Tarzan and the Jewels of Opar
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Evening Post
" IFTfV f"mmympjmiEiftiji wmm 3, 1016. i 6 EVENING LEPGETC- - PHILADELPHIA, TnmtRDAT. JUNE peculiar bent to the ortra and pulled rapidly the strango actions of these MAD SUICIDE'S WIDOW, toward the point whera Tarzan crouched creatures In the branches of n tree Men were Indeed more foolish nnd more TARZAN OP THE APES In the stern of the boat, as It drew cruet than the beasts of the Jungle' How WOUNDED BY HIM, DIES nearer, Tarzan saw the rat-fac- man fortunate waa he who lived In the peace It was but a few minutes later that the nnd security of the great forestt The Thrilling Adventures of a Primeval Man boat touched the beach Tho men Jumped Tarzan wondered what the chest thny out and lifted the great chest to the had burled contained If they did not Home of and an American Girl sand. They were on the north aide of want It why did they not merely throw Double Funeral nt the point so that their preaenco was con- Chil- BURKOUGHS It Into the water? Thai would have been Man Crazed by Two By EDfiAU MCE cealed from those at the cabin. much easier The men nrgued angrily for a moment. Ah, he thought, but they do want It. dren's Deaths. Corn at ion, by A. C McChif Cempew. rat-fac- Then the one, with severnl They have hidden It, here because t,hey things being here, In this savags African companions, ascended the low bluff on returning It Inter. John ( inyton, lord Ofeystoke. eitibsrks Tar-ra- n Intend tot Jungld?" exclaimed th girl. -
Michael Tierney
Sample file Sample file by Michael Tierney Authorized by Edgar Rice Burroughs, Inc. Sample file Copyright © 2018 First Printing, 2018 Mother Was A Lovely Beast cover Copyright © 1974 Philip Jose Farmer The Recoverings Alternate Timeline Dust-jacket design for Tarzan and the Castaways, along with the coloring of the Frank Frazetta cover drawing is Copyright © 2016 Phil Normand & Recoverings. All other artwork Copyright © Edgar Rice Burroughs, Inc. All Text Copyright © Michael Tierney Little Rocket Publications is a Trademark™ of Tierney Incorporated Trademarks Tarzan®, Tarzan of the Apes™, Lord of the Jungle® and Edgar Rice Burroughs® owned by Edgar Rice Burroughs, Inc. and Used By Permission All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, without permission in writing from the publisher. Every effort has been made not to make use of proprietary or Copyrighted material without permission. Any mention of actual commercial products in this book does not constitute an endorsement. Printed in the United States by Chenault & Gray Publishing. First Unabridged Edition Edited by Rus Wornom Cover Design by Peter Bradley and Michael Tierney Cover Art by Frank Frazetta Layout and Design: Michael Tierney, Peter Bradley and Mark Sandy Library of Congress Cataloging-in-Publication Data Michael Tierney Edgar Rice Burroughs 100 Year Art Chronology, Vol. 2 The Books: Literature with Sharp Cutting -
Author Book(S) Own Read Anderson, Poul the Broken Sword (1954)
Author Book(s) Own Read Anderson, Poul The Broken Sword (1954) The High Crusade (1960) Three Hearts and Three Lions (1953) Bellairs, John The Face in the Frost (1969) Brackett, Leigh * Sea-Kings of Mars and Otherworldly Stories Brown, Fredric * From these Ashes: The Complete Short SF of Fredric Brown Burroughs, Edgar Rice Mars series: A Princess of Mars (1912) The Gods of Mars (1914) The Warlord of Mars (1918) Thuvia, Maid of Mars (1920) The Chessmen of Mars (1922) The Master Mind of Mars (1928) A Fighting Man of Mars (1931) Swords of Mars (1936) Synthetic Men of Mars (1940) Llana of Gathol (1948) John Carter of Mars (1964) Pellucidar series: At the Earth’s Core (1914) Pellucidar (1923) Tanar of Pellucidar (1928) Tarzan at the Earth’s Core (1929) Back to the Stone Age (1937) Land of Terror (1944) Savage Pellucidar (1963) Venus series: Pirates of Venus (1934) Lost on Venus (1935) Carson of Venus (1939) Escape on Venus (1946) The Wizard of Venus (1970) Carter, Lin World’s End series: The Warrior of World’s End (1974) The Enchantress of World’s End (1975) The Immortal of World’s End (1976) The Barbarian of World’s End (1977) The Pirate of World’s End (1978) Giant of World’s End (1969) de Camp, L. Sprague Fallible Fiend (1973) Lest Darkness Fall (1939) de Camp, L. Sprague & Pratt, Fletcher Carnelian Cube (1948) Harold Shea series: The Roaring Trumpet (1940) The Mathematics of Magic (1940) The Castle of Iron (1941) The Wall of Serpents (1953) The Green Magician (1954) Derleth, August * The Trail of Cthulhu (1962) Dunsany, Lord * The King of -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Tarzan the Untamed
TARZAN THE UNTAMED I am grateful to see my grandfather’s works made available in the Edgar Rice Burroughs Authorized Library, the first-ever uniform editions of his entire literary catalog. Now readers everywhere can enjoy these timeless stories of wonder and adventure in a way they have never been presented before. These new editions represent the ultimate ERB experience, featuring magnificent cover art and frontispieces by legendary artist Joe Jusko, forewords and afterwords by noted authors and celebrities, and a bounty of rare and previously unpublished treasures straight from the archives of Edgar Rice Burroughs, Inc., in Tarzana, California. Whether a reader is new to my grandfather’s works or has spent a lifetime enjoying them as I have, the Edgar Rice Burroughs Authorized Library opens a unique window into extraordinary worlds of imagination, standing as an unparalleled landmark in an already historic legacy. John Ralston Burroughs Tarzan® Series Tarzan the Invincible Tarzan of the Apes Tarzan Triumphant The Return of Tarzan Tarzan and the City of Gold The Beasts of Tarzan Tarzan and the Lion Man The Son of Tarzan Tarzan and the Leopard Men Tarzan and the Jewels of Opar Tarzan’s Quest Jungle Tales of Tarzan Tarzan the Magnificent Tarzan the Untamed Tarzan and the Forbidden City Tarzan the Terrible Tarzan and the Foreign Legion Tarzan and the Golden Lion Tarzan and the Madman Tarzan and the Ant Men Tarzan and the Castaways Tarzan, Lord of the Jungle Tarzan and the Tarzan Twins Tarzan and the Lost Empire Tarzan: The Lost Adventure (with Tarzan at the Earth’s Core Joe R. -
Farmerfan Volume 1 | Issue 1 |July 2018
FarmerFan Volume 1 | Issue 1 |July 2018 FarmerCon 100 / PulpFest 2018 Debut Issue Parables in Parabolas: The Role of Mainstream Fiction in the Wold Newton Mythos by Sean Lee Levin The Wold Newton Family is best known for its crimefighters, detectives, and explorers, but less attention has been given to the characters from mainstream fiction Farmer included in his groundbreaking genealogical research. The Swordsmen of Khokarsa by Jason Scott Aiken An in-depth examination of the numatenu from Farmer’s Ancient Opar series, including speculations on their origins. The Dark Heart of Tiznak by William H. Emmons The extraterrestrial origin of Philip José Farmer's Magic Filing Cabinet revealed. Philip José Farmer Bingo Card by William H. Emmons Philip José Farmer Pulp Magazine Bibliography by Jason Scott Aiken About the Fans/Writers Visit us online at FarmerFan.com FarmerFan is a fanzine only All articles and material are copyright 2018 their respective authors. Cover photo by Zacharias L.A. Nuninga (October 8, 2002) (Source: Wikimedia Commons) Parables in Parabolas The Role of Mainstream Fiction in the Wold Newton Mythos By Sean Lee Levin The covers to the 2006 edition of Tarzan: Alive and the 2013 edition of Doc Savage: His Apocalyptic Life Parables travel in parabolas. And thus present us with our theme, which is that science fiction and fantasy not only may be as valuable as the so-called mainstream of literature but may even do things that are forbidden to it. –Philip José Farmer, “White Whales, Raintrees, Flying Saucers” Of all the magnificent concepts put to paper by Philip José Farmer, few are as ambitious as his writings about the Wold Newton Family. -
A Barso O M Glo Ssary
A BARSO O M GLO SSARY DAV ID BRUC E BO ZARTH HTML Version Copyright 1996-2001 Revisions 2003-5 Most Current Edition is online at http://www.erblist.com PD F Version Copyright 2006 C O PYRIGH TS and O TH ER IN FO The m ost current version of A Barsoom G lossary by D avid Bruce Bozarth is available from http://www.erblist.com in the G lossaries Section. SH ARIN G O R DISTRIBUTIN G TH IS FILE This file m ay be shared as long as no alterations are m ade to the text or im ages. A Barsoom G lossary PD F version m ay be distributed from web sites AS LO N G AS N O FEES, CO ST, IN CO ME, O R PRO FIT is m ade from that distribution. A Barsoom G lossary is N O T PU BLIC D O MAIN , but is distributed as FREE- WARE. If you paid to obtain this book, please let the author know w here and how it w as obtained and w hat fee w as charged. The filenam e is Bozarth-ABarsoom Glossary-illus.pdf D o not change or alter the filenam e. D o not change or alter the pdf file. RO LE PLAYERS and GAM E C REATO RS O ver the years I have been contacted by RPG creators for perm ission to use A BARSO O M G LO SSARY for their gam es as long as the inform ation is N O T printed in book form , nor any fees, cost, incom e, or profit is m ade from m y intellectual property. -
Enderlin, North Dakota, in 1919
ENDERLIN, ON THE SOO LINE, THE LARGEST CITY IN RANSOM COUNTY, N. D. TilE CITY OF PUBLIC SPIRITED PEOPLE---A RAILROAD DIVISION A SHllltOOIl WA1FR At'otll ...... \\t-I{\,; .. Y'" M \\ "I' 10 H\I~ OF THE 5OO---II"S SPLENDIDLY EQUlI'PED SC IIOO LS, BOTII IIIGII TELEPIIONF ,Y,I Hl \, (IOHOIIII' '''II\lfllllI1'' III A D GRADED--- FIVE CHURCIIES OF VARIOUS DENOMINATlUN:; PAIlTMENT "1919" "Enderlin" 18 Dorry!)§ DiRry: edited by Alpha B. Shaw Do"y was born Llewellyn Dorrington Shaw at Enderlin, North Dakota, 20 September 1904, the second 0/ three brothers. He died at age 69, as did his father and grandfather before him, and his ashes repose at Arlington National Cemetery with those 0/ others who devoted their lives to the service 0/ our country. His mother's parents, Peter and Ingre Hoisen Austad, came separately from Norway to meet and wed in Iowa. Their homestead was Center Farm near Enderlin. His father's parents, John 3nd Jane Brighton Shaw were wed in Scotland and came to Fergus, Ontario, via New York City. Do"y 's parents, Will and Beata Shaw met and wed in Enderlin. A/ter he grew up and le/t home, he returned to Enderlin for the hunting season as often as possible. The Enderlin Diamond Jubilee Celebration in July, 1966, was a source 0/ much saJis/action to him, for it was there that he met and visited with many friends from former years. Enderlin was a railroad town with roundhouse and shops, a mujor division point on the main line of the 500. -
Erbacv2 the Books Ch 98A Michael Whelan
Michael Whelan !Ballantine discovered that Burroughs collectors would repurchase titles whenever they were rereleased with new artwork. A Princess of Mars alone had gone through another 8 printings in less than a decade. So another complete set of covers was commissioned and, as impressive as the Gino D’Achilie collection had been, they actually managed to top themselves. !Fantasy painter Michael Whelan’s ! The Chessmen of Mars (13th printing) in (1950 - ) first professional work was on the December 1981 had its painting of the classic Marvel magazine Kull and the Barbarians #1. and oft-repeated Jetan battle scene repeated He quickly established himself as a top sci-fi on the SFBC omnibus titled Return to Mars. and fantasy cover artist. Here he turned in a ! The Master Mind of Mars (11th printing) set of wraparound covers that is some of his in September 1981 recreated Pulp artist Frank best work. A boxed set of the first 4 volumes R. Paul’s perfect scene. Whelen wisely stayed titled The Martian Tales of Edgar Rice Burroughs with the theme. carried the cover from volume 1. ! A Fighting Man of Mars (11th printing) ! A Princess of Mars (16th printing) in was released in December 1981. April 1981 had its cover reused a couple of ! Swords of Mars (13th printing) in decades later for the dust wrapper on the December 1980 was actually the first new Science Fiction Book Club omnibus titled Whelan edition released, and was reprinted Under the Moons of Mars. for the SFBC omnibus titled Men of Mars. ! The Gods of Mars (18th printing) was ! Synthetic Men of Mars (13th printing) in released in November 1982 February 1981 featured the bold choice of ! The Warlord of Mars (18th printing) was showing the hero trapped in the misshapen released in September 1982. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Alternate PDF Version
CONTACTING THE WORLDS OF EDGAR RICE BURROUGHS New Pellucidar Guidebook Published The Gilak’s Guide to Pellucidar by David Critchfield Paperback book $19.95, 143 pages, 8.5” x 11”, perfect binding, black and white interior ink. Publisher’s description: The 7-book Pellucidar series was written by the master storyteller, Edgar Rice Burroughs. Those books told the story of David Innes and Abner Perry’s adventures in the sav- age land at the Earth’s core. This new book by David Critchfield is the one and only guide to Pellucidar. It’s full of information about the Earth’s core: articles, maps, book summaries, family trees, lan- guages, beliefs, publishing histories, a glossary of terms, and a list of articles written about Pellucidar. It’s a must for fans of the series and a handy reference for Burroughs scholars and artists. The book is il- lustrated by Harry Roland with all new Pellucidar art. Visit Roland’s website at www.harryroland.com for more of his artwork. We’re sure you will remember his excellent artwork for A Princess of Mars in Burroughs Bulletin 65 (Winter, 2006). David Critchfield’s The Gilak’s Guide to Pellucidar can be ordered at www.lulu.com. (We’ve checked around and as far as we can tell, this is the only source for ordering right now.) We were delighted to receive a copy of this beautiful book for the Burroughs Memorial Collection, and heartily recommend it for Pellucidar fans. Many oth- er ERB-related titles are available through Lulu.com, including the newspaper novelization by Arthur B. -
Alternate PDF Version
CONTACTING THE WORLDS OF EDGAR RICE BURROUGHS Avatar and Burroughs Bill Hillman’s ERBZINE #3038 covers this subject extremely well by reproducing Michael Sellers’ “Avatar and ERB,” illus- trated with 18 excellent photographs, so we hope you will get a chance to view this at: http://www.erbzine.com/mag30/3038. html. To sum up, James Cameron’s Avatar seems to follow the themes of ERB’s John Carter of Mars where a heroic human male is thrust alone into an alien world. Film maker and critic Michael D. Sellers (a friend of Danton Burroughs) reports that Cameron had Burroughs in mind when he created Avatar, observing: “What was ERB-like was the creation of a complete world with detailed flora and fauna and an indigenous culture that was well thought out and presented in detail that made me think of Burroughs.” Avatar’s hero is “a male warrior in an exotic, alien land, overcoming physical challenges and confront- ing the fears of difference...The biggest similarity for me was the one thing that Burroughs did better than anyone else, and that is to create a world that feels complete. Barsoom became real in my mind...I could have drawn a map of the planet; I could write the history; I even tried playing Jetan; even today, decades after reading the books, I remember the names of the creatures...banth, thoat, calot, orluk, sith. The vividness with which Burroughs created Barsoom, Amtor, Caspak, Pellucidar, and Tarzan’s jungle has been captured for the first time cinematically. And that means the experience of viewing Avatar is every bit as immersive and satisfying as was the experience of reading Burroughs tales and getting lost in the worlds he created.” This is a high-tech film which im- presses ordinary viewers as well as confirmed sci-fi fanatics.