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Stanley Donen Musicals, Tal Com Sonen Krzysztof Kies´ Lowski

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Stanley Donen Musicals, Tal Com Sonen Krzysztof Kies´ Lowski agost 2019 programa 08 núm. 90 Stanley Donen Musicals, tal com sonen Krzysztof Kies´lowski L3 (Liceu) Biblioteca de Els cicles dedicats a la música i a Catalunya 02 c/ de l’Hospital Kies´lowski, iniciats al juliol, escla- Plaça de El feeling de Sant Augustí ten plenament aquest agost. Del pri- Stanley Donen Gran mer n’hi ha exemples de tota la vida, Teatre del Plaça Liceu Reial com The Band Wagon o An American 11 La Rambla c/ d’En Robador in Paris, però també de moderns Musicals, tal com sonen c/ de la Unió (Grease), biopics (Amadeus), ballets c/ de Sant Pau c/ Espalter (The Red Shoes) o concerts llunyans Rambla del Raval (The Last Waltz) i propers (La Nova 31 Cançó). No tots venen de Hollywood: Krzysztof Kies´lowski: n’hi ha de francesos (Une chambre No oblidaràs! c/ del Marqués de Barberà en ville) o la raresa espanyola Di- c/ Nou de la Rambla ferente. Un tractament a part me- 35 reix Stanley Donen, específicament Històries de homenatjat amb una porta ober- Filmoteca ta al marge del gènere: les comè- dies Charada o Indiscreta bé s’ho 38 valen. Pel que fa al segon, dedicat Programació Con- familiar servatori a Kies´lowski, el cineasta polonès Liceu aporta, al marge de l’exposició que L2 i L3 (Paral·lel) li dediquem, la paleta de colors de la seva darrera trilogia (Bleu, Blanc, FILMOTECA DE CATALUNYA L2 (Paral·lel) Rouge), així com la inoblidable parti- 2 SALES DE CINEMA L3 (Liceu i Paral·lel) tura de La double vie de Véronique. EXPOSICIONS Charles Aznavour, finalment, també 21, 59, 88, 91 BIBLIOTECA ESPECIALITZADA D20, D50 era cantant però aquí el recordem LLIBRERIA V11, V13, H14 com a actor a Tirez sur le pianiste i BAR-RestauRANT a Ararat, on reivindica els seus orí- Plaça de Salvador Seguí, 1-9 gens armenis. 08001 Barcelona Esteve Riambau ISSN edició impresa: 2013-2743 Director ISSN edició electrònica: 2013-2662 D.L. B-38.546-81 Disseny i maquetació: Studio Aparte Impressió: www.print-makers.com Si has realitzat el primer musical 04 El feeling de rodat en decorats naturals (On the Singin’ in the Rain Town), si has explicat com el cinema Stanley Donen Royal Wedding va canviar amb l’arribada del sonor (Singin’ in the Rain), si has sabut 05 reconvertir una faula masclista en Give a Girl a Break un espectacle ple de ritme i alegria Funny Face (Seven Brides for Seven Brothers), si has tractat el món de la moda es- 06 capant de la superficialitat (Funny Staircase Face), si has sabut explicar les for- Kiss them for Me mes modernes de la crisi de la pa- 07 rella quan el motor sexual deixa de The Grass funcionar (The Grass Is Greener o Is Greener Two for the Road) o si has mostrat It’s Always com la marginació desemboca en Fair Weather mal gust i miserabilisme (Staircase), potser pot dir-se que la teva és una 08 filmografia complexa, variada, rica i Bedazzled satisfactòria. Charade Stanley Donen era, sí, un gran coreò- 09 graf, però també ha estat un director Deep in My Heart de comèdies elegant i un home sen- The Little Prince sible als efectes irreversibles del pas del temps. Què és sinó It’s Always 10 Fair Weather? Probablement el seu Indiscreet cinema es va fer adult abans que Ho- Damn Yankees! llywood ho volgués ser i ha seguit sent-ho encara que ara el cinema nord-americà ens vol a tots eterns adolescents. xxxEl feeling de Stanley Donen Dijous 1 / 20.00 h Singin’ in the Rain Cantando bajo la lluvia Give a Girl a Break Dimarts 6 / 18.30 h Sala Chomón GENE KELLY, STANLEY DONEN, 1952. Int.: Gene Kelly, Debbie Reynolds, Dóna-li una oportunitat a la noia Sala Laya Donald O’Connor, Jean Hagen, Millard Mitchell, Cyd Charisse. EUA. VOSE. 103’ Dissabte 3 / 22.00 h STANLEY DONEN, 1953. Int.: Marge Champion, Gower Champion, Debbie Dimecres 7 / 21.30 h Sala Chomón La imatge de Gene Kelly ballant sota la pluja amb Reynolds, Helen Wood, Bob Fosse, Kurt Kasznar. EUA. VOSC. 82’ Sala Laya tota la felicitat del món i la ràpida consagració del film Una estrella de Broadway decideix abandonar la co- dins el musical han amagat involuntàriament un dels mèdia musical que estava a punt d’estrenar. El direc- seus trets més apreciables: l’ajustat retrat, ple d’agu- tor de l’obra, el seu ajudant i el músic coneixen, cadas- deses, de la introducció del sonor en la indústria de cun d’ells, la substituta ideal, tot i que el paper només Hollywood. Un film fet en estat de gràcia per tots els pot ser per a una d’elles. És un musical d’argument qui hi van participar. Una obra mestra considerada molt tòpic, però que conté uns números musicals fan- per molts el millor musical de tots els temps. tàstics. Estrenada amb el títol Tres chicas con suerte. Divendres 2 / 21.30 h Royal Wedding Noces reials Funny Face Una cara con ángel Dimecres 7 / 17.00 h Sala Laya STANLEY DONEN, 1951. Int.: Fred Astaire, Jane Powell, Peter Lawford, Sarah STANLEY DONEN, 1957. Int.: Audrey Hepburn, Fred Astaire, Kay Thompson, Sala Chomón Churchill, Keenan Wynn, Albert Shape, Bea Allen, Wilson Benge. EUA. VOSC. 93’ Michel Auclair, Robert Flemyng, Virginia Gibson. EUA. VOSE. 103’ Diumenge 4 / 19.30 h Dissabte 10 / 21.30 h Sala Laya Dos germans ballarins són contractats per actuar Adaptació esplèndida d’un musical de George Sala Laya durant una boda reial. Durant el banquet tots dos Gershwin que Astaire i la seva germana Adele havi- cedeixen a temptacions sentimentals que posen en en representat a Broadway el 1927. Ell interpreta un perill la seva continuïtat professional. El primer film fotògraf d’una revista de moda que troba el rostre en solitari de Stanley Donen va ser aquesta comèdia somniat en la figura de la dependenta d’una llibreria. musical en tecnicolor produïda per Arthur Freed i Gràcies a l’interès d’ella pel corrent existencialista, escrita per Alan Jay Lerner (My Fair Lady), que va se la pot endur a París i allà… “Un dels musicals més permetre a Fred Astaire –després de trencar amb sofisticats i el més elegant, delicat i volàtil. Amb una Ginger Rogers i l’RKO– desenvolupar la seva forma bona dosi de mala llet: parodia o, millor, ridiculitza d’expressió personal amb números plens d’imagina- l’intel·lectual francès dels anys cinquanta contras- ció que s’allunyaven del típic ball de parella i intro- tant-lo amb l’art refinat de Richard Avedon, les modes duïen elements poètics i humorístics com ara l’esce- naixents en l’estètica europea i les exsquisides cober- na virtuosa en què balla per les parets i que va donar tes de les revistes d’alta volada. Magnífica idea: men- fama mundial al film. tre uns s’espremen el cervell intentant esbrinar els insondables misteris de l’existència, d’altres només procuren viure-la. Funny Face pren partit, i de quina manera” (Jordi Batlle Caminal). 4 5 El feeling de Stanley Donen Dijous 8 / 18.30 h Staircase La escalera The Grass Is Greener L’herba és més verda Dimarts 13 / 20.00 h Sala Laya STANLEY DONEN, 1968. Int.: Richard Burton, Rex Harrison, Cathleen Nesbitt, STANLEY DONEN, 1960. Int.: Cary Grant, Deborah Kerr, Robert Mitchum, Jean Sala Chomón Dimecres 14 / 21.30 h Beatrix Lehmann, Gordon Heat. Gran Bretanya-França-EUA. VOSE. 96’ Simmons, Moray Watson, Joan Benham, Elisabeth Orion. EUA. VOSC. 100’ Dissabte 17 / 21.30 h Sala Laya Una vella parella d’homosexuals comparteix la seva Adaptació de la reeixida obra teatral de Hugh Willi- Sala Laya vida enmig de profundes diferències i amargors. Un ams i Margaret Vyner que narra les complicacions d’ells és un perruquer que s’està quedant calb. L’altre, romàntiques que sorgeixen quan un multimilionari un actor fracassat, irònic i una mica sàdic, que tem nord-americà visita la mansió d’un comte anglès i que l’empresonin per haver-se transvestit. “Donen s’enamora de la seva esposa. “Una comèdia de tresi- evita qualsevol classe d’efectisme, limitant-se a mirar llo, saló i diàleg brillant. Té classe a tones, enquadra- els seus personatges amb afecte i mantenint-se tan ments màgics, una fluïdesa misteriosa. És cinema. allunyat de l’anatema com de l’apologia. Es va moure Hi ha alegria de filmar. És una de les últimes bones còmodament en un film que no pretenia ocultar el comèdies. Quan el sol fet d’asseure’s o prendre’s un seu origen teatral i que li permetia, per un costat, ofe- te era cultura, ètica, civilització –o com dimonis es rir un retrat psicològic d’uns individus marginats per digui–, en estat pur” (José Luis Garci). Estrenada les seves tendències sexuals i, per l’altre, oferir una com a Página en blanco. incisiva visió de la vida matrimonial amb les seves relacions de crueltat, fidelitat, masoquisme, soledat i submissió. L’ambient sòrdid i el paroxisme de les si- It’s Always Fair Weather Dijous 15 / 17.00 h Sala Chomón tuacions aconsegueixen fer gairebé desagradable la Sempre fa bon temps STANLEY DONEN, GENE KELLY, 1955. Int.: Gene Kelly, Dan Dailey, Cyd Divendres 16 / 19.30 h visió del film. Només al final la visió del realitzador es Charisse, Dolores Gray, Michael Kidd, David Burns. EUA. VOSC. 102’ Sala Chomón torna menys ombrívola.” (Jorge de Cominges). El tercer film que Donen va codirigir amb Kelly, des- prés d’On the Town i Singin’ in the Rain, venia a ser Divendres 9 / 19.00 h Kiss them for Me Dona’ls un petó per mi un pròleg del primer: tres mariners es retroben, tal Sala Laya STANLEY DONEN, 1957.
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