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Alter Ego #78 Trial Cover
Roy Thomas ’Merry Mar vel Comics Fan zine No. 50 July 2005 $ In5th.e9U5SA Sub-Mariner, Thing, Thor, & Vision TM & ©2005 Marvel Characters, Inc.; Conan TM & ©2005 Conan Properties, Inc.; Red Sonja TM & ©2005 Red Sonja Properties, Inc.; Caricature ©2005 Estate of Alfredo Alcala Vol. 3, No. 50 / July 2005 ™ Editor Roy Thomas Roy Thomas Associate Editors Shamelessly Celebrates Bill Schelly 50 Issues of A/E , Vol. 3— Jim Amash & 40 Years Since Design & Layout Christopher Day Modeling With Millie #44! Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Ronn Foss, Biljo White, Contents Mike Friedrich Production Assistant Writer/Editorial: Make Mine Marvel! . 2 Eric Nolen-Weathington “Roy The Boy” In The Marvel Age Of Comics . 4 Cover Artists Jim Amash interviews Roy Thomas about being Stan Lee’s “left-hand man” Alfredo Alcala, John Buscema, in the 1960s & early ’70s. & Jack Kirby Jerry Ordway DC Comics 196 5––And The Rest Of Roy’s Cover Colorist Color-Splashed Career . Flip Us! Alfredo Alcala (portrait), Tom Ziuko About Our Cover: A kaleidoscopically collaborative combination of And Special Thanks to: three great comic artists Roy worked with and admired in the 1960s and Alfredo Alcala, Jr. Allen Logan ’70s: Alfredo Alcala , John Buscema , and Jack Kirby . The painted Christian Voltan Linda Long caricature by Alfredo was given to him as a birthday gift in 1981 and Alcala Don Mangus showed Rascally Roy as Conan, the Marvel-licensed hero on which the Estelita Alcala Sam Maronie Heidi Amash Mike Mikulovsky two had labored together until 1980, when R.T. -
Play-Guide Sunshine-Boys-FNL.Pdf
TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit -
OAG Hearing on Interactions Between NYPD and the General Public Submitted Written Testimony
OAG Hearing on Interactions Between NYPD and the General Public Submitted Written Testimony Tahanie Aboushi | New York, New York I am counsel for Dounya Zayer, the protestor who was violently shoved by officer D’Andraia and observed by Commander Edelman. I would like to appear with Dounya to testify at this hearing and I will submit written testimony at a later time but well before the June 15th deadline. Thank you. Marissa Abrahams | South Beach Psychiatric Center | Brooklyn, New York As a nurse, it has been disturbing to see first-hand how few NYPD officers (present en masse at ALL peaceful protests) are wearing the face masks that we know are preventing the spread of COVID-19. Demonstrators are taking this extremely seriously and I saw NYPD literally laugh in the face of a protester who asked why they do not. It is negligent and a blatant provocation -especially in the context of the over-policing of Black and Latinx communities for social distancing violations. The complete disregard of the NYPD for the safety of the people they purportedly protect and serve, the active attacks with tear gas and pepper spray in the midst of a respiratory pandemic, is appalling and unacceptable. Aaron Abrams | Brooklyn, New York I will try to keep these testimonies as precise as possible since I know your office likely has hundreds, if not thousands to go through. Three separate occasions highlighted below: First Incident - May 30th - Brooklyn - peaceful protestors were walking from Prospect Park through the streets early in the day. At one point, police stopped to block the street and asked that we back up. -
UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title Political Intelligibility and the Performative Force of Assembly Permalink https://escholarship.org/uc/item/62t2t12z Author Liou, Stacey Publication Date 2020 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Political Intelligibility and the Performative Force of Assembly DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Political Science by Stacey Liou Dissertation Committee: Professor Kevin Olson, Chair Professor Simone Chambers Associate Professor Keith Topper © 2020 Stacey Liou DEDICATION To Ryan sine non qua ii TABLE OF CONTENTS Page ACKNOWLEDGMENTS iii VITA vi ABSTRACT OF THE DISSERTATION vii INTRODUCTION 1 CHAPTER 1 How Materiality Matters 21 CHAPTER 2 Collectivity as Performative Force 51 CHAPTER 3 Publicity and the Disorders of Desire 93 CHAPTER 4 Affect and Horizons of Concern 128 CONCLUSION 164 BIBLIOGRAPHY 170 iii ACKNOWLEDGMENTS I have been waiting a long time for this opportunity to acknowledge the generosity, guidance and company of friends, colleagues and family. A life spent between books and screen can be lonely, and I’m lucky that you all have made it richer and more rewarding for your presence. My first thanks are to Kevin Olson, Simone Chambers and Keith Topper. Kevin, Simone and Keith have challenged me to think coherently, precisely and creatively, and my intellectual development results in no small part from their tireless efforts in this regard. They model a form of scholarship committed to thoughtful, lively and fun conversation, and I only hope to follow the examples they have set. -
A Look at How Stan Lee Helped Create the Modern Superhero Movie. P4-5
Community Community The Day Precious That Went Gudza, P7Missing is P16 Zimbabwean a profoundly hairstylist in Doha, talks moving study of about her journey to memory, denial modern hairstyles and her and grief. future goals and aspirations. Thursday, November 15, 2018 Rabia I 7, 1440 AH Doha today: 240 - 320 COVER Lee’s legacy STORY A look at how Stan Lee helped create the modern superhero movie. P4-5 REVIEWS SHOWBIZ Widows elevates pulpy political All of us are here thriller to high art. to do a job: Sara. Page 14 Page 15 2 GULF TIMES Thursday, November 15, 2018 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 4.31am Shorooq (sunrise) 5.50am Zuhr (noon) 11.18am Asr (afternoon) 2.24pm Maghreb (sunset) 4.48pm Isha (night) 6.18pm USEFUL NUMBERS Bohemian Rhapsody turn Freddie, surrounded by darker infl uences, shuns Queen DIRECTION: Bryan Singer in pursuit of his solo career. Having suff ered greatly without CAST: Rami Malek, Lucy Boynton, Joseph Mazzello the collaboration of Queen, Freddie manages to reunite with SYNOPSIS: Bohemian Rhapsody is a foot-stomping his bandmates just in time for Live Aid. While bravely facing celebration of Queen, their music and their extraordinary a recent Aids diagnosis, Freddie leads the band in one of the lead singer Freddie Mercury. Freddie defi ed stereotypes and greatest performances in the history of rock music. Queen shattered convention to become one of the most beloved cements a legacy that continues to inspire outsiders, dreamers Emergency 999 entertainers on the planet. The fi lm traces the meteoric rise and music lovers to this day. -
The Artie Shaw Orchestra
The Artie Shaw Orchestra On the eve of America's entry into World War II, TIME magazine reported that to the German masses the United States meant "sky-scrapers, Clark Gable, and Artie Shaw." Some 42 years after that, in December l983, Artie Shaw made a brief return to the bandstand, after thirty years away from music, not to play his world-famous clarinet but to launch his latest (and still touring) orchestra at the newly refurbished Glen Island Casino in New Rochelle, New York. This new Artie Shaw Orchestra remains one of the swingingest outfits around. Featuring clarinetist Matt Koza, the group hews to the Shaw legacy, and continues with the time-tested formula that has always pleased a full spectrum of audiences from the “Begin the Beguine” fans of yesteryear to the new jazz fans who want to imbibe in an exciting and heady evening of Swing. A Brief History Artie Shaw was born in New York City on May 23, 1910 and was in the top echelon of bandleader/soloists from the great swing era of 1935-45. He made his first public appearance as a leader in 1936, in a Swing Concert (history’s first) held at Broadway’s Imperial Theatre. Shaw could scarcely have known that within a short time he would make a hit record of a song called “Begin the Beguine,” which he once jokingly refers to as “a nice little tune from one of Cole Porter’s very few flop shows.” Shortly before that he had hired Billie Holiday as his band vocalist (the first white bandleader to employ a black female singer as a full-time member of his band). -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Program to Recognize Excellence in Student Literary Magazines, 1985. Ranked Magazines. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 265 562 CS 209 541 AUTHOR Gibbs, Sandra E., Comp. TITLE Program to Recognize Excellence in Student Literary Magazines, 1985. Ranked Magazines. INSTITUTION National Council of Teachers of English, Urbana, PUB DATE Mar 86 NOTE 88p. PUB TYPE Reference Materials - General (130) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Awards; Creative Writing; Evaluation Criteria; Layout (Publications); Periodicals; Secondary Education; *Student Publications; Writing Evaluation IDENTIFIERS Contests; Excellence in Education; *Literary Magazines; National Council of Teachers of English ABSTRACT In keeping with efforts of the National Council of Teachers of English to promote and recognize excellence in writing in the schools, this booklet presents the rankings of winning entries in the second year of NCTE's Program to Recognize Excellence in Student Literary Magazines in American and Canadian schools, and American schools abroad. Following an introduction detailing the evaluation process and criteria, the magazines are listed by state or country, and subdivided by superior, excellent, or aboveaverage rankings. Those superior magazines which received the program's highest award in a second evaluation are also listed. Each entry includes the school address, student editor(s), faculty advisor, and cost of the magazine. (HTH) ***********************************************w*********************** * Reproductions supplied by EDRS are the best thatcan be made * * from the original document. * *********************************************************************** National Council of Teachers of English 1111 Kenyon Road. Urbana. Illinois 61801 Programto Recognize Excellence " in Student LiteraryMagazines UJ 1985 U.S. DEPARTMENT OF EDUCATION NATIONAL INSTITUTE OF EDUCATION EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) Vitusdocument has been reproduced as roomed from the person or organization originating it 0 Minor changes have been made to improve reproduction Quality. -
Stan Lee Delights Student Crowd with Insights Into Comic Books
---------------- - --- ~-~ ~- -------------- Sondej to end food collections; called 'most effective teacher' by Peter Arndt Notre Dame graduates. He lived based in New York City committed ! Staff Reporter modestly off-campus, simply work to grass roots lobbying for the ing in the dining halls and doing hungry. Steve Coats, assistant to The most effective teacher on odd jobs. the director of the organization, campus, according to Fr. Robert His influence has not been said Sondej is a "phenomenal Griffin, C.S.C., is not one with a confined solely to the students of person." Coats continued, "For Ph.D. or any other degree. He's Notre Dame. According to Ed one person to collect so much in not a paid member of the faculty Wilson, Director of the Food Action two years by himself is a phenom t staff, and yet he's taught so many. Center at the National Student enal thing in itself. Al's work has He has taught the difference a life Association in Washington, D.C., been what I think was a successful can make. "He's showed that the U.S. educa attempt to bring together people to We've all seen him. He used to tional system, which is the richest work for hunger." 1stand outside the North Dining Hall and biggest in the world, can give Fr. William Toohey, director of at lunch and at the South Dining so much without knowing it. It Campus Ministry. when asked Hall during dinner, every day, rain takes a lot of guts to do what AI about Sondej's departure. -
This Session Will Be Held at 6PM, So Join Us in the Showroom (35045 Plymouth Road, Livonia MI 48150) Or Live Online Via Proxibid
Silver Age Spider-Man & Friends with 60s Toys 9/28/2019 This session will be held at 6PM, so join us in the showroom (35045 Plymouth Road, Livonia MI 48150) or live online via Proxibid! Follow us on Facebook and Twitter @back2past for updates. Visit our store website at GOBACKTOTHEPAST.COM or call 313-533-3130 for more information! (Showroom Terms: No buyer's premium!) Get the full catalog with photos, prebid and join us live at www.proxibid.com/backtothepast (See site for terms) LOT # LOT # 1 Auctioneer Announcements 16 Amazing Spider-Man #47/Green Goblin Andy-Man, Andy-Man, does whatever a Montanan can, tames a Shows as sharp VF copy but has 2 inch tear along center of bottom bear any size, catches fish just like flies. cover. 2 Amazing Spider-Man #1/1966 CGC 6.5 17 Amazing Spider-Man #48/The Vulture Not the original…..but the next best thing. Golden Record reprint F/F+ condition. edition with off-white to white pages. 18 Buddy L Texaco Tanker Truck 3 Amazing Spider-Man #32/1966/Ditko Art Vintage pressed steel truck. Exhibits scuffs, scratches and other Classic Silver age in VG+ condition. wear, missing 1 axle/tire assembly on the trailer. Otherwise 4 Amazing Spider-Man #33/1966/Classic Cover complete and in generally good used condition. Please inspect VG/VG+ condition. photos for overall condition. 5 Amazing Spider-Man #34/1966/4th Kraven 19 Amazing Spider-Man #49/Kraven The Hunter VG/VG+ condition. VG/VG+ condition. 6 Flash #116/1960 Early Silver Age DC 20 Amazing Spider-Man #52/1st J. -
Broadway Theatre
Broadway theatre This article is about the type of theatre called “Broad- The Broadway Theater District is a popular tourist at- way”. For the street for which it is named, see Broadway traction in New York City. According to The Broadway (Manhattan). League, Broadway shows sold a record US$1.36 billion For the individual theatre of this name, see Broadway worth of tickets in 2014, an increase of 14% over the pre- Theatre (53rd Street). vious year. Attendance in 2014 stood at 13.13 million, a 13% increase over 2013.[2] Coordinates: 40°45′21″N 73°59′11″W / 40.75583°N The great majority of Broadway shows are musicals. His- 73.98639°W torian Martin Shefter argues, "'Broadway musicals,' cul- minating in the productions of Richard Rodgers and Os- car Hammerstein, became enormously influential forms of American popular culture” and helped make New York City the cultural capital of the nation.[3] 1 History 1.1 Early theatre in New York Interior of the Park Theatre, built in 1798 New York did not have a significant theatre presence un- til about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 peo- ple. They presented Shakespeare plays and ballad op- eras such as The Beggar’s Opera.[4] In 1752, William The Lion King at the New Amsterdam Theatre in 2003, in the Hallam sent a company of twelve actors from Britain background is Madame Tussauds New York to the colonies with his brother Lewis as their manager. -
~He Journal of ==
~he Journal of == RECORDING· THE' ELECTRICAL' ERA VOL: XXIX WASHINGTON, D . C. , JUNE, 1930 NO. 6 l I UNIONS 4D.d the PUBLIC Izaier6st Also Resu.lt. if Referendufll 'kte All Sizes and Styles of life Insurance and Policyholders First, because smollest, comes the baby .. Sisler and brother, large enough to go Even the littlest one can have a savings to school. can also ha\'C Mvings policies. policy, and it may be c\"cn as small as or can be slarted young for regular $100 or vcry much larger. insurance at low cost. Another father is thinking of a home Father and mother would like a joint Hafcguard policy. as well as protection life policy for husband and wife. as well for his loved ones, and his policies can as the separate policies they carry. be issued for almost any amount he is able to carry. The business woman, or "poor working Then the group oC men, working to girl," of today carries almost as much gether or belonging to the same trade insurance as the men, and in some cases organization, may obtain the low-cost carries much larger policies than men group life insurance which is so desir earning similar salaries. able to supplement their other policies . • • In other words, Union Cooperative issues policies for anyone who qualifies as a good insurance risk, and for almost any amount that is desired, beginning with $100 for the babies, but not ending there even for the babies. Think it over, and then write for information and rates. Union Cooperative Insurance A ssociation 1200 Fifteenth Street N.