DOCSLIB.ORG

Our New Acquisitions the St. Edmund Hall Ceri Richards Altarpiece Newsletter 15 — Spring 2016 Running Head 1 Dr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Our New Acquisitions the St. Edmund Hall Ceri Richards Altarpiece Newsletter 15 — Spring 2016 Running Head 1 Dr NO.15 — SPRING 2016 NEWSLETTER £1.00 WHERE SOLD Enhancing the Collection: Our New Acquisitions The St. Edmund Hall Ceri Richards Altarpiece Newsletter 15 — Spring 2016 Running Head 1 Dr. Jonathan Koestlé-Cate on Contemporary Art and Sacred Places NO.15 — SPRING 2016 DEAR FRIEND THE COLLECTION ON FILM Once again, it gives me great Friends who have been with us for the past few years may recall that those pleasure to bring you the responsible for hosting the Collection in Preston, in 2012, put together some first Newsletter of 2016. Our delightful footage. This highlighted the part played by the Methodist Modern dedicated production team at Art Collection in that year’s City’s Guild Celebrations. A substantial part of Cultureshock Media continue the Collection was on display, under the title ‘Visible Faith’, at St. Peter’s Art to do a marvellous job for us, Centre, Lancaster University. as I’m sure you will agree. They Those of you who regularly visit our website will, no doubt, are currently working hard already have taken the opportunity to view a similar, recent initiative; on the 2015 Annual Report an excellent short film that was produced ahead of the visit of the which you should be receiving Collection to Lincoln where it is currently on exhibition at the (electronically via MailChimp in Cathedral and ‘The Collection’. Well worth five minutes of your time, if the majority of cases) within a you have not already done so. couple of months. We are delighted to confirm that while the Collection is at Bath We have no Exhibition Abbey, over the month of October, we shall be engaging the services of Reports to feature in this an experienced team of documentary film makers. They will put together edition although, of course, an enduring record of the impact that the Collection makes on its travels; the Collection can currently be a valuable archive that could, in the future, be a means of promoting the viewed in the city of Lincoln. Collection to an even wider audience. It would also be made available to It then moves on to Ealing prospective exhibition curators and their organising committees. Our ever- prior to a lengthy summer stay helpful team from Cultureshock Media will mastermind the production in the popular seaside resort and have secured the services of Tim Marlow to present this documentary. of Llandudno. The plan is to Tim is currently Director of Artistic Programmes at the Royal Academy complete the year with an of Arts and is a highly regarded writer and broadcaster who has worked exhibition in Bath, a World extensively for the BBC, C4, C5 and, most recently, for Sky Arts. Heritage site, when Bath Abbey will be showing an extensive number of works. Managing Trustees of the Collection Dr John Gibbs (Chair/Treasurer), Revd Graham Kent (Secretary), Bob Williams (Secretary, Friends Group), Prof Ann Sumner, Meryl Doney, Sarah Middleton, Paul Bayley Administrator – Mary Roseweir Custodian – Dr Peter Forsaith Friends of the Methodist Modern Art Collection (The Supporters of the Methodist Modern Art Collection) Patrons: The President of Conference and The Very Revd Nick Bury Bob Williams Secretary to the Friends of the Collection and Newsletter Editor 11, Late Broads, Winsley Bradford-on-Avon, Wilts, BA15 2NW Phone: 01225 720188 Front cover: Ghislaine Howard, [email protected] panel from the artist's 365 Series Photo: Ghislaine Howard Produced by Cultureshock Media Art Director: Alfonso Iacurci Above: Richard Bavin (b. 1957), Designer: Helen McFarland The Empty Tomb, 2012. Watercolour www.cultureshockmedia.co.uk From the Methodist Modern Art Collection Enhancing the Collection OUR NEW ACQUISITIONS Occasionally the Collection is offered Collection artist, the late Michael works; the immediate response is to Edmonds (1926–2014), given by the say that the Trustees do not accept artist’s family in recognition of his donations. This is a necessary defence historic links with the Collection. against the Collection losing the quality A further new work, identified and focus for which it has become as People at the Stable, 1962, a print recognised. However, in recent months from one of his Nativity Series, by we have broken with this usual default Sadao Watanabe (1913–96) has also position and been delighted to enhance been acquired. This will, together the Collection with a number of gifts. with our other Watanabe work – the First, the generous donor of our Clive ever-popular Christ enters Jerusalem, Hicks-Jenkins (b.1951) work Christ writes make an interesting pair. The subject in the Dust – Woman taken in Adultery matter of Watanabe’s prints is almost 2011 has expressed a wish that we should exclusively the gospel rendered in the Philip Hagreen, Madonna and Child , From the Methodist Modern also now have the small, companion mingei (folk art) approach. Influenced Art Collection grisaille in oils; essentially a preliminary by Buddhist figure prints, Watanabe small work showing the male figure of was dedicated to translating biblical Christ. A second new work, a watercolour narrative into traditional Japanese painting by Richard Bavin, The Empty settings, with key characters often Tomb, 2012, has also been donated featured wearing kimonos. Kings had not been acquired – together in memory of our late trustee, Geoff Again, as regards potential gifts, they make a significant group to show Cornell. Richard Bavin is a well-known we sometimes have to say – tell us more. the work of one of the influential strands Herefordshire artist with a reputation for This was the case some ten years ago in British art and culture in the early capturing mood, light and atmosphere when we were approached at the start twentieth century, that simplicity and in his paintings of the landscape in and of an exhibition by someone who had strength in line and figure which can be around his home county and the border a quantity of Philip Hagreen prints: seen particularly in typefaces. country between Wales and England. his uncle had been Hagreen’s executor. After some delay, the six prints He also makes occasional forays into We were then offered a choice, and the acquired have now been framed to portraying elements of the Gospel Stories Trustees felt that these would, indeed, match that of the Gill. Peter Forsaith and we are singularly fortunate in having make a suitable adjunct to the Eric Gill’s terms these the Stations of the Nativity. acquired this particular work from the Annunciation, already an important A further frame awaits a print by David ‘Art of the Crucifixion and Eastertide’ component of the Collection. Hagreen Jones in the hope that the Collection exhibition held at the Monnow Valley (1890–1988) was much influenced by acquires one. Arts Centre in 2013. Gill and actually moved to Ditchling, We have also received the generous and later to Capel-y-ffin, to work with The Editor is indebted to our Custodian, donation of a small watercolour painting the master. At that stage the David Jones Peter Forsaith, for providing much of the – Crucifixion, dating from 1988 by woodblock for the print of the Three background information here. Newsletter 15 — Spring 2016 3 The Ceri Richards Altarpiece ST. EDMUND HALL, OXFORD Following a Trustees’ Meeting in Arriving at Emmaus, they invite Against the background of Oxford last June I, together with fellow their mysterious companion on the both the Caravaggio and Richards trustee Graham Kent, had occasion to journey to stay the night. At supper, images perhaps I can share with you a visit the Chapel at St. Edmund Hall, as Christ breaks bread, he is suddenly beautifully written piece that I recently to view their very fine Ceri Richards revealed to the two astonished came across – altarpiece; an opportunity not generally disciples, but then he vanishes. ‘On the long walk home from available to the public at large. It was, Caravaggio invests his pictures Jerusalem you are simply overcome indeed, a wonderful opportunity with a sense of powerful drama by with grief. You lost a friend just a few to compare this painting with the means of his handling of light and days ago. Not only a friend, but also Methodist Modern Art Collection’s shadow (chiaroscuro). The Richards’ your leader, your beloved teacher. And own little gouache on paper with its painting however, dependent as it is he didn’t simply die; he was executed pencilled notation at the base. This upon contrasting blocks of colour, in the most torturous, shameful way. would strongly suggest that it was achieves the same feeling of fleeting You’ve seen a lot in your lifetime, intended as a study for the altarpiece. tension and surprise, but in a very but the memories of Jesus’ ordeal are The altarpiece was, in fact, a different way. forever branded into your memory. At commission, the result of invitations The painting is divided into least your friend is with you – both to five very different artists to submit segments by a yellow cross, comprising a of you followed the teacher, with their proposals for a painting on this vertical shaft of light and the horizontal equal conviction and enthusiasm. So subject. Interestingly, the shortlist supper table. Christ is positioned you bear your grief together now. As included two other artists well against the cross, and he seems to loom you walk and walk through the long, known to those acquainted with the out from its light. The reaction of the rainy afternoon, you encourage better Methodist Modern Art Collection, disciples is two-fold. In the foreground, memories – of all that the teacher said, namely Roy de Maistre and Theyre the disciple in blue sees Christ in a flash of the people you know whom Jesus Lee-Elliott.
Load more

Recommended publications
  • Impressionist and Modern Art Introduction Art Learning Resource – Impressionist and Modern Art
    art learning resource – impressionist and modern art Introduction art learning resource – impressionist and modern art This resource will support visits to the Impressionist and Modern Art galleries at National Museum Cardiff and has been written to help teachers and other group leaders plan a successful visit. These galleries mostly show works of art from 1840s France to 1940s Britain. Each gallery has a theme and displays a range of paintings, drawings, sculpture and applied art. Booking a visit Learning Office – for bookings and general enquires Tel: 029 2057 3240 Email: [email protected] All groups, whether visiting independently or on a museum-led visit, must book in advance. Gallery talks for all key stages are available on selected dates each term. They last about 40 minutes for a maximum of 30 pupils. A museum-led session could be followed by a teacher-led session where pupils draw and make notes in their sketchbooks. Please bring your own materials. The information in this pack enables you to run your own teacher-led session and has information about key works of art and questions which will encourage your pupils to respond to those works. Art Collections Online Many of the works here and others from the Museum’s collection feature on the Museum’s web site within a section called Art Collections Online. This can be found under ‘explore our collections’ at www.museumwales.ac.uk/en/art/ online/ and includes information and details about the location of the work. You could use this to look at enlarged images of paintings on your interactive whiteboard.
    [Show full text]
  • Ceri Richards at the National Museum and Gallery Cardiff
    Themes and Variations Ceri Richards at the National Museum and Gallery Cardiff 27 July - 27 October 2002 Education Pack Content 1. Ceri Richards 2. Relief Constructions and Paintings 1934-39 3. The Cycle of Nature 1943-1969 4. Music, Light and Colour 1949 - 1953 5. Music and Nature (La Cathédrale engloutie) 1957 - 1962 6. Encore 7. Ideas for Practical Work 8. Useful Vocabulary 9. Education Programme 10. Where to find further information AMGUEDDFEYDD AC ORIELAU CENEDLAETHOL CYMRU NATIONAL MUSEUMS & GALLERIES OF WALES Ceri Richards Ceri Richards was born in Dunvant near Swansea in 1903. His father was a tin plate worker and music and poetry formed an important part of every day life. His father conducted the local choir and Ceri Richards was taught to play the piano. Aspects of this Welsh childhood, of music, poetry and nature influenced his art throughout his life. It became the source of inspiration for his painting, drawing, printmaking and constructions. On leaving secondary school he was apprenticed to an electrical engineer. He attended evening class to study engineering drawing. He soon realised that drawing not engineering was his main interest and became a full time student at the Swansea School of Art in 1921. It was during a Summer School in 1923 at Gregynog that Ceri Richards encountered for the first time modern art. Gregynog was the home of Gwendoline and Margaret Davies It was there that he saw for the first time works of art by great European artists. He was especially drawn to the work of Claude Monet. He then moved from Swansea to the Royal College of Art.
    [Show full text]
  • Kyffin Williams and Welsh Art
    Gareth Lloyd Roderick Kyffin Williams Online at the National Library of Wales: presenting and interpreting art in a digital context. 0 1 Mandatory Layout of Declaration/Statements Word Count of thesis: 82,423 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed ....................................................... (candidate) Date .......................................................... STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where *correction services have been used, the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed ..................................................................... (candidate) Date ........................................................................ [*this refers to the extent to which the text has been corrected by others] STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ..................................................................... (candidate) Date ........................................................................ 2 Acknowledgements I would like to thank my supervisors, Professor Robert Meyrick and Professor Lorna Hughes for their help, guidance
    [Show full text]
  • Cardiff and South Wales Monday 08 - Friday 12 May 2017
    Cardiff Castle Cardiff and South Wales Monday 08 - Friday 12 May 2017 MONDAY 08 MAY 2017 We will meet at Cardiff railway station at 13.00 (Royal Academy representatives will wait for the train arriving from London Paddington at 12.52). Our local coach will be waiting for us and after loading our luggage we will travel a short distance to Le Bistrot Pierre where lunch will be taken. This afternoon will begin with a visit to Llandaff Cathedral for an art and architecture guided tour focusing on the Cathedral’s intriguing mix of Norman, Early Gothic and modern architecture, and the wonderful Pre-Raphaelite art, Victorian and modern windows, with artist’s such as Rosetti, Burne Jones, Piper and Madox Brown represented. Located in the ancient “City of Llandaff”, now a suburb or Cardiff, the present cathedral dates from 1107 when Bishop Urban, the first Bishop appointed by the Normans, instigated the building of a much larger church, there already being an edifice on the site. The Cathedral was extended and widened and a new West front built in around 1220; the front is judged by many to be one of the two or three most notable mediaeval works of art and architecture in Wales. For over 200 years following the reign of King Henry VIII the building fell into a state of near-ruin, however, in the early 19th century, growing prosperity in the Diocese made possible a fresh restoration undertaken by J F Seddon and John Pritchard. Following our visit we will rejoin our coach for the short housing the debating chamber and three committee rooms for journey to the 4 star New House Country Hotel, where the National Assembly for Wales and also known as the we will check in for 4 nights’ accommodation.
    [Show full text]
  • The Interwar Years,1930S
    A STROLL THROUGH TATE BRITAIN This two-hour talk is part of a series of twenty talks on the works of art displayed in Tate Britain, London, in June 2017. Unless otherwise mentioned all works of art are at Tate Britain. References and Copyright • The talk is given to a small group of people and all the proceeds, after the cost of the hall is deducted, are given to charity. • My sponsored charities are Save the Children and Cancer UK. • Unless otherwise mentioned all works of art are at Tate Britain and the Tate’s online notes, display captions, articles and other information are used. • Each page has a section called ‘References’ that gives a link or links to sources of information. • Wikipedia, the Oxford Dictionary of National Biography, Khan Academy and the Art Story are used as additional sources of information. • The information from Wikipedia is under an Attribution-Share Alike Creative Commons License. • Other books and articles are used and referenced. • If I have forgotten to reference your work then please let me know and I will add a reference or delete the information. 1 A STROLL THROUGH TATE BRITAIN • The Aesthetic Movement, 1860-1880 • Late Victorians, 1880-1900 • The Edwardians, 1890-1910 • The Great War and After, 1910-1930 • The Interwar Years, 1930s • World War II and After, 1940-1960 • Pop Art & Beyond, 1960-1980 • Postmodern Art, 1980-2000 • The Turner Prize • Summary West galleries are 1540, 1650, 1730, 1760, 1780, 1810, 1840, 1890, 1900, 1910 East galleries are 1930, 1940, 1950, 1960, 1970, 1980, 1990, 2000 Turner Wing includes Turner, Constable, Blake and Pre-Raphaelite drawings Agenda 1.
    [Show full text]
  • Llyfrgell Genedlaethol Cymru = the National Library of Wales
    Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Ceri and Frances Richards MSS, (GB 0210 MSCERICH) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 06, 2017 Printed: May 06, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows NLW guidelines based on ISAD(G) 2nd ed.; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/ceri-and-frances-richards-mss archives.library .wales/index.php/ceri-and-frances-richards-mss Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Ceri and Frances Richards MSS, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 4 Nodiadau | Notes ............................................................................................................................................
    [Show full text]
  • 1. National Museum Cardiff a Surprise Around Every Corner Introduction. 2
    A surprise around every corner Introduction. 1. National Museum Cardiff 2. One Kingsway Millennium Centre National Museum Wales Nereid TIME: 2.5 hours Start on Gorsedd Gardens Road outside Amgueddfa Genedlaethol From the Museum head down Ffordd Y Brenin until you reach the START: National Museum Wales Caerdydd, National Museum Cardiff one of several fine Welsh muse- office block, One Kingsway. Here you will see a thin, elegant figure FINISH: Cardiff Bay ums. This impressive building houses the first oil painting by Picasso holding a bird in her left hand, a little like Picasso’s famous dove of MILES: 2.6 miles ever to enter a Welsh public collection. Still Life with Poron was bought peace. This is Nereid (1996) by Nathan David, and that curved form by the museum in 2009. It was painted in Paris in 1948 and references she’s standing on is a wave, hence the fish at her feet. the hugely influential artistic style which Picasso developed 40 years This architecture and design-rich walk will take you through the Welsh earlier: Cubism. capital, from one of the best museums in the UK to one of the architec- Keep walking until you reach Queen Street and turn left. Continue tural wonders of the modern world. Along the way you will encounter Picasso was a powerful influence on British artists in the late 1940s. down Queen Street, and take the third right into Churchill Way. surreal giant fists, stunning futuristic buildings and a gigantic hidden Take a look at the works here in the museum by the Welsh painters egg.
    [Show full text]
  • Paintings by Streeter Blair (January 12–February 7)
    1960 Paintings by Streeter Blair (January 12–February 7) A publisher and an antique dealer for most of his life, Streeter Blair (1888–1966) began painting at the age of 61 in 1949. Blair became quite successful in a short amount of time with numerous exhibitions across the United States and Europe, including several one-man shows as early as 1951. He sought to recapture “those social and business customs which ended when motor cars became common in 1912, changing the life of America’s activities” in his artwork. He believed future generations should have a chance to visually examine a period in the United States before drastic technological change. This exhibition displayed twenty-one of his paintings and was well received by the public. Three of his paintings, the Eisenhower Farm loaned by Mr. & Mrs. George Walker, Bread Basket loaned by Mr. Peter Walker, and Highland Farm loaned by Miss Helen Moore, were sold during the exhibition. [Newsletter, memo, various letters] The Private World of Pablo Picasso (January 15–February 7) A notable exhibition of paintings, drawings, and graphics by Pablo Picasso (1881–1973), accompanied by photographs of Picasso by Life photographer David Douglas Duncan (1916– 2018). Over thirty pieces were exhibited dating from 1900 to 1956 representing Picasso’s Lautrec, Cubist, Classic, and Guernica periods. These pieces supplemented the 181 Duncan photographs, shown through the arrangement of the American Federation of Art. The selected photographs were from the book of the same title by Duncan and were the first ever taken of Picasso in his home and studio.
    [Show full text]
  • One Day, Something Happens: Paintings of People
    One Day, Something Happens: Paintings of People Education information pack Contents Page How to use this pack 2 The Arts Council Collection 2 Introduction to the exhibition 3 Artists and works in the exhibition 5 Glossary of art terms and movements 31 In the gallery – looking at the exhibition 37 Project and activity ideas: 38 Art as storytelling 39 Moments in time – movement and stillness 42 Real people, invented characters 45 A true likeness 48 Expression and abstraction 50 Being human – the inside view 53 Seeing and being seen 55 Art as social documentary 59 Useful websites and further reading 62 Jennifer Higgie – exhibition catalogue essay 63 1 How to use this pack This pack is designed for use by teachers and other educators including gallery education staff. It provides background information about the exhibition and the exhibiting artists, as well as a glossary of key terms and art movements. The pack also contains a selection of project ideas around some key themes. As well as offering inspiration for art, One Day, Something Happens: Paintings of People also links well to literacy, drama, history and geography. The project suggestions are informed by current National Curriculum requirements and Ofsted guidance. They are targeted primarily at Key Stage 2 and 3 pupils, though could also be adapted for older or younger pupils. They may form part of a project before, during, or after a visit to see the exhibition. Information in the pack will also prove useful for pupils undertaking GCSE and ‘A’ level projects. This education information pack is intended as a private resource, to be used for educational purposes only.
    [Show full text]
  • The Swansea Gang Written by Bernard Mitchell
    The Swansea Gang Written by Bernard Mitchell Reproduced with kind permission of Planet – The Welsh Internationalist Magazine (Article first published – Planet Issue 120) The accident of your place of birth is a funny thing. Who would think, when travelling down the valley through the grimy terraces of Plasmarl and the Hafod, that you would emerge to the freedom of the Bay and the ever-changing sea? Out of this magical place came a group of people whose creative talents would help to change our view of Wales. But the fact that they were all born in Swansea was not the only common factor. It was, more importantly, the poetry and friendship of Dylan Thomas which acted as a catalyst to their individual work. Perhaps this story should really start at “Ralph the Books”, Alexandra Road. Walking past the newspapers, cigarettes and washing line of dirty mags, I entered an Aladdin’s cave, past 1/- paperbacks into a darkly lit emporium where on a wall of books above a small paper sign stating “Welsh” hung a small oil of Dylan. This was my introduction to the man. I never met him in real life. Further down the road, opposite the Library and School of Art, is the Glynn Vivian Art Gallery; never changing, it stood then as a memorial to art, gilded portraits of the dead, and paperweights preserved in aspic. Out of this graveyard burst, with all the joy of spring, the work of Ceri Richards with his bright and erotic paintings. It was 29th of April 1965, my birthday.
    [Show full text]
  • Download Publication
    -,,~COUNCIL =;1 V + r 'Sir Kenneth Clark, K .C .B., LL .D . F .B .A . (Chairman ) *Wyn Griffith, O .B.E ., D .Litt . Wise-Chrrirrnan l The Countess of Albemarle Captain Sir Cecil Graves, K .C .M .G ., M .C . Richard Capell, 0-B .E ., M .M- Benn Levy . M .S .E . *Professor William Coldstream, C .B .E. Captain Sir John McEwen, Bt ., D . L ., J .P . 'Joseph Compton, C.B .E . Professor Anthony Lewis, Mus . B . •Edric Cundell, C .B.F . George T . McGlashan, C .B.E ., J .P . B. Ifor Evans, D .Lit ., F .R .S .L . John Newso m The Lady Fermoy, O .B .E . Lady Ogitvi c • Member gfL.xeturive CanimWee SCOTTISH CONt!~fiTTE E George T . McG€ashan . C .B .L ., J .P . (Chairorari ) D . K . BaKandu€€ Robert Kemp Mrs. Rona May or Colin Chandler Captain Sir John McEwen . Bt . John Nobl e Ian Finlay D, L ., J .P . J. R . Peddic, C .B .E ., D .Litt . Captain Sir Cecil Graves, The Rev . George F . MacLeod, Miss Isabel L . Sinclai r K .C_M .G ., M .C . M .C ., D .D . William Wilson, R .S .A . J . A . Henderson Hugh Marshal l WELSH CONUMITTE E Wyn Griffith, O .B .E ., D .Litt . IChairman l The Marquess of Anglesey David Dilwyn John, T .D ., Manse] Thomas, B .Mus. , Mrs . Irene Edwards D . Sc ., F.M .A . F .R .A . M . T . L Ellis Professor Gwyn Jones Sir Wynn Wheldon . K .B .E . , C. E . Gitlins Saunders Lewis D .S,O ., LL .D . County Alderman Llewellyn D . H .
    [Show full text]
  • Download the Full Catalog
    Film Catalog Copyright 2007 Arts on Film Archive Title Date Director Synopsis Artists Must Live 1953 John Read The role of the artist in 20th century Britain, the problems faced by artists, (particularly those whose work is less mainstream), and the opportunities offered by sponsors such as the Arts Council and the British Council and commercial companies; work featured is by Keith Vaughan (1912-1976), Reg Butler (1913-1981), Henry Moore (1898-1986), Graham Sutherland (1903-1980) Jacob Epstein (1880-1959), and others. Black on White. A review of some British cartoons and 1954 John Read Political caricature in Britain, featuring the work of WIlliam Hogarth (1697-1764), James Gillray (1757-1815), George Cruikshank (1792-1878), Australian-born Will Dyson caricatures of the last 200 years (1880-1938), New Zealander, David Low (1891-1963), and others. Graham Sutherland 1954 John Read The work of English painter, Graham Sutherland (1903-1980), showing examples of his landscapes, portraits, etc., and concluding with the artist describing his style and methods. John Piper 1955 John Read The work of British painter, John Piper (1903-1992), including architectural paintings, theatrical costume and set designs, abstract work, as well as a sequence showing the artist producing an aquatint. Stained Glass at Fairford 1956 Basil Wright A study of the mediaeval stained glass (1497) in the church of St Mary the Virgin, Fairford, Gloucestershire, explaining its design and use as an aid for Bible instruction. Vision of William Blake 1958 Guy Brenton The personal philosophy of English visionary painter and writer, William Blake (1757-1827) as expressed in his work.
    [Show full text]