|||GET||| Swimming to Cambodia 1St Edition

Total Page:16

File Type:pdf, Size:1020Kb

|||GET||| Swimming to Cambodia 1St Edition SWIMMING TO CAMBODIA 1ST EDITION DOWNLOAD FREE Spalding Gray | 9781559362542 | | | | | FILM: SPALDING GRAY'S 'SWIMMING TO CAMBODIA' They are stored locally on your computer or mobile device. Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions. Gray, Spalding. One should also consider the layers of storytelling happening here: His monologue is his story of filming a movie: a story about events that really occurred. Seller Inventory F Nov 29, Matt Gibbons rated it it was amazing Shelves: owned-books. Gray weaves in descriptions of the Thai Swimming to Cambodia 1st edition where filming took place and the extracurricular activities Swimming to Cambodia 1st edition which he and Swimming to Cambodia 1st edition colleagues engaged. His life became my life. Initially it appears as st Note: I will be reviewing the movie here instead of the book. The book is more focused on off set incidents and life in an exotic shooti I'm not sure I reacted to this short monologue as intended. Nov 26, Jamie Shrewsbury rated it it was amazing. I kind of just started reading it without any background info. Running time. Anxious, rambling, dark humor that weaves episodes of breathtaking introspection. Gray's roundabout - and peculiarly suspenseful - way of dramatizing the episode's moral and political Swimming to Cambodia 1st edition. Spalding Gray is a sit-down monologist with the soul of a stand-up comedian. I can imagine this being quite a good one-man play, but I don't recommend reading it written down like this. Rating this book only 3 stars kind of hurts, because Spalding Gray was an absolutely great monologist - indeed could be credited with the great re-enlivening of the genre in the late 20th century that lead to all Swimming to Cambodia 1st edition storytelling that we have so much of these days. I'm not sure I reacted to this short monologue as intended. At Cinema Studio 1, 66th Street at Broadway. It is, of course, a written document of a thing that was intended to be performed rather than read. Swimming to Swimming to Cambodia 1st edition is a timeless and inspired odyssey for our time — a high speed adventure that swerves and plunges between outrageous hilarity and chilling revelation. Gray's feature-length monologue brings people, places and things so vibrantly to life that they're very nearly visible on the screen. Lots of interesting ideas that just don't coalesce very well. Joffe replied, ''Perfect! The result is less a I thought this was an interesting and sometimes disturbing ramble through one man's mind. Return to Book Page. The monologue, punctuated by only a couple of well-chosen clips from ''The Killing Fields,'' is pieced together from a couple of different performances of ''Swimming to Cambodia,'' which takes its title from Mr. About this Item Trade Paperback. Although the book is marvelous, one had to see the man perform to truly appreciate him. It made me want to try to write something like it. Foreword by Marion McClinton. Goodreads helps you keep track of books Swimming to Cambodia 1st edition want to read. But they had no scapegoat other than the city-dwellers of Phnom Penh. This title is the re-issue of a cult classic 20 years after first publication - a soul-baring monologue inspired by "The Killing Fields". To accept cookies continue browsing as normal. Gray's epic outpouring, an energy that will touch and transform anyone who hears it. Gray played a small role in ''The Killing Fields. One of my main writing inspirations. Over the course of recounting his filming experience, Spalding seems to struggle to come to grips with new experiences and perceptions that are beyond his traditional understanding. Aug 18, Steve rated it it was amazing. The result is less a navel-gazing, self-indulgent series of musings and more an observational work that pulls us in and grazes a bunch of deeper themes. Payment Methods accepted by seller. First read, this book made a big impression on me. Swimming To Cambodia: The Collected Works Of Spalding Gray (Picador Books) Read more Lists with This Book. Gray emerges as the best raconteur, and least likely film star, this side of Andre Gregory and Wallace Shawn. Views Read Edit View history. Gray performs a monologue in which he discusses his experiences filming a small Swimming to Cambodia 1st edition in the film The Killing Fields. Mar 14, Shelly rated it did not like it. Open Preview See a Problem? These things are vivid reminders of the gargantuan energy that has gone into Mr. This film's arrival in the wake of Mr. It was a combination of monologue as memoir, all mixed up with improv, stand-up and confessional. That being said this was a singular journey for a singular man at a very specific time in his life and history. He may contrast the Gulf of Thailand with the Hamptons. A master writer, reporter, Swimming to Cambodia 1st edition and playwright. Press Quotes 'Virtuosic. The original running time of the performance was a total of four hours long, and it was presented over two nights. Gray's feature-length monologue brings people, places and things so vibrantly to life that they're very nearly visible on the screen. Nick Hern Books Cookie Policy - you'll see this message only once. Nothing in the book was that mind blowing ok, perhaps the apparent frequency of Thai women castrating unfaithful husbands made me shiverthough perhaps in the late eighties some of his readers may have been made uncomfortable. Related Articles. Jul 13, Steven Pilling rated it it was amazing. Stock Image. Community Swimming to Cambodia 1st edition. Convert currency. James Leverett Afterword. Readers also enjoyed. Famed for a kind of emotional exhibitionism that would put Woody Allen to shame, Gray uses himself as raw material. Swimming to Cambodia 1st edition 20, Kelly rated it it was amazing. Condition: Brand New. Spalding Gray is a sit-down monologist with the soul of a stand-up comedian. Running time: 87 minutes. View on timesmachine. Aug 02, Whitney rated it it was amazing Shelves: i- ownnon-fictionmemoir. Biography Memoir. Swimming to Cambodia Store Description Bookseller for over Twenty-five years. Showing Jul 03, Swimming to Cambodia 1st edition Teraoka rated it liked it. Add to Wants. The original running time of the performance was a total of four hours long, and it Swimming to Cambodia 1st edition presented over two nights. His life stories of drugs, sex and idiotic eccentricity were a tale of a lost, floundering and philandering man, sad and uninspiring. Gray's feature-length monologue brings people, places and things so vibrantly to life that they're very nearly visible on the screen. Laurie Anderson's rhythmic, intermittent score, John Bailey's crisp cinematography and Carol Littleton's unobtrusive editing greatly enhance the finished product. Just a moment while we sign you in to your Goodreads account. Gray emerges as the best raconteur, and least likely film star, this side of Andre Gregory and Wallace Shawn. Gray, who has described himself at various times as a ''poetic reporter'' and a ''wandering poet-bachelor- mendicant,'' seems a true adventurer. Convert currency. Rating details. This reminds me of the best of Hunter S. The Lyons. But for me, I found it a sad insight into the mind of an insecure, troubled actor, as he details his participation in Swimming to Cambodia 1st edition movie that was powerful and heartbreaking. Though Mr. Gray talks for an hour and a half and is the central figure in most of his stories, his egocentricity seems minimal. Although the book is marvelous, one had to see the man perform to truly appreciate him. Didn't like it all. As well as offering an eloquent anatomy of South-East Asia, "Swimming to Cambodia" is laden with movie gossip. His life became my life. Press Quotes 'Virtuosic. Aug 02, Whitney rated it it Swimming to Cambodia 1st edition amazing Shelves: i-ownnon-fictionmemoir. Swimming to Cambodia 1st edition will be sorely missed. It seems like every week we celebrate a new personal essay which mingles the big issues of history and politics and gender with reminiscences of trauma or recollections of tragedy. Signed" Spalding Gray" in red ink. Gray jumped off the Staten island bridge in and drowned. Namespaces Article Talk. He indulges himself frequently in various drugs and new age nonsense, is a mass of neurotic notions, immerses himself in gallons of liquor and hires whores I believe that the absurdities that Mr. That passage, and the entire two-hour version of ''Swimming to Cambodia'' that Mr. An investigation into how stories work in our bodies and our lives, from the author of Stories I Ain't Told Nobod AbeBooks Bookseller Since: 03 July New Quantity Available: 1. Apr 16, notgettingenough rated it really liked it Shelves: humour. This title is the re-issue of a cult classic 20 years after first publication - a soul-baring monologue inspired by "The Killing Fields". The book is more focused on off set incidents and life in an exotic shooti I'm not sure I reacted to this short monologue as intended. Gray's hoarseness by the end of the performance, or the froth on his lips. Read more It was on the shelf, and I am trying to clean out the old stuff. https://cdn-cms.f-static.net/uploads/4564160/normal_5fbe72bad1637.pdf https://cdn-cms.f-static.net/uploads/4564893/normal_5fbe8894560aa.pdf https://cdn-cms.f-static.net/uploads/4564229/normal_5fbe7619a8688.pdf https://cdn-cms.f-static.net/uploads/4564860/normal_5fbe69171822f.pdf https://cdn-cms.f-static.net/uploads/4564189/normal_5fbeb1ac26cff.pdf https://cdn-cms.f-static.net/uploads/4565008/normal_5fbea9faa4296.pdf.
Recommended publications
  • Colby College
    Colby College Human Rights in World Literature RU 271, Fall Semester, 2000 Lovejoy 448; M-W-F 9:00-9:50 Julie de Sherbinin x3664 jwdesher The notion of "human rights" arose in the twentieth century in response to violations of horrific proportions all over the globe. Writers have frequently taken up their pens to preserve a record of human cruelty and endurance. In this course we will study works of literature from (or about) some dozen countries that range chronologically from the first half of the twentieth century to the present time. The first four units are organized geographically by continent and consider themes common to the grouping. The final two units bridge geographical regions. Most of the issues under discussion (colonialism, racism, genocide, regimes of terror, environmentalism, native rights) require some knowledge of historical and political context: a weekly lecture or film will provide such a background for the reading. We will approach the texts, however, with the tools of literary analysis. In a broader sense, this means an exploration of how memoirs, poetry, short stories, plays, and novels written by victims of- and witnesses to-some of the twentieth century's most repressive political systems facilitate survival, disseminate information, and insist upon remembrance. In terms of reading, this means that we will pay attention to a writer's narrative strategies, to the texture of language, and to the use of imagery and symbolism. In other words, how does each writer use language, and why? One goal of the course is to improve each individual's skills as a reader, thinker, and writer about literature.
    [Show full text]
  • PRESALES LINE-UP 2021 ©Mastiff
    C=0 M=56 Y=75 K=0 reservoir docs PRESALES LINE-UP 2021 ©Mastiff TEASER LEGACY Password: jazz By Manal Masri (filmmaker of the awardedLetters to a Serial Killer) Sweden • 90’ & 6X30’ 1 PRESALES LINE-UP 2021 • RESERVOIR DOCS Legacy The Scandinavian legacy of American jazz musicians Imagine that Drake, Kendrick Lamar, Beyonce and Cardi B all Production: moved to Scandinavia. They played gigs at local clubs and toured Mastiff school auditoriums all over their adopted countries, while finding In coproduction with partners and having children at the same time. SVT, DR, YLE Budget: This did happen, just in a previous era. From the late 1950s up to 591K€ the 1970s, some of the greatest African-American jazz musicians Expected delivery: moved to Sweden/Scandinavia, making new families and a lasting Winter 2021/2022 musical impression on the country. Assets already available: Teaser, Project description with Legacy is an account of their lives, their music and their families comprehensive cast (Quincy and their legacies. We follow their children, now grown, who share Jones, Clint Eastwood, …) their stories for the first time: about growing up with a world-fa- What we are looking for: mous father, yet getting teased at school about their dark skin. Presales (TV and all rights distribution deals), A European coproduction This series is as much a documentary about music as it is a por- partner, trait of how individual experiences of race, visions of society and a passionate US executive artistic dreams intersect, giving rise to an entirely new musical
    [Show full text]
  • Cultural Analysis of Jonathan Demme's "The Silence of the Lambs"
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1996 Cultural analysis of Jonathan Demme's "The Silence of the Lambs" Arthur S. Almquist The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Almquist, Arthur S., "Cultural analysis of Jonathan Demme's "The Silence of the Lambs"" (1996). Graduate Student Theses, Dissertations, & Professional Papers. 1952. https://scholarworks.umt.edu/etd/1952 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike " - MANSFIELD LIBRARY ' - The University of MONTANA Pennission is granted by the author to reproduce tliis material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not grant permission Author's Signature Date ^ Any copying for commercial purposes or financial gain may be undertaken only with tlie author's explicit consent. A CULTURAL ANALYSIS OF JONATHAN DEMME'S THE SILENCE OF THE LAMBS by Arthur S. Almquist presented in partial fulfillment of the requirements for the degree of Master of Arts The University of Montana 1996 Approved by: Chairperson Dean, Graduate School 5- Date UMI Number; EP35166 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted.
    [Show full text]
  • Moma ANNOUNCES FULL LINE-UP for DOC FORTNIGHT 2018, the 17Th ANNUAL FESTIVAL of DOCUMENTARIES from AROUND the WORLD
    MoMA ANNOUNCES FULL LINE-UP FOR DOC FORTNIGHT 2018, THE 17th ANNUAL FESTIVAL OF DOCUMENTARIES FROM AROUND THE WORLD Presenting over 40 Important New Discoveries in Nonfiction Cinema, a Retrospective of the Documentaries of Jonathan Demme, and Two Week- Long Theatrical Screenings of George and Out Of My Head Doc Fortnight 2018: MoMA’s International Festival of Nonfiction Film and Media February 15–26, 2018 The Roy and Niuta Titus Theaters NEW YORK, January 9, 2018—The Museum of Modern Art announces the full festival line-up for Doc Fortnight 2018, its 17th annual showcase of outstanding and innovative nonfiction film from around the world. This year’s festival, which runs from February 15 to 26, 2018, includes an international selection of more than 20 documentary features and an extensive program of short films, with filmmakers and artists present for discussions following many of the films. These screenings represent the North American, US, or New York premiere of nearly every film featured in the festival—along with the world premieres of Susanna Styron and Jacki Ochs’s Out of My Head (2017), Jeffrey Perkins’s George (2017), Chico Colvard’s Black Memorabilia (2017), Jules Rosskam’s Paternal Rites (2018), Michelle Memran’s The Rest I Make Up (2017), Amy Jenkins’s Instructions on Parting (2018), and more. Doc Fortnight 2018 is organized by Kathy Brew, Guest Curator, with Gianna Collier-Pitts. Featuring documentaries produced in Cuba, the Democratic Republic of Congo, Brazil, France, Mexico, Great Britain, India, Morocco, The Netherlands, Colombia, Swaziland, Canada, Syria, Taiwan, Turkey, South Africa, Peru, the US, and many more countries, this year’s program is dedicated to advocating the vision of storytellers who bring us new perspectives, new frameworks through which to measure and balance our own experiences, and new ways to consider truth in an uncertain world.
    [Show full text]
  • Visionaries Tribute
    DOC NYC America’s Largest Documentary Festival VISIONARIES TRIBUTE NOVEMBER 10, 2016 Is proud to support DOC NYC 2016 And to congratulate MOLLY Netflix congratulates THOMPSON the 2016 Visionaries On receiving Tribute Honorees THE LEADING LIGHT AWARD And for her work on JONATHAN DEMME STANLEY NELSON LIFETIME ACHIEVEMENT AWARDS DAWN PORTER THE ROBERT AND ANNE DREW AWARD A DOC NYC 2016 SHORTLIST FILM MOLLY THOMPSON THE LEADING LIGHT AWARD MAGNOLIA PICTURES CONGRATULATES THIS YEARS DOC NYC SHORTLIST NOMINEES AND VISIONARIES TRIBUTE HONOREES “You’re going to love it. What begins “Captivating and jaw-dropping.” as a profile of a quirky subculture – Sheri Linden, The Hollywood Reporter becomes an online mystery-horror thriller, in which the bogeyman is everywhere.” “A must-see documentary. – Logan Hill, Esquire Tickled is not at all what it seems. A secret world full of villains “ Eye-popping. Countless twists and victims, power and deceit, and too juicy to spoil. It morphs from an offbeat shocks and surprises — you just caper to a disturbing exposé.” can’t make this stuff up.” – Nigel Smith, The Guardian – Kevin Polowy, Y a h o o M o v i e s TICKLED IT’S NOT WHAT YOU THINK. 5 GLEASON DIMENSIONS BUILT AT 100% VISIONARIES TRIBUTE CLIENT: AMAZON STUDIOS Bleed Size: 5.75" W x 8.75" H MECH 01 @ 300dpi AD AE PM AD CD Trim Size: 5.5" W x 8.5" H 10/24/16 THE REFINERY // 14455 VENTURA BLVD // SHERMAN OAKS CA 91423 (818) 843 0004 // WWW.THEREFINERYCREATIVE.COM // FAX (818) 843 0029 CONGRATULATES THE 2016 VISIONARIES TRIBUTE HONOREES VISIONARIES TRIBUTE -AND- Thursday, Nov 10, 2016 / Noon-2pm EZRA EDELMAN, LIFETIME ACHIEVEMENT AWARDS THE O.J.: MADE IN AMERICA TEAM Honoring individuals with a substantial body of work.
    [Show full text]
  • Microfilmed 1996 Information to Users
    UMI MICROFILMED 1996 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed through, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell A Howell Information Company 300 North Zeeb Road, Ann A lter MI 48106-1346 USA 313/761-4700 800/321-0600 I j I MIRRORS OF THE SELF: THE MYTH OF NARCISSUS IN THE MONOLOGUES OF SPALDING GRAY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Diane A.
    [Show full text]
  • AUGUST/SEPTEMBER 2017 at Bamcinématek
    AUGUST/SEPTEMBER 2017 at BAMcinématek The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. JUL 31—AUG 13 In Concert BAMcinématek curates a summer cinematic playlist. In Concert includes Martin Scorsese’s The Last Waltz (1978), Steve Binder’s T.A.M.I. Show (1964), D.A. Pennebaker’s Monterey Pop (1967), and Mel Stuart’s Wattstax (1973), with 21st century contributions to the perennial genre, including: Patrick Paulson and Michael John Warren’s Jay-Z concert doc Fade to Black (2004), Nick Fenton & Peter Strickland’s Bjork: Biophilia Live (2014), Bill and Turner Ross’s recent Contemporary Color (2016), and Will Lovelace & Dylan Southern’s Shut Up and Play the Hits (2012). If you’re looking for Stop Making Sense, fear not, it screens in our Jonathan Demme retrospective! AUG 4—AUG 24 Jonathan Demme: Heart of Gold BAMcinématek pays tribute to the late, great director’s work with a career retrospective. The series includes: Something Wild (1986), Melvin and Howard (1980), Married to the Mob (1988), Philadelphia (1993), Citizen’s Band (1997), The Manchurian Candidate (2004), I’m Carolyn Parker (2011), The Truth About Charlie (2002), Rachel Getting Married (2008), Swing Shift (1984), Last Embrace (1979), The Silence of the Lambs (1991), The Agronomist (2003), Jimmy Carter: Man From Plains (2007), Beloved (1998), Fighting Mad (1976), Caged Heat (1974), Crazy Mama (1975), Swimming to Cambodia (1987) + Accumulation With Talking Plus Water Motor (1978), Cousin Bobby (1992), Stop Making Sense (1984), Storefront Hitchcock (1998), Neil Young: Heart of Gold (2004), Neil Young Trunk Show (2009), A Master Builder (2013), Ricki and the Flash (2016), as well as a selection of Demme directed music videos.
    [Show full text]
  • Associated Press Jonathan Demme, the Oscar Winning Director
    Jonathan Demme Has Died At 73; Director Extraordinaire Won Oscar For ‘Silence Of The Lambs’ Associated Press Jonathan Demme, the Oscar winning director, producer and screenwriter and screenwriter, has died at age 73. I am still trying to get the cause of death and will build on the post today. This is a terribly sad day for Hollywood and especially New York, where Demme lived and where his production banner Clinica Estetico was for so long a catalyst for many memorable films. His death comes as an episode he directed of the new series Shots Fired airs this evening. I’ve learned the cause of death was complications from esophagus cancer. Demme and his wife Joanne Howard have three children — the youngest is Jos, with Brooklyn in the middle and Ramona the oldest, who’s married to James Molloy. They were all with Demme when he died this morning at 3:30 AM in his Manhattan apartment. The family will organize a private family funeral with a memorial possible, but the family is dealing with so much right now, those details will be forthcoming. In lieu of flowers, the family is requesting that donations be made to Jonathan’s cherished charity Americans For Immigrant Justice, which is based in Miami. Born in Baldwin, Long Island, Demme has had one of the great filmmaking careers of his era, rising to prominence in the 1980s with his comedy films Melvin and Howard (1980), Swing Shift (1984), Something Wild (1986) and Married to the Mob (1988). He won his Oscar for directing The Silence of the Lambs (1991) and later helmed the acclaimed films Philadelphia (1993) and Rachel Getting Married (2008), along with many seminal documentaries such as the Talking Heads concert film Stop Making Sense, and Neil Young: Heart of Gold.
    [Show full text]
  • Rachel Getting Married
    Sony Pictures Classics Presents RACHEL GETTING MARRIED Directed by Jonathan Demme A Clinica Estetico Production In association with Marc Platt Productions East Coast Publicity West Coast Publicity Distributor Falco Inc Block-Korenbrot Sony Pictures Classics Shannon Treusch Melody Korenbrot Carmelo Pirrone Erin Bruce Rebecca Fisher Leila Guenancia 850 Seventh Avenue #1005 110 S. Fairfax Ave. #310 550 Madison Ave. 8th fl. New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 Tel: 212-445-7100 Tel: 323-634-7001 Tel: 212-833-8842 Fax: 212-445-0623 Fax: 323-634-7030 Fax: 212-833-5872 42West Leslee Dart Kerry McAleer 220 West 42nd Street 12th fl. New York, NY 10036 Tel: 212-277-7555 Fax: 212-277-7550 RACHEL GETTING MARRIED Credits Produced & Directed by: Jonathan Demme Written by: Jenny Lumet Produced by: Neda Armian Marc Platt Executive Producers: Ilona Herzberg Carol Cuddy Director of Photography: Declan Quinn ASC Production Designer: Ford Wheeler Edited by: Tim Squyres, A,C.E. Original Score by: Zafer Tawil Donald Harrison, Jr. Costumes by: Susan Lyall Co-Producer H.H. Cooper Casting by: Bernard Telsey, CSA Associate Producers: Elizabeth Hayes Innbo Shim Emily Woodburne Music Designed & Edited by Suzana Perić Production Sound Mixer Jeff Pullman, C.A.S Principal Cast Anne Hathaway / kym Rosemarie DeWitt / rachel Bill Irwin / paul Tunde Adebimpe / sidney Mather Zickel / kieran Anna Deavere Smith / carol Anisa George / emma and Debra Winger / abby 2 RACHEL GETTING MARRIED Cast in order of appearance Sebastian Stan / walter Roslyn Ruff / rosa Anne Hathaway / kym Bill Irwin / paul Anna Deavere Smith / carol Annaleigh Ashford / quick stop cashier Zafer Tawil / violin friend Beau Sia / wedding czar Innbo Shim / wedding planner Eliza Simpson / wedding p.a.
    [Show full text]
  • Film Terms Glossary Cinematic Terms Definition and Explanation Example (If Applicable) 180 Degree Rule a Screen Direction Rule T
    Film Terms Glossary Cinematic Terms Definition and Explanation Example (if applicable) a screen direction rule that camera operators must follow - Camera placement an imaginary line on one side of the axis of action is made must adhere to the (e.g., between two principal actors in a scene), and the 180 degree rule 180 degree rule camera must not cross over that line - otherwise, there is a distressing visual discontinuity and disorientation; similar to the axis of action (an imaginary line that separates the camera from the action before it) that should not be crossed Example: at 24 fps, 4 refers to the standard frame rate or film speed - the number projected frames take 1/6 of frames or images that are projected or displayed per second to view second; in the silent era before a standard was set, many 24 frames per second films were projected at 16 or 18 frames per second, but that rate proved to be too slow when attempting to record optical film sound tracks; aka 24fps or 24p Examples: the first major 3D feature film was Bwana Devil (1953) [the first a film that has a three-dimensional, stereoscopic form or was Power of Love (1922)], House of Wax appearance, giving the life-like illusion of depth; often (1953), Cat Women of the Moon (1953), the achieved by viewers donning special red/blue (or green) or MGM musicalKiss Me Kate polarized lens glasses; when 3-D images are made (1953), Warner's Hondo (1953), House of 3-D interactive so that users feel involved with the scene, the Wax (1953), a version of Hitchcock's Dial M experience is
    [Show full text]
  • Diss Filing Draft 12-6-17
    NORTHWESTERN UNIVERSITY Talk Performance: Extemporaneous Speech, Artistic Discipline, and Media in the Post-1960s American Avant-garde A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of Theatre & Drama By Ira S. Murfin EVANSTON, ILLINOIS December 2017 2 © Copyright by Ira S. Murfin 2017 All Rights Reserved 3 ABSTRACT This dissertation narrates the circulation and institutionalization of an emergent category of talk performance within the late-twentieth century US avant-garde through the career trajectories of three artists from disparate disciplinary backgrounds working in and around the 1970s: theatrical monologist Spalding Gray, poet David Antin, and dance artist and filmmaker Yvonne Rainer. All established themselves through more obviously discipline-coherent work before turning to extemporaneous talk as a performance strategy within the shifting critical and cultural environments of post-1960s avant-gardes. Undertaking a comparative study collecting these practices under the label talk performance, this project uncovers the processes by which these artists both resisted and relied upon disciplinary structures, and the media technologies and formats that attend those structures, to configure their work within particular arts discourses. Talk performance becomes a provocative site for understanding how minimalist interventions into formal disciplinary categories helped define the reapportionment of the overall art situation in the aftermath of the 1960s along lines of rhetorical and institutional distinction that still persist. Employing newly available multimedia archives and a historiographic approach to the various narrow disciplinary accounts of the late-twentieth-century American avant-garde that have become standard, this project recuperates traces of an unacknowledged, interdisciplinary set of talk performance practices.
    [Show full text]
  • [ Diversity at UCSB's Art Museum
    Nancy Pierson's "The Judge Gives Himself Life" Diversity at UCSB's Art Museum exhibition. You need not know about art, you designs in colored pencil. Many diffetent and By Judith Smith-Meyer simply need to open your eyes and use them to challenging works iiihabit a common space while Arts and Entertainment Editor see, to look at color, shapes, dimensions and Steve Cortright’s “Domestic Interior,” com­ [ textures and discover what causes you to react, posed entirely of used books, takes repose in a THE NEWLY REFURBISHED UNIVERSITY ART MU- what you like and how you feel when you interact quiet corner niche alone. The softness in tone and seum houses a remarkable array of works by with different pieces. This exhibit is a wonderful simultaneous powerful solidity of Robert members of our permanent and visiting Studio opportunity to not only become acquainted with Thomas’ “ Hand” contrasts with the dynamic Art Department faculty. The great diversity of the artists we call teachers, but also to become instability and bright reds in Gary H. Brown’s the pieces in the exhibit reveals the breadth of acquainted with ourselves. “ An Aspect of Double Connection.” And, while personalities teaching art studio at UCSB and Throughout this showing, a viewer will en­ most pieces seem inextricably bound to the walls offers insight into some people we usually counter great comparisons and contrasts that of the gallery, Rachel Dutton’s vigorous consider in relation to our own accomplishments highlight the distinctive nature of each artist’s sculptures of mixed media, “ Portage” and or those of our peers.
    [Show full text]