The Grass Is Greener Free
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Autograph Auction Saturday 14 December 2013 11:00
Autograph Auction Saturday 14 December 2013 11:00 International Autograph Auctions (IAA) Radisson Edwardian Heathrow Hotel 140 Bath Road Heathrow UB3 5AW International Autograph Auctions (IAA) (Autograph Auction) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 4 GULLY JOHN: (1783-1863) CARNERA PRIMO: (1906-1967) English Boxer, Sportsman and Italian Boxer, World Heavyweight Politician. Signed Free Front Champion 1933-34. Bold blue envelope panel, addressed in his fountain pen ink signature ('Primo hand to Thomas Clift at the Carnera') on a page removed Magpie & Stumps, Fetter Lane, from an autograph album. One London and dated Pontefract, very slight smudge at the very 27th September 1835 in his conclusion of the signature and hand. Signed ('J Gully') in the some slight show through from lower left corner. Very slightly the signature to the verso. VG irregularly neatly trimmed and Estimate: £60.00 - £80.00 with light age wear, G. The Magpie & Stumps public house is situated opposite the Old Bailey Lot: 5 and was famous for serving BOXING: Small selection of execution breakfasts up until vintage signed postcard 1868 when mass public hangings photographs by the boxers Gene were stopped. Tunney (World Heavyweight Estimate: £80.00 - £100.00 Champion 1926-28), Max Baer (World Heavyweight Champion 1934-35) and Ken Overlin (World Lot: 2 Middleweight Champion 1940-41; WILLARD JESS: (1881-1968) signed to verso). Each of the American World Heavyweight images depict the subjects in full Boxing Champion 1915-19. Blue length boxing poses and all are fountain pen ink signature ('Yours signed in fountain pen inks. truly, Jess Willard') on a slim Some slight corner creasing, G to oblong 8vo piece. -
ENGLISH with FILMS İNGİLİZCE - TÜRKÇE
GÖRSEL İNGİLİZCE ÖĞRENİM VE GELİŞTİRME DİZİSİ ENGLISH with FILMS İNGİLİZCE - TÜRKÇE READING OKUMA LISTENING DİNLEME WATCHING İZLEME VOCABULARY SÖZCÜKLER FİLMLERLE İNGİLİZCE BOOK - 2 ¾ İNGİLİZCE SİNEMA FİLMLERİ, BELGESELLER ¾ İNGİLİZCE TV PROGRAMLARI, ÇİZGİ FİLMLER ¾ METİNLER VE TÜRKÇE ÇEVİRİLERİ B. ORHAN DOĞAN BORA YAYINCILIK İNGİLİZCE ÖĞRENİM VE GELİŞTİRME DİZİSİ ENGLISH WITH FILMS - BOOK 2 - B. Orhan Doğan Tüm hakları saklıdır ve yazara (Bekir Orhan Doğan) aittir. Yazarın yazılı izni olmaksızın, kitabın ya da DVD’nin tümü ya da bir kısmı hiçbir nedenle yayımlanamaz ve kopyalanarak çoğaltılamaz. Not: Kitap eki olan DVD hediyedir, ayrıca para ile satılamaz. ISBN : 978-9944-0352-4-8 1. Basım : Mart 2008 2. Basım : Mayıs 2011 3. Basım : Aralık 2012 4. Basım : Şubat 2014 5. Basım : Ocak 2015 Genel Dağıtım: BORA YAYINCILIK ATAKENT 2. Etap, C-603/3 Halkalı – İstanbul Tel : 0212 470 04 38 - 0532 381 92 36 Web Site : www.borayayincilik.com E-posta: [email protected] Baskı, cilt : Kayhan Matbaacılık San. Tic. Ltd. Şti. Merkezefendi Mah. Fazıl Paşa Cad. No:8/2 Topkapı/Zeytinburnu - İST Sertifika No: 12156 ÖNSÖZ Yabancı bir dil öğrenmekte olan kişilerin çoğu için, birinci he- def, hiç kuşkusuz, o dilde izledikleri filmleri, TV programlarını eksiksiz biçimde anlayabilmektir. Bu, aynı zamanda, o dilin hangi ölçüde bilindiğinin bir kıstası olarak da değerlendirilebilir. ENGLISH WITH FILMS dizisi, çok farklı bir görsel - işitsel İngi- lizce öğrenim ve geliştirme yöntemi ortaya koymaktadır. Komediden maceraya, çizgi filmden gerilime, dramdan belgesele kadar çeşitli türlerden seçilmiş olan filmlerin ve TV programlarının yer aldığı bu dizinin temel hedefleri şunlardır: ¾ Verilen DVD filmler ile, hoşça zaman geçirerek, izleme, din- leme, anlama ve konuşma yeterliliğinin gelişmesini sağlamak. -
Two Day Autograph Auction - Day 1 Saturday 16 July 2011 12:00
Two Day Autograph Auction - Day 1 Saturday 16 July 2011 12:00 International Autograph Auctions (IAA) Radisson Edwardian Heathrow Hotel 140 Bath Road Heathrow UB3 5AW International Autograph Auctions (IAA) (Two Day Autograph Auction - Day 1) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 6 CRICKET: A good 8vo page removed from an autograph album GRACE W. G.: (1848-1915) English Cricketer. Fine fountain individually signed in fountain pen ink by eight cricketers, four of pen ink signature ('W. G. Grace') on a slip of paper, them Test Captains, comprising William Newham (1860-1944, professionally matted in green and ivory beneath four different England & Sussex), C. Aubrey Smith (1863-1948, England & vintage postcard photographs of Grace, three showing him in Sussex), Arthur Kemble (1862-1925, Lancashire), William L. full length cricket poses and one standing in a full length pose Murdoch (1854-1911, Australia & Sussex), A. E. Stoddart (1863- alongside the young Edward, Prince of Wales. Framed and 1915, England & Middlesex; committed suicide), Walter Read glazed in a wooden frame to an overall size of 21.5 x 14.5. VG (1855-1907, England & Surrey), Ernest Smith (1869-1945, Estimate: £200.00 - £300.00 England & Yorkshire) and John Ferris (1867-1900, Australia, England & Gloucestershire; tragically died at the age of 33). Annotated in ink at the head of the page by a collector, 'Cricket Lot: 7 for Ever!' and dated Hastings, 16th September 1891. A rare AUSTRALIAN CRICKET: A page removed from an autograph grouping of cricket signatures, about VG album individually signed by fourteen members of the Estimate: £200.00 - £300.00 Australian Cricket team of 1909, comprising Monty Noble, Sammy Carter, Victor Trumper, Syd Gregory, Warren Bardsley, Warwick Armstrong, Vernon Ransford, Bert Hopkins, Peter Lot: 2 McAlister, Bill Whitty, Barlow Carkeek, Jack O'Connor, Roger CRICKET: A good selection of individual signed clipped pieces Hartigan and William Ferguson (scorer and baggage man). -
The Grass Is Greener the Grass Is Greener
“““THE“THE GRASS IS GREENERGREENER”””” © www.carygrant.net Across Down 3. Sellers asks for the Times so that he can do 1. Cary Grant was nominated for this Globe this on his day off (two words) Award for his portrayal of Victor Rhyall in 4. Charles tells Hilary that her name is a ___'s The Grass Is Greener, Best _____ in a name. Musical/Comedy. 5. In 1968, Robert Michum recorded an album 2. There was a sign that said this on the door which included the track, "Little Old Wine that Charles opened. Drinker Me", which later became a hit 7. Victor is the Earl of ______ for ___________ . (two words) 8. "I don't allow you to accept _____ from 6. Victor and Charles fight a duel and Victor other mushrooms," says Victor to Hilary. gets shot in the arm, but he is shot by the 11. The Grass Is Greener was set and partly shot at ______ who is trying to help Victor get _______ Park House in Middlesex, England. Hilary back. 14. In The Grass is Greener, Robert Mitchum 9. Charles Delacro is an ___ man. plays the part of Charles _______ . 10. Deborah Kerr also plays the part of 17. Charles gave Hilary this luxury item (two ___________ in An Affair to Remember (two words) words) 18. To help rid Hilary of "this gracious and 12. Victor challenges Charles to a duel and they aching and thirsting unrest," Victor gives use this weapon her one of these 13. Hilary's title 15. Deborah Kerr also plays the part of Priscilla Effington in this 1953 Cary Grant movie (two words) 16. -
Actor Analysis Joel Ross 2/3/2020 This Page Analyzes Data About Movie Actors! Trending Actors
Actor Analysis Joel Ross 2/3/2020 This page analyzes data about movie actors! Trending Actors Who are the top trending_count trending people on TMDB (week of 2020-01-29)? Name Photo Leonardo DiCaprio Brad Pitt Jason Statham Jet Li Henry Cavill Nicolas Cage Bruce Willis Scarlett Johansson Favorite Actor Though they may not be included in that list for some reason, my favorite actor is Cary Grant (https://www.imdb.com/name/nm3485845/nm0000026). They are known for: North by Northwest Notorious To Catch a Thief Their biography: “Once told by an interviewer,”Everybody would like to be Cary Grant“, Grant is said to have replied,”So would I." Cary Grant was born Archibald Alec Leach in Horfield, Bristol, England, to Elsie Maria (Kingdon) and Elias James Leach, who worked in a factory. His early years in Bristol would have been an ordinary lower-middle-class childhood, except for one extraordinary event. At age nine, he came home from school one day and was told his mother had gone off to a seaside resort. The real truth, however, was that she had been placed in a mental institution, where she would remain for years, and he was never told about it (he wouldn’t see his mother again until he was in his late 20s). He left school at fourteen, lying about his age and forging his father’s signature on a letter to join Bob Pender’s troupe of knockabout comedians. He learned pantomime as well as acrobatics as he toured with the Pender troupe in the English provinces, picked up a Cockney accent in the music halls in London, and then in July 1920 was one of the eight Pender boys selected to go to the US. -
A NARRATIVA DA MARCA DIOR NA CINEMATOGRAFIA DAS DÉCADAS DE 1950 E 1960 Isaac Matheus Santos Batista2 Amilcar Almeida Bezerra3 R
A NARRATIVA DA MARCA DIOR NA CINEMATOGRAFIA DAS DÉCADAS DE 1950 E 19601 Isaac Matheus Santos Batista2 Amilcar Almeida Bezerra3 RESUMO O presente trabalho apresenta os resultados obtidos por meio de uma pesquisa de iniciação científica promovida pelo programa PIBIC do CNPq. Criada na França durante o pós Segunda Guerra Mundial, a marca de moda Dior é até hoje considerada uma das principais referências do consumo de luxo no mundo. Por meio de um estudo analítico, o qual encontra bases na semiótica de matriz barthesiana (PENN, 2002), pretendemos mostrar de que modo o Cinema contribuiu para a construção da imagem da marca Dior e como a marca, por outro lado, serviu como suporte para a consagração de atrizes e filmes ao longo dos anos 1950 e 1960. Entendemos, então, que o Cinema deu uma importante contribuição à simbologia que hoje gravita em torno da marca Dior, ao sintetizar elementos da modernidade e do luxo tradicional num novo modelo de feminilidade que se consagrou na segunda metade do século XX. Compreendemos ainda que o diálogo entre Dior e o Cinema, especialmente nos primeiros 20 anos de existência da Maison, foi relevante tanto para a consagração de valores associados à marca quanto para a mitificação de atrizes que vestiram criações dessa Maison nos filmes. Palavras-chave: Dior. Cinema. Narrativa de marca. Consumo de moda. 1. INTRODUÇÃO Segundo Cardoso (2008), ao final da Segunda Guerra Mundial, em 1945, as combalidas economias europeias recebem ajuda maciça dos Estados Unidos para se recuperarem. Naquele país, em pleno crescimento econômico, a prosperidade nacional viria a ser garantida por meio de uma cultura do descarte e do consumo constante. -
Ermanno Olmi
maio 2012 ERMANNO OLMI | CINEASTAS, DO NOSSO TEMPO | NAS NUVENS COM STANLEY DONEN | UM DIA COM OS MEDIA PRÉMIOS LUX DE CINEMA EUROPEU | II ENCONTRO ANUAL DA AIM | IN MEMORIAM PAULO CÉSAR SARACENI VITORIANO ROSA | MATINÉS DA CINEMATECA | O QUE QUERO VER | O PRIMEIRO SÉCULO DO CINEMA | ABRIR OS COFRES | CINEMA PORTUGUÊS: PRIMEIRAS OBRAS, PRIMEIRAS VEZES | ANTE-ESTREIAS | NÃO O LEVARÁS CONTIGO – ECONOMIA E CINEMA | HISTÓRIAS DO CINEMA: PONTES LEÇA / MINNELLI | CINEMATECA JÚNIOR [2] Maio 2012 | Cinemateca Portuguesa-Museu do Cinema CINEMATECA JÚNIOR Abrimos o mês na floresta: animais, caçadores furtivos, fogo, levarão os espectadores mais novos a acompanhar a vida do veado mais famoso da História do Cinema. O seu nome é Bambi, nasceu para o ecrã em 1942 animado CINEMATECA PORTUGUESA-MUSEU DO CINEMA pelas mãos de Walt Disney. No dia 12, há REVISTA DE CHARLOT, filme compilação realizado nos anos sessenta RUA BARATA SALGUEIRO, 39 1269‑059 LISBOA, PORTUGAL por Chaplin com duas das suas obras maiores, O PEREGRINO e CHARLOT NAS TRINCHEIRAS. A 19, continuamos TEL. 213 596 200 | FAX. 213 523 180 a acompanhar a saga dos nossos amigos pré-históricos com IDADE DO GELO II: DESCONGELADOS, vendo como [email protected] WWW.CINEMATECA.PT o esquilo Scrat e companhia são confrontados com a ameaça ao habitat gelado por uma inundação. A 26, voltamos a MOONFLEET, um dos mais belos filmes do mundo. Raros são os filmes que conseguem, como este CICLOS DE MAIO 2012 realizado por Fritz Lang, criar uma atmosfera meio realista meio fantástica, numa história de aventuras que ERMANNO OLMI 3 parece saído da imaginação de um adolescente. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998, -
The Grass Is Greener on Talking Pictures TV! Stars: Cary Grant, Deborah Kerr, Robert Mitchum, Jean Simmons
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 6th July 2020 FREESAT 306 | VIRGIN 445 The Grass is Greener on Talking Pictures TV! Stars: Cary Grant, Deborah Kerr, Robert Mitchum, Jean Simmons. Directed by Stanley Donen 1961. The story of a lively encounter between a beautiful English countess and an American oil tycoon, set in an English stately home. Deborah Kerr is seduced by Robert Mitchum, Jean Simmons tries to help Cary Grant win her back. Played with suave elegance and wit by a superlative cast. Airs Sunday 12th July 6pm. Monday 6th July 1:00pm Tuesday 7th July 10:00pm Fiddlers Three (1944) Forbidden (1949) Comedy. Directed by Harry Watt. Drama. Directed by George King. Stars Tommy Trinder, Sonnie Hale & Stars: Douglass Montgomery, Frances Day. Two sailors and a Wren Hazel Court & Patricia Burke. travel back in time after being struck An ex-serviceman plans to escape by lightning in Stonehenge. his faithless wife. Monday 6th July 3:00pm Wednesday 8th July 3:10pm The October Man (1947) The Laughing Lady (1946) Crime. Director: Roy Ward Baker. Musical Drama. Directed by Stars: John Mills, Edward Chapman, Paul L. Stein. Stars: Anne Ziegler, Joan Greenwood. A man is suspected Webster Booth, Francis L. Sullivan. of murder and, due to a previous During the French Revolution, a brain injury, he begins to doubt his young aristocrat promises to locate own innocence. and steal diamonds from Britain to Monday 6th July 5:45pm save his mother from the guillotine. The Way Ahead (1944) Wednesday 8th July 5:30pm War. -
MARK ALDRIDGE Crime Files
MARK ALDRIDGE Crime Files Series Editor Clive Bloom Professor Emeritus Middlesex University London , United Kingdom Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in com- puter games, private detectives and psychopaths, poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning read- ers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. More information about this series at http://www.springer.com/series/14927 Mark Aldridge Agatha Christie on Screen Mark Aldridge Film and Television Studies Southampton Solent University Southampton , United Kingdom Crime Files ISBN 978-1-349-67695-8 ISBN 978-1-137-37292-5 (eBook) DOI 10.1057/978-1-137-37292-5 Library of Congress Control Number: 2016955645 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identifi ed as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprint- ing, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, com- puter software, or by similar or dissimilar methodology now known or hereafter developed. -
Cary Grant ~ 68 Films
Cary Grant ~ 68 Films Cary Grant is one of the most consistent stars from the Golden Age of the Hollywood Studio System. Perhaps more than any other actor, he understood that what he was presenting to the public was an image. Quite famously, he has been quoted as saying, "Everybody wants to be Cary Grant. Even I want to be Cary Grant." What this means for fans of the legendary actor is that when we sit down and watch one of his films, good or bad, we know what we can expect of Cary Grant. His long-lasting appeal is down to his striking good looks, his dashing poise and a natural gift for both romance and comedy. Cary Grant can make you laugh even while he sweeps you off your feet. Archibald "Archie" Leach was born on 18 January 1904 at 15 Hughenden Road in the Bristol suburb of Horfield. He was the second child of Elias and Elsie Leach (their first having died in 1900). His father worked as a tailor's presser at a clothes factory while his mother was from a family of shipwrights. Archie had an unhappy upbringing. His father was an alcoholic and his mother suffered from clinical depression. His father placed her in a mental institution and first told the nine-year-old that she had gone away on a "long holiday" and later that she had died. When Archie was ten, his father remarried and started a new family that did not include young Archibald. Little is known about how he was cared for, or by whom. -
Cinema Comparat/Ive Cinema
CINEMA COMPARAT/IVE CINEMA VOLUME V · Nº10 · 2017 THE STAR SYSTEM IN EUROPE: STAR STUDIES TODAY Editors: Gonzalo de Lucas (Universitat Pompeu Fabra) and Albert Elduque (University of Reading). Associate Editors: Núria Bou (Universitat Pompeu Fabra) and Xavier Pérez (Universitat Pompeu Fabra). Advisory Board: Dudley Andrew (Yale University, United States), Jordi Balló (Universitat Pompeu Fabra, Spain), Raymond Bellour (Université Sorbonne-Paris III, France), Francisco Javier Benavente (Universitat Pompeu Fabra), Nicole Brenez (Université Paris 1-Panthéon-Sorbonne, France), Maeve Connolly (Dun Laoghaire Institut of Art, Design and Technology, Irleland), Thomas Elsaesser (University of Amsterdam, Netherlands), Gino Frezza (Università de Salerno, Italy), Chris Fujiwara (Edinburgh International Film Festival, United Kingdom), Jane Gaines (Columbia University, United States), Haden Guest (Harvard University, United States), Tom Gunning (University of Chicago, United States), John MacKay (Yale University, United States), Adrian Martin (Monash University, Australia), Cezar Migliorin (Universidade Federal Fluminense, Brasil), Alejandro Montiel (Universitat de València), Meaghan Morris (University of Sidney, Australia and Lignan University, Hong Kong), Raffaelle Pinto (Universitat de Barcelona), Ivan Pintor (Universitat Pompeu Fabra), Àngel Quintana (Universitat de Girona, Spain), Joan Ramon Resina (Stanford University, United States), Eduardo A.Russo (Universidad Nacional de La Plata, Argentina), Glòria Salvadó (Universitat Pompeu Fabra), Yuri Tsivian (University of Chicago, United States), Vicente Sánchez Biosca (Universitat de València, Spain), Jenaro Talens (Université de Genève, Switzerland and Universitat de València, Spain), Michael Witt (Roehampton University, United Kingdom). Contributors: María Adell, Vicente J. Benet, Marga Carnicé Mur, Fernando Ganzo, Rebecca Anne Peters, Fang Qi, Martin Shingler. Translators: Michael Bunn, Anna Rosenberg, Martin Boyd, Fernando Ganzo, Robert Prieto, Albert Elduque, Anna Piñol.