Opening the Closed Society

Total Page:16

File Type:pdf, Size:1020Kb

Opening the Closed Society the the newsletter of the Center for the study of southern Culture • summer 2012 the university of mississippi Opening the Closed Society University Commemorates the 50 Years of Integration In September and October the universi- oir on the Oxford riot from his perspec- ty will commemorate the 50th anniver- tive in the military. sary of James Meredith’s entrance into Numerous campus programs in the university with a series of programs September and October will exam- titled Opening the Closed Society: 50 ine the law, race, the media, and high- Years of Integration at the University er education, some with emphasis on of Mississippi. Many events will come University of Mississippi events and together on Sunday, September 30, and some addressing broader issues. U.S. Monday, October 1, the anniversary Attorney General Eric Holder will dates of armed resistance to Meredith’s speak to the Sally McDonnell Barksdale admission to the university and the Honors College in a public event first day he attended classes. Events on on Thursday, September 27. In early September 30 and October 1 will in- September the Isom Center will host clude a walk across campus, a service U.S. marshals, there will be a public a talk by journalist and activist Imani led by religious leaders, major public walk with numerous alumni, students, Cheers on the role of minority women addresses, music, and the showing of friends, and faculty to express solidar- in the media. There are special exhibi- a new documentary on the events sur- ity with the goals of equality and op- tions developed by Special Collections rounding Meredith’s admission. portunity in education. The walk will in the J.D. Williams Library and by the On Sunday evening, September include music from the University of art department in Meek Hall. 30, a number of religious groups will Mississippi Gospel Choir on the steps The Center for the Study of Southern lead a service entitled “Praise, Prayer, of the Lyceum, and it will end at the Culture will contribute to the commem- Progress: Celebrating 50 Years of Gertrude Ford Center for a major ad- oration through a series of Brown Bag Integration” at the Gertrude Ford dress by Harry Belafonte, a musician talks and other programs. A September Center for the Performing Arts, and a and activist very involved in civil rights 19 lecture by Jackson State’s Robby Walk of Reconciliation will bring to- activities in Mississippi. Luckett will address Margaret Walker gether numerous groups to the steps of Other events on October 1 include a Alexander’s role in civil rights work, the Lyceum to commemorate the an- dedication by the Black Student Union, and on September 26 a talk by Faulkner niversary. Later that evening the Ford a conversation with John Doar, the as- scholar Robert Hamblin, a 1962 student Center will show a new documentary sistant attorney general for civil rights at the University of Mississippi, will dis- film, produced by Matthew Graves of who represented the U.S. government cuss his memories of campus events. On Media and Documentary Projects, on by accompanying James Meredith in October 3 Ellen Meacham will discuss the events of fall 1962. his admission to the university, and a her study of Robert Kennedy’s work in On Monday, October 1, to note that presentation at the Overby Center by James Meredith walked alone or with Henry Gallagher, author of a new mem- continued on page 19 the D IRECTOR ’ S C OLUMN Published Quarterly by It is hard to quote the most musical phrase about summer and the South, The Center for the Study of Southern Culture “Summertime and the livin’ is easy,” without starting a long Southern Studies discussion. The University of Mississippi The 1930s Gershwin song from Porgy and Bess, the Dubose Heyward/George Gershwin Telephone: 662-915-5993 opera, raises numerous issues about race, regional identity, gender and parenting, the- Fax: 662-915-5814 E-mail: [email protected] ology, irony, labor, fish, and cotton. We might consider whether we are thinking about www.southernstudies.olemiss.edu the song on stage or a version by Louis Armstrong or Miles Davis or Sam Cooke or Ella www.facebook.com/SouthernStudies Fitzgerald or someone else, and I expect that social media will soon be bringing me other versions. Aside from the music itself, the phrase encourages thinking about the various IN THIS ISSUE meanings of summer and likely the definitions of “livin’” and “easy.” Summer 2012 It should be no secret that college professors have bad habits. One is that, at least 1 Opening the Closed Society: University among ourselves, we tend to talk about our summers in terms of finished projects— Commemorates the 50 Years of Integration 2 Director’s Column how many pages or articles or chapters or documentaries or book projects finished, 3 Living Blues News how many reviews of manuscripts, books, tenure files finalized. In early summer our 3 Blues and the Spirit Symposium Report expectations are high, far higher than the cotton in the song. We look forward to 4 Brown Bag Lunch and Lecture Series the opportunities to concentrate on scholarly work, but we can be uncomfortable 4 Gammill Gallery Exhibition Schedule with the idea that the livin’ is easy. The bad part of that habit is the pressure to write 5 2012 Eudora Welty Awards Winners and, if possible, to write a lot. The good part is that there are things we want to say, 5 Darren Grem Joins SST Faculty 6 2012 Southern Foodways Symposium and summer can give the time, if not always enough time, to say them. Speaker Preview Much of what goes on at the Center for the Study of Southern Culture in the sum- 7 Documentary Focuses on Integration of the mer differs relatively little from the fall and spring. So, one could say that while the University of Mississippi parking is easy, other parts of summertime forge ahead on regular schedules. There are 7 Gilder-Jordan Lecture in Southern History regular classes. Colleagues taught Southern Studies 101 and 102 classes this summer. 8 Southern Studies Alumni Are Busy Making Music and More There are special classes, like the workshop on foodways oral histories and the Gilder 10 Oxford Conference for the Book News Lehrman Institute class, in which five faculty and staff members led students in an ex- 10 Rare Exhibition of Estelle Faulkner Paintings amination of “Race and Ethnicity in the Modern South.” There are ambitious forms 11 Two Friends of Center, John Pilkington and of outreach like the English department’s Faulkner & Yoknapatawpha Conference Sue Hart, Pass Away and the Southern Foodways Alliance’s High on the Hog Field Trip to North Carolina. 12 From Beer Joint to Barbecue Temple: Leo & Susie’s Famous Green Top Bar-B-Que, Dora There are one-time events, like Southern Studies happy hours in Oxford, Jackson, Alabama and New Orleans, and the showing and discussion of a film on 1980s rock musicians. 13 SFA Film News Editing takes no summers off. Living Blues and Gravy require year-round work, 13 SFA Oral History Workshop Grows as does the Center’s new website. And this summer, likely for the last summer for 14 Get on the Southern BBQ Trail! the foreseeable future, there is encyclopedia work. Work on The New Encyclopedia 16 School’s Not Out for Summer: Teachers Learn about Race and Ethnicity of Southern Culture continues, and the final volumes are nearing completion, with 17 Small Town South: A Gammill Gallery plans for the 24th and final volume to be out in May 2013. Early congratulations to Exhibition the editors of that extraordinary project, and to the University of North Carolina 18 Mark Your Calendars! Press. And while the publication date for the Mississippi Encyclopedia is farther in the 18 Center Sponsors New Music Series future, we continue efforts to wrap up that project and send it to the University Press 19 Call for Papers: 2013 Faulkner & Yoknapatawpha Conference of Mississippi sometime this year. 20 Southern Studies Alumni in the Media This issue of the Southern Register mentions a number of events coming in the 21 Faulkner’s World: The Photographs of Martin J. fall: the events surrounding the commemoration of the 50th anniversary of James Dain—A Traveling Exhibition Meredith’s admission to the university, the Gilder-Jordan lecture by Grace Hale, the 21 Contributors Southern Foodways Symposium on barbecue, a new concert series, the Brown Bag 22 Reading the South 26 Mississippi Institute of Arts and Letters presentations, and Gammill Gallery exhibitions. We look forward to all of them and Awards Nominations Being Accepted to new classes and new and returning students. As I write in late summer, I would 27 13th Annual Faulkner Fringe Program also like summertime, whether to enjoy bad habits or good ones, to last a bit longer. Dedicated to Betty Harrington, John Pilkington, and Dean Faulkner Wells REGISTER STAFF One sad note for Southern Studies this summer is that Zandria Robinson, our col- Editor: James G. Thomas Jr. league and good friend for the last three years, is leaving the University of Mississippi Graphic Designer: Susan Bauer Lee Mailing List Manager: Mary Hartwell Howorth for a position at the University of Memphis.3 The McMullan Assistant Professor of Lithographer: RR Donnelley Magazine Group Southern Studies and Sociology, Zandria taught classes related to the urban South, The University complies with all applicable laws regard- migration, residential segregation, hip-hop, regional identity, and other topics, al- ing affirmative action and equal opportunity in all its ac- tivities and programs and does not discriminate against ways combining challenging scholarly inquiry with an extraordinary sense of humor.
Recommended publications
  • LOGAN MARSHALL-GREEN Jewel
    Festival de Cannes 2013 Un Certain Regard METROPOLITAN FILMEXPORT présente une production Millennium Films en association avec Rabbit Bandini Productions et Lee Caplin/Picture Corporation un film de James Franco AS I LAY DYING James Franco Tim Blake Nelson Danny McBride Logan Marshall-Green Ahna O’Reilly Jim Parrack Beth Grant Brady Permenter Scénario : James Franco, Matt Rager D’après le livre Tandis que j’agonise de William Faulkner Durée : 1h50 Notre nouveau portail est à votre disposition. Inscrivez-vous à l’espace pro pour récupérer le matériel promotionnel du film sur : www.metrofilms.com Distribution : Relations presse : METROPOLITAN FILMEXPORT MOONFLEET 29, rue Galilée - 75116 Paris Jérôme Jouneaux, Cédric Landemaine & Tél. 01 56 59 23 25 Mounia Wissinger Fax 01 53 57 84 02 10, rue d’Aumale - 75009 Paris Tél. 01 53 20 01 20 info@metropolitan -films.com cedric [email protected] Programmation : Partenariats et promotion : Tél. 01 56 59 23 25 AGENCE MERCREDI Tél. 01 56 59 66 66 1 L’HISTOIRE Après le décès d’Addie Bundren, son mari et ses cinq enfants entament un long périple à travers le Mississippi pour accompagner la dépouille jusqu’à sa dernière demeure. Anse, le père, et leurs enfants Cash, Darl, Jewel, Dewey Dell et le plus jeune, Vardaman, quittent leur ferme sur une charrette où ils ont placé le cercueil. Chacun d’eux, profondément affecté, vit la mort d’Addie à sa façon. Leur voyage jusqu’à Jefferson, la ville natale de la défunte, sera rempli d’épreuves, imposées par la nature ou le destin. Mais pour ce qu’il reste de cette famille, rien ne sera plus dangereux que les tourments et les blessures secrètes que chacun porte au plus profond de lui… 2 NOTES DE PRODUCTION « Il faut deux personnes pour faire un homme, mais il n’en faut qu’une pour mourir.
    [Show full text]
  • De9c1iptors Document Resume Vt 011 240
    DOCUMENT RESUME ED 041 122 VT 011 240 TTTLE Rehabilitation Research and Demonstration Grants, An Annotated Listing; And Cooperative Research and Demonstration Projects, A Listing. INSTITUTION Social and Rehabilitation Service (DHEW) , Washington, D.C. PUB DATE 68 NOTm, 243p. EDRS PRICE FDRS Price MF-$1.00 HC-$12.25 DE9C1IPTORS *Annotated Bibliographies, *Demonstration Projects, *Rehabilitation, *Research, *Research Projects ABSTRACT Prepared by the Social and Rehabilitation Service of the Department of Health, Fducation, and Welfare, this publication contains annotations of 5,1112 rehabilitation research and demonstration projects authorized from 1955 to 1968 by the 195L Amendments to the Vocational Rehabilitation Act and 143 cooperative research and demonstration projects authorized from 1962 to 1968 by Title XI, Section 1110 of the Social Security Act,as amended. The rehabilitation projects are grouped into 21 sections, and each annotation includes the name and address of the grantee, the project director, and a brief description of the project purpose. Also included are topical and numerical indexes. The cooperative projects are listed in numerical order, and each annotation contains the name and location of the grantee, the project director, title, and the expected completion date. Copies of completed projectsare available from the institution or agency listed for the project. (SB) -SOCIA'LAND' REHABILITATION 0SERVIOE RESEARCH., and, 4 DEMONSTRATION PROJECTS 96 8 1 A TA 4. AS \ gm* .'U.S.DEPARTENT OF \14 EALT11,,r,E1)UCIATION AND NVELFARE Social and Rehabilitation Service. DISCRIMINATION PROHIBITED--Title VI of the Civil Rights Act of 1964 states: "No person in the United States shall, on the ground of race, color, ornational origin, be excluded from participation in, be denied the benefits of, or be subject to discriminationunder any program or activity receiving Federal financial assistance".
    [Show full text]
  • Requiem for a Lawsuit
    Fair use Requiem for a lawsuit Weil, Gotshal & Manges’ Randi W Singer and Olivia J Greer discuss Faulkner Literary Rights’ loss against Sony’s use of a nine-word quote In July, a federal court in Mississippi dismissed a lawsuit brought the four factor test set out in section 107.6 Central to the court’s finding by the estate of William Faulkner, challenging the use of a nine- was its analysis of the first factor – the purpose and character of the word quote from a Faulkner novel, spoken by Owen Wilson in use. The court found that the new work “undoubtedly” transformed the Woody Allen film, Midnight in Paris. the original work, “add[ing] something new, with a further purpose or In an amusing moment in the film, Wilson’s character tells his different character, altering the first with new expression, meaning, or incredulous fiancée, “The past is not dead. Actually, it’s not even past. message”.7 According to the court, Sony had transformed the Faulkner You know who said that? Faulkner, and he was right. And I met him quote both through context – transporting it to a different time and too. I ran into him at a dinner party.” The reference was to Faulkner’s place – and through medium, taking it from “serious” literature to 1950 novel Requiem for a Nun, and Faulkner Literary Rights (“FLR”), the “a speaking part in a movie comedy” rather than to another printed plaintiff in the dispute, did not find the reference to be amusing at all. medium. The court also found that the “miniscule amount borrowed” FLR brought a lawsuit, alleging infringement under the Copyright and diminished the significance of any consideration of commercial use.
    [Show full text]
  • The Growth and Evolution of Art Basel Miami Beach
    THE GROWTH AND EVOLUTION OF ART BASEL MIAMI BEACH By Emily Rose Thompson Submitted to the Faculty of the College of Arts and Sciences of American University in Partial Fulfillment of the Requirements for the Degree of Master of Arts In Performing Arts Chair: Ximena Varela Jack Rasmussen Sherburne Laughlin Dean of the College of Arts and Sciences April 22, 2011 Date 2011 American University Washington, D.C. 20016 © COPYRIGHT by Emily Rose Thompson 2011 ALL RIGHTS RESERVED DEDICATION To Mom and Dad With all my love THE GROWTH AND EVOLUTION OF ART BASEL MIAMI BEACH BY Emily Rose Thompson ABSTRACT This research examines arts management issues associated with the Art Basel organization by taking an in depth look at the management practices of Art Basel Miami Beach. The research highlights the organization’s history, people involved, organizational features, its impact on the art world, and where it is headed in the future. The author used two main research strategies: first hand analysis of Art Basel Miami Beach, its organizers and participants, and in-depth research into international art fairs. Through this study, the reader will gain a greater understanding of the purpose of an art fair and how an event such as Art Basel Miami Beach is produced, as well as the impact it has on arts markets and on its host community. ii TABLE OF CONTENTS ABSTRACT........................................................................................................................ ii LIST OF TABLES.............................................................................................................
    [Show full text]
  • Hofstra University Film Library Holdings
    Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.
    [Show full text]
  • Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 111 CONGRESS, FIRST SESSION
    E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 111 CONGRESS, FIRST SESSION Vol. 155 WASHINGTON, WEDNESDAY, APRIL 29, 2009 No. 64 House of Representatives The House met at 10 a.m. There was no objection. Mr. KLEIN of Florida. Madam Speak- Rev. Grzegorz ‘‘Greg’’ Brozonowicz, Mr. COURTNEY. Madam Speaker, it er, I rise today in honor of National St. Mary’s, Mother of the Redeemer is a pleasure to introduce this morning Autism Awareness Month. Roman Catholic Church, Groton, Con- Father Grzegorz Brozonowicz, other- Each April, Americans have a special necticut, offered the following prayer: wise known as ‘‘Father Greg,’’ at St. opportunity to learn more about au- Gracious God, the men and women Mary’s, Mother of the Redeemer Par- tism. In south Florida, we have a vi- assembled here to serve the American ish, in Groton, Connecticut, who deliv- brant community of activists and fami- people ask You for a blessing. ered a beautiful prayer this morning, lies fighting every day to raise aware- We pray that, through Your grace, and he has a wonderful story in his life. ness and funds for scientific research they gain the vision to see clearly, the He was born in Poland, was educated on the causes of and cures for autism. courage to act rightly, the humility to in Poland, came to the U.S. in 1990, Two of the strongest voices in our com- consider all sides of issues, the love to went through the seminary in our munity belong to Suzanne and Bob accept disagreement, and the faith to country, was ordained as a parish Wright, the founders of Autism Speaks.
    [Show full text]
  • Annual Conference
    Virtual Conference Program 76th Annual Conference Data Collection, Measurement, and Public Opinion During a Pandemic May 11-14, 2021 www.aapor.org #aapor Dynamic Data Collection Solutions ReconMR is an experienced survey research company focused on delivering the highest quality data collection services in the industry. ReconMR specializes in dynamic data collection solutions for social science, academic, public opinion and government surveys with more than 25 years of experience delivering representative high-quality data and results. OUR SOLUTIONS Online IVR Panel Mail SMS Inbound Phone Management Expertly Trained Staff Advanced Technology • 1,000+ telephone interviewers • Industry leading multi-modal contact management and • Familiar with IRB Protocols, Human Subjects Protection data collection interviewing software (Voxco) integrates Training, Multi-Modal Coordination and Survey Research all communication methods Procedures • Experience using client hosted CRM software and a • Vetted staff – successful criminal background check required wide variety of data collection/tracking systems • English and Spanish language capabilities • Advanced inbound/outbound telephony systems designed for maximum efficiency and contact rates • Established partnerships with tenured social science with extensive reporting capabilities researchers • Analytics with live dashboards High-Volume Calling Capacity Secure Infrastructure • 700+ CATI stations across 5 call centers • Network and physical security exceed industry • Secure work-from-home capabilities for continuity standards • Daytime and evening calling hours cover all time zones • Data Security, Integrity and Confidentiality Policy has been scrutinized and approved by clients that adhere to HIPAA and FISMA compliance requirements to protect PII/PHI OVER 25+ YEARS EXPERIENCE BRYAN/COLLEGE STATION • SAN MARCOS • SAN ANTONIO • HOUSTON • CORPUS CHRISTI www.ReconMR.com | 135 S.
    [Show full text]
  • Rita Parillo Hair Stylist
    RITA PARILLO HAIR STYLIST Feature Film & Television Credits: "Heels" (2020-Starz) / Dept. Head Hair (Atlanta, GA): Cast: Stephen Amell, Kelli Berglund, Alexander Ludwig, Alison Luff Director: Peter Segal Producers: Mike O'Malley, Michael Waldron, Julie Yorn, Chris Donnelly, Patrick Walmsley, Peter Segal “The Falcon and the Winter Soldier” (Season One – Marvel/Disney +)/ Dept. Head Hair (Atlanta, GA): Cast: Sebastian Stan, Anthony Mackie, Erin Kellerman, Emily VanCamp, Wyatt Russell, Daniel Brühl Director: Kari Skogland Producers: Kevin Feige, Zoie Nagelhout, Malcolm Spellman “Ozark” (Season 3-2019-Netflix) / Dept. Head Hair (Atlanta, GA): Cast: Jason Bateman, Laura Linney, Julia Garner Director: Cherien Dabis, Amanda Marsalis Producers: Bill Dubuque, Mark Williams, Jason Bateman, Patrick Markey, Matthew Spiegel, Peter Thorell "The Outsider" (2019-HBO) / Dept. Head Hair (Atlanta, GA): Cast: Ben Mendelsohn, Jason Bateman, Cynthia Erivo, Bill Camp, Mare Winningham, Yul Vazquez, Jeremy Bob, Marc Menchaca, Claire Bronson Director: Jason Bateman “Doctor Sleep” (2018- Warner Bros. Pictures) / Dept. Head Hair (Atlanta, GA): Cast: Ewan McGregor, Rebecca Ferguson, Carl Lumbly, Bruce Greenwood, Emily Alyn Lind Director: Mike Flanagan “Queen Fur” (Pilot-2018-Showtime) / Dept. Head Hair (Atlanta, GA): Cast: Lily Mae Harrington, Kim Dickens, Michael Mosley, Jon Foster Director: Sian Heder “Little” (2018- Universal Pictures/Will Packer Productions) / Dept. Head Hair (Atlanta, GA): Cast: Marsai Martin, Issa Rae, Regina Hall, Justin Hartley, JD McCrary, Eva Carlton Director: Tina Gordon Chism Producers: Will Packer, James Lopez, Barbara Kelly, Preston L. Holmes “Ozark” (Season 2-2018-Netflix) / Dept. Head Hair (Atlanta, GA): Cast: Jason Bateman, Laura Linney, Jordanna Spiro, Jason Butler Harner Director: Jason Bateman, Andrew Bernstein, Phil Abraham Producers: Bill Dubuque, Mark Williams, Jason Bateman, Patrick Markey, Matthew Spiegel “Misfits and Monsters**” (2017- truTV) / Dept.
    [Show full text]
  • FOX SEARCHLIGHT PICTURES Presents a PACIFIC STANDARD
    FOX SEARCHLIGHT PICTURES Presents A PACIFIC STANDARD Production REESE WITHERSPOON LAURA DERN THOMAS SADOSKI MICHIEL HUISMAN GABY HOFFMANN KEVIN RANKIN W. EARL BROWN MO McRAE KEENE McRAE DIRECTED BY .............................................................. JEAN-MARC VALLÉE SCREENPLAY BY ........................................................ NICK HORNBY BASED ON THE BOOK BY ......................................... CHERYL STRAYED PRODUCED BY ............................................................ REESE WITHERSPOON, p.g.a. ........................................................................................ BRUNA PAPANDREA, p.g.a. ........................................................................................ BILL POHLAD EXECUTIVE PRODUCERS ......................................... BERGEN SWANSON ........................................................................................ NATHAN ROSS ........................................................................................ NICK HORNBY DIRECTOR OF PHOTOGRAPHY ................................ YVES BÉLANGER, CSC PRODUCTION DESIGNER .......................................... JOHN PAINO FILM EDITORS ............................................................. JOHN MAC McMURPHY ........................................................................................ MARTIN PENSA COSTUME DESIGNER................................................. MELISSA BRUNING CASTING BY ................................................................ DAVID RUBIN VISUAL EFFECTS
    [Show full text]
  • Make-Up Artists and Hair Stylists Guild Local 706–I.A.T.S.E. 828 N
    Prsrt Std U.S. Postage Paid Santa Ana, CA Make-Up Artists and Hair Stylists Guild Permit No. 450 Local 706–I.A.T.S.E. 828 N. Hollywood Way Burbank, California 91505 As a professional make-up artist, you should be treated as a preferred customer. We feel that you have earned these privileges. The Kryolan PRO CARD is your guarantee of priority service. With the PRO CARD bonus program, professional make-up artists enjoy discounts granted in various countries, as well as reward points from all participating outlets. You can enjoy this privileged service either in person at Kryolan City Shops, or online at kryolan.com. Kryolan – Make-up Is A Science. exclusive benefits for * The Kryolan PRO CARD program offers various benefits make-up for professional make-up artists and beauticians: artists special make-up artist discounts and Kryolan Points special deals at selected Kryolan Events new products sample testing free Kryolan Magazine and the Kryolan Newsletter ‘Lebendige Maske’ exclusive partner benefits *For US residents only For further information please visit VOLUME 10 NUMBER 3 Summer 2014 what’s inside 24 Features 14 66th Primetime Emmy Noms 19 19 Entertainment Union Coalition Local 706 steps forward 24 Remembering Dick Smith The “Godfather of Make-up” 14 32 Departments 4 From the President Celebrating Guild Emmy noms 6 Local Perspective Make Beauty Your Business Supporting the IATSE-PAC 8 Guild News Christmas in July 10 Calendar of Events Join other MUD retailers and artists // Sign up for your FREE MUD Pro Card and begin receiving huge savings 12 while expanding your business as an Theater News 29 // Get the latest schedule of full-time and part-time courses District 2 Convention industry professional at // Attend one of our FREE workshops including the MUD Symposium Oct 4-5th 29 Extended Family News www.mudopportunities.com The Official Cosmetics Sponsor of 30 Last Looks 2014 MISS USA® and 2014 MISS TEEN USA® Cover: Dick Smith.
    [Show full text]
  • James Walters and Lucy Fife
    University of Birmingham Inter(acting) Walters, James; Fife Donaldson, Lucy DOI: 10.1177/1749602018781465 License: Other (please specify with Rights Statement) Document Version Peer reviewed version Citation for published version (Harvard): Walters, J & Fife Donaldson, L 2018, 'Inter(acting): Television, performance and synthesis', Critical Studies in Television, vol. 13, no. 3, pp. 352–369. https://doi.org/10.1177/1749602018781465 Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility: 19/09/2018 This is the accepted manuscript of Donaldson, L. F., & Walters, J. Inter(acting). Critical Studies in Television: The International Journal of Television Studies, 13(3), pp. 352–369. Copyright © The Author(s) 2018. Reprinted by permission of SAGE Publications https://doi.org/10.1177/1749602018781465 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document.
    [Show full text]
  • Crimes, Capitalismo E Sociedade Na Obra Do Cineasta Michael Mann (1981-2004)
    Artur Felipe Santos Lopes IMAGENS DE UM SONHO DECADENTE: CRIMES, CAPITALISMO E SOCIEDADE NA OBRA DO CINEASTA MICHAEL MANN (1981-2004) Dissertação submetida ao Programa de Pós-Graduação em História da Universidade Federal de Santa Catarina para a obtenção do Grau de Mestre em História Orientador: Prof. Dr. Alexandre Busko Valim Florianópolis 2019 Ficha de identificação da obra elaborada pelo autor, através do Programa de Geração Automática da Biblioteca Universitária da UFSC. Lopes, Artur F. S. Imagens de um sonho decadente: : Crimes, Capitalismo e sociedade na obra do cineasta Michael Mann (1981-2004) / Artur F. S. Lopes ; orientador, Alexandre Valim, 2019. 197 p. Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em História, Florianópolis, 2019. Inclui referências. 1. História. 2. Cinema. 3. Michael Mann. 4. Sonho Americano. 5. Capitalismo. I. Valim, Alexandre. II. Universidade Federal de Santa Catarina. Programa de Pós-Graduação em História. III. Título. AGRADECIMENTOS Inserir os agradecimentos aos colaboradores à execução do trabalho. Registro neste espaço minha mais sincera gratidão para pessoas e instituições essenciais para a realização desta dissertação de mestrado. Envio os meus votos de sucesso a todos. Primeiramente agradeço ao meu orientador Prof. Dr. Alexandre B. Valim por ter me acompanhado durante esta jornada e acreditar na viabilidade desta pesquisa. Sou grato por todas as indicações, colaborações, correções e pela amizade que desenvolvemos nesse período. Agradeço da mesma forma a CAPES pelo suporte financeiro destinado para a realização da pesquisa, indispensável para a elaboração deste trabalho no curso dos dois anos. Agradeço ao Programa de Pós-Graduação em História da UFSC por me colocar em contato de um qualificado corpo docente.
    [Show full text]