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PRESALES LINE-UP 2021 ©Mastiff
C=0 M=56 Y=75 K=0 reservoir docs PRESALES LINE-UP 2021 ©Mastiff TEASER LEGACY Password: jazz By Manal Masri (filmmaker of the awardedLetters to a Serial Killer) Sweden • 90’ & 6X30’ 1 PRESALES LINE-UP 2021 • RESERVOIR DOCS Legacy The Scandinavian legacy of American jazz musicians Imagine that Drake, Kendrick Lamar, Beyonce and Cardi B all Production: moved to Scandinavia. They played gigs at local clubs and toured Mastiff school auditoriums all over their adopted countries, while finding In coproduction with partners and having children at the same time. SVT, DR, YLE Budget: This did happen, just in a previous era. From the late 1950s up to 591K€ the 1970s, some of the greatest African-American jazz musicians Expected delivery: moved to Sweden/Scandinavia, making new families and a lasting Winter 2021/2022 musical impression on the country. Assets already available: Teaser, Project description with Legacy is an account of their lives, their music and their families comprehensive cast (Quincy and their legacies. We follow their children, now grown, who share Jones, Clint Eastwood, …) their stories for the first time: about growing up with a world-fa- What we are looking for: mous father, yet getting teased at school about their dark skin. Presales (TV and all rights distribution deals), A European coproduction This series is as much a documentary about music as it is a por- partner, trait of how individual experiences of race, visions of society and a passionate US executive artistic dreams intersect, giving rise to an entirely new musical -
Cultural Analysis of Jonathan Demme's "The Silence of the Lambs"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1996 Cultural analysis of Jonathan Demme's "The Silence of the Lambs" Arthur S. Almquist The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Almquist, Arthur S., "Cultural analysis of Jonathan Demme's "The Silence of the Lambs"" (1996). Graduate Student Theses, Dissertations, & Professional Papers. 1952. https://scholarworks.umt.edu/etd/1952 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike " - MANSFIELD LIBRARY ' - The University of MONTANA Pennission is granted by the author to reproduce tliis material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not grant permission Author's Signature Date ^ Any copying for commercial purposes or financial gain may be undertaken only with tlie author's explicit consent. A CULTURAL ANALYSIS OF JONATHAN DEMME'S THE SILENCE OF THE LAMBS by Arthur S. Almquist presented in partial fulfillment of the requirements for the degree of Master of Arts The University of Montana 1996 Approved by: Chairperson Dean, Graduate School 5- Date UMI Number; EP35166 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Moma ANNOUNCES FULL LINE-UP for DOC FORTNIGHT 2018, the 17Th ANNUAL FESTIVAL of DOCUMENTARIES from AROUND the WORLD
MoMA ANNOUNCES FULL LINE-UP FOR DOC FORTNIGHT 2018, THE 17th ANNUAL FESTIVAL OF DOCUMENTARIES FROM AROUND THE WORLD Presenting over 40 Important New Discoveries in Nonfiction Cinema, a Retrospective of the Documentaries of Jonathan Demme, and Two Week- Long Theatrical Screenings of George and Out Of My Head Doc Fortnight 2018: MoMA’s International Festival of Nonfiction Film and Media February 15–26, 2018 The Roy and Niuta Titus Theaters NEW YORK, January 9, 2018—The Museum of Modern Art announces the full festival line-up for Doc Fortnight 2018, its 17th annual showcase of outstanding and innovative nonfiction film from around the world. This year’s festival, which runs from February 15 to 26, 2018, includes an international selection of more than 20 documentary features and an extensive program of short films, with filmmakers and artists present for discussions following many of the films. These screenings represent the North American, US, or New York premiere of nearly every film featured in the festival—along with the world premieres of Susanna Styron and Jacki Ochs’s Out of My Head (2017), Jeffrey Perkins’s George (2017), Chico Colvard’s Black Memorabilia (2017), Jules Rosskam’s Paternal Rites (2018), Michelle Memran’s The Rest I Make Up (2017), Amy Jenkins’s Instructions on Parting (2018), and more. Doc Fortnight 2018 is organized by Kathy Brew, Guest Curator, with Gianna Collier-Pitts. Featuring documentaries produced in Cuba, the Democratic Republic of Congo, Brazil, France, Mexico, Great Britain, India, Morocco, The Netherlands, Colombia, Swaziland, Canada, Syria, Taiwan, Turkey, South Africa, Peru, the US, and many more countries, this year’s program is dedicated to advocating the vision of storytellers who bring us new perspectives, new frameworks through which to measure and balance our own experiences, and new ways to consider truth in an uncertain world. -
Visionaries Tribute
DOC NYC America’s Largest Documentary Festival VISIONARIES TRIBUTE NOVEMBER 10, 2016 Is proud to support DOC NYC 2016 And to congratulate MOLLY Netflix congratulates THOMPSON the 2016 Visionaries On receiving Tribute Honorees THE LEADING LIGHT AWARD And for her work on JONATHAN DEMME STANLEY NELSON LIFETIME ACHIEVEMENT AWARDS DAWN PORTER THE ROBERT AND ANNE DREW AWARD A DOC NYC 2016 SHORTLIST FILM MOLLY THOMPSON THE LEADING LIGHT AWARD MAGNOLIA PICTURES CONGRATULATES THIS YEARS DOC NYC SHORTLIST NOMINEES AND VISIONARIES TRIBUTE HONOREES “You’re going to love it. What begins “Captivating and jaw-dropping.” as a profile of a quirky subculture – Sheri Linden, The Hollywood Reporter becomes an online mystery-horror thriller, in which the bogeyman is everywhere.” “A must-see documentary. – Logan Hill, Esquire Tickled is not at all what it seems. A secret world full of villains “ Eye-popping. Countless twists and victims, power and deceit, and too juicy to spoil. It morphs from an offbeat shocks and surprises — you just caper to a disturbing exposé.” can’t make this stuff up.” – Nigel Smith, The Guardian – Kevin Polowy, Y a h o o M o v i e s TICKLED IT’S NOT WHAT YOU THINK. 5 GLEASON DIMENSIONS BUILT AT 100% VISIONARIES TRIBUTE CLIENT: AMAZON STUDIOS Bleed Size: 5.75" W x 8.75" H MECH 01 @ 300dpi AD AE PM AD CD Trim Size: 5.5" W x 8.5" H 10/24/16 THE REFINERY // 14455 VENTURA BLVD // SHERMAN OAKS CA 91423 (818) 843 0004 // WWW.THEREFINERYCREATIVE.COM // FAX (818) 843 0029 CONGRATULATES THE 2016 VISIONARIES TRIBUTE HONOREES VISIONARIES TRIBUTE -AND- Thursday, Nov 10, 2016 / Noon-2pm EZRA EDELMAN, LIFETIME ACHIEVEMENT AWARDS THE O.J.: MADE IN AMERICA TEAM Honoring individuals with a substantial body of work. -
Microfilmed 1996 Information to Users
UMI MICROFILMED 1996 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed through, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell A Howell Information Company 300 North Zeeb Road, Ann A lter MI 48106-1346 USA 313/761-4700 800/321-0600 I j I MIRRORS OF THE SELF: THE MYTH OF NARCISSUS IN THE MONOLOGUES OF SPALDING GRAY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Diane A. -
AUGUST/SEPTEMBER 2017 at Bamcinématek
AUGUST/SEPTEMBER 2017 at BAMcinématek The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. JUL 31—AUG 13 In Concert BAMcinématek curates a summer cinematic playlist. In Concert includes Martin Scorsese’s The Last Waltz (1978), Steve Binder’s T.A.M.I. Show (1964), D.A. Pennebaker’s Monterey Pop (1967), and Mel Stuart’s Wattstax (1973), with 21st century contributions to the perennial genre, including: Patrick Paulson and Michael John Warren’s Jay-Z concert doc Fade to Black (2004), Nick Fenton & Peter Strickland’s Bjork: Biophilia Live (2014), Bill and Turner Ross’s recent Contemporary Color (2016), and Will Lovelace & Dylan Southern’s Shut Up and Play the Hits (2012). If you’re looking for Stop Making Sense, fear not, it screens in our Jonathan Demme retrospective! AUG 4—AUG 24 Jonathan Demme: Heart of Gold BAMcinématek pays tribute to the late, great director’s work with a career retrospective. The series includes: Something Wild (1986), Melvin and Howard (1980), Married to the Mob (1988), Philadelphia (1993), Citizen’s Band (1997), The Manchurian Candidate (2004), I’m Carolyn Parker (2011), The Truth About Charlie (2002), Rachel Getting Married (2008), Swing Shift (1984), Last Embrace (1979), The Silence of the Lambs (1991), The Agronomist (2003), Jimmy Carter: Man From Plains (2007), Beloved (1998), Fighting Mad (1976), Caged Heat (1974), Crazy Mama (1975), Swimming to Cambodia (1987) + Accumulation With Talking Plus Water Motor (1978), Cousin Bobby (1992), Stop Making Sense (1984), Storefront Hitchcock (1998), Neil Young: Heart of Gold (2004), Neil Young Trunk Show (2009), A Master Builder (2013), Ricki and the Flash (2016), as well as a selection of Demme directed music videos. -
Associated Press Jonathan Demme, the Oscar Winning Director
Jonathan Demme Has Died At 73; Director Extraordinaire Won Oscar For ‘Silence Of The Lambs’ Associated Press Jonathan Demme, the Oscar winning director, producer and screenwriter and screenwriter, has died at age 73. I am still trying to get the cause of death and will build on the post today. This is a terribly sad day for Hollywood and especially New York, where Demme lived and where his production banner Clinica Estetico was for so long a catalyst for many memorable films. His death comes as an episode he directed of the new series Shots Fired airs this evening. I’ve learned the cause of death was complications from esophagus cancer. Demme and his wife Joanne Howard have three children — the youngest is Jos, with Brooklyn in the middle and Ramona the oldest, who’s married to James Molloy. They were all with Demme when he died this morning at 3:30 AM in his Manhattan apartment. The family will organize a private family funeral with a memorial possible, but the family is dealing with so much right now, those details will be forthcoming. In lieu of flowers, the family is requesting that donations be made to Jonathan’s cherished charity Americans For Immigrant Justice, which is based in Miami. Born in Baldwin, Long Island, Demme has had one of the great filmmaking careers of his era, rising to prominence in the 1980s with his comedy films Melvin and Howard (1980), Swing Shift (1984), Something Wild (1986) and Married to the Mob (1988). He won his Oscar for directing The Silence of the Lambs (1991) and later helmed the acclaimed films Philadelphia (1993) and Rachel Getting Married (2008), along with many seminal documentaries such as the Talking Heads concert film Stop Making Sense, and Neil Young: Heart of Gold. -
Rachel Getting Married
Sony Pictures Classics Presents RACHEL GETTING MARRIED Directed by Jonathan Demme A Clinica Estetico Production In association with Marc Platt Productions East Coast Publicity West Coast Publicity Distributor Falco Inc Block-Korenbrot Sony Pictures Classics Shannon Treusch Melody Korenbrot Carmelo Pirrone Erin Bruce Rebecca Fisher Leila Guenancia 850 Seventh Avenue #1005 110 S. Fairfax Ave. #310 550 Madison Ave. 8th fl. New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 Tel: 212-445-7100 Tel: 323-634-7001 Tel: 212-833-8842 Fax: 212-445-0623 Fax: 323-634-7030 Fax: 212-833-5872 42West Leslee Dart Kerry McAleer 220 West 42nd Street 12th fl. New York, NY 10036 Tel: 212-277-7555 Fax: 212-277-7550 RACHEL GETTING MARRIED Credits Produced & Directed by: Jonathan Demme Written by: Jenny Lumet Produced by: Neda Armian Marc Platt Executive Producers: Ilona Herzberg Carol Cuddy Director of Photography: Declan Quinn ASC Production Designer: Ford Wheeler Edited by: Tim Squyres, A,C.E. Original Score by: Zafer Tawil Donald Harrison, Jr. Costumes by: Susan Lyall Co-Producer H.H. Cooper Casting by: Bernard Telsey, CSA Associate Producers: Elizabeth Hayes Innbo Shim Emily Woodburne Music Designed & Edited by Suzana Perić Production Sound Mixer Jeff Pullman, C.A.S Principal Cast Anne Hathaway / kym Rosemarie DeWitt / rachel Bill Irwin / paul Tunde Adebimpe / sidney Mather Zickel / kieran Anna Deavere Smith / carol Anisa George / emma and Debra Winger / abby 2 RACHEL GETTING MARRIED Cast in order of appearance Sebastian Stan / walter Roslyn Ruff / rosa Anne Hathaway / kym Bill Irwin / paul Anna Deavere Smith / carol Annaleigh Ashford / quick stop cashier Zafer Tawil / violin friend Beau Sia / wedding czar Innbo Shim / wedding planner Eliza Simpson / wedding p.a. -
Film Terms Glossary Cinematic Terms Definition and Explanation Example (If Applicable) 180 Degree Rule a Screen Direction Rule T
Film Terms Glossary Cinematic Terms Definition and Explanation Example (if applicable) a screen direction rule that camera operators must follow - Camera placement an imaginary line on one side of the axis of action is made must adhere to the (e.g., between two principal actors in a scene), and the 180 degree rule 180 degree rule camera must not cross over that line - otherwise, there is a distressing visual discontinuity and disorientation; similar to the axis of action (an imaginary line that separates the camera from the action before it) that should not be crossed Example: at 24 fps, 4 refers to the standard frame rate or film speed - the number projected frames take 1/6 of frames or images that are projected or displayed per second to view second; in the silent era before a standard was set, many 24 frames per second films were projected at 16 or 18 frames per second, but that rate proved to be too slow when attempting to record optical film sound tracks; aka 24fps or 24p Examples: the first major 3D feature film was Bwana Devil (1953) [the first a film that has a three-dimensional, stereoscopic form or was Power of Love (1922)], House of Wax appearance, giving the life-like illusion of depth; often (1953), Cat Women of the Moon (1953), the achieved by viewers donning special red/blue (or green) or MGM musicalKiss Me Kate polarized lens glasses; when 3-D images are made (1953), Warner's Hondo (1953), House of 3-D interactive so that users feel involved with the scene, the Wax (1953), a version of Hitchcock's Dial M experience is -
Diss Filing Draft 12-6-17
NORTHWESTERN UNIVERSITY Talk Performance: Extemporaneous Speech, Artistic Discipline, and Media in the Post-1960s American Avant-garde A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of Theatre & Drama By Ira S. Murfin EVANSTON, ILLINOIS December 2017 2 © Copyright by Ira S. Murfin 2017 All Rights Reserved 3 ABSTRACT This dissertation narrates the circulation and institutionalization of an emergent category of talk performance within the late-twentieth century US avant-garde through the career trajectories of three artists from disparate disciplinary backgrounds working in and around the 1970s: theatrical monologist Spalding Gray, poet David Antin, and dance artist and filmmaker Yvonne Rainer. All established themselves through more obviously discipline-coherent work before turning to extemporaneous talk as a performance strategy within the shifting critical and cultural environments of post-1960s avant-gardes. Undertaking a comparative study collecting these practices under the label talk performance, this project uncovers the processes by which these artists both resisted and relied upon disciplinary structures, and the media technologies and formats that attend those structures, to configure their work within particular arts discourses. Talk performance becomes a provocative site for understanding how minimalist interventions into formal disciplinary categories helped define the reapportionment of the overall art situation in the aftermath of the 1960s along lines of rhetorical and institutional distinction that still persist. Employing newly available multimedia archives and a historiographic approach to the various narrow disciplinary accounts of the late-twentieth-century American avant-garde that have become standard, this project recuperates traces of an unacknowledged, interdisciplinary set of talk performance practices. -
[ Diversity at UCSB's Art Museum
Nancy Pierson's "The Judge Gives Himself Life" Diversity at UCSB's Art Museum exhibition. You need not know about art, you designs in colored pencil. Many diffetent and By Judith Smith-Meyer simply need to open your eyes and use them to challenging works iiihabit a common space while Arts and Entertainment Editor see, to look at color, shapes, dimensions and Steve Cortright’s “Domestic Interior,” com [ textures and discover what causes you to react, posed entirely of used books, takes repose in a THE NEWLY REFURBISHED UNIVERSITY ART MU- what you like and how you feel when you interact quiet corner niche alone. The softness in tone and seum houses a remarkable array of works by with different pieces. This exhibit is a wonderful simultaneous powerful solidity of Robert members of our permanent and visiting Studio opportunity to not only become acquainted with Thomas’ “ Hand” contrasts with the dynamic Art Department faculty. The great diversity of the artists we call teachers, but also to become instability and bright reds in Gary H. Brown’s the pieces in the exhibit reveals the breadth of acquainted with ourselves. “ An Aspect of Double Connection.” And, while personalities teaching art studio at UCSB and Throughout this showing, a viewer will en most pieces seem inextricably bound to the walls offers insight into some people we usually counter great comparisons and contrasts that of the gallery, Rachel Dutton’s vigorous consider in relation to our own accomplishments highlight the distinctive nature of each artist’s sculptures of mixed media, “ Portage” and or those of our peers. -
|||GET||| Swimming to Cambodia 1St Edition
SWIMMING TO CAMBODIA 1ST EDITION DOWNLOAD FREE Spalding Gray | 9781559362542 | | | | | FILM: SPALDING GRAY'S 'SWIMMING TO CAMBODIA' They are stored locally on your computer or mobile device. Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions. Gray, Spalding. One should also consider the layers of storytelling happening here: His monologue is his story of filming a movie: a story about events that really occurred. Seller Inventory F Nov 29, Matt Gibbons rated it it was amazing Shelves: owned-books. Gray weaves in descriptions of the Thai Swimming to Cambodia 1st edition where filming took place and the extracurricular activities Swimming to Cambodia 1st edition which he and Swimming to Cambodia 1st edition colleagues engaged. His life became my life. Initially it appears as st Note: I will be reviewing the movie here instead of the book. The book is more focused on off set incidents and life in an exotic shooti I'm not sure I reacted to this short monologue as intended. Nov 26, Jamie Shrewsbury rated it it was amazing. I kind of just started reading it without any background info. Running time. Anxious, rambling, dark humor that weaves episodes of breathtaking introspection. Gray's roundabout - and peculiarly suspenseful - way of dramatizing the episode's moral and political Swimming to Cambodia 1st edition. Spalding Gray is a sit-down monologist with the soul of a stand-up comedian. I can imagine this being quite a good one-man play, but I don't recommend reading it written down like this.