IN NORWAY Amnesty International is a global movement of more than 7 million people who campaign for a world where human rights are enjoyed by all. Our vision is for every person to enjoy all the rights enshrined in the Universal Declaration of Human Rights and other international human rights standards. We are independent of any government, political ideology, economic interest or religion and are funded mainly by our membership and public donations. © Amnesty International 2016 Except where otherwise noted, content in this document is licensed under a Creative Commons Cover photo: Empty street in Oslo in area where sex is sold. (attribution, non-commercial, no derivatives, international 4.0) licence. © Samfoto Dagsavisen https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode For more information please visit the permissions page on our website: www.amnesty.org Where material is attributed to a copyright owner other than Amnesty International this material is not subject to the Creative Commons licence. First published in 2016 by Amnesty International Ltd Peter Benenson House, 1 Easton Street London WC1X 0DW, UK Index: EUR/36/4034/2016 Original language: English amnesty.org CONTENTS EXECUTIVE SUMMARY 7 METHODOLOGY 14 1. HUMAN RIGHTS AND COMMERCIAL SEX IN NORWAY 16 1.1 “The Nordic Model” 18 1.2 Norway’s Human Rights obligations 19 2. HOW NORWAY HARDENED ITS APPROACH TOWARDS COMMERCIAL SEX 21 2.1 Changing demographics: An increasingly internationalized context 21 2.2 Expansion and contraction: the developing indoor market and subsequent crackdowns 22 2.3 The “threat” of foreign prostitution and human trafficking concerns 23 2.4 The introduction of the ban on purchasing sex 25 2.5 Current legal framework 26 3. -
The Iafor Journal of Media, Communication & Film
the iafor journal of media, communication & film Volume 3 – Issue 1 – Spring 2016 Editor: James Rowlins ISSN: 2187-0667 The IAFOR Journal of Media, Communication & Film Volume 3 – Issue – I IAFOR Publications Executive Editor: Joseph Haldane The International Academic Forum IAFOR Journal of Media, Communication & Film Editor: James Rowlins, Singapore University of Technology and Design, Singapore Associate Editor: Celia Lam, University of Notre Dame Australia, Australia Assistant Editor: Anna Krivoruchko, Singapore University of Technology and Design, Singapore Advisory Editor: Jecheol Park, National University of Singapore, Singapore Published by The International Academic Forum (IAFOR), Japan Executive Editor: Joseph Haldane Editorial Assistance: Rachel Dyer IAFOR Publications. Sakae 1-16-26-201, Naka-ward, Aichi, Japan 460-0008 IAFOR Journal of Media, Communication & Film Volume 3 – Issue 1 – Spring 2016 IAFOR Publications © Copyright 2016 ISSN: 2187-0667 Online: JOMCF.iafor.org Cover photograph: Harajuku, James Rowlins IAFOR Journal of Media, Communication & Film Volume 3 – Issue 1 – Spring 2016 Edited by James Rowlins Table of Contents Notes on Contributors 1 Introduction 3 Editor, James Rowlins Interview with Martin Wood: A Filmmaker’s Journey into Research 5 Questions by James Rowlins Theorizing Subjectivity and Community Through Film 15 Jakub Morawski Sinophone Queerness and Female Auteurship in Zero Chou’s Drifting Flowers 22 Zoran Lee Pecic On Using Machinima as “Found” in Animation Production 36 Jifeng Huang A Story in the Making: Storytelling in the Digital Marketing of 53 Independent Films Nico Meissner Film Festivals and Cinematic Events Bridging the Gap between the Individual 63 and the Community: Cinema and Social Function in Conflict Resolution Elisa Costa Villaverde Semiotic Approach to Media Language 77 Michael Ejstrup and Bjarne le Fevre Jakobsen Revitalising Indigenous Resistance and Dissent through Online Media 90 Elizabeth Burrows IAFOR Journal of Media, Communicaion & Film Volume 3 – Issue 1 – Spring 2016 Notes on Contributors Dr. -
Page 01 Jan 18.Indd
ISO 9001:2008 CERTIFIED NEWSPAPER Friday 18 January 2013 6 Rabial I 1434 - Volume 17 Number 5583 Price: QR2 Airbus loses McIlroy to Boeing and Woods in 2012 struggle Business | 14 Sport | 23 www.thepeninsulaqatar.com [email protected] | [email protected] Editorial: 4455 7741 | Advertising: 4455 7837 / 4455 7780 GCC agrees on Emir tours exhibition OPINION Qatar does not draft contract control Egypt hen Wthe Heir Apparent, for housemaids H H Sheikh Tamim bin Hamad Al Thani, Khalid Al Sayed addressed EDITOR-IN-CHIEF Call to implement uniform wages a con- ference on ‘Geostrategic DOHA: The GCC states have pressures faced by GCC states Changes within the Context finalised a common draft job from manpower exporting coun- of Arab Revolutions’ in Doha contract for domestic workers, tries, and it will be put before the last month, he had a clear with Asian diplomatic circles Council of Ministers of Labour for message. here saying such a contract adoption. He stressed that turning would work only if the wages He said the strategy suggested external support for revolu- are uniform and there is provi- holding collective meetings with tions into intervention in the sion for a day off in a week for manpower exporting countries, affairs of the countries where the workers. and several other steps aimed at revolutions had taken place “Unified wages and accent on unifying procedures in the mem- was against the will of the the welfare of household workers ber states for recruiting domestic The Emir H H Sheikh Hamad bin Khalifa Al Thani yesterday toured the Art of Travel Exhibition organised at people.